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Park Board Auto captions

Monday, April 28, 2025

7:00 PM
Topics tracked across meetings:
Cemetery 10-Year Capital Improvement Plan AB 9006 31/35
Creeks to Peaks: Three Trails Crossing Art AB 7947 3/4
Public Art Relocation 3/3
Section
Topic
2. APPROVAL OF MINUTES
2a
Minutes of March 24, 2025
packet pp.3–4
Staff report:
APPROVAL OF MINUTES a) 03-24-25 Park Board Minutes Page [0000] CITY OF ISSAQUAH Park Board 7:00 PM Tibbetts Manor, 750 17th Ave March 24, 2025 MINUTES NW, Issaquah
4. REGULAR BUSINESS
4a
Creeks to Peaks: Three Trails Crossing Art, (I,D)
30 min · Amy Dukes, Cultural Arts Manager Robin Spear, Park Planning and Development Manager · packet pp.5–16
Topics: Parks
Staff report:
Issaquah Intersection Murals April 6, 2023
4b
Public Art Relocation
Information / Discussion · 30 min · Amy Dukes, Cultural Arts Manager Robin Spear, Park Planning and Development Manager · packet pp.17–22
Topics: Arts & Culture
Staff report:
REGULAR BUSINESS b) Robin Spear, Park Planning and Development Manager
4c
Capital Improvement Plan Update
20 min · Robin Spear, Park Planning and Development Manager Hasanthi Hoglund, Department Operations Specialist · packet pp.23–28
Topics: Budget
Staff report:
REGULAR BUSINESS c) Robin Spear, Park Planning and Development Manager Hasanthi Hoglund,
5. REPORTS
5a
Director's Report
5b
Chairperson's Report
0:16 I do not know how to do that.
0:22 >> Okay. So, in theory, we're all
0:24 >> What is that?
0:26 >> I think it's maybe your screen. That's
0:29 what's on your screen.
0:32 >> Are you sharing?
0:37 >> You got that? I've never had that
0:38 happen, but I've had like these warnings
0:40 about it.
0:41 >> You're like in the
0:43 >> infinite mirror.
0:43 >> Uhhuh. What is I've never ever seen this
0:47 or have this happen.
0:48 >> You're You're sharing your screen, which
0:50 is sharing your screen, which is sharing
0:51 your screen, which is
0:54 why Rachel is also not Rachel. And
0:57 Rachel obviously is gonna be
1:00 >> there's that.
1:01 >> Yeah.
1:02 >> And Albert's I think out of town. Do I
1:04 join?
1:05 >> Chris is still out of town, right?
1:07 >> What does that mean?
1:10 >> Caroline, Treasure,
1:15 >> Tracy. Um,
1:18 yeah Tracy.
1:21 So, we might only be
1:23 >> Well, I'm fine.
1:26 Okay, Amy, I'm really confused.
1:28 >> What's happening?
1:28 >> So, no.
1:31 >> You're sharing.
1:32 >> So, I'm already sharing.
1:33 >> Yeah, you're good.
1:36 >> I don't need to double share.
1:39 >> That was the double share. Sorry.
1:42 >> Yeah. No, you're good. And then I'm
1:44 going to join and just make sure I can
1:46 share so that I can present from here.
1:50 But where do I start recording?
1:53 >> Oh,
1:53 >> I thought I had to join the mute.
1:56 >> Did you not join the meeting?
1:58 >> I did, but that's when I started getting
2:01 >> the trick.
2:02 >> And right now you're I'm plugged in.
2:06 >> Oh, that's why.
2:07 >> Is that Should I unplug? Um, so
2:11 are you just
2:15 Hold on one second. Let me join the
2:16 meeting and see what I see because I'm
2:19 not sure if we're seeing what's in the
2:21 room.
2:21 >> Okay.
2:22 >> Or Hold on one sec. Let me join.
2:24 >> I thought I had to join first.
2:41 >> Maybe I should comment.
3:06 Yeah, like you're sharing the recording
3:10 has not started.
3:12 Um,
3:14 if you're on team,
3:19 >> what about unable?
3:21 >> Yeah, I'm not sure if you need to be um
3:24 to it, but you're going to need to join
3:27 the meeting again.
3:31 >> Yeah.
3:33 >> Yeah. Just I would just join from your
3:37 laptop and not worry about hurting.
3:39 You're getting away from it.
3:46 >> Over there.
3:47 >> Oh, default right to you.
3:49 >> See that one? It it likes you.
3:51 >> So, Rachel,
3:53 I can't believe
3:54 >> Rachel, this is your opportunity right
3:56 now.
3:58 >> Oh, is that the popular? That's what
4:00 >> No, that's sort of the default.
4:02 >> So, nothing's happening and it'll just
4:04 be on you for
4:06 >> No, no, it may not. They'd be different.
4:08 might have just been me. You're your
4:10 fault.
4:12 >> We're gonna find out. There were their
4:14 meetings are recorded, too.
4:17 >> Watch yourself.
4:42 That's awesome.
4:52 >> Yeah.
4:58 four hour delay. I was totally fine.
5:02 Cool.
5:11 Let me try real
5:14 >> and then I'll
5:32 >> learn
5:40 I think we got it set up. I'm not sure.
5:52 >> No, because I'm not
5:54 put up
6:00 that
6:11 coach baseball team.
6:12 >> Oh yeah,
6:15 >> I bet you there's
6:21 Red Sox, the Yankees, all of it.
6:27 Yeah.
6:38 >> Yeah. Good times.
6:58 being
7:19 happy.
7:43 I do not
7:49 face.
7:50 It might be set automatically.
7:54 >> You can ask about the uh she might have
7:57 said
7:58 >> what's up. What can I help with?
8:01 >> Is the recording
8:03 >> set to record automatically?
8:05 >> You know, it is. I can see that it's
8:07 already recording. So, we can just cut
8:10 the first part. Um,
8:14 >> want to make sure
8:17 >> we got we went down the list and got
8:19 everything.
8:20 >> Okay.
8:21 >> I think that's a new feature. Microsoft
8:23 just like changed teams.
8:25 >> So, it now like records automatically
8:28 when it starts the meeting, which is
8:30 weird.
8:33 >> Yeah.
8:35 We can just cut it until we actually
8:38 start the meeting and then
8:45 >> Okay.
8:56 I can't
9:10 >> good evening.
9:12 at 7 PM and as chair of the park board,
9:15 I'll
9:17 share calling the meeting to order. Uh
9:20 and this is a joint meeting with the
9:22 arts commission and um never done one of
9:26 these, but Rachel, if you're good, we'll
9:28 call a meeting to order.
9:30 >> Okay. Thank you. Um we're pretty
9:31 informal here. We mostly just sort of
9:34 raise a hand or let out a peep that we
9:37 want to speak. other. It's not too
9:39 formal, but however you want to do it is
9:41 fine with us.
9:42 >> Pretty much sounds like how we roll.
9:43 >> Okay. I mean, I know other groups, you
9:45 know, do this kind of thing. We do that,
9:47 too. But, um, okay. Well, then I'll, um,
9:50 I'll take ro for the park board and then
9:52 if you want to take for commission and
9:55 we'll go from there. Uh, okay. So, Katie
9:59 Bell,
10:01 Andrew Alan has an excuse absence. Go,
10:04 I'm here. David Lube here.
10:07 Uh Tim Mley, do we have Tim? He's
10:10 usually online.
10:13 Uh not that we know of, but we'll
10:15 >> He should be joining.
10:20 >> Tim, if you're online somewhere, try to
10:22 speak up.
10:24 Let us know.
10:26 Uh Brian Olsen
10:28 >> here,
10:29 >> Marlene Waxy
10:30 >> here. Uh Paul Adair
10:32 >> here,
10:33 >> Martha Gentner
10:34 >> here,
10:35 >> and uh Mary Stevens has an excused
10:38 absence and this would have been her
10:39 last meeting. Uh so we all wish her
10:42 farewell and then that's it for us. So
10:46 if you want to do yoursel
10:50 Yeah, we this we are even less fortunate
10:53 than you.
10:55 Um so Tracy,
10:58 you can say here or something. people
11:00 here.
11:01 >> Um, Kimberly has an excused absence. Um,
11:06 Rachel Wright is here.
11:08 >> Tina Hayes
11:09 >> here.
11:09 >> Um, Chris Craraven is out of the country
11:11 and has an excused absence. Rachel,
11:14 Rachel is online, I can see. Um,
11:18 >> here. Yep.
11:19 >> Thanks, Rachel. Um, Albert has an
11:21 excused absence. Treasure
11:23 >> and Caroline.
11:25 >> Awesome. Thanks, guys.
11:27 >> Okay. And then I don't think we have any
11:29 action items today, but I believe we
11:31 have a form whichever way we might need
11:34 it. So that's great. Um I'll do the
11:37 parks approval of minutes real quick in
11:39 the new year. So uh did everybody on the
11:42 parks board get a chance to look at the
11:45 minutes from the last meeting? Any
11:47 corrections or revisions?
11:51 And with that, the previous meeting
11:53 minutes are approved
11:56 >> and we are sending ours to
11:58 >> Okay. Uh then I guess we move right into
12:01 public comments if we have any.
12:04 >> Um Corey, I think you're on.
12:08 >> Hi everyone. I'm Corby Castler. I'm the
12:10 executive director of the downtown squad
12:12 association. And this Friday, May 2nd,
12:15 we will be putting our first arts
12:17 commission grant to work with the wine
12:19 and art walk. So, I hope to see you all
12:21 down on Front Street on Friday 6:00 to
12:24 9:00 p.m.
12:29 And that was it. Thank you.
12:31 >> Thank you, Dory. Sweet.
12:33 >> Thanks.
12:35 >> Anyone else?
12:39 >> Not seeing anyone or knowing one of
12:41 anyone speak up later. We'll let you
12:43 back in. Um we'll move into regular
12:45 business. And the first item is the
12:48 creeks to peaks three trails crossing
12:50 presented by AP Dukes. Right.
12:54 >> Did you want to go first?
