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Park Board

Monday, April 28, 2025

7:00 PM
Topics tracked across meetings:
Cemetery 10-Year Capital Improvement Plan AB 9006 31/35
Creeks to Peaks: Three Trails Crossing Art AB 7947 3/4
Public Art Relocation 3/3
Section
Topic
2. APPROVAL OF MINUTES
2a
Minutes of March 24, 2025
packet pp.3–4
Staff report:
APPROVAL OF MINUTES a) 03-24-25 Park Board Minutes Page [0000] CITY OF ISSAQUAH Park Board 7:00 PM Tibbetts Manor, 750 17th Ave March 24, 2025 MINUTES NW, Issaquah
4. REGULAR BUSINESS
4a
Creeks to Peaks: Three Trails Crossing Art, (I,D)
30 min · Amy Dukes, Cultural Arts Manager Robin Spear, Park Planning and Development Manager · packet pp.5–16
Topics: ParksArts & Culture
Staff report:
Issaquah Intersection Murals April 6, 2023
4b
Public Art Relocation
Information / Discussion · 30 min · Amy Dukes, Cultural Arts Manager Robin Spear, Park Planning and Development Manager · packet pp.17–22
Topics: Arts & Culture
Staff report:
REGULAR BUSINESS b) Robin Spear, Park Planning and Development Manager
4c
Capital Improvement Plan Update
20 min · Robin Spear, Park Planning and Development Manager Hasanthi Hoglund, Department Operations Specialist · packet pp.23–28
Topics: Budget
Staff report:
REGULAR BUSINESS c) Robin Spear, Park Planning and Development Manager Hasanthi Hoglund,
5. REPORTS
5a
Director's Report
5b
Chairperson's Report
0:16 I do not know how to do that.
0:22 >> Okay. So, in theory, we're all
0:24 >> What is that?
0:26 >> I think it's maybe your screen. That's
0:29 what's on your screen.
0:32 >> Are you sharing?
0:37 >> You got that? I've never had that
0:38 happen, but I've had like these warnings
0:40 about it.
0:41 >> You're like in the
0:43 >> infinite mirror.
0:43 >> Uhhuh. What is I've never ever seen this
0:47 or have this happen.
0:48 >> You're You're sharing your screen, which
0:50 is sharing your screen, which is sharing
0:51 your screen, which is
0:54 why Rachel is also not Rachel. And
0:57 Rachel obviously is gonna be
1:00 >> there's that.
1:01 >> Yeah.
1:02 >> And Albert's I think out of town. Do I
1:04 join?
1:05 >> Chris is still out of town, right?
1:07 >> What does that mean?
1:10 >> Caroline, Treasure,
1:15 >> Tracy. Um,
1:18 yeah Tracy.
1:21 So, we might only be
1:23 >> Well, I'm fine.
1:26 Okay, Amy, I'm really confused.
1:28 >> What's happening?
1:28 >> So, no.
1:31 >> You're sharing.
1:32 >> So, I'm already sharing.
1:33 >> Yeah, you're good.
1:36 >> I don't need to double share.
1:39 >> That was the double share. Sorry.
1:42 >> Yeah. No, you're good. And then I'm
1:44 going to join and just make sure I can
1:46 share so that I can present from here.
1:50 But where do I start recording?
1:53 >> Oh,
1:53 >> I thought I had to join the mute.
1:56 >> Did you not join the meeting?
1:58 >> I did, but that's when I started getting
2:01 >> the trick.
2:02 >> And right now you're I'm plugged in.
2:06 >> Oh, that's why.
2:07 >> Is that Should I unplug? Um, so
2:11 are you just
2:15 Hold on one second. Let me join the
2:16 meeting and see what I see because I'm
2:19 not sure if we're seeing what's in the
2:21 room.
2:21 >> Okay.
2:22 >> Or Hold on one sec. Let me join.
2:24 >> I thought I had to join first.
2:41 >> Maybe I should comment.
3:06 Yeah, like you're sharing the recording
3:10 has not started.
3:12 Um,
3:14 if you're on team,
3:19 >> what about unable?
3:21 >> Yeah, I'm not sure if you need to be um
3:24 to it, but you're going to need to join
3:27 the meeting again.
3:31 >> Yeah.
3:33 >> Yeah. Just I would just join from your
3:37 laptop and not worry about hurting.
3:39 You're getting away from it.
3:46 >> Over there.
3:47 >> Oh, default right to you.
3:49 >> See that one? It it likes you.
3:51 >> So, Rachel,
3:53 I can't believe
3:54 >> Rachel, this is your opportunity right
3:56 now.
3:58 >> Oh, is that the popular? That's what
4:00 >> No, that's sort of the default.
4:02 >> So, nothing's happening and it'll just
4:04 be on you for
4:06 >> No, no, it may not. They'd be different.
4:08 might have just been me. You're your
4:10 fault.
4:12 >> We're gonna find out. There were their
4:14 meetings are recorded, too.
4:17 >> Watch yourself.
4:42 That's awesome.
4:52 >> Yeah.
4:58 four hour delay. I was totally fine.
5:02 Cool.
5:11 Let me try real
5:14 >> and then I'll
5:32 >> learn
5:40 I think we got it set up. I'm not sure.
5:52 >> No, because I'm not
5:54 put up
6:00 that
6:11 coach baseball team.
6:12 >> Oh yeah,
6:15 >> I bet you there's
6:21 Red Sox, the Yankees, all of it.
6:27 Yeah.
6:38 >> Yeah. Good times.
6:58 being
7:19 happy.
7:43 I do not
7:49 face.
7:50 It might be set automatically.
7:54 >> You can ask about the uh she might have
7:57 said
7:58 >> what's up. What can I help with?
8:01 >> Is the recording
8:03 >> set to record automatically?
8:05 >> You know, it is. I can see that it's
8:07 already recording. So, we can just cut
8:10 the first part. Um,
8:14 >> want to make sure
8:17 >> we got we went down the list and got
8:19 everything.
8:20 >> Okay.
8:21 >> I think that's a new feature. Microsoft
8:23 just like changed teams.
8:25 >> So, it now like records automatically
8:28 when it starts the meeting, which is
8:30 weird.
8:33 >> Yeah.
8:35 We can just cut it until we actually
8:38 start the meeting and then
8:45 >> Okay.
8:56 I can't
9:10 >> good evening.
9:12 at 7 PM and as chair of the park board,
9:15 I'll
9:17 share calling the meeting to order. Uh
9:20 and this is a joint meeting with the
9:22 arts commission and um never done one of
9:26 these, but Rachel, if you're good, we'll
9:28 call a meeting to order.
9:30 >> Okay. Thank you. Um we're pretty
9:31 informal here. We mostly just sort of
9:34 raise a hand or let out a peep that we
9:37 want to speak. other. It's not too
9:39 formal, but however you want to do it is
9:41 fine with us.
9:42 >> Pretty much sounds like how we roll.
9:43 >> Okay. I mean, I know other groups, you
9:45 know, do this kind of thing. We do that,
9:47 too. But, um, okay. Well, then I'll, um,
9:50 I'll take ro for the park board and then
9:52 if you want to take for commission and
9:55 we'll go from there. Uh, okay. So, Katie
9:59 Bell,
10:01 Andrew Alan has an excuse absence. Go,
10:04 I'm here. David Lube here.
10:07 Uh Tim Mley, do we have Tim? He's
10:10 usually online.
10:13 Uh not that we know of, but we'll
10:15 >> He should be joining.
10:20 >> Tim, if you're online somewhere, try to
10:22 speak up.
10:24 Let us know.
10:26 Uh Brian Olsen
10:28 >> here,
10:29 >> Marlene Waxy
10:30 >> here. Uh Paul Adair
10:32 >> here,
10:33 >> Martha Gentner
10:34 >> here,
10:35 >> and uh Mary Stevens has an excused
10:38 absence and this would have been her
10:39 last meeting. Uh so we all wish her
10:42 farewell and then that's it for us. So
10:46 if you want to do yoursel
10:50 Yeah, we this we are even less fortunate
10:53 than you.
10:55 Um so Tracy,
10:58 you can say here or something. people
11:00 here.
11:01 >> Um, Kimberly has an excused absence. Um,
11:06 Rachel Wright is here.
11:08 >> Tina Hayes
11:09 >> here.
11:09 >> Um, Chris Craraven is out of the country
11:11 and has an excused absence. Rachel,
11:14 Rachel is online, I can see. Um,
11:18 >> here. Yep.
11:19 >> Thanks, Rachel. Um, Albert has an
11:21 excused absence. Treasure
11:23 >> and Caroline.
11:25 >> Awesome. Thanks, guys.
11:27 >> Okay. And then I don't think we have any
11:29 action items today, but I believe we
11:31 have a form whichever way we might need
11:34 it. So that's great. Um I'll do the
11:37 parks approval of minutes real quick in
11:39 the new year. So uh did everybody on the
11:42 parks board get a chance to look at the
11:45 minutes from the last meeting? Any
11:47 corrections or revisions?
11:51 And with that, the previous meeting
11:53 minutes are approved
11:56 >> and we are sending ours to
11:58 >> Okay. Uh then I guess we move right into
12:01 public comments if we have any.
12:04 >> Um Corey, I think you're on.
12:08 >> Hi everyone. I'm Corby Castler. I'm the
12:10 executive director of the downtown squad
12:12 association. And this Friday, May 2nd,
12:15 we will be putting our first arts
12:17 commission grant to work with the wine
12:19 and art walk. So, I hope to see you all
12:21 down on Front Street on Friday 6:00 to
12:24 9:00 p.m.
12:29 And that was it. Thank you.
12:31 >> Thank you, Dory. Sweet.
12:33 >> Thanks.
12:35 >> Anyone else?
12:39 >> Not seeing anyone or knowing one of
12:41 anyone speak up later. We'll let you
12:43 back in. Um we'll move into regular
12:45 business. And the first item is the
12:48 creeks to peaks three trails crossing
12:50 presented by AP Dukes. Right.
12:54 >> Did you want to go first?
