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Development Commission – Special Meeting Auto captions

Thursday, June 8, 2017

7:00 PM · 3h 26m · Council Chambers, 135 E. Sunset Way, Issaquah WA
Section
1. CALL TO ORDER
1a
Commission Membership
packet pp.3
Staff report:
Development Commission About Staff Liaison Created in 1983, this commission reviews all land Christopher Wright, use actions requiring a Level 3 review. The Project Oversight Manager Commission further serves as an advisory board to Email the City Council on land use actions requiring council approval (Level 5 review). Regular Members 2018 – Jasmina Mihova The appearance of fairness doctrine prohibits 2018 – Raymond Leong Development Commission members and City 2018 – Richard Sowa Council members from discussing the merit of 2019 – Michael Brennan specific land use development applications outside 2019 – Randolph Harrison of the formal public meeting process. Citizens, 2020 – Melvin Morgan however, may discuss any issue with the City's 2020 – Kevin Price Development Services Department. Written comments are also welcome. Alternate Members 2018 – Robert Bakh Membership 2018 – Carl…
2. APPROVAL OF MINUTES
2a
Minutes of May 3, 2017
packet pp.5–11
Staff report:
CITY OF ISSAQUAH DEVELOPMENT COMMISSION MINUTES May 3, 2017 City Hall South 135 E. Sunset Way Council Chambers Issaquah, WA 98027
4. AGENDA ITEMS
4a
Moratorium Work Plan: Architectural Fit and Design Discussion of the Design Manual's Outline
Keith Niven, Economic Development and Development Services Director Lucy Sloman, Land Development Manager · packet pp.13–61
Staff report:
Memo To: Development Commission From: Keith Niven, AICP, CEcD Lucy Sloman, AICP Date: June 1, 2017 Re: Moratorium Work Plan Item: Architectural Fit & Urban Design
0:12 we have front-row available it's great
0:15 I'm good to go so let's call to order
0:19 the meeting of the Development
0:21 Commission on Thursday June 8th a
0:23 special night for us first order of
0:26 business is did you want to go through
0:30 the new membership okay tonight we have
0:40 two new members Richard Sanford I
0:43 believe you have you been present at a
0:45 previous show previously okay and yes
0:48 meaning me Hova and welcome very very
0:53 much this evening great and then our
0:57 first order of business would be
0:59 approval of minutes for May 3rd 2017 as
1:03 everybody had a chance to look through
1:04 those any Corrections changes do have a
1:08 comment on page 9 I think there's a
1:11 commissioner named Barbie ih are
1:14 referred to at the top of that page it
1:17 should that be Robert bak bak H look
1:24 they're closer divided well Lucy printed
1:28 a copy for me but she insisted I read it
1:30 there any other changes correction of a
1:36 motion to approve so moved a second
1:39 again all in favor aye
1:42 motion carries minutes are approved so
1:46 next item is election of officers so so
1:50 before the coming year will elect new
1:52 officers which would be a new chair and
1:54 a new vice chair there are any motions
1:59 from the full Oh mr. chair I understand
2:03 that there have been conversations with
2:05 our current chair about his willingness
2:07 to continue to serve if you were so
2:10 nominated by the Commission I just want
2:13 to confirm that that was mister like I
2:15 did talk to our chair and he's willing
2:17 to put in another year as long as we
2:20 doubled his pay
2:21 it starts at zero right exactly so so if
2:25 that is the case then mr. chair I
2:27 nominate our current chair to serve a
2:30 second term second nominated second for
2:35 Richard so the service chair for the
2:37 coming year
2:39 it's Richard have any complaints no any
2:43 discussion or any other nominees for the
2:46 chair position the other discussion or I
2:51 think he's done an outstanding job
2:54 serving his first year he's got his feet
2:57 under him I think he's got the hang of
2:59 it but I think he needs more practice
3:01 and so I think that is on another year
3:04 to practice is an excellent idea that's
3:06 it like I think I would agree I think
3:09 he's done a great job with some very
3:10 contentious meetings very long meetings
3:12 I think he maybe set the record for us
3:14 with a five-hour meeting so five and a
3:15 half but whose kind of it yeah
3:18 so you know their comments all in favor
3:22 aye aye aye opposed so mr. chair
3:28 following suit with the re-election of
3:31 our current chair seems appropriate then
3:33 that our current vice-chair continued to
3:35 serve as a second to the courage here so
3:39 if you wouldn't oppose I would like to
3:43 nominate mr. our Commissioner Morgan to
3:46 serve as a second term as the vice chair
3:48 exactly that was that are you sure you
3:52 don't want to wait until after the
3:53 matter how I do and no because I've seen
3:56 you in action before and you do an
3:57 excellent job when you're sitting in
3:59 that seat or as the vice chair so I
4:01 think it would be a privilege to have
4:03 you continue to serve well thank you
4:05 thank you any other nominations a
4:07 discussion on favor aye opposed okay so
4:15 we're done so we'll move to agenda item
4:17 four the moratorium work plan I just
4:20 wanted to take a moment and a chat with
4:24 the Commission about the packet which
4:26 was a little bit of a snafu so I wanted
4:32 explore you know when we send out permit
4:36 we always send hard copies to the
4:38 commissioners to ensure that you get
4:40 drawings in case you don't have a
4:41 monitor that's big enough to read
4:45 we made an executive decision not to
4:48 just to send this electronically I think
4:52 one of our lessons learned was that
4:53 having the memo that said that buried
4:56 inside of the packet probably wasn't so
4:59 helpful because people didn't probably
5:01 see that at all or it certainly not till
5:04 later but I think more importantly is
5:07 just the question of paper versus
5:10 electronic for these non permit kind of
5:13 packets because we're likely to have
5:15 some more of them as you're working
5:18 through this architectural fit and urban
5:21 design manual and so I just wanted to
5:23 get some feedback from the commissioners
5:26 people's thoughts on that well it's
5:29 probably the the most Neanderthal when
5:33 it comes to all things IT i do need when
5:36 it when there are plans I need them
5:39 I can read PDFs urgently thanks Jeff so
5:45 I would just request that unless it's
5:49 I'm the only one but that's the only
5:51 thing I need paper for is the plan is
5:54 that when when we have a packet that has
5:56 plans that one would have to open to get
6:00 the full vision of it I'm sure there's a
6:04 way of doing it online on a computer but
6:07 well microns are what so if unless you
6:10 you know 11 by 17 it's hard enough to
6:12 read of those plans and unless you have
6:14 a monitor at least that size which some
6:16 people do some people don't right and so
6:20 that's always been my contention that
6:23 whenever we're sending you a packet with
6:25 plans that you need to receive a paper
6:29 copy I'm I'm really referring more to
6:32 these sort of non permit tight hackus
6:34 and thoughts from the commissioners to
6:38 ensure that we're helping you do the
6:40 work that we're asking you to this will
6:42 probably come up again in August if we
6:44 have the next meeting with another
6:45 go at this against one request that I
6:48 would I don't have any problem with
6:50 electronic version I think it might be
6:52 helpful to know that it is that is it
6:54 that we won't have something show up in
6:56 the mail so we just know that's what
6:57 we'll have to work with and then they
6:58 then there's if it's a significant
7:00 problem for any bender there's time to
7:02 run down to City Hall it's necessary
7:04 absolutely and Commissioner Sandford
7:07 requested a paper copy and that was easy
7:10 to do and we would certainly be glad to
7:12 do that and I think the lesson learned
7:15 for me is to then ask Dominique when she
7:18 sends out an electronic only packet to
7:21 include it in the email rather than
7:23 relying on a memo that's inside the
7:26 packet okay thank you you have a
7:31 thoughts on them oh I like a need for
7:35 our copy senator okay all right thank
7:40 you Lou thank you Yukie
7:44 I think I'm up all right good evening
7:47 Development Commission Keith Niven
7:49 director of economic development
7:51 development services so the last couple
7:55 meetings we've had our consultant here
7:56 from Portland and they've been kind of
7:59 steam rolling through their ideas on
8:02 architecture and urban design and it
8:05 seemed like the best course of action
8:07 for this evening was to let them stay in
8:10 Portland and for us to have a
8:11 conversation at this step to make sure
8:14 we're all tracking on where this thing's
8:16 going what it feels like and if there's
8:19 reasons to deviate from that trajectory
8:21 this is a good time for us to identify
8:24 where we think maybe they're not quite
8:26 on target if that is indeed what we
8:29 might be thinking so for tonight I think
8:31 we're really talking it's not a
8:33 presentation it's conversation so Lucy
8:35 and I are here and we're going to talk
8:38 through kind of this this thing that's
8:41 coming our way
8:42 to make sure that by the time they spend
8:45 as much time as they're going to draft
8:47 up this document we don't look at and go
8:49 wait what is this I don't you know I
8:51 don't get how this works because at that
8:53 point it's not going to be a convenient
8:54 time to have that conversation so we're
8:57 going to do that we're going to
8:59 art that hopefully this evening and Lucy
9:06 changed toppings on this thing she
9:08 changed the name my presentation if I
9:11 could handle it you well currently I
9:14 couldn't so all right so here we go so
9:16 let's let's start so for me part of it
9:20 is is hit of what's the elevator speech
9:23 right so if somebody stops you on the
9:25 street and said hey you're talking about
9:27 architecture and urban design tell me
9:30 about that what is that so part of it is
9:33 starting at a very high level and
9:35 understanding what the consultant is
9:37 suggesting is basically what you see on
9:41 this slide I boiled it down to few
9:44 things here so two architectural styles
9:47 within Central Issaquah so they've
9:49 suggested what they're calling and
9:51 Issaquah style and then what they're
9:53 calling an urban core so two styles and
9:56 then we will unpack these later but this
9:59 is kind of the basic framework and then
10:01 within urban design they identified four
10:05 components context compatibility site
10:09 and building form and then how this
10:13 plays out through implementation is
10:15 through some worksheets okay and so
10:18 those were actually part of the packet
10:20 for this evening but we'll get into that
10:22 later this evening so here's the main
10:24 framework two different architectural
10:26 styles and four components of urban
10:29 design implemented through checklists
10:32 that what everybody understands that's
10:34 what I understand so hopefully if I'm
10:36 getting nods I'm going to move on all
10:39 right so within the architectural styles
10:42 they identified what they called an
10:43 Issaquah style and that can include
10:47 architecture from arts and crafts
10:50 craftsman northwest lodge western false
10:53 front and urban Grange so they
10:55 identified all these different styles
10:58 you can find in Issaquah now and they
11:01 felt like all these different styles
11:02 would be appropriate moving forward in
11:06 the area that they're calling basically
11:10 the non core because the core is the
11:12 second
11:13 bullet point here which is the red part
11:17 of central Issaquah on the zoning map so
11:20 and for that they identified urban
11:24 contemporary so these right now I mean
11:27 so I think some of these have actual
11:31 definable styles
11:32 I mean arts and crafts and craftsman and
11:36 Northwest Lodge you get to urban
11:37 contemporary and we can define that any
11:40 way we want to I think but we'll have
11:42 that conversation as we move forward
11:43 there's photographs that they've
11:45 included that we've seen in previous
11:47 presentations and we'll get down to
11:48 talking about some of those buildings
11:51 and I know there were some emails
11:52 associated with one particular building
11:54 we can talk about that may be what we
11:56 like what we don't like about it and and
11:58 where we think we might want to nudge
12:00 the consultants if we feel like there
12:01 might need to be some nudging so then
12:05 urban design so here they unpack those
12:08 four pieces of urban design context they
12:14 talk about the district which is the
12:15 neighborhood remember central is equai
12:17 is a compilation of ten different
12:20 neighborhoods and then hillsides natural
12:23 areas I think what they're envisioning
12:25 and they talked about that a little bit
12:26 last time like for example if you're
12:29 next to the creek you know maybe your
12:31 design should reflect the fact that
12:33 you've got this natural setting rather
12:35 than just rigidly be on the grid
12:40 compatibility talked about harmony and
12:42 contrast site we talked about block size
12:45 and access edges usable open space and
12:49 then building form this is really
12:51 talking about the different land use
12:54 types that we'll end up seeing within
12:57 central Issaquah so residential
12:58 commercial some industrial really that's
13:01 kind of the area over by the quarry and
13:03 then mixed-use which we're having a
13:07 whole conversation about alright so so
13:11 what the manual so they did give us
13:13 basically a ghost manual and so part of
13:16 it in the reason why I included this
13:17 page is to kind of just show everybody
13:20 who didn't get a copy of this what the
13:23 general format is going to look like so
13:25 as you get so that for
13:26 section and I didn't include that at
13:29 table of contents but when you get to
13:30 section 2 is architecture and in the
13:33 next section after that is urban design
13:35 and so as you get to each of these
13:38 sections they then start to unpack their
13:41 ideas a little bit further so as we
13:44 talked about for architecture there's
13:46 really being proposed they originally
13:49 had three and they ended up collapsing
13:53 the three down into two so as I
13:57 mentioned earlier you've got the urban
13:59 core and that's really kind of again
14:02 it's back to kind of the most intense
14:04 part of the zoning for central Issaquah
14:07 and then everything outside of the core
14:10 they're identifying as a clutch style
14:12 okay so basically those are our two
14:15 that's our segregation for our two
14:17 different architectural opportunities
14:19 all right so with in Issaquah style you
14:24 know they showed photos of arts and
14:26 crafts and craftsmen these photos were I
14:31 believe from the last presentation they
14:32 made northwest Lodge Western false front
14:37 and urban Grange which is kind of like