12:57 >> Yeah. So, hi everyone. I'm just going to
13:00 jump in real quick. Um, arts
13:02 commissioners, welcome. Sorry to be
13:04 missing you in person. And parkboard,
13:07 this is probably my last parkboard
13:09 meeting seeing you all virtually for a
13:11 little bit. Um, I just wanted to jump in
13:14 and do pro sort of our other business
13:16 items just at the top of the meeting
13:18 real quick. Um, so I can jump off. But
13:21 just a reminder that our next meeting is
13:24 on May 19th, which is not our normal
13:28 fourth Monday of the month. Um, it's
13:30 going to be the third Monday because of
13:32 Memorial Day and that we will be
13:35 electing a new chair and vice chair at
13:39 that meeting. And by we, I mean you all,
13:41 cuz I probably won't be there. Um, so,
13:46 uh, if anybody is interested in the
13:49 position, has some questions, or wants
13:51 to chat about it, please feel free to
13:53 reach out to Jeff, um, or Robin, and
13:56 they'll connect with you and sort of
13:58 talk to you about what that position
14:00 entails. I'm sure Chris or Marlene
14:02 having served in the role very well over
14:06 the last couple of years would be happy
14:07 to share some experience as well. Um it
14:11 does mean that we will be taking action
14:13 at the next meeting. Uh so for those of
14:16 you as you're looking at schedules, if
14:18 you can make that meeting, great. We
14:19 will need to at least have a quorum. Um
14:21 and if we need any of our um alternate
14:25 members to act as regular members, we'll
14:28 sort of make that determination. um at
14:30 the next meeting and there will be some
14:33 new members joining us at the next
14:35 meeting as well. There's one that's
14:37 online here just sort of Hannah's here
14:40 um watching to see what the procedures
14:42 are kind of like. Um but there will be
14:44 four new members next week. So you'll um
14:48 meet Hannah, Diana, Jeff, and Jane. Um
14:53 and I'm sure we'll do some sort of
14:55 introductions and they will also be Hi
14:58 Hannah. Um they'll also be doing um uh
15:03 they'll be voting on the action to to
15:07 choose chair or vice chair. Um and then
15:10 the last thing I just wanted to sort of
15:12 remind everybody is over the summer we
15:15 will likely do a tour for the park
15:18 board. Um we haven't done it in the last
15:20 couple of years, but we typically go to,
15:23 you know, some locations that are slated
15:25 for upcoming capital projects um or look
15:30 at something that's like currently under
15:32 capital project um review. And so I put
15:36 some options in the um our email, but
15:40 potentially thinking about sort of
15:42 Tibbitz Valley Park being one of the
15:44 locations. Um maybe going up to the
15:46 Central Park fields and looking at the
15:48 athletic fields space up there. Um so
15:51 start thinking about locations you might
15:54 want to go as a board to tour. Um and
15:58 that can be discussed at the June
15:59 meeting with Robin and Jeff. and then
16:03 we'll get that scheduled for July.
16:06 Um, and that's kind of all I've got. I'm
16:09 gonna probably pop off of here for a
16:11 little bit. Um, but thank you so much.
16:14 It's been great working with all of you
16:15 and I know you'll be in great hands with
16:18 Robin and Jeff and Amy and Robin tonight
16:20 for this presentations. Um, and
16:25 we'll be in touch in the fall.
16:28 >> Good luck, Cassandi.
16:30 >> Thanks everyone. And
16:35 >> okay, so now I guess we'll go to the um
16:39 regular business item of the
16:43 Oh, I have an old one popped up. Sorry.
16:44 Oh, here it is. Um the crease peaks
16:52 >> or is intersection murals.
16:56 >> Yeah, it has many names. So I am going
16:59 to Robin do you mind just giving sort of
17:02 the overview of the project before we
17:04 launch into the art?
17:06 >> Yeah sure. So in our parks system update
17:10 our 2024 plan we came up with uh
17:14 collectively between us and and the
17:16 community came up with the idea of
17:18 creeks to peaks. And as we went through
17:21 the process, we realized that we really
17:24 this is one of those cities where we
17:26 could actually have all the parks and
17:28 all the trails connected and thus Creeks
17:31 to Peaks was born. So this is one of our
17:34 very first projects for Creeks to Peaks.
17:36 We call it the three trails or the
17:38 Isiqua intersection murals, but we're
17:40 we're really calling it the three trails
17:43 um project. And it's a kickoff of the
17:48 intersection of Lake Mammish, East Lake
17:50 Samish Trail, the Rineer Trail, and the
17:53 Juniper Trail. And um it's right on
17:56 Gilman at the intersection.
17:58 If we have a map on that one, let me
18:01 switch to that.
18:02 >> Sure. Oops.
18:06 >> Yeah. But this is kind of just our pilot
18:09 project and our kickoff project to
18:11 really introduce the concept, to
18:13 highlight the concept, and and make sure
18:15 everybody is a a recognizable project.
18:19 I don't know if you want to go through.
18:21 >> Yeah, I was going to share
18:24 >> share the the artwork and this is
18:27 theation.
18:29 Do you want to speak to the anything
18:31 about the location before we look at the
18:33 cont?
18:33 >> Sure. So, initially we looked at some
18:35 ideas for asphalt art um and realized
18:39 that this would be a really nice place
18:41 to start this off. Uh what we'd like to
18:44 do though is really focus on the four
18:47 corners of the intersection. And I don't
18:49 know if you know about if you've been
18:51 out here it's what's called a scramble.
18:54 I think it's only one in the city but
18:56 where you can cross diagonally and that
18:58 really emphasizes that north south and
19:01 east west connection. Um but we really
19:04 wanted to highlight the corners uh
19:06 everything on the sidewalks above the
19:09 ramp area. We couldn't touch the ramp
19:11 area because of ADA restrictions and we
19:14 don't want to mess anybody up with that
19:16 one. Um, so here's our four corners. Uh,
19:20 you'll see just a aerial view on the top
19:25 and want to go to the next
19:33 >> I don't know if you want to dig into the
19:35 concept. So, um, we worked with, uh,
19:37 artist Jake Wagner, who we worked with
19:40 previously. He's actually the artist
19:42 that, um, we, um, worked with to design
19:45 our creative district logo. Um, you
19:47 might have seen it on a couple of
19:50 utility box wraps, uh, around town and
19:53 specifically in our creative district.
19:56 Um, and he came up with multiple
19:58 concepts for you all to kind of give us
20:01 some feedback on tonight. Um so the
20:04 thinking would be to have each of the
20:06 four corners have a really kind of
20:08 signature um graphic kind of artistic
20:12 element. Um and then uh we are also
20:16 speaking with public works to try to get
20:20 some uh visual crossing um that's maybe
20:24 in a color other than the typical white
20:27 um to emphasize the scramble. So that
20:30 piece is hopefully going to play along
20:32 nicely with the installation of the
20:34 mural. Um but it is kind of a separate
20:37 item. So the thing that we wanted to
20:40 share with you this evening is really
20:42 the artwork concepts um for the mural
20:46 pieces, the asphalt art pieces at the
20:48 corners. Um, so Jake came up with a
20:51 couple of different um, these are really
20:54 preliminary designs and we thought we
20:58 would have you all give us feedback. Um,
21:01 we'll see kind of we'll see how the
21:03 conversation flows and goes. I know Arts
21:05 Commission is a lot more um, kind of
21:07 used to having these conversations about
21:10 design and artwork. Um, but we'll chat
21:12 about the concepts and then if we have
21:15 consensus or if there's a certain way
21:17 that that it's leaning, our next step
21:19 would to be to go back to the artist and
21:21 have him refine the design that you all
21:24 kind of are leaning toward. Um, or, you
21:27 know, if if there isn't a clear
21:29 consensus, then we'll probably have him
21:31 do some refining on multiple concepts
21:33 and then it would come back to you. Um
21:36 the timeline overall is that uh he is
21:39 going to paint in late summer. Um we
21:42 have such a short window for doing mural
21:45 work in the Pacific Northwest and so um
21:48 we're really hoping to get this
21:50 installed in like August or September at
21:54 the latest. Um we are waiting a little
21:57 bit on um a grant request to the
22:00 legislature that could help boost um
22:03 boost our budget for the project.
22:06 >> Um so did I don't know if you all took a
22:10 look at them prior to the meeting but
22:12 this is and we didn't really we didn't
22:14 really name them.
22:15 >> Not really like concept number one. Um,
22:18 so this one I can just read. Um, let's
22:22 see. Do I have
22:25 No. Okay. So, these are the four corners
22:28 and this one is is a little bit uh
22:30 literal. Um, the Reneer um image is at
22:35 the corner of Reneer Boulevard. Um the
22:39 the images that look like the lake are
22:42 as you're heading towards Lake Seamish
22:44 or coming from Lake Seamish. And then
22:46 that bottom right um image is of juniper
22:51 leaves and that's kind of where the
22:53 juniper trail is.
22:54 >> Um so this one is just kind of our
22:58 beautiful natural environment. Um and
23:01 then I think what I'll do is just go
23:03 through the three concepts and then we
23:05 can chat about them.
23:08 Um, just to note there is, you might
23:10 have noticed there's a little bit of
23:11 logo embedded in the images and that's
23:14 just a placeholder. So, Jake is also
23:16 going to work on creating a Creeks to
23:18 Peaks logo and which will hopefully be
23:22 able to um get designed and installed uh
23:26 at the same time as the mural work.
23:30 So, here is a little bit more closeup of
23:35 this concept.
23:38 I think these are so interesting because
23:39 it was a snowy day when they took the
23:43 like extra atmosphere. Um, and then here
23:46 are the corners that kind of face the
23:49 lake.
23:52 Okay. And so then this is concept two.
23:55 Um, it's kind of a topography uh
23:58 concept. There are um two concepts that
24:01 kind of have this more uh topography
24:04 design. This one is a little bit more
24:07 bold and graphic and kind of the lines
24:09 are a little bit more demarcated and
24:12 clean. Um,
24:14 I do not think, correct me if I'm wrong,
24:16 Robin, I don't think that this
24:18 topography is specific exactly to the
24:23 actual locations, but it's something
24:24 that we talked about with Jake that
24:26 maybe we would want to try to make it
24:28 more specific. I think that the water um
24:32 maybe does represent Lake Samish, but
24:34 the others may be a little less
24:36 specific.