12:57 >> Yeah. So, hi everyone. I'm just going to
13:00 jump in real quick. Um, arts
13:02 commissioners, welcome. Sorry to be
13:04 missing you in person. And parkboard,
13:07 this is probably my last parkboard
13:09 meeting seeing you all virtually for a
13:11 little bit. Um, I just wanted to jump in
13:14 and do pro sort of our other business
13:16 items just at the top of the meeting
13:18 real quick. Um, so I can jump off. But
13:21 just a reminder that our next meeting is
13:24 on May 19th, which is not our normal
13:28 fourth Monday of the month. Um, it's
13:30 going to be the third Monday because of
13:32 Memorial Day and that we will be
13:35 electing a new chair and vice chair at
13:39 that meeting. And by we, I mean you all,
13:41 cuz I probably won't be there. Um, so,
13:46 uh, if anybody is interested in the
13:49 position, has some questions, or wants
13:51 to chat about it, please feel free to
13:53 reach out to Jeff, um, or Robin, and
13:56 they'll connect with you and sort of
13:58 talk to you about what that position
14:00 entails. I'm sure Chris or Marlene
14:02 having served in the role very well over
14:06 the last couple of years would be happy
14:07 to share some experience as well. Um it
14:11 does mean that we will be taking action
14:13 at the next meeting. Uh so for those of
14:16 you as you're looking at schedules, if
14:18 you can make that meeting, great. We
14:19 will need to at least have a quorum. Um
14:21 and if we need any of our um alternate
14:25 members to act as regular members, we'll
14:28 sort of make that determination. um at
14:30 the next meeting and there will be some
14:33 new members joining us at the next
14:35 meeting as well. There's one that's
14:37 online here just sort of Hannah's here
14:40 um watching to see what the procedures
14:42 are kind of like. Um but there will be
14:44 four new members next week. So you'll um
14:48 meet Hannah, Diana, Jeff, and Jane. Um
14:53 and I'm sure we'll do some sort of
14:55 introductions and they will also be Hi
14:58 Hannah. Um they'll also be doing um uh
15:03 they'll be voting on the action to to
15:07 choose chair or vice chair. Um and then
15:10 the last thing I just wanted to sort of
15:12 remind everybody is over the summer we
15:15 will likely do a tour for the park
15:18 board. Um we haven't done it in the last
15:20 couple of years, but we typically go to,
15:23 you know, some locations that are slated
15:25 for upcoming capital projects um or look
15:30 at something that's like currently under
15:32 capital project um review. And so I put
15:36 some options in the um our email, but
15:40 potentially thinking about sort of
15:42 Tibbitz Valley Park being one of the
15:44 locations. Um maybe going up to the
15:46 Central Park fields and looking at the
15:48 athletic fields space up there. Um so
15:51 start thinking about locations you might
15:54 want to go as a board to tour. Um and
15:58 that can be discussed at the June
15:59 meeting with Robin and Jeff. and then
16:03 we'll get that scheduled for July.
16:06 Um, and that's kind of all I've got. I'm
16:09 gonna probably pop off of here for a
16:11 little bit. Um, but thank you so much.
16:14 It's been great working with all of you
16:15 and I know you'll be in great hands with
16:18 Robin and Jeff and Amy and Robin tonight
16:20 for this presentations. Um, and
16:25 we'll be in touch in the fall.
16:28 >> Good luck, Cassandi.
16:30 >> Thanks everyone. And
16:35 >> okay, so now I guess we'll go to the um
16:39 regular business item of the
16:43 Oh, I have an old one popped up. Sorry.
16:44 Oh, here it is. Um the crease peaks
16:52 >> or is intersection murals.
16:56 >> Yeah, it has many names. So I am going
16:59 to Robin do you mind just giving sort of
17:02 the overview of the project before we
17:04 launch into the art?
17:06 >> Yeah sure. So in our parks system update
17:10 our 2024 plan we came up with uh
17:14 collectively between us and and the
17:16 community came up with the idea of
17:18 creeks to peaks. And as we went through
17:21 the process, we realized that we really
17:24 this is one of those cities where we
17:26 could actually have all the parks and
17:28 all the trails connected and thus Creeks
17:31 to Peaks was born. So this is one of our
17:34 very first projects for Creeks to Peaks.
17:36 We call it the three trails or the
17:38 Isiqua intersection murals, but we're
17:40 we're really calling it the three trails
17:43 um project. And it's a kickoff of the
17:48 intersection of Lake Mammish, East Lake
17:50 Samish Trail, the Rineer Trail, and the
17:53 Juniper Trail. And um it's right on
17:56 Gilman at the intersection.
17:58 If we have a map on that one, let me
18:01 switch to that.
18:02 >> Sure. Oops.
18:06 >> Yeah. But this is kind of just our pilot
18:09 project and our kickoff project to
18:11 really introduce the concept, to
18:13 highlight the concept, and and make sure
18:15 everybody is a a recognizable project.
18:19 I don't know if you want to go through.
18:21 >> Yeah, I was going to share
18:24 >> share the the artwork and this is
18:27 theation.
18:29 Do you want to speak to the anything
18:31 about the location before we look at the
18:33 cont?
18:33 >> Sure. So, initially we looked at some
18:35 ideas for asphalt art um and realized
18:39 that this would be a really nice place
18:41 to start this off. Uh what we'd like to
18:44 do though is really focus on the four
18:47 corners of the intersection. And I don't
18:49 know if you know about if you've been
18:51 out here it's what's called a scramble.
18:54 I think it's only one in the city but
18:56 where you can cross diagonally and that
18:58 really emphasizes that north south and
19:01 east west connection. Um but we really
19:04 wanted to highlight the corners uh
19:06 everything on the sidewalks above the
19:09 ramp area. We couldn't touch the ramp
19:11 area because of ADA restrictions and we
19:14 don't want to mess anybody up with that
19:16 one. Um, so here's our four corners. Uh,
19:20 you'll see just a aerial view on the top
19:25 and want to go to the next
19:33 >> I don't know if you want to dig into the
19:35 concept. So, um, we worked with, uh,
19:37 artist Jake Wagner, who we worked with
19:40 previously. He's actually the artist
19:42 that, um, we, um, worked with to design
19:45 our creative district logo. Um, you
19:47 might have seen it on a couple of
19:50 utility box wraps, uh, around town and
19:53 specifically in our creative district.
19:56 Um, and he came up with multiple
19:58 concepts for you all to kind of give us
20:01 some feedback on tonight. Um so the
20:04 thinking would be to have each of the
20:06 four corners have a really kind of
20:08 signature um graphic kind of artistic
20:12 element. Um and then uh we are also
20:16 speaking with public works to try to get
20:20 some uh visual crossing um that's maybe
20:24 in a color other than the typical white
20:27 um to emphasize the scramble. So that
20:30 piece is hopefully going to play along
20:32 nicely with the installation of the
20:34 mural. Um but it is kind of a separate
20:37 item. So the thing that we wanted to
20:40 share with you this evening is really
20:42 the artwork concepts um for the mural
20:46 pieces, the asphalt art pieces at the
20:48 corners. Um, so Jake came up with a
20:51 couple of different um, these are really
20:54 preliminary designs and we thought we
20:58 would have you all give us feedback. Um,
21:01 we'll see kind of we'll see how the
21:03 conversation flows and goes. I know Arts
21:05 Commission is a lot more um, kind of
21:07 used to having these conversations about
21:10 design and artwork. Um, but we'll chat
21:12 about the concepts and then if we have
21:15 consensus or if there's a certain way
21:17 that that it's leaning, our next step
21:19 would to be to go back to the artist and
21:21 have him refine the design that you all
21:24 kind of are leaning toward. Um, or, you
21:27 know, if if there isn't a clear
21:29 consensus, then we'll probably have him
21:31 do some refining on multiple concepts
21:33 and then it would come back to you. Um
21:36 the timeline overall is that uh he is
21:39 going to paint in late summer. Um we
21:42 have such a short window for doing mural
21:45 work in the Pacific Northwest and so um
21:48 we're really hoping to get this
21:50 installed in like August or September at
21:54 the latest. Um we are waiting a little
21:57 bit on um a grant request to the
22:00 legislature that could help boost um
22:03 boost our budget for the project.
22:06 >> Um so did I don't know if you all took a
22:10 look at them prior to the meeting but
22:12 this is and we didn't really we didn't
22:14 really name them.
22:15 >> Not really like concept number one. Um,
22:18 so this one I can just read. Um, let's
22:22 see. Do I have
22:25 No. Okay. So, these are the four corners
22:28 and this one is is a little bit uh
22:30 literal. Um, the Reneer um image is at
22:35 the corner of Reneer Boulevard. Um the
22:39 the images that look like the lake are
22:42 as you're heading towards Lake Seamish
22:44 or coming from Lake Seamish. And then
22:46 that bottom right um image is of juniper
22:51 leaves and that's kind of where the
22:53 juniper trail is.
22:54 >> Um so this one is just kind of our
22:58 beautiful natural environment. Um and
23:01 then I think what I'll do is just go
23:03 through the three concepts and then we
23:05 can chat about them.
23:08 Um, just to note there is, you might
23:10 have noticed there's a little bit of
23:11 logo embedded in the images and that's
23:14 just a placeholder. So, Jake is also
23:16 going to work on creating a Creeks to
23:18 Peaks logo and which will hopefully be
23:22 able to um get designed and installed uh
23:26 at the same time as the mural work.
23:30 So, here is a little bit more closeup of
23:35 this concept.
23:38 I think these are so interesting because
23:39 it was a snowy day when they took the
23:43 like extra atmosphere. Um, and then here
23:46 are the corners that kind of face the
23:49 lake.
23:52 Okay. And so then this is concept two.
23:55 Um, it's kind of a topography uh
23:58 concept. There are um two concepts that
24:01 kind of have this more uh topography
24:04 design. This one is a little bit more
24:07 bold and graphic and kind of the lines
24:09 are a little bit more demarcated and
24:12 clean. Um,
24:14 I do not think, correct me if I'm wrong,
24:16 Robin, I don't think that this
24:18 topography is specific exactly to the
24:23 actual locations, but it's something
24:24 that we talked about with Jake that
24:26 maybe we would want to try to make it
24:28 more specific. I think that the water um
24:32 maybe does represent Lake Samish, but
24:34 the others may be a little less
24:36 specific.