14:41 that one originally they started as
14:43 calling it industrial and then it kind
14:44 of morphed into urban Grange and then it
14:47 kind of worked its way just into the
14:49 user claw style component and then
14:54 moving to the core so this is the
14:58 building that I think we all got at
15:00 least a few of us guys emails on this is
15:03 what they're calling an example of urban
15:06 contemporary and part of this and I'm
15:08 going to take a minute just to pause
15:10 here and and they had other photos and
15:13 we can we can we can pull those
15:16 presentations up from previous meetings
15:19 of what they saw as contemporary
15:22 buildings because I think we're going to
15:25 want to spend some time talking about
15:26 maybe both of these two urban or
15:29 architectural styles here when we get to
15:32 the point where it feels like we want to
15:34 do that and you guys can stop me anytime
15:37 I don't know if I said that earlier but
15:39 I'm just kind of rolling so you guys
15:40 if whenever you want to stop and talk
15:42 stop and talk because this is really
15:44 intended to be mooring I guess that's a
15:46 question to do we want to do we want to
15:50 have chair go through the presentation
15:52 or cubes through the prism Jerry Jerry
15:57 today James good guy say if keys go
16:00 through the presentation and then open
16:03 up for public comment and then have
16:07 questions or do one question and one of
16:10 my thoughts was we could do that and we
16:11 don't necessarily have to close since
16:13 it's not a decision we're making tonight
16:15 we don't necessarily have to close the
16:17 public comment portion you like to ask
16:20 questions as we go or have them go
16:22 through all of it and then go through
16:25 I'm for asking questions that we go I
16:28 mean my understanding that's my personal
16:31 feel so well it's you know let's go
16:33 around I want everybody start an opinion
16:34 but one of my conservative questions if
16:36 we start question as we go will we get
16:38 too bogged down in one point or not that
16:41 down I do have a number of questions but
16:43 I would like to see the whole click
16:44 through first because King and Keith may
16:47 address them
16:47 as he goes yeah yeah - two of my
16:51 questions were already answered as Keith
16:53 was progressing so if we step to stick
16:56 to a typical format okay all right I I
17:00 think with the option to maybe interject
17:02 a nice clarifying question yeah yeah
17:04 Jerry doesn't mind Jerry sick and you
17:08 guys okay why well know that and then
17:12 we'll do open up for the public and then
17:14 as I said I'm open to when we get to our
17:17 questions and discussion even it's still
17:19 open to public if we feel like it anyway
17:21 okay awesome mr. Nibin all right so
17:24 we're rolling so here's what here's what
17:28 this did that and I don't want to focus
17:31 on the words because they're really just
17:33 meant as placeholders at the moment but
17:36 basically so when we get into actually
17:39 describing these there's going to be a
17:41 series of photographs and that's hard to
17:44 see on this my apologies but there's
17:47 actually places for photographs on the
17:49 right hand side but but basically what
17:52 they would do then
17:53 is as they start to talk about within
17:55 the Arts and Crafts style which is what
17:57 this page is intended to represent
17:59 there's conversation about massing and
18:02 there's going to be a guideline and
18:04 there's a description and then there's
18:07 going to be recommended recommended and
18:09 not recommended so there's there's
18:11 basically going to be and then if
18:12 there's some code that helps fortify
18:16 this particular guideline that's going
18:18 to be listed on this page as well so in
18:21 theory so let's assume that somebody
18:23 comes in with a project and they pick
18:25 arts and crafts all right they're in
18:28 there in the digit quad style area of
18:31 central Issaquah and as an applicant
18:34 they choose arts and crafts all right so
18:36 now we open up the manual and we go to
18:38 the arts and crafts pages and we start
18:40 to say okay so here's what it says that
18:42 project should look like so now in the
18:44 sudden we can start to say okay well
18:46 here's what's intended here's what the
18:48 applicant has provided and either it
18:50 does or doesn't match right and so this
18:54 is hopefully gets us to and we're going
18:56 to get to that point here shortly is
18:58 what does the checklist look like
19:00 because then you're basically there's
19:01 going to be a checklist and then you can
19:03 go back and look at you know because the
19:09 expectation that I have and I'm kind of
19:11 jumping to the end and then we'll jump
19:12 back because it's part of it is talking
19:14 about how these how these pages and how
19:16 this manual actually work but the way I
19:18 understand and Lucy if you have a
19:19 different expectation let me know but
19:21 you know as this comes in you know staff
19:25 will prepare their staff report as usual
19:28 and part of it will be to fill out the
19:30 checklist right and so the checklist
19:32 will be staffs impression of whether it
19:35 does or doesn't meet this this basically
19:38 code section because this will
19:39 ultimately be codified and so we'll give
19:42 our first take on it and then as you
19:44 guys then review the staff report and
19:46 review our assessment of whether it
19:49 meets or doesn't meet the architectural
19:51 guidelines and urban design guidelines
19:53 you know that'll be an opportunity for
19:55 some conversation about you know well
19:57 you guys checked yes we're you guys
19:59 check no and we thought it did let's
20:00 talk about that and so that's the way I
20:03 think this is intended to
20:04 work and it's going to be you know my
20:07 hope is once this eventually gets
20:09 populated with actual English and not
20:11 other languages that it'll be really
20:15 clear
20:15 you know because part of like as what we
20:17 talked about before is sometimes what's
20:20 really important to say this isn't going
20:23 to happen and we used we use the Atlas
20:25 blue as an example so if if ultimately
20:27 the community to size primary colors are
20:30 not appropriate for large buildings you
20:32 know what you'd say is not recommended
20:34 is you know not recommended primary
20:36 colors right and so or primary colors as
20:40 primary building facades you know maybe
20:43 you can use it as accents or in some
20:46 ways but not as maybe a primary wall
20:48 panel and so part of I think what we'll
20:51 get here when this ultimately gets
20:53 populated is the direction will need to
20:56 then do to plan review which is what the
20:58 goal is
20:59 so that's chapter 2 architectural
21:04 guidelines now we're into urban design
21:06 and urban design chapter 3 is is exactly
21:10 the same as chapter 2 so the page layout
21:13 is the same it's got the same kind of
21:15 guideline and description recommended
21:17 not rent recommended code provision and
21:20 then it's going to have photos on the
21:21 right-hand side so part of this is even
21:25 though we have two very distinct topics
21:27 putting it in a manual that kind of
21:29 works similarly is important for a tool
21:34 for us because I think it'll make it
21:35 easier and then here we are so this is
21:41 kind of the end so this so this is what
21:43 the checklist will look like ok so as
21:45 you get as you get into this you know we
21:49 will say okay
21:50 is this project in the in the core or
21:53 not in the core right and so if it's in
21:55 the core you know now you're down to
21:57 that bottom of the first I could use a
22:01 bounce the bottom of the first column
22:04 and we'd be filling out this part of the
22:06 checklist right on the on the
22:08 architecture side on the urban design
22:10 side then we'd have to fill out this
22:13 part and so they gave us a couple
22:15 example
22:16 so for example so this is now broken
22:19 into two different sheets I think for
22:21 readability so like on this one the
22:24 applicant chose Western false front
22:26 right so so then staff would go through
22:30 and identify where it complies and where
22:35 it doesn't and you know what could
22:37 potentially happen out here is if we put
22:39 a condition on it associated with either
22:43 its compliance or non-compliance that
22:45 condition would they get referenced here
22:47 so as you guys look at this you say uh
22:49 okay so color looks like it complies but
22:53 it looks like staff put condition I
22:55 guess it's a 1 or a 7 and 5 and so then
23:00 you guys could look at conditions one or
23:02 seven and five and say oh okay yeah
23:04 those are relating to color I get it and
23:06 now I can understand kind of a thought
23:08 process here it doesn't mean you have to
23:10 agree with it I mean that's still part
23:12 of the decision process is for that to
23:14 happen but this is the way this mechanic
23:17 is supposed to work and here's an
23:19 example of them doing the urban design
23:22 side so again it works the same way it's
23:24 just it's a checklist you go through it
23:26 and you you go through the design manual
23:31 and you basically make an assessment on
23:33 whether it's in compliance or not and if
23:35 it's not there's conditions that need to
23:37 apply and and that gets us to a point
23:40 where we would wrap up the staff report
23:43 and move it on to you guys so if that's
23:45 the way I think we see this working I
23:46 think that was my last slide so I think
23:50 at this point if you want to open up a
23:52 dialogue or if you would rather hear
23:58 from the community your choice mr. chair
24:01 listen so I just wanted to add two
24:05 things
24:05 our first goal tonight is to get
24:10 confirmation on the outline and the
24:13 structure but there is clearly some
24:16 further discussion of the styles and
24:18 feedback that seems to be desired and
24:22 necessary so that's just one that was
24:25 just sort of one informational piece the
24:27 second one is that what
24:29 you know there was a very long
24:30 presentation that they used last time to
24:33 start the preference conversation and
24:36 what we've done is called that down so
24:40 that all the slides that they showed for
24:44 the Issaquah style and all the slides
24:46 and information that they showed for the
24:50 urban core style or the urban
24:52 contemporary style are in two separate
24:55 slideshows so I don't know whether it
24:58 might be useful to look at some of those
25:01 just to understand more of their
25:03 thinking because I know there's been a
25:06 very strong reaction to the urban core
25:08 doesn't mean it would be changed by
25:10 seeing this slideshow but it would maybe
25:14 help us focus the is that the images is
25:19 that the description is it is it various
25:22 aspects is that the whole thing just
25:25 because right now we have one slide
25:27 that's representing something that was a
25:29 little more unpacked in the previous
25:32 presentation I think I think that'd be a
25:34 great idea to help the conversation so
25:39 you want to start with framework and
25:41 structure or you want to or I was
25:44 thinking bringing up those slides to
25:46 show some of the other is again we've
25:48 got that one shot that brought up a lot
25:50 of opinion and before we get in a lot of
25:52 discussion just about that maybe see
25:55 some of those other Sharon and Keith I I
25:59 think it would be it might be helpful it
26:01 would be helpful for for public
26:04 reference to just address the big code
26:08 say tell us what the code is in the
26:11 central political plan regarding maximum
26:14 height of a building in the Central
26:17 District we're planning because there's
26:18 a lot of confusion in the public about
26:20 how high a building can go into CIP and
26:23 I and it's clearly defined so right okay
26:27 so um thank you mr. Morgan for your
26:32 suggestion I have this open so we can
26:38 also look at images
26:41 in here but so there are right now can
26:54 we can you see that well enough what
26:56 this chart is showing that's so urban
27:04 core again is that sort of red zone the
27:08 central area the base height meaning the
27:13 height that you can go to without having
27:17 to do a development bonus action is 48p
27:22 the one caveat to that is if you have
27:24 retail on the ground floor or under
27:27 building parking that goes to 54 feet
27:31 okay so and that's true with I think all
27:36 of the height you can see it in the
27:42 footnote number 4 that you get to go to
27:46 54 if you have those either of the
27:49 retail or under building parking allows
27:52 the base height to go up so the urban
27:58 core is the most intense area and so
28:02 it's maximum height is 125 it with you
28:08 make these other actions related to open
28:10 space or affordable housing in the other
28:14 areas of central Issaquah the maximum
28:19 height is mostly 65 although in one area
28:22 it's 85 for clarification 125 might get
28:28 you most attend story building depending
28:34 on modulus yes they're building right
28:35 yeah okay
28:39 Oh can't you Randy good suggestion okay
28:43 okay so let's start with is a Klaus
28:48 style so the only these are the slides
28:52 they showed last time the only change I
28:55 made was to pull urban Grange into this
28:57 since it that does two districts have
29:00 been combined so I think this was one of
29:06 the guiding principles maybe from the
29:08 central is Claw plan so this shows these
29:12 were this is the map from last time so
29:14 the industrial style has been combined
29:17 with the Issaquah style so that you have
29:20 just the to urban core style in its
29:22 quest aisle so first is craftsman so
29:29 they used at kakari was one of their
29:31 examples so house like massing not more
29:36 than four stories so typically three
29:38 single use buildings craftsman much more
29:46 detailed tripartite meaning the three
29:48 levels base middle and top low pitch
29:52 roof deep these exposed rafters
30:00 the use of stone or River rot shingle
30:06 board-and-batten which is the sort of
30:09 this kind of treatment the kind of
30:17 window configuration oh I guess that was
30:25 our that was crafting - sorry
30:27 so arts and crafts from the early 19th
30:34 century again forced or no more than
30:36 four typically three you can use that
30:39 for mixed-use buildings so that would be
30:41 one of the distinctions steep pitched
30:44 roof certain English vernacular elements
30:49 casement windows and then a range of
30:54 materials such as stucco's shingle and
30:56 brick different kind of roof shapes and
31:02 materials being shown in this I assume
31:05 new building which is helpful to see
31:07 rather than just the traditional and
31:10 arched forms windows
31:25 so that's a two-story commercial version
31:28 and then this is another two-story one
31:32 with using shingles Multi pane windows
31:35 and brick this is a four story version