24:38 Um and so here
24:41 uh is a closeup of those corners
24:46 and
24:49 the other corners. So just so you get a
24:52 sort of feel for that one. And then the
24:54 third concept is
24:57 I think I'm blow up. Nope.
25:00 >> More topo.
25:01 >> More topo. Um, so this one is sort of a
25:04 riff off of the one we just saw, but a
25:09 little bit more loose and a little bit
25:12 more natural. Um, and a little less kind
25:14 of harsh in its lines. And I I mean
25:17 harsh in a negative way, but just a
25:19 little bit more a softer um kind of
25:22 approach to the graphic design.
25:26 And
25:28 and also um this one is a little bit
25:30 more uh has a little bit more free form
25:33 on the edges as well. So kind of spreads
25:35 out a little bit more gently than the
25:37 other one. Um you can see in this
25:39 closeup.
25:41 Again, I don't know that these are super
25:44 specific to the location, but that's
25:46 probably something that Jake would work
25:47 on refining if if this is selected. And
25:52 then here is another nice large closeup
25:56 of this one. This one also um is a
26:00 little bit uh uses less paint um and is
26:05 making use I think of some of the
26:07 sidewalk
26:08 as you know kind of contrast negative
26:11 space.
26:13 So those are the three that's the last
26:15 slide. Yeah.
26:17 And the parameters we gave him were
26:19 around creeks to peaks. We wanted him to
26:21 include Isiqua Alps, obviously all the
26:23 mountains, uh, creeks and our waterways
26:27 and see the lake Sam and just our
26:29 natural fabric. Um, and contrast between
26:33 the valleys and and the peaks. So to tie
26:36 into that, so he came up with three
26:38 really interesting, really great
26:40 concepts. Um, very bold colors, which is
26:43 what we wanted. We want to make sure
26:44 that the intersection and the the
26:47 crossing is as safe as possible. Right
26:49 now, it's a little difficult to see what
26:52 you're actually supposed to do, and the
26:53 signs are small. So, we wanted to pop
26:55 that out as much as possible and make it
26:58 as visual and interesting as we could.
27:02 And they they will um naturally fade a
27:05 little bit over time, although he is
27:07 using some fairly new and innovative
27:10 materials, so they should hold the color
27:12 pretty well. Um, but I think he did
27:14 start out with very bold colors,
27:16 partially for that reason.
27:19 So, um I just invite you all to
27:24 have the disc,
27:27 right?
27:28 >> Yeah.
27:30 >> Um I was curious, did you check in at
27:33 all with like uh the police department
27:34 or anyone to see if they had any design
27:36 brief parameters on safety um prior to
27:40 this? I'm just looking at the things
27:41 that are like little lines that can
27:42 sometimes denote traffic or etc. Period.
27:46 We checked in with um our public works
27:49 um transportation folks to make sure uh
27:53 where along the um asphalt we could
27:57 paint and where we couldn't paint.
27:59 >> Um and we have shared this with them and
28:01 they feel like any of these would be
28:04 acceptable.
28:05 >> Um but yeah, we do need to maintain that
28:08 high contrast yellow um striping there
28:11 to to show where the curb um starts.
28:16 Then my other question was just I think
28:18 you briefly mentioned it about sort of
28:20 the length of time that this would last
28:22 and then I know um with the
28:25 environmental board um and our team kind
28:27 of curious about like what paint we're
28:29 using as we're close to storm sewers and
28:32 all that stuff like like what are we
28:34 what what are we using as it relates to
28:36 sort of paint what's the runoff?
28:38 >> Yeah. All of that has to be approved. Um
28:41 but the the painting that or the paint
28:45 product that he is using he has used in
28:48 um previous municipal projects. Um the I
28:52 think the largest one he did was in
28:53 Pierce County at Rustin Point. Um and it
28:57 has lasted I think he said what like
28:59 seven or eight years.
29:01 >> Um without touchup which is pretty
29:04 amazing. Um, we tend to be pretty good
29:06 about maintaining our artwork and
29:09 touching up at least every other year.
29:11 Um, but yeah, any product that we use
29:14 will have to get approved um by the city
29:18 not just the arts commission.
29:22 >> Okay, you look great. So,
29:24 >> I think we should say the paint is
29:26 rather thick, so that kind of limits how
29:29 very detailed we can get on it. So
29:32 that's why the images are a little bit
29:34 um I don't want to say blockier in a
29:36 good way blockier uh a little more
29:38 graphic
29:40 in less detail just cuz it it would be
29:42 really difficult for him to do that.
29:44 >> And it dries um it dries really quickly
29:47 um which is a good thing because then
29:48 that reduces the chance of it you know
29:51 um getting into the environment farther
29:54 away. Um, but he has to work pretty
29:56 quickly too. So he that's
29:59 keeping the shapes pretty large and
30:02 simple.
30:03 >> So So basically, I'm sorry, just to kind
30:05 of reaffirm what Marlene say. So it
30:07 would be safe in case you know if
30:09 there's it's raining or whatnot, what
30:11 goes down into the drain and it's so
30:14 close to the creek that there won't be
30:16 any harms to the sands and all.
30:19 >> It will be um Yes. And it will be sealed
30:22 too. Um but it also from a different not
30:25 an environmental safety um standpoint
30:27 but from another safety standpoint we
30:29 also have to include um a grit within
30:32 the paint so that it's not
30:36 as well. So all of those um
30:39 considerations are kind of like our very
30:41 base like those will all taken care of.
30:44 Yeah. Um so thanks for bringing those
30:48 up. That's good to point out.
30:51 Uh well towards design I'd say
30:54 personally my you know boating or
30:57 whatever what appeals to me the best is
30:58 the first design. Okay
31:00 >> I feel like that conveys concept the
31:02 best of you know the whole three trails
31:04 identity that this the each trail
31:06 represents a different destination more
31:09 or less that you could go to from here
31:12 and so thus in terms of concept I feel
31:14 that that conveys that the best as well
31:15 as just has a very striking look to it.
31:17 you know, you drive up there and like
31:19 see Rainineer there on the on the
31:20 sidewalk. It's kind of really catch your
31:22 eye and draw you in, ask the questions,
31:25 what is this, why is it here? Oh, it
31:26 takes me back to that viewpoint, you
31:29 know? So, for me, I really like that as
31:31 the concept more so than the
31:33 topographies. The topographies get a
31:35 little off for me in terms of what it's
31:37 convey.
31:39 >> So, a little more literal translation of
31:41 it.
31:42 >> Yeah.
31:42 >> Kind of shows it shows it off better.
31:45 Okay.
31:47 Tim's got his hand up.
31:48 >> Oh, Tim.
31:51 >> Hi. Thank you. Yeah, these are all
31:53 great. I I have a question. Uh this the
31:56 slide that you have up right now, the
31:58 bottom right hand image, there's the
32:01 large kind of white speckled area on the
32:04 top. What is that?
32:06 >> That is snow.
32:11 >> Yeah. Um we we kind of leapt out and
32:14 were able to get a drone out there right
32:16 as after one of the the snow falls or
32:19 right as the snow melted off the
32:21 concrete. So we were a little worried
32:23 about that. But um picture that green.
32:26 >> Yeah.
32:26 >> So that's that's snow. That's actual
32:29 snow. That's not snow. That's part of
32:31 the design.
32:32 >> No, no, no. That's actual snow.
32:34 >> That is actual snow.
32:37 >> It blends in really nicely to the design
32:39 though, I think. Mhm.
32:40 >> Do you think we need then that's
32:42 actually a bit of um good thing to point
32:45 out. Do you think we need a stronger
32:47 contrast along the edge where we do have
32:50 lawn area to delineate that so no one
32:54 gets confused?
32:55 >> Yeah, I I think that might be useful. I
32:57 mean, it's hard looking at this small
32:59 two-dimensional image and knowing part
33:00 of its snow and part of its uh design.
33:07 per perhaps
33:09 um but I would also echo the comment on
33:12 the first set of images being the ones I
33:15 would lean toward for the community. Um
33:21 I you I've been a hiker all my life and
33:23 when I see topo lines it makes me happy.
33:26 So, it's personally I like the ones with
33:28 the topo lines kind of on it, but I
33:30 think for the general community, there's
33:31 a lot of people that don't know what a
33:32 topo map is and they're going to look at
33:35 that and be kind of like confused. And u
33:39 so for overall breadth of appeal, I
33:44 would say the first set of images.
33:50 Great.
33:53 >> Um I' I'd say, you know, I you're
33:57 looking at the pictures um from a drone
34:00 shot is the average person seeing is
34:02 going to be between like three and five
34:04 feet off the ground where they're
34:06 looking down. Uh, and to me
34:11 I actually like the topos better, but
34:13 the imagery of the first concept I think
34:16 actually lends itself towards if you
34:17 were standing there at that intersection
34:19 and you look down, you see the juniper
34:21 plant or the juniper berry or a big
34:23 mountain radiator or a big piece of
34:24 lake. I think it calls out more than if
34:27 I'm just standing over a squirrely line
34:30 >> um of what I'm trying to see if really
34:32 you're only looking like this much area.
34:34 Um, that's kind of how I I thought when
34:36 I did float this through the house and
34:38 everyone in the house like better.
34:42 So, yeah, I just kind of looked at it as
34:44 like if I'm here looking at it, I'm not
34:47 seeing it in this form.
34:51 >> Yeah. Along the same vein on concept
34:53 one, I do like concept one best. Um,
34:56 it'll change the arc, but is there a way
34:58 to do like perspective? So, if you're
34:59 standing at the intersection, you
35:01 actually see the mountain as you're
35:02 looking. You know what I'm talking
35:02 about?
35:03 >> Oh, yeah. Yeah. how it kind of just
35:04 >> like a visual perspective versus we only
35:07 appreciate it 100 ft and then you're
35:09 like
35:12 >> right
35:14 >> or some depth in there.