24:38 Um and so here
24:41 uh is a closeup of those corners
24:46 and
24:49 the other corners. So just so you get a
24:52 sort of feel for that one. And then the
24:54 third concept is
24:57 I think I'm blow up. Nope.
25:00 >> More topo.
25:01 >> More topo. Um, so this one is sort of a
25:04 riff off of the one we just saw, but a
25:09 little bit more loose and a little bit
25:12 more natural. Um, and a little less kind
25:14 of harsh in its lines. And I I mean
25:17 harsh in a negative way, but just a
25:19 little bit more a softer um kind of
25:22 approach to the graphic design.
25:26 And
25:28 and also um this one is a little bit
25:30 more uh has a little bit more free form
25:33 on the edges as well. So kind of spreads
25:35 out a little bit more gently than the
25:37 other one. Um you can see in this
25:39 closeup.
25:41 Again, I don't know that these are super
25:44 specific to the location, but that's
25:46 probably something that Jake would work
25:47 on refining if if this is selected. And
25:52 then here is another nice large closeup
25:56 of this one. This one also um is a
26:00 little bit uh uses less paint um and is
26:05 making use I think of some of the
26:07 sidewalk
26:08 as you know kind of contrast negative
26:11 space.
26:13 So those are the three that's the last
26:15 slide. Yeah.
26:17 And the parameters we gave him were
26:19 around creeks to peaks. We wanted him to
26:21 include Isiqua Alps, obviously all the
26:23 mountains, uh, creeks and our waterways
26:27 and see the lake Sam and just our
26:29 natural fabric. Um, and contrast between
26:33 the valleys and and the peaks. So to tie
26:36 into that, so he came up with three
26:38 really interesting, really great
26:40 concepts. Um, very bold colors, which is
26:43 what we wanted. We want to make sure
26:44 that the intersection and the the
26:47 crossing is as safe as possible. Right
26:49 now, it's a little difficult to see what
26:52 you're actually supposed to do, and the
26:53 signs are small. So, we wanted to pop
26:55 that out as much as possible and make it
26:58 as visual and interesting as we could.
27:02 And they they will um naturally fade a
27:05 little bit over time, although he is
27:07 using some fairly new and innovative
27:10 materials, so they should hold the color
27:12 pretty well. Um, but I think he did
27:14 start out with very bold colors,
27:16 partially for that reason.
27:19 So, um I just invite you all to
27:24 have the disc,
27:27 right?
27:28 >> Yeah.
27:30 >> Um I was curious, did you check in at
27:33 all with like uh the police department
27:34 or anyone to see if they had any design
27:36 brief parameters on safety um prior to
27:40 this? I'm just looking at the things
27:41 that are like little lines that can
27:42 sometimes denote traffic or etc. Period.
27:46 We checked in with um our public works
27:49 um transportation folks to make sure uh
27:53 where along the um asphalt we could
27:57 paint and where we couldn't paint.
27:59 >> Um and we have shared this with them and
28:01 they feel like any of these would be
28:04 acceptable.
28:05 >> Um but yeah, we do need to maintain that
28:08 high contrast yellow um striping there
28:11 to to show where the curb um starts.
28:16 Then my other question was just I think
28:18 you briefly mentioned it about sort of
28:20 the length of time that this would last
28:22 and then I know um with the
28:25 environmental board um and our team kind
28:27 of curious about like what paint we're
28:29 using as we're close to storm sewers and
28:32 all that stuff like like what are we
28:34 what what are we using as it relates to
28:36 sort of paint what's the runoff?
28:38 >> Yeah. All of that has to be approved. Um
28:41 but the the painting that or the paint
28:45 product that he is using he has used in
28:48 um previous municipal projects. Um the I
28:52 think the largest one he did was in
28:53 Pierce County at Rustin Point. Um and it
28:57 has lasted I think he said what like
28:59 seven or eight years.
29:01 >> Um without touchup which is pretty
29:04 amazing. Um, we tend to be pretty good
29:06 about maintaining our artwork and
29:09 touching up at least every other year.
29:11 Um, but yeah, any product that we use
29:14 will have to get approved um by the city
29:18 not just the arts commission.
29:22 >> Okay, you look great. So,
29:24 >> I think we should say the paint is
29:26 rather thick, so that kind of limits how
29:29 very detailed we can get on it. So
29:32 that's why the images are a little bit
29:34 um I don't want to say blockier in a
29:36 good way blockier uh a little more
29:38 graphic
29:40 in less detail just cuz it it would be
29:42 really difficult for him to do that.
29:44 >> And it dries um it dries really quickly
29:47 um which is a good thing because then
29:48 that reduces the chance of it you know
29:51 um getting into the environment farther
29:54 away. Um, but he has to work pretty
29:56 quickly too. So he that's
29:59 keeping the shapes pretty large and
30:02 simple.
30:03 >> So So basically, I'm sorry, just to kind
30:05 of reaffirm what Marlene say. So it
30:07 would be safe in case you know if
30:09 there's it's raining or whatnot, what
30:11 goes down into the drain and it's so
30:14 close to the creek that there won't be
30:16 any harms to the sands and all.
30:19 >> It will be um Yes. And it will be sealed
30:22 too. Um but it also from a different not
30:25 an environmental safety um standpoint
30:27 but from another safety standpoint we
30:29 also have to include um a grit within
30:32 the paint so that it's not
30:36 as well. So all of those um
30:39 considerations are kind of like our very
30:41 base like those will all taken care of.
30:44 Yeah. Um so thanks for bringing those
30:48 up. That's good to point out.
30:51 Uh well towards design I'd say
30:54 personally my you know boating or
30:57 whatever what appeals to me the best is
30:58 the first design. Okay
31:00 >> I feel like that conveys concept the
31:02 best of you know the whole three trails
31:04 identity that this the each trail
31:06 represents a different destination more
31:09 or less that you could go to from here
31:12 and so thus in terms of concept I feel
31:14 that that conveys that the best as well
31:15 as just has a very striking look to it.
31:17 you know, you drive up there and like
31:19 see Rainineer there on the on the
31:20 sidewalk. It's kind of really catch your
31:22 eye and draw you in, ask the questions,
31:25 what is this, why is it here? Oh, it
31:26 takes me back to that viewpoint, you
31:29 know? So, for me, I really like that as
31:31 the concept more so than the
31:33 topographies. The topographies get a
31:35 little off for me in terms of what it's
31:37 convey.
31:39 >> So, a little more literal translation of
31:41 it.
31:42 >> Yeah.
31:42 >> Kind of shows it shows it off better.
31:45 Okay.
31:47 Tim's got his hand up.
31:48 >> Oh, Tim.
31:51 >> Hi. Thank you. Yeah, these are all
31:53 great. I I have a question. Uh this the
31:56 slide that you have up right now, the
31:58 bottom right hand image, there's the
32:01 large kind of white speckled area on the
32:04 top. What is that?
32:06 >> That is snow.
32:11 >> Yeah. Um we we kind of leapt out and
32:14 were able to get a drone out there right
32:16 as after one of the the snow falls or
32:19 right as the snow melted off the
32:21 concrete. So we were a little worried
32:23 about that. But um picture that green.
32:26 >> Yeah.
32:26 >> So that's that's snow. That's actual
32:29 snow. That's not snow. That's part of
32:31 the design.
32:32 >> No, no, no. That's actual snow.
32:34 >> That is actual snow.
32:37 >> It blends in really nicely to the design
32:39 though, I think. Mhm.
32:40 >> Do you think we need then that's
32:42 actually a bit of um good thing to point
32:45 out. Do you think we need a stronger
32:47 contrast along the edge where we do have
32:50 lawn area to delineate that so no one
32:54 gets confused?
32:55 >> Yeah, I I think that might be useful. I
32:57 mean, it's hard looking at this small
32:59 two-dimensional image and knowing part
33:00 of its snow and part of its uh design.
33:07 per perhaps
33:09 um but I would also echo the comment on
33:12 the first set of images being the ones I
33:15 would lean toward for the community. Um
33:21 I you I've been a hiker all my life and
33:23 when I see topo lines it makes me happy.
33:26 So, it's personally I like the ones with
33:28 the topo lines kind of on it, but I
33:30 think for the general community, there's
33:31 a lot of people that don't know what a
33:32 topo map is and they're going to look at
33:35 that and be kind of like confused. And u
33:39 so for overall breadth of appeal, I
33:44 would say the first set of images.
33:50 Great.
33:53 >> Um I' I'd say, you know, I you're
33:57 looking at the pictures um from a drone
34:00 shot is the average person seeing is
34:02 going to be between like three and five
34:04 feet off the ground where they're
34:06 looking down. Uh, and to me
34:11 I actually like the topos better, but
34:13 the imagery of the first concept I think
34:16 actually lends itself towards if you
34:17 were standing there at that intersection
34:19 and you look down, you see the juniper
34:21 plant or the juniper berry or a big
34:23 mountain radiator or a big piece of
34:24 lake. I think it calls out more than if
34:27 I'm just standing over a squirrely line
34:30 >> um of what I'm trying to see if really
34:32 you're only looking like this much area.
34:34 Um, that's kind of how I I thought when
34:36 I did float this through the house and
34:38 everyone in the house like better.
34:42 So, yeah, I just kind of looked at it as
34:44 like if I'm here looking at it, I'm not
34:47 seeing it in this form.
34:51 >> Yeah. Along the same vein on concept
34:53 one, I do like concept one best. Um,
34:56 it'll change the arc, but is there a way
34:58 to do like perspective? So, if you're
34:59 standing at the intersection, you
35:01 actually see the mountain as you're
35:02 looking. You know what I'm talking
35:02 about?
35:03 >> Oh, yeah. Yeah. how it kind of just
35:04 >> like a visual perspective versus we only
35:07 appreciate it 100 ft and then you're
35:09 like
35:12 >> right
35:14 >> or some depth in there.
35:16 >> Yeah.
35:16 >> Right.
35:18 >> Those kinds of course perspectives if
35:20 you move it has to be from one spot if
35:22 you move into a different
35:23 >> No. Yeah. I I totally get it but
35:26 >> falls off.