31:44 again with a steep roof certain
31:47 vernacular elements casement and sash
31:52 windows and then again similar range of
31:55 materials so now we're going to lodge
31:59 which was notable because you know the
32:05 first two were limited to three or four
32:06 storeys this was the one that they
32:08 identified that could be significantly
32:10 taller consistent with the character of
32:14 the building which included again
32:17 overhanging deep overhanging eaves a
32:20 symmetrical composition steep pitched
32:23 roofs prominent chimney certain kinds of
32:27 materials such as shingle and the
32:29 granite stone base double hung windows
32:35 Western false front again this one I
32:39 don't think had the height limitations
32:42 and this was an example from front
32:45 Street the false front comes from the
32:52 parapet which is shown here facade has
33:01 more ornamentation than the other sides
33:03 double hung windows collabora door wood
33:06 lap siding again wood cladding not a
33:13 mixture of materials clerestory windows
33:16 which are these windows above the main
33:19 window recessed doors multi-plane pane
33:23 storefront windows
33:28 and then with making the point that the
33:31 sides and rear of the building need a
33:33 higher quality than sometimes is used
33:36 when you focus just on a facade and then
33:41 this was a four-story example including
33:46 that tripartite massing but again wood
33:49 siding and lastly was the urban Grange
33:55 they did not provide as much information
33:57 in their presentation last year so it
34:01 was they were showing some industrial
34:04 buildings including the one that was in
34:07 your packet but it was not detailed at
34:09 the same level as the other four Styles
34:14 so that's its claw style
34:23 urban core so this was not specifically
34:32 urban core but I thought I put this in
34:34 here just as a image from their original
34:36 presentation this was more about the
34:38 street but as we're talking through it I
34:40 just wanted to put more images in that
34:42 might be useful as part of our
34:44 discussion that's the same slide these
34:47 are the same slide so so they were
34:54 looking at this relative to more dense
34:57 urban conditions shooting for timeless
35:00 character and respecting the natural
35:03 setting so they provided more
35:09 information they did with the other
35:10 style since there's only one style they
35:12 went into it with more detail so they've
35:15 looked at it from the form massing scale
35:17 materials and color that's five sorry so
35:21 they would there's a series of photos
35:24 annotated photos with on this so talking
35:32 about simple configurations strong
35:35 vertical upward elements rather than
35:38 horizontal elements and an emphasis on
35:41 the ground floor relative to the
35:43 pedestrian talking about segmenting the
35:49 street wall so that it's not as
35:51 monolithic that's broken into pieces and
35:53 creates a level of articulation again
35:59 base middle and top which is sometimes
36:02 called tripartite again simplified forms
36:09 and using a certain rhythm
36:18 these are all formed for massing up
36:25 looking at full block developments I
36:29 think that's their assumption in this
36:30 area so they were showing different ways
36:32 that blocks might be developed as part
36:36 of you know you're using the full block
36:38 you may not have a building that fills
36:40 the full block so that that was I think
36:43 the point of looking at this one and
36:46 that there aren't parking lots and how
36:49 the mid block connection might be
36:51 incorporated this is again a full block
36:57 but having a private courtyard with
37:00 structured parking this was using 3/4 of
37:07 the block with an existing building
37:09 remaining on the other quarter this one
37:13 does not have on-site parking and a
37:17 courtyard between the two buildings
37:21 this looks at holding down sort of the
37:25 corners of the block but having the
37:28 parking in the middle to separating and
37:33 serving both uses ground oriented
37:39 residential on the ground floor this was
37:47 looking for a residential project at
37:50 some of the components such as landscape
37:53 or privacy walls concrete base front
37:57 door and weather protection raising the
38:01 ground floor to make it more comfortable
38:04 potentially for the ground floor units
38:09 zero setback
38:13 how the corners could be emphasized and
38:17 while also incorporating public art
38:23 lobby in the middle of the building in
38:25 this case scale so they're thinking that
38:30 it is four or more stories with setbacks
38:34 along certain environmental areas
38:38 pedestrian corridors and open spaces so
38:41 this would be a five storey height
38:43 building after the in this example it's
38:49 after five storeys its setback as is
38:55 this one and they're assuming that that
38:57 technique would be used when you're they
39:01 say critical corridors but based on that
39:03 first slide I think they mean
39:04 environmentally sensitive areas and then
39:10 materials they are emphasizing brick and
39:15 wood in this case brick and concrete
39:22 talking about how hardiplank or party
39:25 board might be appropriate along with
39:27 metal cladding stucco wood
39:34 and then their recommendation for colors
39:38 with light or dark colors only
39:51 and that's the end of the bait thank you
39:54 Sam so I think we'll move to public
39:58 comment and if you when you come to the
40:02 microphone please give your name and
40:04 address for the record and feel free to
40:08 provide your input on both structure and
40:10 the framework that's provided and any of
40:12 the photos you saw and anything else
40:15 about what's been presented tonight
40:17 anyone care to speak
40:33 I'm I'm Steve Pereira 170 northeast I
40:36 would streak for about nine and a half
40:37 years so I guess I'd found a little
40:40 confusing when I was going to read
40:41 through the packet both because of lack
40:44 of pictures that I guess now learning we
40:46 included later in the lorem ipsum text
40:47 that I didn't understand Latin so I was
40:51 trying to follow and wasn't making sense
40:53 it makes more sense now so I guess a
40:57 couple thoughts one was it seems one of
41:00 the things that's within the scope is I
41:02 guess so a couple things one was it
41:05 seems in not in the height limit it
41:07 doesn't include the height for the
41:11 elevators which can be an additional
41:13 height so I think that needs to be part
41:15 of the consideration and your zoning for
41:17 how high you want the building to be in
41:20 that context I would like to say that
41:23 I'd like to see Development Commission
41:24 say maybe the height limit should be or
41:27 could be less than what it is today that
41:29 seems to be within the scope of this
41:32 consideration we look we're looking at
41:38 this is two pieces one is in Issaquah
41:41 style and a core style I meant I'm not
41:46 voy a fan of the core style buildings
41:47 that I've seen pictured here I would
41:51 like to see the Issaquah standard
41:52 applied
41:53 I guess throughout I would also like to
41:55 see maybe that Heights limit or the
42:02 height limit and I don't know if the
42:03 height limit talks just about number of
42:05 Heights or if we talk about the number
42:07 of floors that are allowed I don't I
42:09 know there's some zoning stuff that
42:10 talks about having the flexibility for
42:14 some versus the other so I think maybe
42:15 that could be part of the consideration
42:17 to looked at as far as what's done
42:21 what's not done again though I think if
42:25 you build it they will come and it seems
42:27 like we want to pride ourself on being
42:29 more than just another bellevue the core
42:31 style doesn't make sense to me so I
42:34 would encourage all of you to say that
42:36 doesn't mesh I would also like to look
42:40 set more define standards as far as if
42:44 you will the old town area or the
42:46 Issaquah style needs to follow some
42:50 specific set patterns that's it for now
42:58 great thank you very much
43:00 just a reminder fair by to the the
43:02 height information was provided for
43:04 informational purposes but the only
43:06 thing we're considering tonight are the
43:08 design guidelines the structure and the
43:10 framework for that and some of that but
43:13 we're not we won't be discussing or
43:16 getting into any of the height
43:18 limitations in the code right now so
43:29 so Connie Marsh native on squawk
43:34 actually I think you all could make
43:37 recommendations as to what you feel
43:41 about the height in the core area given
43:43 the architectural styles that are
43:46 recommended for the core because what
43:50 the consultants seem to be saying is we
43:54 can have sort of an Issaquah style if we
43:57 keep the buildings small as soon as you
44:00 get above a certain height then almost
44:03 by definition you have to go to a
44:05 different style of building that tends
44:08 to be what they pictured and in
44:11 listening to them I thought I heard them
44:14 say that that smaller in their opinion
44:22 because this is not part of their task
44:25 would be good for Issaquah we have met
44:28 our growth targets very close we don't
44:30 necessarily need as much density as we
44:33 thought we did when we wrote the central
44:35 physical plan and so I think that you
44:40 all can provide recommendations to the
44:43 City Council about the architectural fit
44:46 of your community given the consultants
44:49 consideration from what I have heard and
44:52 my personal feel about their
44:55 contemporary sort of contemporary course
44:58 style is it's very stark as compared to
45:01 our mountains and who we are and where
45:03 we are placed and that is the contrast
45:05 that fits so ill and I didn't see in
45:10 this the component parts that might
45:13 soften those larger buildings should
45:16 everyone decide that we need them and I
45:18 think that that is something that is
45:20 missing it's just that Hills behind with
45:23 those buildings will give us the same
45:25 strident contrast without the color that
45:27 we have with Alice I don't have a
45:29 particular problem with with their their
45:33 varying styles for the rest of of
45:36 Issaquah I like it I like their format I
45:39 think that that would make
45:41 there their system would make it easier
45:44 for staff to understand that the
45:46 architecture was fitting and give them
45:47 more tools and also give you all more of
45:51 a glimpse as to how the decision was
45:53 made to know that the architecture was
45:56 appropriate for the place when I first
45:59 read it I thought that you all were
46:01 going to be using that checklist which I
46:04 thought was going to be hard but now
46:05 that I know it's staff using the
46:07 checklist and then you are reviewing the
46:09 checklist for fit that seems to make
46:11 sense to me whether you the people who
46:14 are going to be using that feel like
46:16 that is enough and gives you enough
46:21 tools to say well you all have the
46:24 checklist but now we have to decide what
46:27 we could recommend within the code to
46:29 make it better and that is the part of
46:32 this presentation that I didn't
46:33 understand because what I see is as
46:35 you're up here and you're saying well we
46:36 don't really like it but we don't
46:38 necessarily have the tools to tell you
46:40 how to change it to something that we
46:42 like and and that still feels missing
46:47 okay thank you thank you Connie
47:00 Jenny Bingham 375 southeast sander
47:03 Street I lived there for 47 years so
47:05 I've seen many changes in Issaquah I to
47:07 agree that the architecture is not
47:10 appropriate for our beautiful signature
47:13 Street Front Street I believe that it's
47:19 just too square it doesn't have a
47:21 Western it doesn't have the country feel
47:23 it doesn't show them it doesn't show the
47:24 beauty of the mountains and who we are
47:26 and who we have been we are historical
47:29 we need a more historical element and I
47:33 don't know that our architect has caught
47:36 that in hearing us I'm not sure maybe if
47:41 they give us an opportunity to maybe get
47:43 into some books and we can present
47:45 something to you guys of what you'd like
47:47 to see I don't know the answer there but
47:50 if we're only stuck with these I'm
47:52 saddened I'm saddened for the history
47:55 I'm saddened for the just a concept and
47:58 what's going to happen to downtown
48:00 beautiful Issaquah take away all these
48:02 beautiful views as I said in on a next
48:05 door quote be beautiful for the top of
48:08 the mountain if the city was up on
48:10 Cougar Mountain let's say and they look
48:12 down in all these beautiful mountains
48:13 and I have a concern also with four
48:16 storeys we're all the people that are
48:19 going to have business in these four
48:20 storeys first of all were the people
48:23 that own it gonna Park and we're the
48:25 people that want to visit going to park
48:28 they going to build some monstrosity
48:31 huge parking garage it sticks up even
48:34 six or seven stories maybe they really
48:38 ought to think about closing front
48:39 street and making it a really neat area
48:41 where it's not a street anymore
48:45 it's a place where people can just come
48:47 around and have a town square I don't
48:48 know the answer but I do know these
48:51 designs are not meant for historical
48:54 Issaquah o LD e count thank you thank
48:59 you and just to clarify actually these
49:00 standards would not apply to Old Town so
49:03 this is the central is Squa plan so then
49:06 Front Street is falls under different
49:09 design standards
49:11 I know but this though but this area is
49:19 not covered by these guidelines it's a
49:23 different there's a different set of
49:24 design guidelines for Front Street and
49:27 sunset and all this just to make sure
49:30 the public's aware of that yeah I was
49:33 going to say point of order the the
49:34 design plans Relays urban is between
49:37 pretty much down Gilman to 900 that area
49:40 and then the the Issaquah style is
49:44 everything kind of wet Sammamish in
49:46 towards costco center isn't any
49:49 Sammamish right yeah but doesn't go in
49:52 doesn't come into downtown as the old
49:55 town area right right very any other
49:59 public comment questions okay
50:06 all right can we put the map back up of
50:08 the other data covers that might be good
50:11 reference points so I I operate a
50:14 business in Issaquah so I hope I'm
50:15 qualified to make comment absolutely I'm
50:18 just going to put on a cup so in case
50:20 anyone wants to
50:30 there we go yeah so my name is Debbie
50:33 Marlowe I own Marlowe sign jewelry in
50:36 the meadow shopping center right off of
50:37 Northwest Gilman I've owned that for two
50:40 years I actually live just on the border
50:43 of Renton in Issaquah but I'm coming
50:47 maybe a little bit after the fact on
50:49 some of these questions but as I listen