35:16 >> Yeah.
35:16 >> Right.
35:18 >> Those kinds of course perspectives if
35:20 you move it has to be from one spot if
35:22 you move into a different
35:23 >> No. Yeah. I I totally get it but
35:26 >> falls off.
35:26 >> Yeah.
35:27 >> I I don't know though that looking at
35:29 the Can you scroll up to the first
35:33 I think um
35:36 I was wondering about that too of like
35:37 if I was standing on the Mount Reader
35:39 Park, would it read like a mountain?
35:41 Would I be able to see it like that? How
35:44 how big? I'm remembering like how big
35:46 that intersection is.
35:47 >> I think of the three, this is the one I
35:49 like the most, but I would
35:50 >> also really love if there was like a way
35:54 to color code the corners like subtly.
35:58 So there could be like um a transition
36:01 that occurs. I I think the they are
36:05 similar enough where we're seeing like
36:06 full picture, but I wonder if like one
36:08 side is warmer, even the side to like
36:11 the east or the west, you know, warmer
36:14 colors and then cooler colors like the
36:16 north and the south. Um, I see in Jake's
36:19 work mostly
36:21 his street work is like solid color
36:24 blocking and I'm assuming that's for
36:26 like the process and application, but if
36:29 there was a way to
36:31 like transition the color even within
36:33 the block, I think that would be really
36:35 interesting and that could play into the
36:38 paint that's happening crosswalk itself.
36:41 like the transition color
36:43 >> if you could kind of blend it across
36:45 >> just to emphasize that
36:47 >> basic
36:52 maybe are now in like a sunset
36:59 >> the badging where it says creeks to
37:00 peaks but then the three different
37:02 colors are those meant to be waveind
37:05 trails or are they just meant to say
37:07 creeks peaks as branding
37:09 >> um yeah He actually used different
37:12 colors because he was suggesting that um
37:17 that the color would allude to what type
37:21 of trail it was. Um so he had sort of
37:25 come up with a a suggested system, but
37:29 we felt like it was complex and it would
37:33 only work if we were going to really
37:35 actually be able to um to produce it all
37:39 over the city. Um, but he he kind of
37:41 thought of this whole system which was
37:43 pretty cool. Um, but I think what what
37:46 we've ultimately asked him to do is just
37:48 come up with a logo for Greasy Peaks.
37:50 But he was thinking about it kind of and
37:52 somewhat what you mentioned Tina um as a
37:55 way to kind of u let you know where you
37:57 were going um and that it would be
38:00 visually intuitive.
38:03 Just along with you just along those
38:05 lines though I think it is the creative
38:07 district there's a real opportunity to
38:09 think about how this could in different
38:12 areas maybe it's too much to do along
38:14 the city but to have that sense of these
38:16 are the thresholds going into the
38:18 creative district and how do you
38:20 emphasize
38:23 >> maybe there's not the budget for at this
38:25 point having an artist think about how a
38:27 system like that
38:29 >> just within the creative district
38:31 portion
38:31 >> yeah And we also thought about
38:34 potentially um we do have a creative
38:37 district logo. Maybe someplace, you
38:40 know, down from the um this artwork, we
38:44 would also kind of put the that logo as
38:47 well. Um because several of these
38:49 corners are kind of pointing you towards
38:52 parts of the creative district.
38:55 It seems like we're mostly concentrating
38:57 on perspective from people on foot or
39:00 maybe on bikes, but I know this
39:02 intersection really well and it's a
39:04 bizarre fiveway very busy intersection.
39:08 So, I like it that we're enhancing it. I
39:11 see so much confusion from drivers when
39:13 they're going through this and trying to
39:15 figure out where the pedestrians are
39:17 going. So, I think coming from the
39:20 thinking about people in their cars
39:22 looking at this, seeing the crosswalks
39:25 better, having better markings for
39:27 pedestrians will be great for safety as
39:30 well.
39:30 >> And kind of peing the interest of
39:32 drivers coming through like what is
39:34 that? I'll have to come back here and
39:36 take a closer look.
39:37 >> So, that that that is a different take
39:39 on what they do with that fiveway
39:43 intersection, the colors, and will it
39:45 make sense to somebody driving through
39:46 it? Mhm.
39:48 >> Specifically to that point really
39:53 understand
39:55 why there's no rest
39:59 very drifty and the five way like having
40:02 to take a left on
40:06 the all the time you don't know what
40:07 you're doing.
40:08 >> Yeah.
40:09 >> Was it ever considered to have the mural
40:11 on the intersection?
40:14 >> Yes. Um, and that and was not uh
40:18 >> that was shut down.
40:21 >> We're hoping that we'll get there
40:23 eventually, but we're not there yet. So,
40:25 this is sort of our um this is our baby
40:28 step into asphalt art. We you Robin
40:31 actually found all these amazing
40:34 um examples mostly not in the United
40:37 States um but of artwork that was all
40:40 over the intersections and um So
40:46 yeah. Yeah. Unfortunately, we or
40:48 fortunately we do have to abide by wash
40:50 standards and they're pretty strict on
40:52 what they do and do not allow. So we're
40:54 even checking if we can do the blue. We
40:57 more than likely could do the white
40:58 stripes, which we're really trying to
41:00 get some sort of emphasis going across
41:03 to pull people in and just just to let
41:05 people know that, hey, this is a
41:07 scramble. Um again, the signs are a
41:09 little bit small. They're up there, but
41:12 yeah, vehicle drivers, you tend to miss
41:14 it.
41:15 >> And and through there 30, 40, 50 miles
41:19 an hour. So,
41:21 >> yeah.
41:23 >> I have another thought about this one. I
41:25 actually I'm going to kind of back up. I
41:26 do like it, but I I'm a little worried
41:29 that it's bit off a little bit more in
41:30 terms of like the content of that what
41:33 we can actually read as pedestrians. And
41:35 I would love to see like what it looks
41:38 like from the ground, you know, if he if
41:40 there's a way for him to give us
41:42 >> Yeah, I think he can model it this way.
41:46 >> Yeah. I don't I think it's
41:48 >> I'm I'm more like maybe something in the
41:50 vein of the topic map, but that looks
41:54 less like a golf course with the colors.
41:58 where it's like pattern and color that
42:01 delineate space instead of a theme. The
42:04 scene works really well from bird's eye,
42:05 but like we're standing down flat on it.
42:08 Not sure if that's actually gonna like
42:10 be readable
42:12 because I think what's nice about parks
42:14 perspective is helping people way find
42:16 >> right and so that's kind of easy I find
42:20 interesting
42:21 >> besides the state is
42:24 more literal to actually what people are
42:26 trying to do there if you are on bike or
42:30 >> yeah like I've been on some like college
42:32 camps and stuff like that with a big
42:34 like
42:35 >> you know ground mural like that and even
42:37 Yes, perspective when someone's coming
42:39 in play, you can get a good sense of it
42:41 while standing there. It creates a good,
42:44 you know, way fine and a good rolling. I
42:47 do think this can work, but yeah, you
42:48 can model it to look at it ahead of
42:49 time.
42:50 >> Yeah, I'm pretty sure that he can. I
42:52 mean, again, these these were initial um
42:56 concepts that we wanted your input on
42:59 and then um we didn't want him to go to
43:02 that level for all of them. We wanted to
43:04 see which one kind of spoke to all of
43:06 you and then we will ask him to do that
43:08 sort of deep dive so that we can really
43:11 um assess what it looks like as a
43:13 pedestrian standing there. Um
43:17 there other thoughts or
43:21 >> Yeah. Um just from looking at these
43:23 images and I know they're renderings on
43:24 top of photograph but um something that
43:29 seems a little bit distracting is all
43:30 the different colors of concrete around
43:33 it. And if if you know budget allows and
43:38 transportation department allows um the
43:41 curbs and the the ramp that are supposed
43:44 to remain gray if maybe they can all be
43:46 painted a uniform gray so that you're
43:48 not pulled away looking at these sort of
43:51 bugaboo distractions and then you can
43:53 really see the the intended image.
43:57 Something worth considering
43:59 >> and we can do that. I mean we could
44:01 paint the the landings. We just have to
44:03 have a 75% contrast between the
44:06 truncated domes and the landing. So,
44:08 >> and even like those curb edges, you
44:11 know, they're all one color gray. I
44:14 think that'll really
44:16 >> Yeah, I think that's a
44:17 >> help drop it to the background and then
44:19 really make the rest of it pop.
44:27 Well, I feel like I heard a pretty
44:30 decent consensus for concept one. Um, so
44:35 I think
44:37 correct me if I'm wrong, but I think
44:38 that's kind of what I heard. So I think,
44:40 um, what we'll do is take Robin's been
44:43 taking awesome notes. Um, we'll take all
44:45 of your feedback and give it to Jake and
44:48 um, have him refine this concept. Um,
44:52 and we'll see it again.
44:56 >> Yeah, I like it. Awesome. Thank you.
45:01 Was there and I didn't know. Did anyone
45:03 that's online want to weigh in at all?
45:06 Are you guys all good? I know Tim did.
45:09 >> Great. Okay.
45:12 >> All right. The next item is public art
45:15 relocation,
45:16 also by Amy.
45:19 Um, do you love how we brought all of
45:22 our art items, too?
45:32 >> Where did that one go?
45:44 >> I mean,
45:50 That's weird. Oh, maybe I have the
45:52 wrong.
45:54 All right. Well, can look at it like
45:58 I don't know why.
46:04 There we go.
46:07 >> Okay. didn't make a huge difference. But
46:11 um so with the all of the awesome
46:16 um renovation of or addition of the
46:19 plazas uh at the senior center um we had
46:23 to remove three pieces of public art
46:26 that were there on the site. Um the uh
46:31 salmon cycle has been there since the
46:33 80s when the building was actually a
46:36 library and then the other two have been
46:39 um around the senior center grounds I
46:42 think since 2007.