35:26 >> Yeah.
35:27 >> I I don't know though that looking at
35:29 the Can you scroll up to the first
35:33 I think um
35:36 I was wondering about that too of like
35:37 if I was standing on the Mount Reader
35:39 Park, would it read like a mountain?
35:41 Would I be able to see it like that? How
35:44 how big? I'm remembering like how big
35:46 that intersection is.
35:47 >> I think of the three, this is the one I
35:49 like the most, but I would
35:50 >> also really love if there was like a way
35:54 to color code the corners like subtly.
35:58 So there could be like um a transition
36:01 that occurs. I I think the they are
36:05 similar enough where we're seeing like
36:06 full picture, but I wonder if like one
36:08 side is warmer, even the side to like
36:11 the east or the west, you know, warmer
36:14 colors and then cooler colors like the
36:16 north and the south. Um, I see in Jake's
36:19 work mostly
36:21 his street work is like solid color
36:24 blocking and I'm assuming that's for
36:26 like the process and application, but if
36:29 there was a way to
36:31 like transition the color even within
36:33 the block, I think that would be really
36:35 interesting and that could play into the
36:38 paint that's happening crosswalk itself.
36:41 like the transition color
36:43 >> if you could kind of blend it across
36:45 >> just to emphasize that
36:47 >> basic
36:52 maybe are now in like a sunset
36:59 >> the badging where it says creeks to
37:00 peaks but then the three different
37:02 colors are those meant to be waveind
37:05 trails or are they just meant to say
37:07 creeks peaks as branding
37:09 >> um yeah He actually used different
37:12 colors because he was suggesting that um
37:17 that the color would allude to what type
37:21 of trail it was. Um so he had sort of
37:25 come up with a a suggested system, but
37:29 we felt like it was complex and it would
37:33 only work if we were going to really
37:35 actually be able to um to produce it all
37:39 over the city. Um, but he he kind of
37:41 thought of this whole system which was
37:43 pretty cool. Um, but I think what what
37:46 we've ultimately asked him to do is just
37:48 come up with a logo for Greasy Peaks.
37:50 But he was thinking about it kind of and
37:52 somewhat what you mentioned Tina um as a
37:55 way to kind of u let you know where you
37:57 were going um and that it would be
38:00 visually intuitive.
38:03 Just along with you just along those
38:05 lines though I think it is the creative
38:07 district there's a real opportunity to
38:09 think about how this could in different
38:12 areas maybe it's too much to do along
38:14 the city but to have that sense of these
38:16 are the thresholds going into the
38:18 creative district and how do you
38:20 emphasize
38:23 >> maybe there's not the budget for at this
38:25 point having an artist think about how a
38:27 system like that
38:29 >> just within the creative district
38:31 portion
38:31 >> yeah And we also thought about
38:34 potentially um we do have a creative
38:37 district logo. Maybe someplace, you
38:40 know, down from the um this artwork, we
38:44 would also kind of put the that logo as
38:47 well. Um because several of these
38:49 corners are kind of pointing you towards
38:52 parts of the creative district.
38:55 It seems like we're mostly concentrating
38:57 on perspective from people on foot or
39:00 maybe on bikes, but I know this
39:02 intersection really well and it's a
39:04 bizarre fiveway very busy intersection.
39:08 So, I like it that we're enhancing it. I
39:11 see so much confusion from drivers when
39:13 they're going through this and trying to
39:15 figure out where the pedestrians are
39:17 going. So, I think coming from the
39:20 thinking about people in their cars
39:22 looking at this, seeing the crosswalks
39:25 better, having better markings for
39:27 pedestrians will be great for safety as
39:30 well.
39:30 >> And kind of peing the interest of
39:32 drivers coming through like what is
39:34 that? I'll have to come back here and
39:36 take a closer look.
39:37 >> So, that that that is a different take
39:39 on what they do with that fiveway
39:43 intersection, the colors, and will it
39:45 make sense to somebody driving through
39:46 it? Mhm.
39:48 >> Specifically to that point really
39:53 understand
39:55 why there's no rest
39:59 very drifty and the five way like having
40:02 to take a left on
40:06 the all the time you don't know what
40:07 you're doing.
40:08 >> Yeah.
40:09 >> Was it ever considered to have the mural
40:11 on the intersection?
40:14 >> Yes. Um, and that and was not uh
40:18 >> that was shut down.
40:21 >> We're hoping that we'll get there
40:23 eventually, but we're not there yet. So,
40:25 this is sort of our um this is our baby
40:28 step into asphalt art. We you Robin
40:31 actually found all these amazing
40:34 um examples mostly not in the United
40:37 States um but of artwork that was all
40:40 over the intersections and um So
40:46 yeah. Yeah. Unfortunately, we or
40:48 fortunately we do have to abide by wash
40:50 standards and they're pretty strict on
40:52 what they do and do not allow. So we're
40:54 even checking if we can do the blue. We
40:57 more than likely could do the white
40:58 stripes, which we're really trying to
41:00 get some sort of emphasis going across
41:03 to pull people in and just just to let
41:05 people know that, hey, this is a
41:07 scramble. Um again, the signs are a
41:09 little bit small. They're up there, but
41:12 yeah, vehicle drivers, you tend to miss
41:14 it.
41:15 >> And and through there 30, 40, 50 miles
41:19 an hour. So,
41:21 >> yeah.
41:23 >> I have another thought about this one. I
41:25 actually I'm going to kind of back up. I
41:26 do like it, but I I'm a little worried
41:29 that it's bit off a little bit more in
41:30 terms of like the content of that what
41:33 we can actually read as pedestrians. And
41:35 I would love to see like what it looks
41:38 like from the ground, you know, if he if
41:40 there's a way for him to give us
41:42 >> Yeah, I think he can model it this way.
41:46 >> Yeah. I don't I think it's
41:48 >> I'm I'm more like maybe something in the
41:50 vein of the topic map, but that looks
41:54 less like a golf course with the colors.
41:58 where it's like pattern and color that
42:01 delineate space instead of a theme. The
42:04 scene works really well from bird's eye,
42:05 but like we're standing down flat on it.
42:08 Not sure if that's actually gonna like
42:10 be readable
42:12 because I think what's nice about parks
42:14 perspective is helping people way find
42:16 >> right and so that's kind of easy I find
42:20 interesting
42:21 >> besides the state is
42:24 more literal to actually what people are
42:26 trying to do there if you are on bike or
42:30 >> yeah like I've been on some like college
42:32 camps and stuff like that with a big
42:34 like
42:35 >> you know ground mural like that and even
42:37 Yes, perspective when someone's coming
42:39 in play, you can get a good sense of it
42:41 while standing there. It creates a good,
42:44 you know, way fine and a good rolling. I
42:47 do think this can work, but yeah, you
42:48 can model it to look at it ahead of
42:49 time.
42:50 >> Yeah, I'm pretty sure that he can. I
42:52 mean, again, these these were initial um
42:56 concepts that we wanted your input on
42:59 and then um we didn't want him to go to
43:02 that level for all of them. We wanted to
43:04 see which one kind of spoke to all of
43:06 you and then we will ask him to do that
43:08 sort of deep dive so that we can really
43:11 um assess what it looks like as a
43:13 pedestrian standing there. Um
43:17 there other thoughts or
43:21 >> Yeah. Um just from looking at these
43:23 images and I know they're renderings on
43:24 top of photograph but um something that
43:29 seems a little bit distracting is all
43:30 the different colors of concrete around
43:33 it. And if if you know budget allows and
43:38 transportation department allows um the
43:41 curbs and the the ramp that are supposed
43:44 to remain gray if maybe they can all be
43:46 painted a uniform gray so that you're
43:48 not pulled away looking at these sort of
43:51 bugaboo distractions and then you can
43:53 really see the the intended image.
43:57 Something worth considering
43:59 >> and we can do that. I mean we could
44:01 paint the the landings. We just have to
44:03 have a 75% contrast between the
44:06 truncated domes and the landing. So,
44:08 >> and even like those curb edges, you
44:11 know, they're all one color gray. I
44:14 think that'll really
44:16 >> Yeah, I think that's a
44:17 >> help drop it to the background and then
44:19 really make the rest of it pop.
44:27 Well, I feel like I heard a pretty
44:30 decent consensus for concept one. Um, so
44:35 I think
44:37 correct me if I'm wrong, but I think
44:38 that's kind of what I heard. So I think,
44:40 um, what we'll do is take Robin's been
44:43 taking awesome notes. Um, we'll take all
44:45 of your feedback and give it to Jake and
44:48 um, have him refine this concept. Um,
44:52 and we'll see it again.
44:56 >> Yeah, I like it. Awesome. Thank you.
45:01 Was there and I didn't know. Did anyone
45:03 that's online want to weigh in at all?
45:06 Are you guys all good? I know Tim did.
45:09 >> Great. Okay.
45:12 >> All right. The next item is public art
45:15 relocation,
45:16 also by Amy.
45:19 Um, do you love how we brought all of
45:22 our art items, too?
45:32 >> Where did that one go?
45:44 >> I mean,
45:50 That's weird. Oh, maybe I have the
45:52 wrong.
45:54 All right. Well, can look at it like
45:58 I don't know why.
46:04 There we go.
46:07 >> Okay. didn't make a huge difference. But
46:11 um so with the all of the awesome
46:16 um renovation of or addition of the
46:19 plazas uh at the senior center um we had
46:23 to remove three pieces of public art
46:26 that were there on the site. Um the uh
46:31 salmon cycle has been there since the
46:33 80s when the building was actually a
46:36 library and then the other two have been
46:39 um around the senior center grounds I
46:42 think since 2007.