50:51 to the presentation from Keith I
50:53 wondered about for one thing what they
50:58 what the consultants would classify
51:00 Gilman Village per se what what category
51:03 that would fall into what they would
51:05 classify old you know old town it's a
51:08 cost or describe what may be what they
51:10 would classify that as I know that's a
51:12 separate set of guidelines and then I
51:15 also wonder why there's - why there's
51:19 it's across tile and then urban core and
51:21 then also industrial style like I kind
51:24 of get the industrial part but I'm kind
51:27 of not sure why there needs to be more
51:29 you know there's needs to be two
51:31 separate ones and I agree that the urban
51:35 core style feels really stark and really
51:37 cold and and really generic and I think
51:43 that it doesn't speak to the
51:45 family-friendly home community style
51:48 that is a quad thinks I think it's
51:50 trying to convey and continue to convey
51:52 I look at some of the things that
51:55 they've done I look at this Collins and
51:57 you know what category would they call
52:00 that the consultants what category does
52:02 that whole beautiful project up there
52:04 fall into like style-wise I saw a screen
52:08 of the Redmond area and some of that
52:11 with a lot of public space what looked
52:14 like a lot of walking in corridor work
52:17 that was really inviting and more retail
52:20 friendly ground-level friendly I think
52:23 that's really important for keeping
52:25 people here locally to enjoy shopping
52:28 here in Issaquah I think the parking
52:32 situation is going to get really
52:35 important it's already really important
52:37 but I think if transit comes forward and
52:40 we progress in what we're doing here
52:42 I think parking is going to be something
52:43 that we
52:44 - look at how that implies into the
52:47 building's themselves because I think it
52:49 all has to integrate even more so than
52:51 now and just the colors and the natural
52:56 feel I think if there can be a better
52:58 range I know you guys all experienced a
53:01 lot with the Atlas project but you know
53:04 there's there's definitely a color fit
53:07 that is more suiting for that and so
53:09 that's that's a really big component -
53:11 and just the ability to take what we
53:15 have especially in those in those areas
53:18 off of North West Gilman and make
53:21 something that's kind of cohesive out of
53:23 kind of a cluster of little bursts of
53:26 things it's not an easy it's not an easy
53:29 task because you have really a
53:31 conglomeration of no style I guess kind
53:35 of so not an easy not an easy task but
53:38 hopefully something can be done to you
53:42 know promote people staying in strolling
53:46 and being part of the community as a
53:49 whole and kind of bringing it bringing
53:50 it giving it some oneness so that's this
53:54 mic perspective so thank you thank you
53:56 very much the other public comment or
53:59 questions we heard none let's move the
54:04 Commissioner questions there's more more
54:07 of a comment we did sit through I think
54:09 about six hours of presentations on this
54:10 and they covered a great range of stuff
54:12 one of the big parts that I took away
54:14 from it was they're wanting to move
54:16 traffic around it's a quater way to open
54:18 up that whole Gilman area and change the
54:21 way that we possibly do business there
54:22 in that we making more of a walkable
54:25 shoppable section right where people
54:27 come too far can actually spend time
54:29 going up out down that road the way we
54:32 have our traffic patterns through
54:33 Issaquah right now aren't very good for
54:35 that there's too many cars going back
54:37 and forth the setbacks are pushed back
54:39 from the street so it's not really
54:40 street visible so that was one of the
54:43 things I took away from that
54:44 presentation is that one of the
54:45 suggestions are going to make and the
54:47 urban core area of my understanding the
54:49 QuickTime wrong was kind of a future
54:51 look as we start to grow the city as we
54:53 get the transit in and we have more
54:56 Karlis
54:57 kind of residents people who take the
55:00 train into work take the train back home
55:01 and I want to be able to walk to a
55:03 little bodega and go shopping and stuff
55:05 like that they want to live in dense
55:06 housing and not looking for having
55:08 lawnmowers and everything else so it's
55:10 the idea to be able to support those
55:13 residents as well that's kind of the
55:14 idea pata the urban core that was my
55:17 takeaway from it also just wanted to add
55:22 to your points about friendly retail
55:25 environment and walkable space and so on
55:28 if you happen to miss the last meeting
55:31 when the presentation occurred if you
55:33 could check out the May 3rd YouTube dev
55:37 comm meeting I think you'll see a lot of
55:38 information there that might make you
55:40 feel better
55:41 he's a lot of things that you were
55:42 saying we're points that exactly were
55:44 addressed by Crandall arambula Oh
55:48 questions on his presentation I mean it
55:54 was very well done but I just wanted
55:56 that there was one other point those but
55:58 what by what the citizens was the the
56:00 meeting area kind of a town center that
56:02 was another one of their core tenants
56:04 that they kept talking about there is no
56:05 real center of Issaquah yeah there's no
56:08 place where you can point to and say hey
56:10 there's that many pleasureable don't do
56:11 when something happens and that was the
56:14 idea between somewhere in that it's
56:16 across style to be able to build that
56:17 kind of community feel where you'd have
56:19 a central location go to a park or a
56:22 central landmark that states this is a
56:25 quad right and when news people show a
56:29 picture of Issaquah they show a picture
56:30 of that that kind of that kind of idea
56:35 questions so just a couple kind of
56:39 thoughts kind of starting on that kind
56:41 of applique approach to application of
56:43 this as a design standard so one of the
56:49 the challenges I think first is with
56:51 with this kind of urban core
56:55 contemporary style and we talked about
56:59 it Lucy talked about when they were here
57:02 they spent a lot of time kind of awesome
57:04 true what that was
57:05 I think because there's not a kind of
57:08 known architectural standard like
57:10 craftsman or arts and crafts that we're
57:14 going to have to in the design manual
57:18 have probably more exhaustive
57:20 explanation and description and graphics
57:22 and pictures and whatever what that is
57:25 this seems to be the place where there's
57:28 going to be the most tension I think I
57:33 tend to agree with some of the
57:35 description that we've heard so far some
57:36 of the images that they're showing
57:38 really what this kind of character may
57:41 be the broken force we got to talk more
57:42 about that piece so that that was one
57:46 kind of observation I think another one
57:50 is you've got the way it's set up it
57:53 seems a little bit bright line pick a
57:55 style and then you've got to follow that
57:56 style and there are going to be
57:58 instances where somebody is going to
57:59 want to blend some stuff here and how do
58:02 we go about doing that so we don't trap
58:03 people in a design corner that really
58:08 limits their creativity to present what
58:10 might be even more interesting solution
58:13 because they're the trapped within the
58:14 box of the specific style so in some
58:18 areas that may make sense them because
58:20 there is some compatibility like arts
58:23 and crafts and craftsman there's you
58:25 know features of trade back and forth it
58:27 might work that might be that's another
58:29 thing I think to think about it my guess
58:31 is some of this is stuff that staff is
58:33 already contemplating you mind do you
58:38 mind if we think of one out of time well
58:40 what I think about it and have some
58:42 discussion around some of that and allow
58:44 it to is that part of this is yeah not
58:48 what you guys put together but they put
58:50 together so in some ways you're
58:51 reporting back to them but you're also
58:53 interpreting for us and want to make
58:55 sure understand what we're doing but you
58:57 can I think bring some more flavor to it
58:59 so if you want to well one thing I just
59:01 I would like because I know we're
59:03 getting a lot of come when we're going I
59:06 think Commissioner Brandon's point was a
59:09 good one that the urban core is less
59:13 familiar you know it's not a known
59:16 architectural style and or not
59:19 favorite architectural style and so I
59:22 think where we have some of the
59:23 terminology or some of the pieces that
59:25 we're looking at up there it would be
59:27 helpful to say these we'd like these
59:30 words we don't like these images we like
59:33 these materials and we like these images
59:37 of them you know because I just I don't
59:40 want I want to provide them with I want
59:44 to help shape the conversation to move
59:46 it forward which I know is exactly what
59:47 the Commission is trying to do and so
59:51 sorting some of that so that we're not
59:54 just joined a baby out with the
59:56 bathwater and I know part of what you
59:58 were also doing mr. Morgan was looking
1:00:04 to see if some of the images that are
1:00:05 already in central it's a kwame service
1:00:07 as a way of providing some additional
1:00:10 guidance and that's a great thing too so
1:00:14 would you actually bring up the question
1:00:16 and there are some in the descriptions
1:00:20 that they've provided under 2.0 the
1:00:22 architecture or both the different
1:00:25 styles and then they're like for the
1:00:28 contemporary would you like and would
1:00:31 you like our feedback specifically on
1:00:34 some of that language then where we want
1:00:35 to see some of that taken out so we can
1:00:38 add it I think one of the things they
1:00:39 might want to be discussed for a brief
1:00:42 moment again is a framework level
1:00:44 conversation which and at some point at
1:00:47 least my recollection of their
1:00:48 presentation is they talked about the
1:00:50 core and they talked about taller
1:00:52 buildings you know right now without any
1:00:55 rules the the implication of most
1:00:59 architects hopefully none take issue
1:01:02 with this is is that they is that they
1:01:06 want to they want to create an ode to
1:01:08 themselves right and so as you as you
1:01:10 get these taller buildings and all of
1:01:13 them want to be the brightest building
1:01:15 in the neighborhood you know the result
1:01:19 of that is not something that that they
1:01:21 thought was a good outcome so so most of
1:01:23 the imagery that that they have for the
1:01:26 contemporary buildings I think they call
1:01:28 them the really
1:01:29 most of the buildings become background
1:01:30 buildings you know you want them to kind
1:01:33 of blend into the background and not be
1:01:35 something bright and shiny because if
1:01:37 you get too many bright and shiny things
1:01:38 then you've got Las Vegas right and so
1:01:41 part of this is okay so so you leave
1:01:43 those those key buildings that come in
1:01:47 and maybe it's the ones at the corner or
1:01:49 the ones that become have a more
1:01:51 community component to it where you let
1:01:54 the architecture of those actually do
1:01:56 something a little bit more dramatic but
1:01:58 the rest of the buildings become then
1:02:00 the backdrop for those so that was the
1:02:02 way I kind of understood their kind of
1:02:04 vision and if you think about cities
1:02:07 like London Paris and you you think
1:02:09 about the building's I mean there most
1:02:12 of the buildings you're kind of same
1:02:13 color you know because a lot of them
1:02:15 were built a long time ago when you know
1:02:17 they were using stone to build building
1:02:19 exteriors and and you know they're not
1:02:21 they're not really super exciting but
1:02:24 they make for a brilliant city so I
1:02:27 think part of this is is that that kind
1:02:29 of concept of alright if we're if we're
1:02:32 going to focus right now on on kind of
1:02:35 the core and that idea of this
1:02:36 contemporary is it okay for generally
1:02:40 some of the buildings to be fairly bland
1:02:43 looking you know and does that mean that
1:02:45 we're a bland city or does that mean
1:02:46 that they become the backdrop for the
1:02:48 mountains and the views and some of the
1:02:50 other things that are happening around
1:02:51 them and I think it's a great it's I
1:02:54 think we need to have that conversation
1:02:55 because I think it's very key to whether
1:02:58 we stay with you know again I think we
1:03:01 could we can we can leave it
1:03:03 contemporary and then just say what that
1:03:04 is and that can either be you know
1:03:07 something that's kind of bright colors
1:03:09 dark colors or something different but I
1:03:12 think that's a great you know as we look
1:03:14 for these pieces we might want to pull
1:03:16 and talk about that would definitely be
1:03:18 one I think we should talk about okay oh
1:03:21 I guess then then back to the question
1:03:25 would you like some some feedback on the
1:03:28 verbage that they do have here's that we
1:03:30 were saying Lucy about I meant because
1:03:34 I'm sorry that I can confuse things I
1:03:38 was thinking more related to the styles
1:03:41 on the slides
1:03:42 then the text that's in there because
1:03:46 I'm not sure how much of the text and
1:03:48 there is even final okay certainly you
1:03:53 know I think are not that far into the
1:03:55 weeds right I think it's the framework
1:03:58 are we covering the right things is the
1:04:01 structure of it and the tools that
1:04:03 they're going to provide going to be
1:04:05 useful to us I think that's the biggest
1:04:07 big thing then the second thing is are
1:04:12 we on the right track with the the
1:04:15 styles and if not looking at those two
1:04:19 different bundles of slides and saying
1:04:22 are the words right are the images right
1:04:25 you know and that I think that the
1:04:28 wordsmithing not that I wouldn't take
1:04:30 that in an email to share with them but
1:04:33 I think that's more what we'll be doing
1:04:36 when they give us the draft manual you
1:04:38 know I guess okay so the so I think the
1:04:41 first point commissioner Brennan brought
1:04:42 up was about getting more
1:04:44 Burbage around some of these styles and
1:04:47 so forth I was like we're particularly
1:04:49 the urban core style or whatever it
1:04:52 turns out to be call them right every
1:04:54 may not be the right board to put in
1:04:55 there yeah we've got yeah more of a
1:04:57 lightning rod and probably not the image
1:04:59 that we're trying to project so so but
1:05:01 tonight we won't go into to try to get
1:05:03 down into that level that's okay with
1:05:05 everybody with the knowledge that we do
1:05:08 want them to add more to that you know I