46:44 So they've been there a while um and
46:48 they have served their time well there
46:52 but it's time for them to find new
46:53 homes. Um so these are the three
46:56 artworks that have been removed. They
46:59 are sitting in storage. Um our
47:02 contractor Beayshore that's working on
47:04 the project was um part of their scope
47:06 was to uh sort of dig them up carefully
47:10 and um and es escort them to their
47:14 storage. Um, but we will need to find
47:17 new locations for them and and the arts
47:21 commission will use our maintenance
47:22 budget to reinstall the artwork in new
47:25 locations. So, last summer, I can't
47:28 believe it's already been almost a year,
47:30 the arts commission took a a field trip
47:32 and looked at some various park sites
47:35 and options for um relocating these. So,
47:39 we thought this seemed like a great uh
47:41 item to have a discussion around with
47:44 all of you since you are the stewards of
47:47 the parks. Um, so that the the two
47:50 pieces on the left are basaltt. They're
47:53 super duper sturdy. Um, they are very
47:57 very heavy as uh Behore would definitely
48:01 tell you. um and they had massive
48:04 footings into the ground um that I'm not
48:07 sure entirely necessary to replicate,
48:09 but um we do need to think about the
48:12 footing um when we're thinking about the
48:14 relocation. Um I think the two the
48:18 pillars one in the middle there was
48:20 actually on those two pieces were on one
48:23 footing together but um and the works
48:26 are meant to be a complement to one
48:28 another but we could potentially move
48:31 them a little farther apart. Um and then
48:34 the third one is going to um actually
48:35 present an interesting challenge because
48:38 that one was commissioned um when the
48:41 library was here and was intended to be
48:46 um embedded into the building site. And
48:49 so it has been removed, but it needs um
48:53 it can't really stand alone. It needs
48:56 some kind of new um housing to to
48:59 display. So, that one will definitely
49:02 require some additional um some
49:04 additional work to hire someone to
49:07 create some kind of enclosure to to hold
49:10 it or pedestal to hold it.
49:14 Um so, just various relocation
49:16 considerations um for us to think about
49:20 the footings again. Um all of them
49:23 uh well the two basaltt pieces are very
49:26 very heavy and so do need a pretty
49:28 substantial footing. And then the um
49:31 like I was just mentioning, the salmon
49:33 circle bronze needs some kind of
49:35 housing. um the permitting if we're um I
49:40 know the arts commission knows this
49:42 issue well, but there is no public art
49:45 permit and sometimes we get um our
49:50 things permitted through sign permitting
49:52 and sometimes it's something else and
49:55 that cost is always um
49:59 a mystery and sometimes it's really
50:02 high. So, we do have to think about the
50:04 permitting and I we just know from our
50:06 experience, especially with um the Jacob
50:08 troll sculpture, that if we put it near
50:10 any bit of water or anything sensitive,
50:12 it's going to cost us a lot more money
50:15 and take a lot more time. So, um
50:17 permitting is a piece we are, just so
50:19 you all know at parkboard working on a
50:22 public art permit um that will be
50:24 specific to public art and um but I
50:26 don't know that we'll be able to get
50:28 that completed before we at least place
50:30 one of these. Um so then we do want to
50:33 think about obviously setbacks from
50:35 creeks and the buffers. Um geographic
50:38 synergies. Um these are all kind of um
50:43 natural themed. Two of them are salmon
50:45 themed. Um if there's a reason to kind
50:48 of um play off of something related to
50:52 salmon or the creek or um you know we
50:55 could place them with that in mind. And
50:58 then um uh geographic gaps. So, uh, we
51:02 do have a decently large, uh, public art
51:04 collection for the size of our city and
51:07 our artwork is primarily located in our
51:11 downtown core. So, we always do like to
51:13 consider, are there other places we
51:15 could put it where we would um, reach
51:18 people who maybe don't get to see our
51:20 artwork all the time. Um, so the arts
51:23 commission kind of considered a lot of
51:24 these things as we were doing our field
51:26 trip last I think it was August.
51:32 Um, so based on that field trip, um, the
51:36 arts commission kind of thought that
51:38 Salmon Nature Park would be a great site
51:41 for this piece, um, that is called River
51:45 Run. Um, and Mrs. Salmon. Uh, and, uh,
51:49 specifically, we looked kind of at this
51:52 entrance area.
51:56 So, I can run through these real quick
51:58 and then we'll just backtrack. Um, and
52:00 then for the salmon cycle, we talked
52:04 about potentially putting it um
52:06 somewhere in Confluence Park, maybe in
52:09 Margaret's Meadow um sort of closer to
52:13 where the additional parking is located
52:16 on the other side. Um, and then
52:20 for the pillars,
52:23 um, we looked at Bernstone Park, which
52:26 is right across the street from the
52:28 Salmon Run Nature Park. Um, uh, that one
52:33 had some nice kind of open spaces. Um
52:37 and then another option that has been
52:40 brought forward is doing something um at
52:43 anthology because there isn't anything
52:46 public art there um and there is public
52:50 trail and public access there.
52:56 just run back and kind of open up our
52:58 conversation. Um especially since you
53:01 all have a lot more familiarity with the
53:04 parks, each of the individual parks and
53:06 the um kind of
53:10 features of them. I'd love thoughts and
53:13 parks commissioners agree to chime in
53:17 about what
53:19 called you to that location because we
53:22 did look at um let's see, we looked at
53:24 like six or seven locations around
53:27 >> with the goal to keep them all very
53:29 close. to each other?
53:31 >> Not necessarily. I mean, I think that um
53:35 well, one, we were doing a walking tour,
53:37 so there was
53:40 um and we did talk about the the you
53:44 know, benefit of having more art in a
53:48 way that could be um packaged together
53:52 for for walking tours and, you know,
53:54 other kind of tourist and community
53:57 aspects. So, something specific
54:02 sculpture.
54:05 So as we're looking
54:10 kind of neat if it's by confluence, one
54:12 of the things we've been talking about
54:13 is what do we do with the house that I
54:15 was?
54:18 >> Yes. Thank you. Right. And but part of
54:20 that idea, right, is there could be art
54:22 in there as well, right? So it would be
54:24 a cool place to start an art block,
54:26 >> right?
54:28 kind of go through.
54:32 >> Um,
54:34 I really like the placement of this one
54:36 on Sand Girl Nature Park. I feel like it
54:38 needs a little bit of ump, if you will,
54:41 and where you have it located
54:43 is great. Um, but the second, anything
54:48 on Confluence, I think would be awesome.
54:50 So, the second
54:54 Yeah, that one I think is really spot
54:56 on. It would be nice if it was um yeah,
54:59 somewhat close even to the bridge
55:00 because I feel like, you know, um that
55:03 really really draws you and you you know
55:07 can see the creek there. Um, the last
55:11 one I I walk my dog all the time through
55:14 the is the I think this one would get
55:17 lost a little bit and that's the only
55:19 thing I would worry about in birth park.
55:23 Um,
55:25 every time I go there there's no
55:30 this was not on our walking tour. We
55:33 were walking. Oh, there's this cute
55:35 little propert that's like a lot of
55:37 different dog parks there. Thought maybe
55:39 it's an opportunity if there's a piece
55:41 of art there where people will kind of
55:43 discover it and find it and
55:45 >> yeah that confluence is such a big
55:47 place. I feel like that could be really
55:49 benefited from multiple pieces there
55:51 whether it's time or future throughout.
55:55 >> Yeah. So yeah, you can look at it two
55:58 ways. Like that'd be great. Put some art
56:00 in there and you you know draw, but at
56:02 the same time I Yeah, that I feel like
56:06 that park needs a little bit of
56:08 something too.
56:08 >> That's useful information because I
56:10 think we did we don't have or we weren't
56:13 using data of kind of how well used that
56:16 park is or isn't. At the time that we
56:18 were walking through it, there were a
56:19 whole lot of dog, but it might have just
56:21 been like everyone got home walked their
56:23 dog from the neighborhood. Um but yeah,
56:26 we we um we thought that park just
56:28 seemed a little empty
56:30 >> and it wasn't even on it.
56:36 >> Oh, wouldn't it be wonderful if it was
56:38 hidden in these cues?
56:40 >> Of course.
56:46 >> Unless you're having people go on a
56:48 >> Yes. Like a scavenger hunt to find.
56:54 Where's the anthology one? I'm not sure.
56:57 >> Big development.
56:59 >> Yeah, it's it's it's where all of those
57:02 apartment buildings are that you can
57:04 see, you know, from 90 exit 15.
57:09 >> Oh, okay. Yeah.
57:15 >> Yeah, exactly. Right.
57:18 >> Okay.
57:19 We don't have a lot of artwork in that
57:22 end of town for for a variety of
57:24 reasons. Um but um in partly because we
57:28 don't um we tend to put our art near
57:30 parks and trails. So this Do you know
57:34 what the um when this was create? It was
57:38 about the time that the building was
57:40 created.
57:40 >> Oh, definitely. Yeah. Yeah. It was part
57:42 of their development. and that that that
57:45 one is going to be our first linear park
57:47 when that comes when we start developing
57:49 that. So that was one of the new
57:51 classifications. So
57:53 >> what is linear linear
57:55 >> linear park is a little bit it's a
57:57 longer park and a narrower park versus a
57:59 wider park. But we thought that was um
58:02 suitable for this one, just coming
58:04 across the bridge. And then it's a I
58:06 don't know if you've been out there, it
58:08 is a long linear with some walls out
58:10 there. But so we thought just coming
58:13 across a bridge and having a focal point
58:16 there would be nice, too.
58:18 The good thing about this artwork is um
58:20 it's extremely durable and so sometimes
58:24 we don't like to put things um you know
58:27 out away from where they get really
58:30 regular um sort of maintenance touches
58:33 and and looks um by our crews. But um
58:36 this one could stand out without
58:40 monitoring no problem.
58:43 What were some of the other parts?
58:48 >> Yeah, that is a really good question.
58:51 Um, and I should have brought the list.
58:54 Do you guys remember
58:56 between content
58:58 we were walking through?
59:00 >> There's a big meadow.