46:44 So they've been there a while um and
46:48 they have served their time well there
46:52 but it's time for them to find new
46:53 homes. Um so these are the three
46:56 artworks that have been removed. They
46:59 are sitting in storage. Um our
47:02 contractor Beayshore that's working on
47:04 the project was um part of their scope
47:06 was to uh sort of dig them up carefully
47:10 and um and es escort them to their
47:14 storage. Um, but we will need to find
47:17 new locations for them and and the arts
47:21 commission will use our maintenance
47:22 budget to reinstall the artwork in new
47:25 locations. So, last summer, I can't
47:28 believe it's already been almost a year,
47:30 the arts commission took a a field trip
47:32 and looked at some various park sites
47:35 and options for um relocating these. So,
47:39 we thought this seemed like a great uh
47:41 item to have a discussion around with
47:44 all of you since you are the stewards of
47:47 the parks. Um, so that the the two
47:50 pieces on the left are basaltt. They're
47:53 super duper sturdy. Um, they are very
47:57 very heavy as uh Behore would definitely
48:01 tell you. um and they had massive
48:04 footings into the ground um that I'm not
48:07 sure entirely necessary to replicate,
48:09 but um we do need to think about the
48:12 footing um when we're thinking about the
48:14 relocation. Um I think the two the
48:18 pillars one in the middle there was
48:20 actually on those two pieces were on one
48:23 footing together but um and the works
48:26 are meant to be a complement to one
48:28 another but we could potentially move
48:31 them a little farther apart. Um and then
48:34 the third one is going to um actually
48:35 present an interesting challenge because
48:38 that one was commissioned um when the
48:41 library was here and was intended to be
48:46 um embedded into the building site. And
48:49 so it has been removed, but it needs um
48:53 it can't really stand alone. It needs
48:56 some kind of new um housing to to
48:59 display. So, that one will definitely
49:02 require some additional um some
49:04 additional work to hire someone to
49:07 create some kind of enclosure to to hold
49:10 it or pedestal to hold it.
49:14 Um so, just various relocation
49:16 considerations um for us to think about
49:20 the footings again. Um all of them
49:23 uh well the two basaltt pieces are very
49:26 very heavy and so do need a pretty
49:28 substantial footing. And then the um
49:31 like I was just mentioning, the salmon
49:33 circle bronze needs some kind of
49:35 housing. um the permitting if we're um I
49:40 know the arts commission knows this
49:42 issue well, but there is no public art
49:45 permit and sometimes we get um our
49:50 things permitted through sign permitting
49:52 and sometimes it's something else and
49:55 that cost is always um
49:59 a mystery and sometimes it's really
50:02 high. So, we do have to think about the
50:04 permitting and I we just know from our
50:06 experience, especially with um the Jacob
50:08 troll sculpture, that if we put it near
50:10 any bit of water or anything sensitive,
50:12 it's going to cost us a lot more money
50:15 and take a lot more time. So, um
50:17 permitting is a piece we are, just so
50:19 you all know at parkboard working on a
50:22 public art permit um that will be
50:24 specific to public art and um but I
50:26 don't know that we'll be able to get
50:28 that completed before we at least place
50:30 one of these. Um so then we do want to
50:33 think about obviously setbacks from
50:35 creeks and the buffers. Um geographic
50:38 synergies. Um these are all kind of um
50:43 natural themed. Two of them are salmon
50:45 themed. Um if there's a reason to kind
50:48 of um play off of something related to
50:52 salmon or the creek or um you know we
50:55 could place them with that in mind. And
50:58 then um uh geographic gaps. So, uh, we
51:02 do have a decently large, uh, public art
51:04 collection for the size of our city and
51:07 our artwork is primarily located in our
51:11 downtown core. So, we always do like to
51:13 consider, are there other places we
51:15 could put it where we would um, reach
51:18 people who maybe don't get to see our
51:20 artwork all the time. Um, so the arts
51:23 commission kind of considered a lot of
51:24 these things as we were doing our field
51:26 trip last I think it was August.
51:32 Um, so based on that field trip, um, the
51:36 arts commission kind of thought that
51:38 Salmon Nature Park would be a great site
51:41 for this piece, um, that is called River
51:45 Run. Um, and Mrs. Salmon. Uh, and, uh,
51:49 specifically, we looked kind of at this
51:52 entrance area.
51:56 So, I can run through these real quick
51:58 and then we'll just backtrack. Um, and
52:00 then for the salmon cycle, we talked
52:04 about potentially putting it um
52:06 somewhere in Confluence Park, maybe in
52:09 Margaret's Meadow um sort of closer to
52:13 where the additional parking is located
52:16 on the other side. Um, and then
52:20 for the pillars,
52:23 um, we looked at Bernstone Park, which
52:26 is right across the street from the
52:28 Salmon Run Nature Park. Um, uh, that one
52:33 had some nice kind of open spaces. Um
52:37 and then another option that has been
52:40 brought forward is doing something um at
52:43 anthology because there isn't anything
52:46 public art there um and there is public
52:50 trail and public access there.
52:56 just run back and kind of open up our
52:58 conversation. Um especially since you
53:01 all have a lot more familiarity with the
53:04 parks, each of the individual parks and
53:06 the um kind of
53:10 features of them. I'd love thoughts and
53:13 parks commissioners agree to chime in
53:17 about what
53:19 called you to that location because we
53:22 did look at um let's see, we looked at
53:24 like six or seven locations around
53:27 >> with the goal to keep them all very
53:29 close. to each other?
53:31 >> Not necessarily. I mean, I think that um
53:35 well, one, we were doing a walking tour,
53:37 so there was
53:40 um and we did talk about the the you
53:44 know, benefit of having more art in a
53:48 way that could be um packaged together
53:52 for for walking tours and, you know,
53:54 other kind of tourist and community
53:57 aspects. So, something specific
54:02 sculpture.
54:05 So as we're looking
54:10 kind of neat if it's by confluence, one
54:12 of the things we've been talking about
54:13 is what do we do with the house that I
54:15 was?
54:18 >> Yes. Thank you. Right. And but part of
54:20 that idea, right, is there could be art
54:22 in there as well, right? So it would be
54:24 a cool place to start an art block,
54:26 >> right?
54:28 kind of go through.
54:32 >> Um,
54:34 I really like the placement of this one
54:36 on Sand Girl Nature Park. I feel like it
54:38 needs a little bit of ump, if you will,
54:41 and where you have it located
54:43 is great. Um, but the second, anything
54:48 on Confluence, I think would be awesome.
54:50 So, the second
54:54 Yeah, that one I think is really spot
54:56 on. It would be nice if it was um yeah,
54:59 somewhat close even to the bridge
55:00 because I feel like, you know, um that
55:03 really really draws you and you you know
55:07 can see the creek there. Um, the last
55:11 one I I walk my dog all the time through
55:14 the is the I think this one would get
55:17 lost a little bit and that's the only
55:19 thing I would worry about in birth park.
55:23 Um,
55:25 every time I go there there's no
55:30 this was not on our walking tour. We
55:33 were walking. Oh, there's this cute
55:35 little propert that's like a lot of
55:37 different dog parks there. Thought maybe
55:39 it's an opportunity if there's a piece
55:41 of art there where people will kind of
55:43 discover it and find it and
55:45 >> yeah that confluence is such a big
55:47 place. I feel like that could be really
55:49 benefited from multiple pieces there
55:51 whether it's time or future throughout.
55:55 >> Yeah. So yeah, you can look at it two
55:58 ways. Like that'd be great. Put some art
56:00 in there and you you know draw, but at
56:02 the same time I Yeah, that I feel like
56:06 that park needs a little bit of
56:08 something too.
56:08 >> That's useful information because I
56:10 think we did we don't have or we weren't
56:13 using data of kind of how well used that
56:16 park is or isn't. At the time that we
56:18 were walking through it, there were a
56:19 whole lot of dog, but it might have just
56:21 been like everyone got home walked their
56:23 dog from the neighborhood. Um but yeah,
56:26 we we um we thought that park just
56:28 seemed a little empty
56:30 >> and it wasn't even on it.
56:36 >> Oh, wouldn't it be wonderful if it was
56:38 hidden in these cues?
56:40 >> Of course.
56:46 >> Unless you're having people go on a
56:48 >> Yes. Like a scavenger hunt to find.
56:54 Where's the anthology one? I'm not sure.
56:57 >> Big development.
56:59 >> Yeah, it's it's it's where all of those
57:02 apartment buildings are that you can
57:04 see, you know, from 90 exit 15.
57:09 >> Oh, okay. Yeah.
57:15 >> Yeah, exactly. Right.
57:18 >> Okay.
57:19 We don't have a lot of artwork in that
57:22 end of town for for a variety of
57:24 reasons. Um but um in partly because we
57:28 don't um we tend to put our art near
57:30 parks and trails. So this Do you know
57:34 what the um when this was create? It was
57:38 about the time that the building was
57:40 created.
57:40 >> Oh, definitely. Yeah. Yeah. It was part
57:42 of their development. and that that that
57:45 one is going to be our first linear park
57:47 when that comes when we start developing
57:49 that. So that was one of the new
57:51 classifications. So
57:53 >> what is linear linear
57:55 >> linear park is a little bit it's a
57:57 longer park and a narrower park versus a
57:59 wider park. But we thought that was um
58:02 suitable for this one, just coming
58:04 across the bridge. And then it's a I
58:06 don't know if you've been out there, it
58:08 is a long linear with some walls out
58:10 there. But so we thought just coming
58:13 across a bridge and having a focal point
58:16 there would be nice, too.
58:18 The good thing about this artwork is um
58:20 it's extremely durable and so sometimes
58:24 we don't like to put things um you know
58:27 out away from where they get really
58:30 regular um sort of maintenance touches
58:33 and and looks um by our crews. But um
58:36 this one could stand out without
58:40 monitoring no problem.
58:43 What were some of the other parts?
58:48 >> Yeah, that is a really good question.
58:51 Um, and I should have brought the list.
58:54 Do you guys remember
58:56 between content
58:58 we were walking through?
59:00 >> There's a big meadow.
59:02 >> Oh, we looked at the front street
59:04 properties
59:06 >> which also is another park that's kind
59:08 of underutilized and
59:11 >> kind of empty.
59:14 So after you pass through the bridge,
59:18 the
59:18 >> Margaret tomato
59:20 >> and that one is one that we're
59:22 recommending.
59:23 >> Oh,
59:24 >> yeah. The back, you know.
59:26 >> Could this one move to confluence just
59:28 to kind of
59:31 >> It definitely could. I mean, and
59:33 Confluence could certainly absorb more
59:35 than one piece of artwork,
59:38 >> especially since like so much music
59:40 festivals there. Mhm.