1:05:10 think we want them to add more pictures
1:05:12 or a little bit more but I thought that
1:05:15 the real idea an urban core was I think
1:05:16 slide number six or some like that where
1:05:18 it showed just those form massing
1:05:20 materials and like setback that's really
1:05:23 what they're talking about it's not the
1:05:24 picture of what it is but those are the
1:05:26 they need to match these kind of
1:05:27 standards to be that kind that doesn't
1:05:30 have to be contemporary does anything
1:05:32 else but needs require these parts to it
1:05:33 those that was my understanding of what
1:05:36 this whole thing is about it it's a
1:05:37 guideline not a description right it's
1:05:40 it's you want to make sure it has these
1:05:42 features and fits within this framework
1:05:44 to be considered that but not
1:05:46 necessarily have to look a certain way
1:05:47 it doesn't have to be contemporary it
1:05:49 could be a log cabin because it's wood
1:05:51 and you know
1:05:52 as long as it matches like that wooden
1:05:55 one they have I said along the creek it
1:05:57 could still be urban contemporary but
1:05:58 via a solid wood building but there was
1:06:02 some really nice ones they had I guess I
1:06:09 I guess my concern is that I'm beginning
1:06:16 to feel that a difference in what I
1:06:19 thought was the objective of the whole
1:06:21 drill which was bringing the consultant
1:06:25 to analyze the CIP and execution of the
1:06:28 CIP to date and clearly define what they
1:06:34 believe is weakness and execution and
1:06:37 make recommendations to the city about
1:06:40 how to address what we believe are
1:06:42 things that we're not satisfied with as
1:06:45 public staff DC whatever so far and I
1:06:52 personally think that they've done a
1:06:54 heck of a good job with that and what
1:06:56 we're seeing here tonight is what I'm
1:06:58 not clear on is we've got another
1:07:00 meeting coming up in August and that's
1:07:02 going to be where we're going to be
1:07:03 presented with their draft manual right
1:07:06 and what I heard believe I heard you say
1:07:08 earlier is that we don't want to be
1:07:10 going in and telling them we don't like
1:07:11 this whole section we don't like this so
1:07:13 we want the objective would be to get as
1:07:17 much agreement on the direction and some
1:07:21 and the end two key factors in that
1:07:24 before the draft manual goes to print
1:07:27 am I right so far okay then I would say
1:07:32 that the I I really like the idea of
1:07:39 having the definition that we've got so
1:07:42 far in terms because my understanding
1:07:45 again is that we want applicants to be
1:07:48 able to look at the amended plan and
1:07:51 right off the get-go say nope that
1:07:54 doesn't work for me so I either change
1:07:57 my application before I bring it to the
1:08:00 city staff for the first time for you to
1:08:01 look at or I'd say no I'm going to do it
1:08:04 in Redmond
1:08:05 that kind of clarity from the get-go
1:08:09 from people that want to build or do
1:08:12 something in Issaquah that's not there
1:08:14 now it's if they come in with an idea
1:08:16 and it generally fits the guidelines and
1:08:18 then it goes through a significant
1:08:21 process to identify what goes forward
1:08:24 from there
1:08:25 so is that is that correct or wrong I
1:08:30 think that we are moving to a more I
1:08:39 don't know whether I like this word but
1:08:41 I'll just throw it out there for now is
1:08:42 more prescriptive so the difference
1:08:46 between you know prescriptive standards
1:08:49 are ones that prescribe what you have to
1:08:52 do performance standards tell you how it
1:08:55 needs to work so there's more
1:08:57 flexibility and we the centralist clause
1:09:02 standards were more urban design focused
1:09:05 and less architectural focused so we're
1:09:08 changing that balance we are clearly
1:09:11 moving to a much more including a lot
1:09:15 more architectural information colors
1:09:18 materials styles and I think the
1:09:24 consultant has communicated that they
1:09:27 are a proponent of a more prescriptive
1:09:32 approach so that's the way we're going
1:09:35 so and I think you know what the way I'd
1:09:38 also described this Randy is you know
1:09:40 think about this as an evolution right
1:09:42 and I think what we're doing is we're
1:09:44 providing a finer grain on the
1:09:47 expectations that we as a community have
1:09:49 for what the applicants are bringing us
1:09:51 so you're I think you're right that if
1:09:54 when when we get this done that there
1:09:58 will be much more clarity from the
1:10:01 applicants perspective of what it would
1:10:03 take to get a permit from us which
1:10:05 avoids a lot of the kind of
1:10:08 back-and-forth and will ultimately lead
1:10:10 to I think a more efficient process for
1:10:13 staff so I think you know so that's what
1:10:16 I expect we'll get
1:10:17 well and that's why I think this is and
1:10:20 with all I'm sure we've all been the
1:10:22 subject of neighborhood questions
1:10:25 comments and so on and frankly this to
1:10:29 me is the way it's supposed to work we
1:10:31 had a plan that was developed with an
1:10:32 enormous amount of public input the CIP
1:10:34 and it went into execution phase and we
1:10:39 have come to say whoa wait a minute
1:10:40 plans still good we still like the
1:10:42 boundaries and so on and so forth but
1:10:44 we've got some things that clearly are
1:10:46 not going we didn't expect to get what
1:10:49 we got so now we're trying to prevent
1:10:51 the repetition of getting things that
1:10:53 we've got that we don't particularly
1:10:56 think are what we want more of and the
1:11:01 the I like the idea I really like the
1:11:07 idea of having standards and sticking to
1:11:11 them in terms of the design standards
1:11:15 the the massing and things like that
1:11:18 i I we have to be flexible to a certain
1:11:22 degree but in my opinion the benefit of
1:11:25 this process is there's going to be
1:11:27 flexibility but clearly defined rules
1:11:32 not cut lines for what what are the
1:11:36 limits so we don't get into AAS after
1:11:40 AAS after AAS because that's I believe
1:11:44 what we're getting is a kind of a public
1:11:48 wariness the ones that really get into
1:11:50 the weeds and the process and they're
1:11:52 seeing this and if we do this right in
1:11:56 my opinion will have less will have far
1:11:59 fewer requests for adjustment of
1:12:00 standards because the standards will be
1:12:02 clear there will be great on elected and
1:12:05 staff will say yep that's in keeping
1:12:08 with the standards we'll go forward
1:12:11 let me get back to recovered
1:12:14 Commissioner Burton's first point about
1:12:16 more verbage in your second point I
1:12:18 stopped the after that can you bring
1:12:20 that up again um
1:12:25 the idea of integration of more than one
1:12:28 architectural scale and how how would we
1:12:31 do that using these guidelines so we
1:12:33 talked to them about that because we
1:12:34 asked the same question I think it's a
1:12:36 great one to kind of explore you know is
1:12:39 it possible to merge two different
1:12:41 styles in a singular project and their
1:12:44 answer was yes that would actually make
1:12:46 it more interesting but not in a single
1:12:49 building that that was because what they
1:12:54 said is where you have multiple
1:12:55 buildings having different buildings in
1:12:58 different styles for instance if atlas
1:13:00 so they used Atlas as an example and
1:13:02 said so what if each of those three
1:13:04 buildings had a different architectural
1:13:06 style associated with it not just a
1:13:09 different color but actually a different
1:13:11 style and if you think about that
1:13:13 project and think about okay what if one
1:13:15 of the buildings was you know craftsman
1:13:18 and another was arts and crafts you know
1:13:20 it would make that look very different
1:13:22 and a much more kind of fine grained
1:13:26 architecture which I think this
1:13:29 community probably would have
1:13:30 appreciated right so does that mean then
1:13:33 when you get into the checklist you
1:13:35 actually have to fit your building has
1:13:38 to fit one of these styles say for is
1:13:41 across tile so um I you know we didn't
1:13:47 write this so right right right right
1:13:49 we're in turn ugly during orientation of
1:13:51 it my feeling my impression is if you're
1:13:54 doing a single building like you were
1:13:56 doing Vail you know which is a single
1:13:58 unified building you would pick one of
1:14:01 those five and that that building would
1:14:04 need to conform with that yeah and and
1:14:07 so you know that we're we like
1:14:12 flexibility because it's hard to
1:14:14 anticipate every situation that comes I
1:14:17 have to say the thought of being able to
1:14:19 mix and match and pull between them is a
1:14:23 little overwhelming to me given that
1:14:25 we're going to have at this point six
1:14:27 styles that we're going to have to
1:14:29 evaluate so I know that said
1:14:36 commissioner Brennan you know you may
1:14:38 have experience doing this in other
1:14:40 places and not I'm certainly open to
1:14:42 that I'm just kind of giving you my sort
1:14:45 of shoot-from-the-hip as a staff person
1:14:47 trying to imagine how I well I get that
1:14:50 I guess and and they're looking for
1:14:52 predictability - I mean right the dark
1:14:55 textual sure and you know and that's
1:14:57 what they said is that predictability
1:14:58 they think that is such a high priority
1:15:00 but I think it still would be good and
1:15:04 it's just balance and I understand
1:15:06 commissioner Harrison's point about we
1:15:08 want to have a standard and let's stick
1:15:09 to the standard that's what it is and
1:15:11 let's be prescriptive about that there
1:15:13 are some upsides to that but there are
1:15:15 also some downsides to that and so this
1:15:17 is balance that we're trying to find I
1:15:19 think what what you're describing would
1:15:22 be that would be the the starting place
1:15:25 where the predominant style is pick one
1:15:27 but there needs to be if somebody's
1:15:29 bringing something forward that is of
1:15:31 interest and we like it and you want to
1:15:33 find a path for them there needs to be a
1:15:35 path of them to follow so they don't get
1:15:37 trapped in the corner of code or the
1:15:40 standards it doesn't allow the city to
1:15:42 accomplish what might be a better
1:15:43 project and that staff may agree but you
1:15:45 just don't have a way to get them there
1:15:46 so the idea of kind of an off-ramp that
1:15:49 now that there's a predominant style but
1:15:51 but if they want to add some for
1:15:54 whatever reason and features are an
1:15:56 element that that isn't consistent if
1:15:59 there's a way to accomplish that I guess
1:16:00 that would be my goal commissioner are
1:16:02 you talking about things like parking
1:16:04 the whether it's underground or at that
1:16:07 level of variation at an example this is
1:16:11 more conceptual and less specific of an
1:16:13 example I'm just trying to try to make
1:16:17 sure that we do something that what
1:16:19 we're doing here isn't overly rigid for
1:16:23 the design community because you may end
1:16:26 up with something that you know is not
1:16:28 as good as it could be because of that
1:16:30 oh and one of the questions I had was
1:16:32 about retail restaurant services is that
1:16:37 if krispy kreme came to town and said
1:16:39 here's an iconic Krispy Kreme building
1:16:43 that we want to build in your city it
1:16:45 wouldn't fit I'd think about that
1:16:47 building and I don't see where it fits
1:16:49 any of these styles and so you would say
1:16:52 take that unique retail building style
1:16:55 and make it Arts and Crafts instead or
1:16:58 something and is that not you know now
1:17:01 come we want to have well I mean is a
1:17:05 fundamental question I agree that needs
1:17:08 to be addressed commissioner but I would
1:17:10 just say that I think we've got examples
1:17:12 again in the execution of the CIT we've
1:17:15 got at least one example that comes to
1:17:16 mind for me where this commission said
1:17:20 understanding corporate identity and the
1:17:23 bazillions of dollars the corporation's
1:17:25 putting and put into branding and
1:17:27 driving down the street to say oh there
1:17:29 it is I think we got a structure here
1:17:33 that is corporate but is absolutely well
1:17:38 I won't use absolutes but it's not has
1:17:41 nothing to do with north west or
1:17:43 Issaquah identity and and what it is is
1:17:47 their corporate brand and it's the same
1:17:50 is the same floor plan that you use in
1:17:52 Phoenix and everything else which is
1:17:53 what we've talked about a number I am
1:17:55 and I guess that's a good fundamental
1:17:56 question then would we want to you could
1:17:59 take a place a like Winthrop small town
1:18:02 that decided to go with a Western theme
1:18:04 and everything had to be that we want to
1:18:08 say these are the themes that have to
1:18:10 fit throughout the central is a quat
1:18:13 area and not allow for something that it
1:18:17 is outside that boss so I'm not just so
1:18:22 do you think that under these guidelines
1:18:25 Krispy Kreme would not be allowed in
1:18:27 urban core I I don't know the answer I
1:18:29 think it was built it think it's built
1:18:32 it as a claw style it's in this plus
1:18:34 style and it's in it's in that shopping
1:18:36 center so you could call it I mean so is
1:18:39 it old Grange does it meet that kind of
1:18:42 architecture I don't know we don't know
1:18:45 enough about it yes you know so so but
1:18:49 you know if that were to be in the core
1:18:53 I mean so part of it is that's a level
1:18:56 of detail we have to drill down to right
1:19:00 and you know so that a whole iconic
1:19:04 question back you know we kind of
1:19:06 stumbled over that I'm trying to get
1:19:08 iconic signs approved in the city that
1:19:11 was about five years ago we're due to
1:19:15 have that conversation it would be my
1:19:17 guess so you know so part of it is is
1:19:19 figuring out how you allow those those
1:19:23 and maybe it's more about function you
1:19:28 know and I guess that's an interesting
1:19:30 conversation that a planner might want
1:19:32 to have about architecture is do you
1:19:34 allow those buildings that have more of
1:19:36 a community-based function and obviously
1:19:39 not Krispy Kreme is not falling into
1:19:40 that can but but to have maybe a more
1:19:45 latitude with architecture because you
1:19:47 want those buildings to stand out in one
1:19:49 way or another so so a quick question
1:19:51 would if veil under under this new plan
1:19:57 if fail came in right in the heart of
1:20:00 the CIP and said we want to do a an arts
1:20:04 and crafts style they be allowed to do
1:20:07 it in the in a CIP I mean in the urban
1:20:10 design in the urban what is there now
1:20:12 aware as urban core so well that's where