59:02 >> Oh, we looked at the front street
59:04 properties
59:06 >> which also is another park that's kind
59:08 of underutilized and
59:11 >> kind of empty.
59:14 So after you pass through the bridge,
59:18 the
59:18 >> Margaret tomato
59:20 >> and that one is one that we're
59:22 recommending.
59:23 >> Oh,
59:24 >> yeah. The back, you know.
59:26 >> Could this one move to confluence just
59:28 to kind of
59:31 >> It definitely could. I mean, and
59:33 Confluence could certainly absorb more
59:35 than one piece of artwork,
59:38 >> especially since like so much music
59:40 festivals there. Mhm.
59:42 >> Yeah, it does get
59:46 so much attention for sure.
59:48 >> And during the school year homecoming, I
59:52 mean that bridge is
59:55 taking pictures and now
59:57 >> you know.
59:59 >> Yeah, I definitely think we would be
1:00:01 able to find other locations and
1:00:03 confluence that could accommodate such
1:00:06 fees. And again it's such a it's just
1:00:08 natural basult so very easy to um to
1:00:12 integrate into natural environment. Can
1:00:15 you go to the first one just for
1:00:18 standing like is this pillar are you
1:00:22 thinking here are you thinking
1:00:26 >> where we think we were thinking in the
1:00:27 in the planting right
1:00:39 >> well so it sounds like the first two um
1:00:42 you all feel pretty good about. And then
1:00:45 the third one, maybe we should keep look
1:00:48 keep shopping and confluence.
1:00:51 >> Yeah. I I don't know. I just I'm I I
1:00:53 have a soft spot for this and I I feel
1:00:55 like um
1:00:57 >> Yeah. Yeah. I mean, I love young too,
1:00:59 but I just feel like it's it is a focal
1:01:02 point and you kind of want it to stand
1:01:04 out and I and I just don't think Bernson
1:01:06 is just not for me. This is my own
1:01:08 opinion, it's just not the right spot
1:01:10 for it. I don't know. It just doesn't
1:01:12 jive with me. That's what
1:01:15 um but walking toward it or I don't
1:01:17 know. I just feel like it needs to be in
1:01:20 a little bit more of an open
1:01:21 environment.
1:01:25 >> What about like the park that space on
1:01:27 the name of it, but next to the swimming
1:01:29 pool? Across the street from the
1:01:30 swimming pool. There's a little park
1:01:32 with the three picnic tables right
1:01:33 there. It's right along the creek. I
1:01:36 found that the front street.
1:01:38 >> Oh, the front street. Yeah.
1:01:40 I feel like those could I like I don't
1:01:44 know. I like the idea a little bit of
1:01:46 kind of what you talked about like
1:01:47 finding them, but I also like the idea
1:01:51 finding places where kind of like you
1:01:53 talked about on the intersection is hey
1:01:56 what does this look like from the person
1:01:58 walking in the but also someone see this
1:02:00 while driving or bicycling or pushing a
1:02:02 stroller walking a dog um that maybe
1:02:05 doesn't have the opportunity to venture
1:02:07 into Bernstein Park or something like
1:02:08 that is everyone can see it
1:02:11 from whatever access they have at that
1:02:13 moment on that day.
1:02:15 >> U and so I really like the salmon run
1:02:18 park. Think that one's great. The one on
1:02:20 they have on confluence down the other
1:02:23 is maybe a little more hidden but um
1:02:25 it's very discoverable especially you
1:02:27 know in the summer the spring all the
1:02:30 schools go down there and bring the kids
1:02:31 down there and they do the salmon and
1:02:33 egg cycling and all that stuff. So that
1:02:35 could be a fun little connecting point
1:02:37 there for them.
1:02:39 >> And we can rework the tables around it
1:02:41 too integrate those together. I just
1:02:43 wonder if maybe there's some
1:02:46 >> something that you could drag those
1:02:47 pills, but I bet most people haven't
1:02:49 seen them even at their current well not
1:02:51 current location, you know, but
1:02:53 >> previous
1:03:00 turbs.
1:03:02 >> Um, what was the location? I'm trying to
1:03:04 pull up a map here. The hidden run, the
1:03:06 art that got taken out by
1:03:10 >> Oh, yeah. If this had been there and
1:03:12 they' hit this, that would have been
1:03:13 really bad for their car.
1:03:15 >> Yeah. But the
1:03:16 >> Yeah, we have we had Wingo wing um which
1:03:19 was a tall kind of uh column with birds
1:03:23 circling at the top um at the corner
1:03:25 kind of near the lakes, the mammish um
1:03:29 fields, the soccer fields. Um and a car
1:03:34 uh drove into it and knocked it over and
1:03:38 destroyed it. So,
1:03:39 >> so I was thinking maybe as an I don't
1:03:41 know, but now that I'm saying it, maybe
1:03:43 not then,
1:03:46 but um
1:03:47 >> this would total your car.
1:03:49 >> Um I'm just thinking of like what I get
1:03:52 with that one and standing out next to
1:03:53 it and stuff like I would love to see it
1:03:56 near a bus stop or like a place where
1:03:59 you're standing in town like waiting to
1:04:02 know like the positions between the
1:04:05 people. They don't they're in
1:04:06 conversation, right? that they're like
1:04:07 back to back kind of, you know, in a way
1:04:10 you might wait with somebody at a bus
1:04:11 stop. Um, so I'm thinking Lang along
1:04:13 Sunset, there's a couple of the transit
1:04:16 stops. Um, there's one that's closer to
1:04:18 the trail
1:04:19 >> that I see people at time. Um, that
1:04:22 might be interesting. And it doesn't
1:04:24 involve like a park necessarily, but
1:04:26 when you think about
1:04:27 >> Yeah.
1:04:28 >> How people
1:04:31 be cool.
1:04:32 >> Yeah, that'd be interesting. That one
1:04:34 would be interesting to put more in sort
1:04:35 of the industrial scale. So, just to um
1:04:38 follow up on that timeline wise, um
1:04:42 >> Oh, sorry, Tim.
1:04:48 >> Thank you. Yeah. Yeah. I I just wanted
1:04:50 to echo the thought of putting it
1:04:52 somewhere that is more visible like the
1:04:57 little the park along Front Street, the
1:05:00 small little park there that has cars
1:05:02 going by or some place where some
1:05:04 visibility. I I like having and some
1:05:08 other places are obviously fit that
1:05:09 criteria, but I like the idea is that
1:05:13 more people see it and what kind of
1:05:17 bubbles in the back of my mind if it's
1:05:19 you make it too discoverable per se and
1:05:22 it's kind of buried back uh then it
1:05:25 becomes more of a target for and I hate
1:05:30 to say it but vandalism, you know,
1:05:32 getting tagged or what have you. if it's
1:05:33 someplace where nobody can see it. So,
1:05:36 in terms of protecting the art, I think
1:05:39 someplace that has a more visibility
1:05:42 would be
1:05:45 uh preferable to some place that's kind
1:05:48 of hidden away. We don't have a big
1:05:50 problem with that in Isiqua, but all of
1:05:55 us have driven in Seattle know there's
1:05:57 big problems there and it's not that far
1:05:58 away. So, just a thought. Um, I like
1:06:02 visibility and I like the vis the
1:06:04 protection that visibility kind of
1:06:05 brings with it.
1:06:07 >> Yeah, that's a great point.
1:06:11 >> Great idea around if you started like
1:06:12 Jacob trees when you went to street like
1:06:15 right like kind of a cool idea
1:06:20 >> maintenance connections. So, um because
1:06:23 the arts, um budget it maintenance
1:06:26 budget is going to absorb the relocation
1:06:29 of these, we are going to have to space
1:06:31 them out a tiny bit. Um again, we are
1:06:33 going to have to potentially go through
1:06:35 the permitting process to move them as
1:06:37 well, which might take some time. So,
1:06:39 what we're targeting is moving this one
1:06:41 first, um and um moving the other two in
1:06:47 2026.
1:06:49 So, we will keep shopping for a location
1:06:52 for the the pillars and um we'll share
1:06:55 that information with you all and get
1:06:57 your your thoughts on what we decide to
1:07:01 select next. But this one um we were
1:07:04 hoping you would kind of think that this
1:07:07 was a good spot and we can move forward
1:07:09 with this one this year.
1:07:11 >> Really like so thanks for
1:07:17 reading back. Yeah, I know. We were we
1:07:20 started off with that other one, too.
1:07:22 >> It's a long haul that
1:07:24 >> Yeah. I think we we all got like tired
1:07:28 and Oh, it was getting dark, too.
1:07:31 >> We were back.
1:07:34 >> Yeah.
1:07:34 >> Yeah. But what a great problem to have.
1:07:37 Seriously.
1:07:38 >> Exactly. We'll have to do another field
1:07:40 trip with just one location. that.
1:07:45 >> creative pieces together, then they'll
1:07:47 all be connected.
1:07:51 >> Well, thank you for treating your
1:07:52 artworks, you know, with such care and
1:07:54 wanting to relocate them.
1:07:57 >> Yeah. Yeah. It's just an opportunity to
1:08:00 put them in new um locations.
1:08:04 >> Share that.
1:08:07 >> I think that's it for that one.
1:08:09 >> Thank you.
1:08:11 All right, our last uh regular business
1:08:13 item is the capital improvements plan
1:08:16 update. Robin
1:08:23 that one
1:08:31 start
1:08:35 at the beginning. Yeah. So, what we
1:08:38 wanted to talk about tonight was our uh
1:08:41 six-year capital improvement plan
1:08:44 update.