59:42 >> Yeah, it does get
59:46 so much attention for sure.
59:48 >> And during the school year homecoming, I
59:52 mean that bridge is
59:55 taking pictures and now
59:57 >> you know.
59:59 >> Yeah, I definitely think we would be
1:00:01 able to find other locations and
1:00:03 confluence that could accommodate such
1:00:06 fees. And again it's such a it's just
1:00:08 natural basult so very easy to um to
1:00:12 integrate into natural environment. Can
1:00:15 you go to the first one just for
1:00:18 standing like is this pillar are you
1:00:22 thinking here are you thinking
1:00:26 >> where we think we were thinking in the
1:00:27 in the planting right
1:00:39 >> well so it sounds like the first two um
1:00:42 you all feel pretty good about. And then
1:00:45 the third one, maybe we should keep look
1:00:48 keep shopping and confluence.
1:00:51 >> Yeah. I I don't know. I just I'm I I
1:00:53 have a soft spot for this and I I feel
1:00:55 like um
1:00:57 >> Yeah. Yeah. I mean, I love young too,
1:00:59 but I just feel like it's it is a focal
1:01:02 point and you kind of want it to stand
1:01:04 out and I and I just don't think Bernson
1:01:06 is just not for me. This is my own
1:01:08 opinion, it's just not the right spot
1:01:10 for it. I don't know. It just doesn't
1:01:12 jive with me. That's what
1:01:15 um but walking toward it or I don't
1:01:17 know. I just feel like it needs to be in
1:01:20 a little bit more of an open
1:01:21 environment.
1:01:25 >> What about like the park that space on
1:01:27 the name of it, but next to the swimming
1:01:29 pool? Across the street from the
1:01:30 swimming pool. There's a little park
1:01:32 with the three picnic tables right
1:01:33 there. It's right along the creek. I
1:01:36 found that the front street.
1:01:38 >> Oh, the front street. Yeah.
1:01:40 I feel like those could I like I don't
1:01:44 know. I like the idea a little bit of
1:01:46 kind of what you talked about like
1:01:47 finding them, but I also like the idea
1:01:51 finding places where kind of like you
1:01:53 talked about on the intersection is hey
1:01:56 what does this look like from the person
1:01:58 walking in the but also someone see this
1:02:00 while driving or bicycling or pushing a
1:02:02 stroller walking a dog um that maybe
1:02:05 doesn't have the opportunity to venture
1:02:07 into Bernstein Park or something like
1:02:08 that is everyone can see it
1:02:11 from whatever access they have at that
1:02:13 moment on that day.
1:02:15 >> U and so I really like the salmon run
1:02:18 park. Think that one's great. The one on
1:02:20 they have on confluence down the other
1:02:23 is maybe a little more hidden but um
1:02:25 it's very discoverable especially you
1:02:27 know in the summer the spring all the
1:02:30 schools go down there and bring the kids
1:02:31 down there and they do the salmon and
1:02:33 egg cycling and all that stuff. So that
1:02:35 could be a fun little connecting point
1:02:37 there for them.
1:02:39 >> And we can rework the tables around it
1:02:41 too integrate those together. I just
1:02:43 wonder if maybe there's some
1:02:46 >> something that you could drag those
1:02:47 pills, but I bet most people haven't
1:02:49 seen them even at their current well not
1:02:51 current location, you know, but
1:02:53 >> previous
1:03:00 turbs.
1:03:02 >> Um, what was the location? I'm trying to
1:03:04 pull up a map here. The hidden run, the
1:03:06 art that got taken out by
1:03:10 >> Oh, yeah. If this had been there and
1:03:12 they' hit this, that would have been
1:03:13 really bad for their car.
1:03:15 >> Yeah. But the
1:03:16 >> Yeah, we have we had Wingo wing um which
1:03:19 was a tall kind of uh column with birds
1:03:23 circling at the top um at the corner
1:03:25 kind of near the lakes, the mammish um
1:03:29 fields, the soccer fields. Um and a car
1:03:34 uh drove into it and knocked it over and
1:03:38 destroyed it. So,
1:03:39 >> so I was thinking maybe as an I don't
1:03:41 know, but now that I'm saying it, maybe
1:03:43 not then,
1:03:46 but um
1:03:47 >> this would total your car.
1:03:49 >> Um I'm just thinking of like what I get
1:03:52 with that one and standing out next to
1:03:53 it and stuff like I would love to see it
1:03:56 near a bus stop or like a place where
1:03:59 you're standing in town like waiting to
1:04:02 know like the positions between the
1:04:05 people. They don't they're in
1:04:06 conversation, right? that they're like
1:04:07 back to back kind of, you know, in a way
1:04:10 you might wait with somebody at a bus
1:04:11 stop. Um, so I'm thinking Lang along
1:04:13 Sunset, there's a couple of the transit
1:04:16 stops. Um, there's one that's closer to
1:04:18 the trail
1:04:19 >> that I see people at time. Um, that
1:04:22 might be interesting. And it doesn't
1:04:24 involve like a park necessarily, but
1:04:26 when you think about
1:04:27 >> Yeah.
1:04:28 >> How people
1:04:31 be cool.
1:04:32 >> Yeah, that'd be interesting. That one
1:04:34 would be interesting to put more in sort
1:04:35 of the industrial scale. So, just to um
1:04:38 follow up on that timeline wise, um
1:04:42 >> Oh, sorry, Tim.
1:04:48 >> Thank you. Yeah. Yeah. I I just wanted
1:04:50 to echo the thought of putting it
1:04:52 somewhere that is more visible like the
1:04:57 little the park along Front Street, the
1:05:00 small little park there that has cars
1:05:02 going by or some place where some
1:05:04 visibility. I I like having and some
1:05:08 other places are obviously fit that
1:05:09 criteria, but I like the idea is that
1:05:13 more people see it and what kind of
1:05:17 bubbles in the back of my mind if it's
1:05:19 you make it too discoverable per se and
1:05:22 it's kind of buried back uh then it
1:05:25 becomes more of a target for and I hate
1:05:30 to say it but vandalism, you know,
1:05:32 getting tagged or what have you. if it's
1:05:33 someplace where nobody can see it. So,
1:05:36 in terms of protecting the art, I think
1:05:39 someplace that has a more visibility
1:05:42 would be
1:05:45 uh preferable to some place that's kind
1:05:48 of hidden away. We don't have a big
1:05:50 problem with that in Isiqua, but all of
1:05:55 us have driven in Seattle know there's
1:05:57 big problems there and it's not that far
1:05:58 away. So, just a thought. Um, I like
1:06:02 visibility and I like the vis the
1:06:04 protection that visibility kind of
1:06:05 brings with it.
1:06:07 >> Yeah, that's a great point.
1:06:11 >> Great idea around if you started like
1:06:12 Jacob trees when you went to street like
1:06:15 right like kind of a cool idea
1:06:20 >> maintenance connections. So, um because
1:06:23 the arts, um budget it maintenance
1:06:26 budget is going to absorb the relocation
1:06:29 of these, we are going to have to space
1:06:31 them out a tiny bit. Um again, we are
1:06:33 going to have to potentially go through
1:06:35 the permitting process to move them as
1:06:37 well, which might take some time. So,
1:06:39 what we're targeting is moving this one
1:06:41 first, um and um moving the other two in
1:06:47 2026.
1:06:49 So, we will keep shopping for a location
1:06:52 for the the pillars and um we'll share
1:06:55 that information with you all and get
1:06:57 your your thoughts on what we decide to
1:07:01 select next. But this one um we were
1:07:04 hoping you would kind of think that this
1:07:07 was a good spot and we can move forward
1:07:09 with this one this year.
1:07:11 >> Really like so thanks for
1:07:17 reading back. Yeah, I know. We were we
1:07:20 started off with that other one, too.
1:07:22 >> It's a long haul that
1:07:24 >> Yeah. I think we we all got like tired
1:07:28 and Oh, it was getting dark, too.
1:07:31 >> We were back.
1:07:34 >> Yeah.
1:07:34 >> Yeah. But what a great problem to have.
1:07:37 Seriously.
1:07:38 >> Exactly. We'll have to do another field
1:07:40 trip with just one location. that.
1:07:45 >> creative pieces together, then they'll
1:07:47 all be connected.
1:07:51 >> Well, thank you for treating your
1:07:52 artworks, you know, with such care and
1:07:54 wanting to relocate them.
1:07:57 >> Yeah. Yeah. It's just an opportunity to
1:08:00 put them in new um locations.
1:08:04 >> Share that.
1:08:07 >> I think that's it for that one.
1:08:09 >> Thank you.
1:08:11 All right, our last uh regular business
1:08:13 item is the capital improvements plan
1:08:16 update. Robin
1:08:23 that one
1:08:31 start
1:08:35 at the beginning. Yeah. So, what we
1:08:38 wanted to talk about tonight was our uh
1:08:41 six-year capital improvement plan
1:08:44 update.
1:08:47 And I know some of you have seen this
1:08:49 before, but we really wanted to break it
1:08:52 down. Um the capital improvement plan is
1:08:55 a culmination of several different
1:08:57 plans. Each department has to do one
1:09:00 every six years. Um, and it really gives
1:09:03 us a 20 year plus picture of our
1:09:06 priority projects that we want to
1:09:08 accomplish within the city. So, after
1:09:10 listening to the community, after going
1:09:13 through the 2024 uh park system plan
1:09:16 update, um we got a really good idea of
1:09:20 what priorities we have. Um, but just to
1:09:22 back up a little bit, so the 20-year
1:09:24 picture is looking at our system level
1:09:27 assessments. It's updated every 5 to 10
1:09:30 years. Again, it's informed by several
1:09:33 different reports, several different
1:09:34 plans. Um, for us, it was a park system
1:09:37 plan. For other people, it could be the
1:09:39 master mobility plan, uh, utility system
1:09:42 plan, strategic plan, and climate action
1:09:44 plan. But we're also looking at those
1:09:47 together. So, we try to see what's
1:09:49 symbiotic, what parallels each other,
1:09:51 and what we want to move forward. So, we
1:09:54 look at the big picture, the 20-year
1:09:56 picture. And if you remember, we have
1:09:58 our near, our mid, and our long-term
1:10:00 projects listed out in our plan. Uh, we
1:10:03 we dive into our six-year CIP, which is
1:10:06 what we're doing right now, which I'll
1:10:08 bring up in a few minutes. So, this is
1:10:10 really our prior prioritization process.