1:20:14 they are no they're actually in the
1:20:16 they're in there's a cliff file okay so
1:20:19 if somebody came in in urban core I mean
1:20:22 this is I think this is maybe what we're
1:20:24 talking about here and said I want to do
1:20:27 an art something that is in Issaquah
1:20:29 style what we're saying is we don't
1:20:31 we're concerned about them not being
1:20:35 able to do that
1:20:36 I mean if everything else were equal
1:20:38 they can't do arts and crafts in urban
1:20:41 course all right
1:20:43 so I have two thoughts I'd put out there
1:20:46 one is one some I don't I apologized
1:20:50 can't remember who said it from the
1:20:51 public that is Klaw Islands because
1:20:53 we're having that conversation relative
1:20:56 to how do we I think you you said it and
1:21:01 tape is rolling slowly in my head and so
1:21:06 one of the things I and I think it
1:21:08 relates to what we're talking about with
1:21:10 central is quad is you know some of the
1:21:12 central is the cost and or
1:21:14 are applicable to the urban villages you
1:21:16 know they started with the urban
1:21:18 villages and then they evolved and have
1:21:21 folded into central as Klaus but
1:21:24 architectural II we have you know in our
1:21:28 conversation both internally and with
1:21:31 the communities have agreed know that we
1:21:36 the work we're doing now trying to come
1:21:38 up with architectural fit would not
1:21:41 apply to those urban villages because we
1:21:42 want to stink to neighborhoods and so
1:21:45 the the tools that we've used through
1:21:48 the urban design guidelines in his claw
1:21:50 Highlands will stay in place so that
1:21:53 they have their they have three
1:21:55 neighborhood types traditional townscape
1:21:57 house and garden cottage lane and those
1:21:59 are the three that will stay up there
1:22:01 along with their Architectural Review
1:22:03 Committee's to help maintain a distinct
1:22:06 neighborhood that feels like his
1:22:08 client's and doesn't feel like Central
1:22:10 is cloth or it doesn't feel like talus
1:22:12 breakdown or Old Town exactly and so I
1:22:17 think one of the questions for the
1:22:19 Commission may be in in asking that I
1:22:23 you know when you think about it
1:22:25 central it's cause like 900 acres that's
1:22:27 huge and so is it appropriate that it
1:22:31 has two areas is that the you know is it
1:22:36 essentially kind of like two
1:22:38 neighborhoods should you know in terms
1:22:41 of character and and I think what what
1:22:44 Crandall Rand Allah has said is that you
1:22:47 have this sort of central core which is
1:22:49 more dense more intense which makes
1:22:52 sense for some of the transit oriented
1:22:54 development that's coming so we're
1:22:56 trying to look for some kind of style
1:22:59 tools massing form etc that will fit in
1:23:05 Issaquah and make this distinct core and
1:23:09 I'm just laying this out I'm not saying
1:23:13 you shouldn't disagree with it and then
1:23:15 there is this second sort of district
1:23:20 area character that is the is quash dial
1:23:23 up some a little bit less intense it's a
1:23:26 a more historical and character so that
1:23:30 so that's one piece to think about you
1:23:32 know is to the right number of sort of
1:23:36 neighborhood types I think the other
1:23:40 piece that I would add when you're
1:23:42 talking about say Krispy Kreme the thing
1:23:45 that struck me and that I learned the
1:23:48 hard way up a disco Highlands is those
1:23:51 those kinds of businesses like Krispy
1:23:54 Kreme and many others are often called
1:23:57 credit tenants I yeah and if you look at
1:24:00 the they're the ones that come in with
1:24:02 these franchise packages that are very
1:24:05 particular
1:24:06 but as monolithic and specific as those
1:24:09 seem there's often a suburban one and an
1:24:12 urban one and we usually get the
1:24:16 suburban one which is the freestanding
1:24:18 building that has you know a whole bunch
1:24:21 of very specific architectural
1:24:23 parameters to it that is meant for
1:24:25 sitting in a parking lot but that's not
1:24:28 where we are anymore and as we move to
1:24:31 that more urban character those credit
1:24:35 tenants know how to operate in in a you
1:24:40 know if we allowed those kinds or if
1:24:42 those kinds of businesses were attracted
1:24:43 to Front Street they would know how to
1:24:45 go into those shops and that framework
1:24:49 they do the same thing in a mall and so
1:24:52 while I think being conscious and
1:24:56 respectful of the wide variety of
1:24:59 businesses that we have and we want in
1:25:02 the city part of what we're doing is
1:25:05 helping with that transition away from
1:25:08 the freestanding suburban building that
1:25:11 has to be wrapped in a very specific
1:25:12 skin to a tenant that goes into you know
1:25:18 a unit in a building and they have a
1:25:21 different package that conveys their
1:25:23 brand but doesn't require that they
1:25:25 control every single piece of the
1:25:27 building
1:25:30 oh well just there's a lot there's a lot
1:25:34 to consider here you know I go back to
1:25:35 your original question a of our goal
1:25:38 tonight does the structure work yes I
1:25:40 like the structure and where it's headed
1:25:42 I do I feel it's headed towards a
1:25:44 prescriptive path and I think we've
1:25:46 talked about that
1:25:47 and we all agree on that but then we've
1:25:50 asked well how can we interject some
1:25:53 flexibility in that and and I have some
1:25:56 thoughts around that because what I when
1:26:00 I look at that map I see these two
1:26:03 distinct cores and now especially since
1:26:05 we've eliminated one and there's really
1:26:07 just two and and I worry about the
1:26:09 overlap and I worry about literally the
1:26:14 the abrupt transition from one to the
1:26:17 next so one thought I have and I don't
1:26:21 know if this is way off the cuff is
1:26:22 allow the Issaquah style if we if we
1:26:26 drill in on those specific styles that
1:26:29 we like allow those styles to move into
1:26:31 the urban core potentially but do not
1:26:34 let the urban core move into the
1:26:36 Issaquah and I think it might help that
1:26:38 fabric seem a little more with blended
1:26:43 in appropriate and you feel the identity
1:26:46 throughout the city versus these abrupt
1:26:49 changes and I think it helps soften you
1:26:52 know these urban contemporary styles
1:26:54 that we see you know if you have a lot
1:26:56 of these you know in part this is a
1:26:59 function of zoning and height limits and
1:27:02 I'm not suggesting we have a hundred and
1:27:04 twenty five foot tall building with
1:27:06 shingles on it you know that just
1:27:08 doesn't work so I don't have all the
1:27:12 answers but I think it might provide
1:27:14 some overlap so I wonder if that
1:27:15 provides some flexibility in part two of
1:27:19 the flexibility I think a good designer
1:27:21 can react to those styles and interpret
1:27:23 and I think they can interpret for their
1:27:25 client and they can also put forth their
1:27:27 their their design you know an example
1:27:31 I'd use and I we do this all the time
1:27:34 where I work is is is we do a broad type
1:27:38 of styles we do contemporary and very
1:27:40 traditional stuff what we like the best
1:27:43 we call crafted modern and it has one
1:27:46 foot in the past but we're interpreting
1:27:48 it with very somewhat contemporary
1:27:51 spatial arrangements and contemporary
1:27:53 materiality but they're they're crafted
1:27:55 and they're considered you know so so
1:27:57 one just really basic example though
1:27:59 it's like you have the Craftsman style
1:28:00 but you have a client who you know is
1:28:04 looking for something a little more hip
1:28:05 or are the knee braces galvanized steel
1:28:09 is our would we allow like a galvanized
1:28:12 board-and-batten configuration or or a
1:28:16 metal trellis element that's stylized
1:28:19 specifically stylistically craftsman but
1:28:22 it but it has a little more of a
1:28:23 industrial edge to it so I think we can
1:28:26 provide some levity in there I don't
1:28:29 know when we drill down on all of that
1:28:30 and that's I guess a question for you is
1:28:34 is when do we get to that level of
1:28:36 fidelity because I feel like the next
1:28:37 one coming is a little too it's going to
1:28:40 represent that or no it is so so any
1:28:47 thoughts on that one leg so also gets
1:28:50 them from our new commissioner some
1:28:52 awesome echoes out they had exactly the
1:28:54 same process you did with missing the
1:28:57 Icicle style into the urban core and it
1:28:59 makes sense to me
1:29:01 I believe I'm one of the new generations
1:29:03 moving into the quest being only here a
1:29:05 couple years and I see the different
1:29:08 styles but I do think if we mix the two
1:29:10 together it will blend in more versus it
1:29:13 will stick out this Belleview if you
1:29:15 just leave the core style and also had a
1:29:18 different angle to it I come from Canada
1:29:21 and we have certain standards in Canada
1:29:24 where I don't know who exactly was
1:29:27 dealing with it but we had a huge
1:29:29 housing development and there was an
1:29:31 architect that was in charge of just the
1:29:32 colors to make sure that you don't put a
1:29:34 yellow house mix the green house and it
1:29:36 looks like Christmas the whole time so
1:29:39 thinking if we have some kind of a color
1:29:41 charge work if you're building a block
1:29:43 you're not going to put a black building
1:29:44 next to white but you're not just going
1:29:46 to do beige and it just goes to blend
1:29:49 together so I don't know how we get into
1:29:51 that but
1:29:53 that will be a great year just to have
1:29:54 some kind of a an assessment even if the
1:29:57 building is built now and the other one
1:29:58 is ten years later you still get to look
1:30:01 into it and be like hey we need to match
1:30:03 the color not match its order okay thank
1:30:07 you Richard yeah one question and a
1:30:11 couple of concerns I guess I was curious
1:30:14 about why the industrial style kind of
1:30:16 morphed down into a building form
1:30:19 instead of a style it looks like it's
1:30:22 been replaced by urban Grange but the
1:30:23 industrial idea went down into a
1:30:25 building form which I guess is a
1:30:27 building type I think that there was a
1:30:33 recognition that that area that they had
1:30:37 originally put it in was more diverse
1:30:41 that end of Gillman I think they were
1:30:44 trying to recognize that that is a
1:30:45 unique neighborhood this is service and
1:30:49 old 10th yeah right uh-oh highway toll
1:30:53 highway 10 and you know they were
1:30:57 originally showing the industrial
1:30:59 buildings which made sense for the
1:31:01 service area and for some of the things
1:31:03 but I don't think anyone thinks bones is
1:31:06 going to become an industrial style
1:31:07 building so I think they recognized that
1:31:10 although that is a unique district that
1:31:14 the diversity of different styles might
1:31:18 suit that neighborhood as well as the
1:31:22 rest of the area that they designated is
1:31:24 I I guess I wondered now we've gone from
1:31:26 three styles down to two and I wonder if
1:31:29 we just essentially renamed what we were
1:31:31 talking before an industrial urban range
1:31:33 if we'd be back to the three styles and
1:31:35 we wouldn't have the sense that they're
1:31:38 only too well and maybe I mean I'm
1:31:40 probably not doing a good job with my
1:31:43 nomenclature here so there are these two
1:31:45 districts want urban core and is Squa
1:31:50 Stella I think those shouldn't have
1:31:51 should probably show the new slide up
1:31:53 well ya know the older keep saying that
1:31:57 [Laughter]
1:32:01 but I'm also thinking that in some ways
1:32:04 maybe style isn't the right word I mean
1:32:09 maybe they are almost like district
1:32:15 districts yeah I mean and and districts
1:32:17 has its own challenges but I agree
1:32:20 something because then we have styles
1:32:22 below that and so to have styles at this
1:32:25 level of these two geographic areas and
1:32:28 then having another collection of styles
1:32:31 under that is a little redundant yeah
1:32:35 urban core collection it's a glove style
1:32:38 it's buckling
1:32:39 you know I like something like that
1:32:41 better because you're getting into my
1:32:42 second point which was the concern about
1:32:44 adding district to the end of the style
1:32:46 nomenclature in here and as we know
1:32:49 district has its own special meeting
1:32:50 inside the central is called plan right
1:32:53 so there seems to be kind of a
1:32:54 fundamental confusion to use that term
1:32:56 to me would we be talking about a style
1:32:59 district or would we be talking about
1:33:01 sip district so I think I think what
1:33:04 you're identifying is that we need you
1:33:07 know just like plants in a gene in the
1:33:10 family steven zucker I'm not even going
1:33:13 to get it right I'm going to embarrass
1:33:14 my biology teacher but that we need
1:33:18 something that's sort of predictable in
1:33:20 terms of how the hierarchy works so that
1:33:24 when we say I'm talking about a style or
1:33:26 a district or a geographic area or
1:33:29 whatever that we all know what we're
1:33:31 talking about so I think that's a good
1:33:33 point
1:33:37 okay thanks on that and then I guess my
1:33:40 last point had to do with what we were
1:33:43 talking about in terms of the real
1:33:44 content versus the structural discussion
1:33:46 here essentially we're looking at a
1:33:48 manual that's content free right now and
1:33:50 we're going to be seeing it I think one
1:33:52 more time end of maybe first week of
1:33:55 August and then after the other
1:33:57 Commission's have had a look at the
1:33:59 draft or at least the presentation is
1:34:01 just you know it seems it seems like you
1:34:05 know so if when we get to that ledge
1:34:08 when it seems like you guys are ready to
1:34:10 dig into content I mean I think what
1:34:12 we've done is we've given the
1:34:13 consultants like six weeks or something
1:34:17 six weeks I don't know to actually draft
1:34:20 this manual I don't know that it
1:34:22 necessarily has to come all at once so I
1:34:25 think the question is you know as you
1:34:27 guys at what I'm hearing is a census
1:34:29 let's let's get the details let's now
1:34:31 start to look at you know what it
1:34:33 actually says and start to think about
1:34:35 you know is it is it clear enough do we
1:34:39 agree with the direction and setting I
1:34:41 think what we can ask our consultant is
1:34:43 can we piecemeal it up and start to
1:34:47 bring pieces forward sooner than all at
1:34:51 once I'm kind of mixed about that but I
1:34:55 think the I think the point of that
1:34:58 which I hear a concern and and I can
1:35:03 certainly share that is that to review
1:35:06 the whole thing in one meaning seems
1:35:08 unrealistic so whether we're bringing
1:35:12 you you know section one and two and