1:08:47 And I know some of you have seen this
1:08:49 before, but we really wanted to break it
1:08:52 down. Um the capital improvement plan is
1:08:55 a culmination of several different
1:08:57 plans. Each department has to do one
1:09:00 every six years. Um, and it really gives
1:09:03 us a 20 year plus picture of our
1:09:06 priority projects that we want to
1:09:08 accomplish within the city. So, after
1:09:10 listening to the community, after going
1:09:13 through the 2024 uh park system plan
1:09:16 update, um we got a really good idea of
1:09:20 what priorities we have. Um, but just to
1:09:22 back up a little bit, so the 20-year
1:09:24 picture is looking at our system level
1:09:27 assessments. It's updated every 5 to 10
1:09:30 years. Again, it's informed by several
1:09:33 different reports, several different
1:09:34 plans. Um, for us, it was a park system
1:09:37 plan. For other people, it could be the
1:09:39 master mobility plan, uh, utility system
1:09:42 plan, strategic plan, and climate action
1:09:44 plan. But we're also looking at those
1:09:47 together. So, we try to see what's
1:09:49 symbiotic, what parallels each other,
1:09:51 and what we want to move forward. So, we
1:09:54 look at the big picture, the 20-year
1:09:56 picture. And if you remember, we have
1:09:58 our near, our mid, and our long-term
1:10:00 projects listed out in our plan. Uh, we
1:10:03 we dive into our six-year CIP, which is
1:10:06 what we're doing right now, which I'll
1:10:08 bring up in a few minutes. So, this is
1:10:10 really our prior prioritization process.
1:10:13 The six-year CIP is updated every two
1:10:16 years. So, we're doing it this year, and
1:10:19 it really aligns our big picture with
1:10:22 our current resources. And as you all
1:10:24 know, we just went through some budget
1:10:26 reductions and some staff reductions. So
1:10:28 that's one thing that we're factoring
1:10:30 into uh the projects that we're picking.
1:10:34 But we're looking, yes, at funding, at
1:10:36 staffing, um our expertise,
1:10:39 uh the complexity of the projects, and
1:10:41 the amount of time we have available to
1:10:43 complete it. So from the six-year CIP,
1:10:46 we start developing and diving into the
1:10:49 two-year budget.
1:10:51 um the two-year budget, those projects
1:10:54 uh are city council approved. Uh we look
1:10:57 at our capital budget and our operating
1:11:00 budget when we decide those projects. Um
1:11:03 we're also uh different capital budget
1:11:06 types are our facility, equipment,
1:11:08 technology and systems, park, water. All
1:11:10 of the departments are developing a
1:11:13 two-year budget. So I we just that'll be
1:11:17 in 2027. We'll go through the two-year
1:11:19 budget and we'll refer back to the
1:11:21 six-year CIP plan and see what projects
1:11:24 are there. Uh what funding we have about
1:11:26 a available, what we previously done. If
1:11:29 it's a project like something like
1:11:30 Tibbitz where we have to phase it, we'll
1:11:32 look at the next phase and what we want
1:11:34 to move into. But from that two-year
1:11:37 budget, we develop the funded capital
1:11:40 projects. So good example is how we got
1:11:43 Hillside
1:11:44 uh developed which by the way we have
1:11:46 our our ribbon cutting on May 5th which
1:11:49 is exciting. So it ended up as one of
1:11:53 the near-term projects. It got put on
1:11:55 and prior prioritized as one of our
1:11:58 sixear CIP projects. Then it moved into
1:12:01 the two-year budget and then it became a
1:12:03 project. So, it does sometimes take a
1:12:06 long time, but um it's good to reassess
1:12:10 every few years and see what the
1:12:12 community needs are and what our
1:12:13 priorities are.
1:12:17 So, we're here right now at the six-year
1:12:19 CIP and luckily we had a really good um
1:12:23 near-term project list to start off
1:12:25 from, well vetted out by by the board.
1:12:28 Uh the capital projects that we wanted
1:12:30 to put on this six-year CIP were Tibbitz
1:12:33 Valley Park. That was very um highly
1:12:37 talked about, highly discussed and um
1:12:40 came up as one of the top priorities. We
1:12:43 have Central Park pad 2, the field
1:12:45 improvements there. Uh third would be
1:12:48 East Sunset Trail Headmp Improvements.
1:12:51 Then Veterans Memorial Park, EC house
1:12:53 restoration, uh, Wayfinding and Park
1:12:56 signage implementation is going to be
1:12:58 probably ongoing. Uh, West Highlands
1:13:01 Park, the Hillside Park Loop Trail, and
1:13:04 the Harvey Manning Park expansion trail.
1:13:07 And a lot of these are also timed with
1:13:09 grant funding capabilities.
1:13:12 So, we did submit for the East Sunset
1:13:14 trail head improvements. Um and as time
1:13:18 allows or or we can do this next year
1:13:21 for Central Park Park pad too also. So
1:13:25 that kind of weighs into what gets
1:13:28 prioritized um before the others, you
1:13:31 know, and as you know, some projects
1:13:32 like TIDS are going to take a
1:13:34 substantial amount of funding. Um it's
1:13:37 bigger, so it'll take longer planning.
1:13:39 So some of those we want to start
1:13:41 earlier in the six cip.
1:13:44 So also included in the in the CIP are
1:13:47 capital programs. For parks, we have the
1:13:50 park and open space acquisition program,
1:13:52 which is really active this year. Uh the
1:13:55 playground equipment replacement
1:13:56 program. Um we find out that some parks,
1:14:00 depending on how heavily they're used,
1:14:02 will need updates every 10 to 15, 20
1:14:05 years. And again, it depends on the
1:14:07 equipment. It depends on the design and
1:14:09 how well-loved it is. We have our park
1:14:12 amenities life cycle replacement
1:14:13 program, the turf replacement program,
1:14:16 irrigation and our trail repair program.
1:14:19 So those are also included along with um
1:14:22 our capital projects.
1:14:24 So we just wanted to open up the
1:14:26 discussion uh let you look at the list
1:14:28 that we have planned and see what we
1:14:32 need to switch around or if you think
1:14:34 just this list as we start the
1:14:36 priorities make sense based on our
1:14:39 discussions last year
1:14:43 separate different parts of facilities
1:14:46 >> because it's a facility. Yeah.
1:14:53 We know we need active recreation. We
1:14:56 know we need fields. And that's
1:14:57 something that we heard from several
1:15:00 different levels, several different
1:15:01 people, several different areas of the
1:15:03 community. So, that's one thing we
1:15:04 really want to focus on and hit hard.
1:15:11 And we got some momentum now with
1:15:13 Veterans Memorial Park. Senior centers
1:15:15 going well. We're getting close on both
1:15:17 of those. Um so we definitely want to
1:15:20 continue that and make it um an
1:15:23 integrated space along with the field
1:15:26 naturally.
1:15:28 >> Just to add a voice by saying these make
1:15:29 sense to me in terms of what we've
1:15:31 talked about in the past. This seems
1:15:32 like a good mix of two different
1:15:33 projects and as you said hitting some
1:15:35 recreation some parks hitting the trail
1:15:37 head you know so to me this makes sense
1:15:39 as the imminent priority list and what
1:15:41 can hopefully be accomplished.
1:15:44 >> You remind me about West Highlands Park.
1:15:47 West Highlands Park is right next to the
1:15:50 hospital. It's one piece of property
1:15:53 that we know when shelter comes in.
1:15:55 It'll be an incredibly large community
1:15:57 over there. It's expanding. So, we do
1:15:59 have a city- owned parcel over there. Uh
1:16:02 wooded parcel. It's kind of up on a
1:16:04 hill,
1:16:06 but that's the West Islands. that'll be
1:16:12 >> probably a little bit of a mix um
1:16:14 because it is heavily wooded. You know,
1:16:16 we don't want to take down too much of
1:16:18 the canopy up there. But again, that's
1:16:20 that's one area where we can get super
1:16:22 creative with what we do.
1:16:28 >> And just are any of these projects like
1:16:32 dependent on federal dollars? like there
1:16:35 any of these grants that are potentially
1:16:37 endangered. All of it is okay like
1:16:40 planned on we of these I guess this is
1:16:44 the long term
1:16:46 >> 2732 but the one in the six year range
1:16:48 the two year range
1:16:51 are those I'm just trying to understand
1:16:52 like our budget how it works like where
1:16:54 the money is
1:16:56 >> right and and it a part of it comes from
1:16:59 re part of it comes from general fund um
1:17:02 but to what I'm I'm not focused on
1:17:05 federal funding that does have certain
1:17:08 requirements with it. Um, sometimes
1:17:10 they're a little bit stricter. The
1:17:12 senior center right now and Pet Park has
1:17:15 ARPA funding that is federal funding,
1:17:17 but right now I'm really focusing on um,
1:17:19 King County grants
1:17:22 and local grants.
1:17:26 >> Yeah. Not just Yeah. Curious like how
1:17:28 the capital
1:17:31 >> Exactly. Yeah. Yeah.
1:17:35 >> The ARPA money is in here. AR money
1:17:39 is passion in being spent has be
1:17:45 >> hi Dan.
1:17:49 >> Hi. Um quick question and I remember we
1:17:53 talked about this when we did the
1:17:55 survey. One of the things that came back
1:17:58 from many people was this uh dynamic
1:18:02 tension between pickle ball players and
1:18:05 tennis players and everybody wanting
1:18:08 more access to courts. Will that be
1:18:11 picked up under the Tippets Valley Park
1:18:14 uh improvement plans? And I I don't
1:18:17 remember. It seems like we talked about
1:18:18 that and I just wondered where else that
1:18:20 might get blended in because to be fair
1:18:23 that was a pretty loud response on the
1:18:27 survey uh about those issues. So where
1:18:31 do those kind of plug in here?
1:18:33 >> Yeah, very much. Um Tibbitz exactly and
1:18:36 that's something when we do community
1:18:38 outreach we'll be asking for those uh
1:18:41 active recreation the priorities that
1:18:42 they would like to see at Tibbit. So
1:18:44 we're anticipating that. Um We had
1:18:47 archery there.
1:18:48 >> Yeah, archery came up too. Yeah, it was
1:18:50 a dog park, archery. It's a really good
1:18:52 mix. Flashback,
1:18:54 >> a little bit of everything activities
1:19:06 for the community. Fields I think came
1:19:09 out number one along maybe pickle ball
1:19:12 close second
1:19:14 and dog park. Yeah, I
1:19:16 >> think it was pick and tennis both vying
1:19:22 >> and both wanting to eliminate the other.
1:19:26 >> Now I think
1:19:30 >> yes.