1:10:13 The six-year CIP is updated every two
1:10:16 years. So, we're doing it this year, and
1:10:19 it really aligns our big picture with
1:10:22 our current resources. And as you all
1:10:24 know, we just went through some budget
1:10:26 reductions and some staff reductions. So
1:10:28 that's one thing that we're factoring
1:10:30 into uh the projects that we're picking.
1:10:34 But we're looking, yes, at funding, at
1:10:36 staffing, um our expertise,
1:10:39 uh the complexity of the projects, and
1:10:41 the amount of time we have available to
1:10:43 complete it. So from the six-year CIP,
1:10:46 we start developing and diving into the
1:10:49 two-year budget.
1:10:51 um the two-year budget, those projects
1:10:54 uh are city council approved. Uh we look
1:10:57 at our capital budget and our operating
1:11:00 budget when we decide those projects. Um
1:11:03 we're also uh different capital budget
1:11:06 types are our facility, equipment,
1:11:08 technology and systems, park, water. All
1:11:10 of the departments are developing a
1:11:13 two-year budget. So I we just that'll be
1:11:17 in 2027. We'll go through the two-year
1:11:19 budget and we'll refer back to the
1:11:21 six-year CIP plan and see what projects
1:11:24 are there. Uh what funding we have about
1:11:26 a available, what we previously done. If
1:11:29 it's a project like something like
1:11:30 Tibbitz where we have to phase it, we'll
1:11:32 look at the next phase and what we want
1:11:34 to move into. But from that two-year
1:11:37 budget, we develop the funded capital
1:11:40 projects. So good example is how we got
1:11:43 Hillside
1:11:44 uh developed which by the way we have
1:11:46 our our ribbon cutting on May 5th which
1:11:49 is exciting. So it ended up as one of
1:11:53 the near-term projects. It got put on
1:11:55 and prior prioritized as one of our
1:11:58 sixear CIP projects. Then it moved into
1:12:01 the two-year budget and then it became a
1:12:03 project. So, it does sometimes take a
1:12:06 long time, but um it's good to reassess
1:12:10 every few years and see what the
1:12:12 community needs are and what our
1:12:13 priorities are.
1:12:17 So, we're here right now at the six-year
1:12:19 CIP and luckily we had a really good um
1:12:23 near-term project list to start off
1:12:25 from, well vetted out by by the board.
1:12:28 Uh the capital projects that we wanted
1:12:30 to put on this six-year CIP were Tibbitz
1:12:33 Valley Park. That was very um highly
1:12:37 talked about, highly discussed and um
1:12:40 came up as one of the top priorities. We
1:12:43 have Central Park pad 2, the field
1:12:45 improvements there. Uh third would be
1:12:48 East Sunset Trail Headmp Improvements.
1:12:51 Then Veterans Memorial Park, EC house
1:12:53 restoration, uh, Wayfinding and Park
1:12:56 signage implementation is going to be
1:12:58 probably ongoing. Uh, West Highlands
1:13:01 Park, the Hillside Park Loop Trail, and
1:13:04 the Harvey Manning Park expansion trail.
1:13:07 And a lot of these are also timed with
1:13:09 grant funding capabilities.
1:13:12 So, we did submit for the East Sunset
1:13:14 trail head improvements. Um and as time
1:13:18 allows or or we can do this next year
1:13:21 for Central Park Park pad too also. So
1:13:25 that kind of weighs into what gets
1:13:28 prioritized um before the others, you
1:13:31 know, and as you know, some projects
1:13:32 like TIDS are going to take a
1:13:34 substantial amount of funding. Um it's
1:13:37 bigger, so it'll take longer planning.
1:13:39 So some of those we want to start
1:13:41 earlier in the six cip.
1:13:44 So also included in the in the CIP are
1:13:47 capital programs. For parks, we have the
1:13:50 park and open space acquisition program,
1:13:52 which is really active this year. Uh the
1:13:55 playground equipment replacement
1:13:56 program. Um we find out that some parks,
1:14:00 depending on how heavily they're used,
1:14:02 will need updates every 10 to 15, 20
1:14:05 years. And again, it depends on the
1:14:07 equipment. It depends on the design and
1:14:09 how well-loved it is. We have our park
1:14:12 amenities life cycle replacement
1:14:13 program, the turf replacement program,
1:14:16 irrigation and our trail repair program.
1:14:19 So those are also included along with um
1:14:22 our capital projects.
1:14:24 So we just wanted to open up the
1:14:26 discussion uh let you look at the list
1:14:28 that we have planned and see what we
1:14:32 need to switch around or if you think
1:14:34 just this list as we start the
1:14:36 priorities make sense based on our
1:14:39 discussions last year
1:14:43 separate different parts of facilities
1:14:46 >> because it's a facility. Yeah.
1:14:53 We know we need active recreation. We
1:14:56 know we need fields. And that's
1:14:57 something that we heard from several
1:15:00 different levels, several different
1:15:01 people, several different areas of the
1:15:03 community. So, that's one thing we
1:15:04 really want to focus on and hit hard.
1:15:11 And we got some momentum now with
1:15:13 Veterans Memorial Park. Senior centers
1:15:15 going well. We're getting close on both
1:15:17 of those. Um so we definitely want to
1:15:20 continue that and make it um an
1:15:23 integrated space along with the field
1:15:26 naturally.
1:15:28 >> Just to add a voice by saying these make
1:15:29 sense to me in terms of what we've
1:15:31 talked about in the past. This seems
1:15:32 like a good mix of two different
1:15:33 projects and as you said hitting some
1:15:35 recreation some parks hitting the trail
1:15:37 head you know so to me this makes sense
1:15:39 as the imminent priority list and what
1:15:41 can hopefully be accomplished.
1:15:44 >> You remind me about West Highlands Park.
1:15:47 West Highlands Park is right next to the
1:15:50 hospital. It's one piece of property
1:15:53 that we know when shelter comes in.
1:15:55 It'll be an incredibly large community
1:15:57 over there. It's expanding. So, we do
1:15:59 have a city- owned parcel over there. Uh
1:16:02 wooded parcel. It's kind of up on a
1:16:04 hill,
1:16:06 but that's the West Islands. that'll be
1:16:12 >> probably a little bit of a mix um
1:16:14 because it is heavily wooded. You know,
1:16:16 we don't want to take down too much of
1:16:18 the canopy up there. But again, that's
1:16:20 that's one area where we can get super
1:16:22 creative with what we do.
1:16:28 >> And just are any of these projects like
1:16:32 dependent on federal dollars? like there
1:16:35 any of these grants that are potentially
1:16:37 endangered. All of it is okay like
1:16:40 planned on we of these I guess this is
1:16:44 the long term
1:16:46 >> 2732 but the one in the six year range
1:16:48 the two year range
1:16:51 are those I'm just trying to understand
1:16:52 like our budget how it works like where
1:16:54 the money is
1:16:56 >> right and and it a part of it comes from
1:16:59 re part of it comes from general fund um
1:17:02 but to what I'm I'm not focused on
1:17:05 federal funding that does have certain
1:17:08 requirements with it. Um, sometimes
1:17:10 they're a little bit stricter. The
1:17:12 senior center right now and Pet Park has
1:17:15 ARPA funding that is federal funding,
1:17:17 but right now I'm really focusing on um,
1:17:19 King County grants
1:17:22 and local grants.
1:17:26 >> Yeah. Not just Yeah. Curious like how
1:17:28 the capital
1:17:31 >> Exactly. Yeah. Yeah.
1:17:35 >> The ARPA money is in here. AR money
1:17:39 is passion in being spent has be
1:17:45 >> hi Dan.
1:17:49 >> Hi. Um quick question and I remember we
1:17:53 talked about this when we did the
1:17:55 survey. One of the things that came back
1:17:58 from many people was this uh dynamic
1:18:02 tension between pickle ball players and
1:18:05 tennis players and everybody wanting
1:18:08 more access to courts. Will that be
1:18:11 picked up under the Tippets Valley Park
1:18:14 uh improvement plans? And I I don't
1:18:17 remember. It seems like we talked about
1:18:18 that and I just wondered where else that
1:18:20 might get blended in because to be fair
1:18:23 that was a pretty loud response on the
1:18:27 survey uh about those issues. So where
1:18:31 do those kind of plug in here?
1:18:33 >> Yeah, very much. Um Tibbitz exactly and
1:18:36 that's something when we do community
1:18:38 outreach we'll be asking for those uh
1:18:41 active recreation the priorities that
1:18:42 they would like to see at Tibbit. So
1:18:44 we're anticipating that. Um We had
1:18:47 archery there.
1:18:48 >> Yeah, archery came up too. Yeah, it was
1:18:50 a dog park, archery. It's a really good
1:18:52 mix. Flashback,
1:18:54 >> a little bit of everything activities
1:19:06 for the community. Fields I think came
1:19:09 out number one along maybe pickle ball
1:19:12 close second
1:19:14 and dog park. Yeah, I
1:19:16 >> think it was pick and tennis both vying
1:19:22 >> and both wanting to eliminate the other.
1:19:26 >> Now I think
1:19:30 >> yes.
1:19:33 >> Right. Right.
1:19:34 >> Where's the hillside
1:19:37 trail? Where is it in the project?
1:19:39 >> So hillside parkley trail is all around.
1:19:42 Do you know where upper cemetery is and
1:19:44 lower cemetery is up on Squawk Mountain?
1:19:49 >> So, it's large. I I want to say 30
1:19:51 acres, but I could be wrong on that. Um,
1:19:54 a loop trail that goes all the way
1:19:56 around that area and then connects back
1:19:58 into the new park and the nature trail.
1:20:01 >> Is it to pave it or maintain it or
1:20:05 >> to create the trails? I'll create in
1:20:07 their faces. Maybe
1:20:08 >> more than likely because of the
1:20:10 topography out there, it'll be a soft
1:20:13 nature trail similar to the new one we
1:20:16 just put in.