1:35:15 then three and four or we're bringing
1:35:17 you the whole thing once twice you know
1:35:21 in a series of meetings it seems like
1:35:26 One Touch seems like not very many agree
1:35:30 agree there's something that yeah that
1:35:32 number of pages and yeah and and and
1:35:34 this is a big deal and I personally I'm
1:35:40 going to need I would request time to
1:35:46 review it and really understand it and
1:35:49 go back and read it maybe twice before
1:35:51 the next meeting you know so that yeah
1:35:54 well and and it may be that if you do
1:35:57 get the whole thing at once and we may
1:35:59 not be able to give it a lot in advance
1:36:03 mean more than our typical week it may
1:36:07 be that we're digesting it you know in
1:36:09 the same way we're looking at sort of
1:36:11 the higher level and then we're moving
1:36:12 down a level at the next meeting so that
1:36:15 just inherent we're not changing the
1:36:17 document necessarily but we're able to
1:36:20 digest it in a series of layers so let
1:36:24 me let me offer something as well
1:36:25 because this this timeline is my evil
1:36:27 construct so so and I'm more actually
1:36:31 interested in kind of getting it through
1:36:34 at a certain point in time this year but
1:36:37 what we haven't talked about is whether
1:36:39 or not you know we would be willing to
1:36:41 maybe have some extra meetings so once
1:36:43 we have the document if once you know I
1:36:46 agree with you Randy I think you're
1:36:47 going to need time to read it one think
1:36:49 about it maybe read it again say oh did
1:36:51 it really say that but then once that's
1:36:53 happened you know maybe we can meet you
1:36:56 know you know twice in two weeks or
1:36:59 something right and and to actually get
1:37:01 more touches because once the ball
1:37:03 starts rolling I think it'll actually go
1:37:05 pretty quickly I I just I guess my
1:37:08 concern is it's also summer and and you
1:37:11 know people are going on vacation
1:37:12 they're doing their heaven house guests
1:37:14 in and so on and and the the
1:37:18 opportunities to do the kind of
1:37:22 dedication to this are just fewer in the
1:37:26 summer because there's more there's more
1:37:28 stuff going on or and if we get it and
1:37:31 have a link to read it before the you
1:37:34 know before the definitive meeting maybe
1:37:37 maybe we can and maybe we can't
1:37:39 individually do that so I don't what I'm
1:37:42 what I don't think I'm requesting is
1:37:44 every effort be made to give the
1:37:45 development Commission sufficient time
1:37:47 to study it to the degree that it needs
1:37:49 to be studied so we can do our job you
1:37:52 know instead we've been talking a lot
1:37:54 about this balance between being
1:37:55 prescriptive and allowing flexibility
1:37:57 that's really where the art of writing
1:37:59 this is going to take place right so
1:38:01 that's really where we need to have some
1:38:03 time to work and tune this and I would
1:38:06 bet that there would be even one final
1:38:09 draft following when we see it next so
1:38:13 I'm open to multiple meetings so to
1:38:16 address it I don't know everybody else
1:38:18 let me get let me back up to keep us
1:38:20 moving along then to partly so I think
1:38:22 one thing we know we do want something
1:38:24 the other than style in
1:38:26 and for a nomenclature for that I'm
1:38:29 going to get back to Commissioner prices
1:38:31 question about allowing is a claw style
1:38:38 Issaquah styles all of those to go
1:38:41 throughout central asia claw would that
1:38:44 be acceptable to everybody in other
1:38:47 words you could do it in the urban core
1:38:48 if you wanted to yeah that's available
1:38:51 to me I like that idea
1:38:53 so with some control so there's a
1:38:58 transition in a lot of one construct
1:39:03 between different land uses is a
1:39:05 transition area we allow it to you allow
1:39:07 step things down you change the
1:39:09 architectural requirements in zoning
1:39:12 change there are a lot of different
1:39:13 pieces that influence what's going to
1:39:15 happen because in the urban core area it
1:39:18 allows for more density higher buildings
1:39:20 etc and as you move out it steps down
1:39:24 that density intensity will move down
1:39:27 and so the style the buildings can
1:39:28 change you don't want to do something
1:39:30 that's going to essentially promote
1:39:33 projects that don't take advantage of
1:39:36 what we want in the core and that is
1:39:38 that higher density use so I don't know
1:39:45 that I would like to say you can just
1:39:46 use it anywhere because I think that
1:39:48 becomes to patchwork II for me but it
1:39:50 seems like some ability in your on the
1:39:54 perimeters as you're transitioning from
1:39:56 one style or zone or district wherever
1:39:59 it ends up getting called to another
1:40:01 would make some sense I don't know how
1:40:04 that so let me draw something out
1:40:06 because your your sparking some ideas in
1:40:10 my head so as we can see there are
1:40:13 certain certain of the Issaquah styles
1:40:16 are limited in height in the urban core
1:40:23 there are more base not just the height
1:40:27 is different there are certain minimum
1:40:29 density requirements so inside the urban
1:40:33 core you have a minimum FA are 0.75
1:40:38 which is not that high
1:40:39 outside the urban core you only have
1:40:41 that if you have a three acre parcel or
1:40:43 larger if you have a residential project
1:40:45 in the urban core you have to have a
1:40:48 minimum of 36 dwelling units per acre
1:40:52 because that is consistent with how we
1:40:56 got the regional growth center and
1:40:58 transit so some of that will knock out
1:41:02 certain styles because you just won't be
1:41:05 able to it won't fit the parameters that
1:41:08 they are at least initially establishing
1:41:11 for this style I don't I don't know if
1:41:14 that solves the the problem you're
1:41:17 identifying Jennifer I agree and I hear
1:41:19 what you're saying I absolutely do and I
1:41:21 go back to um I think it's a function of
1:41:25 height ultimately we can't turn a
1:41:27 10-story building into a craftsman but
1:41:29 but then I back up a little bit here and
1:41:31 I think I think we've all identified
1:41:33 maybe maybe this was just me but I've
1:41:35 heard a lot of feedback from the
1:41:36 community that the urban contemporary is
1:41:38 very controversial and and so but I
1:41:42 asked well then what is the alternative
1:41:44 there you know as I look at this
1:41:46 building I think it's actually well
1:41:47 composed building it's of highly durable
1:41:50 materials it's a thoughtful pallet it's
1:41:53 a it's a great corner site its modulated
1:41:55 well it really activates the street it
1:41:57 does a lot of great things but I can
1:42:00 understand why it's unappealing but if
1:42:02 you compare this building to Alice I
1:42:05 think this is stars and stripes above
1:42:07 Alice so so but but but if then the
1:42:10 contemporary going back to my question
1:42:12 is is not the right question them or
1:42:15 answer them what is does that make sense
1:42:18 I just don't know so can I a little bit
1:42:21 so there are other there are other parts
1:42:24 of the code that influence the building
1:42:26 envelope so things that you ohm and just
1:42:31 described but also there are you've got
1:42:34 maximum Heights that are allowed and
1:42:36 then there are things like step backs at
1:42:37 certain height so you started so you
1:42:39 don't get the big box you're you create
1:42:42 something that's interesting down it
1:42:43 that kind of more pedestrian scale level
1:42:45 the first couple of stories and then you
1:42:47 do something that's a little bit
1:42:48 different as you as to building those up
1:42:52 and depending
1:42:53 hi it goes you maybe have other features
1:42:55 it or step backs or report changes that
1:42:58 are required and then you also have the
1:43:00 roof line and so the other other piece
1:43:02 that people are thinking about is your
1:43:04 your first experience is what is
1:43:06 happening on the ground level you want
1:43:07 to pay really close attention to that I
1:43:09 think the consultants have done a pretty
1:43:10 good job of speaking to that and talking
1:43:12 about some of those key elements one
1:43:14 piece that we're hearing about is that
1:43:17 architecture is not compatible with our
1:43:19 city our that skyline won't fit with the
1:43:21 surrounding mountain and green scape etc
1:43:25 so what are the other things that might
1:43:27 be fools that are in the code to kind of
1:43:31 influence what would be the kind of a
1:43:33 bigger picture image that is a quad
1:43:36 turns into based on architectural
1:43:40 standards but also the limitations or
1:43:43 requirements or envelope changes that
1:43:47 are in the land use code that are not
1:43:48 part of the design standard so that
1:43:51 there those are other tools that you
1:43:53 figure out how do you build that in the
1:43:54 overall land use code in addition to the
1:43:58 design design kapha I understand but is
1:44:01 the isn't the land use code Mazzoni
1:44:03 already pretty baked in a large degree
1:44:07 or this is just a function of design
1:44:10 review and isn't the modulation and
1:44:13 terracing you're talking about already
1:44:14 set there it exists in the code now but
1:44:20 I don't know if that's something that we
1:44:22 could look at as part of in combination
1:44:24 with trying to respond to the concerns
1:44:26 that we're hearing about is that our for
1:44:29 grabs and I think some of the community
1:44:31 I'm not talking so I'm still I guess I
1:44:35 guess what I would say is as part of
1:44:38 this moratorium work item I would say
1:44:41 not but what I would say is because
1:44:44 we're touching on this conversation
1:44:45 about building heights now views are
1:44:48 Iying views and views was definitely one
1:44:51 of the urban design pieces that the
1:44:54 consultants and I think we fought that
1:44:57 issue mr. Morgan on the Costco site plan
1:45:03 mr. Harrison so so I think we need some
1:45:06 clarity on views but other than views
1:45:08 building heights you know the the
1:45:10 envelope that's set by zoning is baked I
1:45:14 don't think this work product is
1:45:16 supposed to touch that but as a sidebar
1:45:19 and as an outcome if the Commission
1:45:22 wants to make a recommendation to the
1:45:23 council about overall building heights
1:45:26 now what you're getting as a product is
1:45:28 some of the architectural styles are
1:45:31 being recommended at maximum building
1:45:34 heights so you might look at that and
1:45:36 say okay well let's assume I have a six
1:45:38 story building if if the consultants
1:45:41 saying okay I can't use arts and crafts
1:45:43 and I can use you know half of the
1:45:45 architectural style that six storeys
1:45:47 well maybe six storeys is not a good
1:45:49 choice for us at the end of the day I
1:45:50 don't know so there's there some there's
1:45:53 some connectivity that you guys can make
1:45:55 I think if at the end of the day you
1:45:57 decide that the building heights that
1:46:00 are allowed now in central is a positive
1:46:03 problem I would raise that as a red flag
1:46:05 to the council but it should not
1:46:08 necessarily I don't know how it feeds
1:46:10 into ultimately this work product time
1:46:12 just answer because he's responded by
1:46:14 real quick so I don't know that I was
1:46:16 suggesting that we change it I was and
1:46:19 maybe I didn't say this very well but
1:46:20 there are other things that influence
1:46:23 the building envelope that are in the
1:46:24 code they're not the architectural style
1:46:26 so the step backs and the building
1:46:28 heights set in the code I'm not
1:46:29 suggesting that we go back and revisit
1:46:30 that I just think we need to think about
1:46:32 in combination the things that could
1:46:35 influence what the building will look
1:46:36 like in the end right it's not just what
1:46:39 we're seeing here in the design and in
1:46:42 one piece that I would add is Keith and
1:46:46 I were in here last night too
1:46:48 and one of the moratorium work plan
1:46:52 items parking was we were having our
1:46:56 first report out on that and there were
1:46:58 certainly other pieces that fell out of
1:47:01 that discussion
1:47:02 for instance parking enforcement shared
1:47:04 parking agreements there were several
1:47:06 things that were identified as maybe not
1:47:12 being in the right place to achieve what
1:47:14 we wanted and was
1:47:15 councils direction was these are the two
1:47:17 things that we've asked you to do please
1:47:20 track on those other things as part of a
1:47:24 list of amendments that would come next
1:47:26 year once we've gotten through the
1:47:27 moratorium work plan items so I think I
1:47:30 think not surprisingly keep us on point
1:47:35 with what the council is asking us to do
1:47:38 but it doesn't mean that we are not
1:47:42 tracking and benefiting from the things
1:47:45 that we're learning and observing while
1:47:47 going through this these work plan items
1:47:51 let me get back to the question again of
1:47:55 Issaquah style throughout we've gotten a
1:47:58 couple of different thoughts on that in
1:48:00 terms of limitation I mean everywhere
1:48:02 any other feedback on that there is
1:48:07 there a possibility of having it as a
1:48:12 Development Commission flexibility would
1:48:16 be one of those things if we did save
1:48:17 somebody came in and said I want to do a
1:48:19 one-story and maybe it won't work that
1:48:21 the minimum fer but I want to do a
1:48:24 one-story Craftsman style building on
1:48:27 this lot right in the middle and we
1:48:28 think no that's not appropriate
1:48:29 they'll have to change the urban okay
1:48:32 that wasn't like the up house but I was
1:48:34 thinking you know it what I might be the
1:48:36 perimeter of the urban core kind of I
1:48:39 this is my envisionment is it that the
1:48:42 center of the core kind of is the taller
1:48:44 part and as it goes out and comes back
1:48:46 out to the Issaquah style that kind of
1:48:47 grades down at the height of the
1:48:49 buildings so you know the craftsman but
1:48:51 that would get back to it's not the
1:48:53 codes not written that way like I know
1:48:55 before and you're right on the edge
1:48:56 you're still able to do that all
1:48:58 buildings well agree but I think this
1:49:04 may be what Commissioner price was
1:49:06 suggesting and it seems almost dictated
1:49:09 by reality to me that that if if on the
1:49:14 eastern side that's for example eastern
1:49:16 side of the Issaquah the boundary the
1:49:19 eastern boundary of urban core and
1:49:20 Issaquah style if you are an applicant
1:49:23 that wants to do a
1:49:26 Issaquah style the developer structure
1:49:31 half of the your building is on the
1:49:35 Issaquah style side and half is because
1:49:37 it that's not I guess what I really put