1:19:33 >> Right. Right.
1:19:34 >> Where's the hillside
1:19:37 trail? Where is it in the project?
1:19:39 >> So hillside parkley trail is all around.
1:19:42 Do you know where upper cemetery is and
1:19:44 lower cemetery is up on Squawk Mountain?
1:19:49 >> So, it's large. I I want to say 30
1:19:51 acres, but I could be wrong on that. Um,
1:19:54 a loop trail that goes all the way
1:19:56 around that area and then connects back
1:19:58 into the new park and the nature trail.
1:20:01 >> Is it to pave it or maintain it or
1:20:05 >> to create the trails? I'll create in
1:20:07 their faces. Maybe
1:20:08 >> more than likely because of the
1:20:10 topography out there, it'll be a soft
1:20:13 nature trail similar to the new one we
1:20:16 just put in.
1:20:18 >> Yeah. But expand that whole trail
1:20:20 system. And I think eventually uh a new
1:20:23 sidewalk's coming up near there also.
1:20:25 So, it would tie into that.
1:20:29 >> Robin, can you remind me for the East
1:20:31 Sunset trail head improvements? What
1:20:33 does that entail? Oh, that one I'm
1:20:36 really excited about because we just
1:20:37 finished applying for that grant, that
1:20:40 King King County grant.
1:20:43 >> Yeah. So, we're looking
1:20:44 >> and and again,
1:20:48 that's on the list for sure.
1:20:50 >> That's on the list. Um,
1:20:53 you know, it really again, we're going
1:20:55 to go do public outreach for that one
1:20:57 and see what the priority priorities
1:20:59 are. Our thoughts definitely paving.
1:21:02 >> Oh my gosh. and some permeable type of
1:21:04 paving more than likely um to get rid of
1:21:06 those big ruts. I know I I hit that the
1:21:08 other day too going out there. Um
1:21:11 restrooms, uh furnishings, benches, but
1:21:15 really it's what's what everybody would
1:21:18 like to see out there.
1:21:20 Great.
1:21:21 >> And again, that one may need to be
1:21:22 phased, but there's things we can do
1:21:24 like get all the utility infrastructure
1:21:26 in first and so it's easier as as the
1:21:29 funding comes in to add in restaurants
1:21:31 or anything later.
1:21:32 >> Would that require a discovery pass?
1:21:35 >> No, just an alternative to parking up.
1:21:40 >> Yeah, a nice alternative, accessible
1:21:42 alternative.
1:21:44 >> I think that'd be a really good quick
1:21:46 win. So, I know it's okay.
1:21:50 >> I'll let you know when I hear back about
1:21:51 it. But yeah. Yeah. And we did we want
1:21:54 to balance and make sure active
1:21:56 recreation is balanced with trails. Uh
1:21:59 we're known as trail cities. So, trail
1:22:01 heads would be more trail heads would be
1:22:03 advantageous for everybody. That's a
1:22:06 well-loved trail. I saw people there. It
1:22:08 was packed at 6:30 the other morning.
1:22:11 >> So, definitely gets used.
1:22:15 And I just want to say to arts
1:22:16 commission, you know, um these are all
1:22:19 projects really that have art and design
1:22:22 potential. So I just thought it would be
1:22:24 cool for you to kind of see where the
1:22:26 priorities are. They're things that we
1:22:29 >> collaborate on. That's something Amy and
1:22:31 I talk about a lot is how to incorporate
1:22:33 art or some graphics or something into
1:22:36 the design from the beginning. We're
1:22:39 both really excited about adding on.
1:22:43 That was a big piece we talked about
1:22:46 many meetings ago, but as we look at
1:22:49 growing and building our parks is
1:22:51 getting the conversation about art
1:22:52 started at the beginning.
1:22:54 >> So that's it's part of the whole
1:22:56 process, not just we built a park and
1:22:58 now we're going to pop a thing in it.
1:23:01 >> Right.
1:23:02 >> Yeah. And I've done parks where the
1:23:04 artist has actually been incorporated
1:23:06 into the design and helped out with the
1:23:08 design versus an actual piece. they'll
1:23:11 become the more artistic.
1:23:13 >> Yeah.
1:23:19 >> So, that's where we're at with this the
1:23:20 six year CIP.
1:23:23 >> Yeah. Exciting. Daunting, but exciting.
1:23:27 >> We're ready to go.
1:23:31 >> Money.
1:23:32 >> Exactly. Yeah. Oh, I forgot about this.
1:23:35 uh next steps just um so we'll take the
1:23:38 sixear CIP on May 20th to the services
1:23:41 safety and park committee then June 9th
1:23:44 city council regular meeting June 16th
1:23:48 city council committee of the whole and
1:23:50 then June 23rd city council regular
1:23:53 meeting for adoption
1:23:58 >> is thought that's the those uh council
1:24:00 meeting dates the entire
1:24:03 >> the entire process the capital
1:24:05 improvement plan, not just the parks
1:24:06 piece right?
1:24:07 >> Correct. Okay.
1:24:11 >> Thank you.
1:24:13 >> Uh so on to reports and Jeff's on
1:24:16 vacations. We don't have a director
1:24:18 report. Is that correct?
1:24:19 >> Correct. I can give you just a quick
1:24:21 update.
1:24:22 >> If you would like. Yeah. Hillside, we
1:24:24 have a ribbon cutting on May 5th. We
1:24:26 just ask people to try and walk in to
1:24:29 that one because parking is very limited
1:24:32 and not on that. Senior center is going
1:24:34 great. Uh we have the roof on the
1:24:37 shelter uh left to do and planting and
1:24:41 then I think we can open up that parking
1:24:43 area hopefully by the end of May. We're
1:24:45 shooting for the beginning, but it looks
1:24:46 like the end of May. And Pet Park, if
1:24:49 you've been by there, we're installing
1:24:50 our soil cells for the trees this week.
1:24:53 Um planter walls are going up. So
1:24:56 they're moving faster than we can keep
1:24:58 up right now.
1:25:01 >> Oh, for a hillside park.
1:25:05 >> And the mitigation area, we walked it
1:25:07 last Thursday. It looks amazing. Still
1:25:09 holding water. Plants are growing like
1:25:11 crazy now. So it was a good success.
1:25:15 >> Yeah.
1:25:16 >> Is there any parking plan for park?
1:25:19 Because I know people miss it because
1:25:21 it's such a neighborhood park. Yeah.
1:25:24 It's really tricky. There's really not
1:25:27 in the future potential for parking. Um,
1:25:30 but right now it's it's super limited.
1:25:34 >> It's just intended to be neighborhood
1:25:36 access. Correct.
1:25:38 >> Although the trails and the sidewalks
1:25:40 that you mentioned earlier would enhance
1:25:44 >> definitely the trails to come to and
1:25:47 from to get there. I know there's one
1:25:49 that goes through the upper cemetery.
1:25:53 >> The loop, we don't have that laid out
1:25:55 yet. So, that's something kind of a we'd
1:25:58 have to walk out there with consultants,
1:26:00 our design team. U maybe walk out there
1:26:03 with citizens, see what there's a lot of
1:26:05 trails that are kind of just naturally
1:26:07 people are out there making them right
1:26:09 now. So, that's a good indicator of
1:26:12 what's feasible. So around connect down
1:26:15 to lower
1:26:18 >> um probably at some point.
1:26:20 >> Okay.
1:26:21 >> Um again I'm not sure about the layout
1:26:25 >> Hopefully someday all the way down.
1:26:32 >> I can add really quick art updates. Um
1:26:36 so uh for pedestrian park and senior
1:26:40 center plaza the artwork from Jane
1:26:42 Sakaguchi is in fabrication right now.
1:26:45 Um and so it will be um installed kind
1:26:49 of right before the park opens likely.
1:26:52 Um but that's all coming along. And then
1:26:55 just wanted to call your attention to
1:26:57 the utility box artwork rep. Um we've
1:27:00 opened up call for art for that. So, um
1:27:03 I can share the call with all of you if
1:27:05 you would like to share it out to the
1:27:07 artists in your life. Um and there's
1:27:10 just no restrictions whatsoever. You can
1:27:12 be professional, amateur,
1:27:15 5 years old, 95 years old. It's really
1:27:17 super open. Um but we're taking um we're
1:27:20 taking submissions until June 2nd and
1:27:23 then the arts commission will review
1:27:24 them at our June arts commission
1:27:26 meeting. So, it's always a fun time of
1:27:28 the year. Um, we've got pink art to wrap
1:27:31 boxes
1:27:33 and that's all I
1:27:38 >> have
1:27:42 started rolling right through
1:27:43 everything. Um,
1:27:46 as Santi and her diligence took away my
1:27:49 anything that I would have had for
1:27:50 report. So remember, next meeting is May
1:27:54 19th, not on Memorial Day, and uh we
1:27:57 will have the new members and we would
1:27:59 like as many people to come as possible
1:28:01 because we're voting on people to
1:28:03 replace me and replace one of uh and as
1:28:07 you can see, it's pretty easy job.
1:28:09 You're basically just running the
1:28:10 meeting. So that's it. If you're
1:28:12 interested, uh, please let Hanti know
1:28:15 and just because she may need to get
1:28:18 busy with other things, maybe copy me if
1:28:20 you're interested in a position.
1:28:23 And that's everything. Um, we don't have
1:28:28 a youth report. Forgot Santi told me
1:28:31 somewhere that what she's up to, but
1:28:34 kind of missing out on those. Those are
1:28:36 always fun. Uh, any other business?
1:28:44 Uh, okay. Look at that. This has got to
1:28:47 be a record.
1:28:51 >> Probably tease Jeff about this a little
1:28:55 >> You're going to get yourself reelected.
1:29:02 >> Okay. Well, then let's talk about some
1:29:07 with that. At 8:20, we'll uh call the
1:29:10 meeting ajourned.
1:29:11 >> Thank you.
1:29:12 >> Thank you, everyone.
1:29:13 >> Thank you.
1:29:13 >> Thank you.
1:29:16 >> Hi, Kim.
1:29:27 >> Thought we would do