1:20:18 >> Yeah. But expand that whole trail
1:20:20 system. And I think eventually uh a new
1:20:23 sidewalk's coming up near there also.
1:20:25 So, it would tie into that.
1:20:29 >> Robin, can you remind me for the East
1:20:31 Sunset trail head improvements? What
1:20:33 does that entail? Oh, that one I'm
1:20:36 really excited about because we just
1:20:37 finished applying for that grant, that
1:20:40 King King County grant.
1:20:43 >> Yeah. So, we're looking
1:20:44 >> and and again,
1:20:48 that's on the list for sure.
1:20:50 >> That's on the list. Um,
1:20:53 you know, it really again, we're going
1:20:55 to go do public outreach for that one
1:20:57 and see what the priority priorities
1:20:59 are. Our thoughts definitely paving.
1:21:02 >> Oh my gosh. and some permeable type of
1:21:04 paving more than likely um to get rid of
1:21:06 those big ruts. I know I I hit that the
1:21:08 other day too going out there. Um
1:21:11 restrooms, uh furnishings, benches, but
1:21:15 really it's what's what everybody would
1:21:18 like to see out there.
1:21:20 Great.
1:21:21 >> And again, that one may need to be
1:21:22 phased, but there's things we can do
1:21:24 like get all the utility infrastructure
1:21:26 in first and so it's easier as as the
1:21:29 funding comes in to add in restaurants
1:21:31 or anything later.
1:21:32 >> Would that require a discovery pass?
1:21:35 >> No, just an alternative to parking up.
1:21:40 >> Yeah, a nice alternative, accessible
1:21:42 alternative.
1:21:44 >> I think that'd be a really good quick
1:21:46 win. So, I know it's okay.
1:21:50 >> I'll let you know when I hear back about
1:21:51 it. But yeah. Yeah. And we did we want
1:21:54 to balance and make sure active
1:21:56 recreation is balanced with trails. Uh
1:21:59 we're known as trail cities. So, trail
1:22:01 heads would be more trail heads would be
1:22:03 advantageous for everybody. That's a
1:22:06 well-loved trail. I saw people there. It
1:22:08 was packed at 6:30 the other morning.
1:22:11 >> So, definitely gets used.
1:22:15 And I just want to say to arts
1:22:16 commission, you know, um these are all
1:22:19 projects really that have art and design
1:22:22 potential. So I just thought it would be
1:22:24 cool for you to kind of see where the
1:22:26 priorities are. They're things that we
1:22:29 >> collaborate on. That's something Amy and
1:22:31 I talk about a lot is how to incorporate
1:22:33 art or some graphics or something into
1:22:36 the design from the beginning. We're
1:22:39 both really excited about adding on.
1:22:43 That was a big piece we talked about
1:22:46 many meetings ago, but as we look at
1:22:49 growing and building our parks is
1:22:51 getting the conversation about art
1:22:52 started at the beginning.
1:22:54 >> So that's it's part of the whole
1:22:56 process, not just we built a park and
1:22:58 now we're going to pop a thing in it.
1:23:01 >> Right.
1:23:02 >> Yeah. And I've done parks where the
1:23:04 artist has actually been incorporated
1:23:06 into the design and helped out with the
1:23:08 design versus an actual piece. they'll
1:23:11 become the more artistic.
1:23:13 >> Yeah.
1:23:19 >> So, that's where we're at with this the
1:23:20 six year CIP.
1:23:23 >> Yeah. Exciting. Daunting, but exciting.
1:23:27 >> We're ready to go.
1:23:31 >> Money.
1:23:32 >> Exactly. Yeah. Oh, I forgot about this.
1:23:35 uh next steps just um so we'll take the
1:23:38 sixear CIP on May 20th to the services
1:23:41 safety and park committee then June 9th
1:23:44 city council regular meeting June 16th
1:23:48 city council committee of the whole and
1:23:50 then June 23rd city council regular
1:23:53 meeting for adoption
1:23:58 >> is thought that's the those uh council
1:24:00 meeting dates the entire
1:24:03 >> the entire process the capital
1:24:05 improvement plan, not just the parks
1:24:06 piece right?
1:24:07 >> Correct. Okay.
1:24:11 >> Thank you.
1:24:13 >> Uh so on to reports and Jeff's on
1:24:16 vacations. We don't have a director
1:24:18 report. Is that correct?
1:24:19 >> Correct. I can give you just a quick
1:24:21 update.
1:24:22 >> If you would like. Yeah. Hillside, we
1:24:24 have a ribbon cutting on May 5th. We
1:24:26 just ask people to try and walk in to
1:24:29 that one because parking is very limited
1:24:32 and not on that. Senior center is going
1:24:34 great. Uh we have the roof on the
1:24:37 shelter uh left to do and planting and
1:24:41 then I think we can open up that parking
1:24:43 area hopefully by the end of May. We're
1:24:45 shooting for the beginning, but it looks
1:24:46 like the end of May. And Pet Park, if
1:24:49 you've been by there, we're installing
1:24:50 our soil cells for the trees this week.
1:24:53 Um planter walls are going up. So
1:24:56 they're moving faster than we can keep
1:24:58 up right now.
1:25:01 >> Oh, for a hillside park.
1:25:05 >> And the mitigation area, we walked it
1:25:07 last Thursday. It looks amazing. Still
1:25:09 holding water. Plants are growing like
1:25:11 crazy now. So it was a good success.
1:25:15 >> Yeah.
1:25:16 >> Is there any parking plan for park?
1:25:19 Because I know people miss it because
1:25:21 it's such a neighborhood park. Yeah.
1:25:24 It's really tricky. There's really not
1:25:27 in the future potential for parking. Um,
1:25:30 but right now it's it's super limited.
1:25:34 >> It's just intended to be neighborhood
1:25:36 access. Correct.
1:25:38 >> Although the trails and the sidewalks
1:25:40 that you mentioned earlier would enhance
1:25:44 >> definitely the trails to come to and
1:25:47 from to get there. I know there's one
1:25:49 that goes through the upper cemetery.
1:25:53 >> The loop, we don't have that laid out
1:25:55 yet. So, that's something kind of a we'd
1:25:58 have to walk out there with consultants,
1:26:00 our design team. U maybe walk out there
1:26:03 with citizens, see what there's a lot of
1:26:05 trails that are kind of just naturally
1:26:07 people are out there making them right
1:26:09 now. So, that's a good indicator of
1:26:12 what's feasible. So around connect down
1:26:15 to lower
1:26:18 >> um probably at some point.
1:26:20 >> Okay.
1:26:21 >> Um again I'm not sure about the layout
1:26:25 >> Hopefully someday all the way down.
1:26:32 >> I can add really quick art updates. Um
1:26:36 so uh for pedestrian park and senior
1:26:40 center plaza the artwork from Jane
1:26:42 Sakaguchi is in fabrication right now.
1:26:45 Um and so it will be um installed kind
1:26:49 of right before the park opens likely.
1:26:52 Um but that's all coming along. And then
1:26:55 just wanted to call your attention to
1:26:57 the utility box artwork rep. Um we've
1:27:00 opened up call for art for that. So, um
1:27:03 I can share the call with all of you if
1:27:05 you would like to share it out to the
1:27:07 artists in your life. Um and there's
1:27:10 just no restrictions whatsoever. You can
1:27:12 be professional, amateur,
1:27:15 5 years old, 95 years old. It's really
1:27:17 super open. Um but we're taking um we're
1:27:20 taking submissions until June 2nd and
1:27:23 then the arts commission will review
1:27:24 them at our June arts commission
1:27:26 meeting. So, it's always a fun time of
1:27:28 the year. Um, we've got pink art to wrap
1:27:31 boxes
1:27:33 and that's all I
1:27:38 >> have
1:27:42 started rolling right through
1:27:43 everything. Um,
1:27:46 as Santi and her diligence took away my
1:27:49 anything that I would have had for
1:27:50 report. So remember, next meeting is May
1:27:54 19th, not on Memorial Day, and uh we
1:27:57 will have the new members and we would
1:27:59 like as many people to come as possible
1:28:01 because we're voting on people to
1:28:03 replace me and replace one of uh and as
1:28:07 you can see, it's pretty easy job.
1:28:09 You're basically just running the
1:28:10 meeting. So that's it. If you're
1:28:12 interested, uh, please let Hanti know
1:28:15 and just because she may need to get
1:28:18 busy with other things, maybe copy me if
1:28:20 you're interested in a position.
1:28:23 And that's everything. Um, we don't have
1:28:28 a youth report. Forgot Santi told me
1:28:31 somewhere that what she's up to, but
1:28:34 kind of missing out on those. Those are
1:28:36 always fun. Uh, any other business?
1:28:44 Uh, okay. Look at that. This has got to
1:28:47 be a record.
1:28:51 >> Probably tease Jeff about this a little
1:28:55 >> You're going to get yourself reelected.
1:29:02 >> Okay. Well, then let's talk about some
1:29:07 with that. At 8:20, we'll uh call the
1:29:10 meeting ajourned.
1:29:11 >> Thank you.
1:29:12 >> Thank you, everyone.
1:29:13 >> Thank you.
1:29:13 >> Thank you.
1:29:16 >> Hi, Kim.
1:29:27 >> Thought we would do

Attendance

Council / Members (7)
Chris Kovac, Chair Rachel Brannon (Virtual)
Katie Bell Tina Velazquez Hays
David Liu Tracie Mahadeo
Tim Motley (Virtual) Caroline Thienes
Rachel Wright
Paul Adair
Martha Ginthner
Excused
Marlene Waxse, Vice Chair Chris Craven
Andrew Eliquen Treasure Hinds
Nicholas Lee Kimberly Kapustein
Ryan Olson Albert Wang
Mari Stevens

Recommendations & actions (3)

Sentences extracted from the narrative containing words like recommended, requested, directed, moved, or approved. Best-effort — verify against the full minutes for context.

  • There being no corrections, the minutes were approved as presented by Park Board.
  • Recommended the Front St. park, or another location in Confluence Park.
  • Overall, the Park Board approved of the list.