1:49:40 this informal question when the boundary
1:49:44 run if like East Germany and or East
1:49:46 Berlin and West Berlin if the boundary
1:49:48 goes Nehru do you have the option of
1:49:51 saying I know that 3/4 of my property is
1:49:54 in the urban core and only 1/4 of it is
1:49:58 in the US across tile can I do the whole
1:50:01 thing
1:50:01 it's across tile well cause that to me
1:50:03 would get us the what I agree of
1:50:07 flexibility and I think we should go
1:50:08 beyond that though in terms of thinking
1:50:10 about this not just the straddling but
1:50:13 even further in if somebody came in in
1:50:15 the middle there the court said I want
1:50:18 to do a craftsman-style building right
1:50:21 now it would say no you can't do that
1:50:22 yeah and do we want to say that well
1:50:26 where would we set that well I mean if
1:50:28 we didn't and well then do we do that
1:50:31 exactly we create a buffer we create a
1:50:33 transition zone so I mean I just because
1:50:37 there's many topics yeah I think what
1:50:41 you've you know to some extent we can
1:50:43 also give the consultant and the
1:50:45 opportunity to have heard this and as
1:50:49 part of implementing sort of their
1:50:54 vision overlaid with the comments
1:50:57 they're hearing it may be worthwhile to
1:50:59 let them take a shot at it based on the
1:51:01 conversation that you've had tonight
1:51:03 what Commissioner would it be would it
1:51:06 be worthwhile to get some clarity on
1:51:08 that issue just by going through this
1:51:12 yes yea or nay on the Commission about
1:51:14 whether or not it's how we feel as a
1:51:17 commission about allowing no no the mix
1:51:22 of stocks is this so you can provide the
1:51:24 feedback to them as a work item so let's
1:51:26 just go through let's say there are
1:51:28 three ideas here one would be leave it
1:51:30 the way it is the urban core is crossed
1:51:32 I'll separate one would be to have a
1:51:35 buffer zone let's say it would be to
1:51:38 Ben somehow of where you could bring in
1:51:40 this request I'll or third being that
1:51:42 you could do as a claw style anywhere
1:51:44 within the urban core I gave you those
1:51:47 three choices Richard we'd be open to
1:51:49 allowing Issaquah style within the core
1:51:52 not just its boundary as long as it
1:51:54 meets the far limits okay yes I think
1:51:58 I'll go with both boundary and adding
1:52:03 them throughout but they're all going we
1:52:06 have to chose two one
1:52:07 well I was going to throw something else
1:52:09 so why can't we say that you have a
1:52:11 contemporary building but meets a
1:52:14 Craftsman style you can mix the two it
1:52:16 doesn't need to be a black box that's
1:52:19 where I was going with saying that I
1:52:21 would like to have them inside I don't
1:52:23 want to see a 10-story building and I
1:52:25 want storage building next set I think
1:52:26 that's kind of ridiculous so that's our
1:52:30 thinking either go with a buffer or mix
1:52:32 the styles together so it still you have
1:52:34 contemporary look but it looks like you
1:52:38 said you're going to get your cake in
1:52:39 unit to give also okay okay well you
1:52:43 know I mean after throwing it out there
1:52:45 I thought we had some good deliberation
1:52:47 and and so I'm a little torn at this
1:52:50 point even though it was my idea III
1:52:53 guess then I will stick with number
1:52:55 three though but I would place the
1:52:58 condition we threw out throughout but
1:53:01 with the condition of it's a function of
1:53:03 height limit if there's a point where it
1:53:05 just doesn't work and and again as long
1:53:09 as it meets the far but if it meets the
1:53:12 far and somebody comes to you and they
1:53:13 want a two-story building and they want
1:53:15 to modulate a bunch of little row type
1:53:18 Craftsman houses or I guess maybe that's
1:53:20 not in that zone but what's to say that
1:53:24 isn't appropriate okay
1:53:28 I'm in favor of FA but I wouldn't call
1:53:31 it a buffer I'd call it a transition
1:53:33 zone that urban urban core is urban core
1:53:36 and Issaquah style is just a claw style
1:53:39 but there has to be or should they can't
1:53:41 be as stark checkpoint charlie kind of
1:53:44 thing it can it can there can be on the
1:53:48 borders of the two styles there can be
1:53:53 being favored a transitional area yeah
1:53:56 okay the transitional area as well
1:53:59 because I think because the urban core
1:54:01 requires more via the ground for what
1:54:04 retail and designed to have residential
1:54:08 above it so I want to make sure that
1:54:10 kind of stays that way we keep it dense
1:54:11 and for the purpose of what it's
1:54:13 supposed to be not mix in something that
1:54:16 won't fit into that lifestyle okay and a
1:54:20 little bit of everything smart your
1:54:24 keyboard yeah so I'm my preference is
1:54:28 that we define some sort of a transition
1:54:31 area where you can you know freely kind
1:54:33 of blends one styles to allow that
1:54:35 transition to happen but I want to and
1:54:38 reason for that for me is I thinking the
1:54:40 urban core you do want to have some kind
1:54:43 of continuity in the way it looks you
1:54:46 know want to mix it up too much but you
1:54:49 don't you don't but at the same time you
1:54:51 don't want to make everything look the
1:54:52 same so this back to this how do we
1:54:55 create create some predictability
1:54:56 through more prescriptive code but at
1:54:59 the same time where appropriate allow
1:55:01 some flexibility to create the interest
1:55:03 that we're looking for - and
1:55:04 compatibility with things that are going
1:55:06 on around it so I my preference is that
1:55:10 we have this transition area but there's
1:55:12 still an off-ramp option with some
1:55:15 discretion on the part of staff or
1:55:17 alternative adjustment standards or
1:55:19 something it allows for something unique
1:55:22 if it fits because one of the things
1:55:26 that we're thinking about a lot here is
1:55:27 we're thinking about projects by
1:55:29 themselves the projects are in a context
1:55:31 that what's going on around them so
1:55:33 sometimes given what's going on around
1:55:36 them warrant something that's maybe a
1:55:38 little bit different or unique it may
1:55:40 not fit exactly
1:55:41 with what the guidance said oh I'm still
1:55:43 in like I like the predictability part
1:55:46 but I think the and some continuity in
1:55:51 the standard in the core but some
1:55:53 ability and offering so I'm gonna I'll
1:55:56 three there's a different approach but
1:55:59 but I think it is that it is let's be
1:56:01 flexible in a transition area as far as
1:56:04 blending the styles I think that makes a
1:56:06 nice movement from one of the districts
1:56:09 to another zones or whatever call it and
1:56:12 then some off-ramp option with some
1:56:15 expression well great thank you I my
1:56:21 perspective the the vast majority the
1:56:24 feedback I think we've gotten in
1:56:25 projects coming in is it doesn't need
1:56:28 what is considered the Issaquah style in
1:56:30 these projects so I would be more open
1:56:32 to having it throughout being able to do
1:56:35 it throughout the district or the urban
1:56:37 area and I think given the minimum FA
1:56:40 are as a limitation that's going to
1:56:42 drive some of it and I think just from a
1:56:44 dollar perspective of somebody saying I
1:56:46 want to do a two-story building where I
1:56:48 could do six somebody also have outbid
1:56:51 them for that land and build six more
1:56:53 likely anyway but but that would be my
1:56:55 boat I think so
1:56:57 let's go to I cut you off yet another
1:57:00 somebody other points mr. Brennan slip
1:57:04 Dominion some of my other comment okay
1:57:05 shape um it would be at some point
1:57:09 helpful Commissioner price touched on it
1:57:12 about the outline and the structure and
1:57:15 the topics each of you fry to outline
1:57:18 and it would be helpful to understand
1:57:20 I realize it's highly schematic in in
1:57:24 some ways it's difficult until you see
1:57:26 it filled out what is there but if the
1:57:30 general organization and it's the cover
1:57:34 sheet on the memos that I gave gave you
1:57:38 if you if you think the overall
1:57:41 organization and topics makes sense for
1:57:44 soon mom if that how you think about the
1:57:47 checklist some of those very sort of
1:57:51 what less sexy but important piece but
1:57:56 to get some feedback on if you have but
1:57:59 they're doing their homework let me
1:58:00 bring up a couple of things share one is
1:58:03 the pen caught this before but the urban
1:58:07 core that they've added in that upper
1:58:08 portion that is actually part of the
1:58:11 East Lake District and outside of the
1:58:13 urban core and I looked at that and I
1:58:16 wondered why are we put in urban core
1:58:18 style in a non urban core area and so
1:58:23 I'd like them to reconsider and I don't
1:58:25 know what other commissioners think
1:58:27 about whether that should be in Issaquah
1:58:29 style location it's already got some
1:58:33 other buildings in there as it is but
1:58:36 there are some large parcels there that
1:58:39 could be redeveloped and they are an
1:58:41 entryway from the north part the
1:58:44 northern entry into the city would we
1:58:46 want to see those as more Issaquah style
1:58:49 or urban does everyone understand the
1:58:54 area talking about northern 56th and
1:58:56 wedge up there Rylander part of the
1:58:58 thinking of there ways to meet density
1:59:00 targets in East Lake um I don't mate I
1:59:04 think it may be more what commissioner
1:59:07 Morgan brought up is that the office
1:59:09 buildings that are there are probably
1:59:12 more urban core style than they are the
1:59:17 Iskra right subsets that with a
1:59:20 provision though the understanding that
1:59:21 the buildings that really are like that
1:59:24 are towards the back right
1:59:26 Microsoft Siemens building the same as
1:59:29 buildings are more towards the front but
1:59:31 those are more likely to be redeveloped
1:59:32 given their density
1:59:34 it's a one's it about urban core the
1:59:36 Microsoft buildings that are further
1:59:37 back at Costco now is a couple of them
1:59:39 you don't see from East Lake Sammamish
1:59:42 but the FedEx facility would likely be
1:59:45 redeveloped or the seamen site human
1:59:48 site was planned for apartments I think
1:59:50 before the moratorium or they were
1:59:51 looking at that anyway so that area
1:59:54 would we well if the majority of the
1:59:59 Commission was suggesting we blend all
2:00:00 the styles are using anywhere you want
2:00:03 so why
2:00:03 man oh no I think we're talking about we
2:00:05 could use Issaquah style wherever but
2:00:08 not urban core wherever yeah yeah nurse
2:00:11 de Boer never finds its way into inside
2:00:13 right so you're so pissed bringing that
2:00:16 back is across time see you guys in
2:00:19 Washington points well when when the
2:00:21 consultants presented I suggested that I
2:00:25 think that's another gateway and so if
2:00:28 that's if that's a gateway and I feel
2:00:30 like it's a transition zone you're
2:00:31 coming off of this highly residential
2:00:33 you know area or heart with the park
2:00:37 into what I consider one of the gateways
2:00:39 into the city is it is it more
2:00:43 appropriate to be the equesticle that
2:00:45 yeah just shooting from the hip but the
2:00:47 precedent that occurs there you know are
2:00:50 some pretty substantial structures
2:00:52 already and would that makes and they're
2:00:54 fairly but they wouldn't have to be torn
2:00:55 down certainly and they're fairly off
2:00:57 set back from the roadway - well plus if
2:01:02 you start to think about so if if
2:01:04 Siemens and space labs and FedEx
2:01:07 redevelop and redeveloped in mortgage
2:01:10 akua's style so now what's that
2:01:12 neighborhood feel like right I mean
2:01:15 those Microsoft buildings become kind of
2:01:16 the backdrop I don't know I mean they'll
2:01:20 be their own micro urban core yeah
2:01:22 historic urban core it would be part of
2:01:25 your transition zone exactly yeah
2:01:27 sister pre-developed is apartment
2:01:30 buildings wouldn't that be five storey
2:01:32 apartment buildings again so does we'll
2:01:33 stay in the urban core that's a little
2:01:36 bit it's not urban core zoning out there
2:01:38 it's in the East Lake area if you've got
2:01:41 the map Lucy to show it's the it's
2:01:43 purple up there well I am recording
2:01:47 messager there yeah but good so here in
2:01:51 this area that we're talking about which
2:01:54 is making to use India on the other
2:01:57 methods or open court and so it's all
2:02:00 been horse style so they're here we're
2:02:02 now identifying some of our nomenclature
2:02:05 challenges but mixed use allows a height
2:02:09 it so it's the second bit most dense
2:02:11 zones and so that it may be that because
2:02:18 you know some of these they're bigger
2:02:21 parcels
2:02:22 kind of along here and then up in the
2:02:25 area that they identified but a lot of
2:02:27 it along East Lake Sammamish into 21st
2:02:30 or smart small parcels and maybe that
2:02:33 was part of the driver I I don't I don't
2:02:35 know yeah and I guess in my mind I you
2:02:38 know seeing the urban core south of 56 I
2:02:40 mean the urban core in the zoning was
2:02:43 drawn specifically because that's where
2:02:45 the density and and if we say we want to
2:02:48 take that look and move it out towards a
2:02:51 state park into the north end of that
2:02:53 city I just don't see the reason for
2:02:54 that I couldn't agree more and I glad
2:02:57 you brought that up because I I just
2:03:01 really would like an assistant but to
2:03:04 protect the State Park for what it's
2:03:06 worth I mean the buildings are they're
2:03:08 the ones that were talking about but I
2:03:11 agree it seems to me like it makes more
2:03:14 sense particularly with the values you
2:03:16 know the values of our community that
2:03:19 we're talking about to to keep you put
2:03:23 turn it back into this across tile for
2:03:26 that for that wedge there just because
2:03:29 it's it's of the proximity to the to the
2:03:33 park either thought sudden-like
2:03:41 I do have another question if you don't
2:03:43 mind the on the check list I wondered
2:03:46 the where it says applies yes or no and
2:03:52 so let's say you decided you had a
2:03:54 project that was Arts and Crafts style
2:04:02 and that would it be let's see on the
2:04:06 architecture I guess there so if you
2:04:10 said okay this is an Arts and Crafts
2:04:11 style applied there's a no massing scale
2:04:15 materials color and it seemed like those
2:04:17 would apply to everything would that
2:04:19 always be checked done if I asked that
2:04:22 question
2:04:23 okay and I'm not sure I quite remember
2:04:27 the answer so I don't I don't care that
2:04:33 I don't remember why you wouldn't have
2:04:35 them all apply I guess it would the only
2:04:38 thing I can think is that if you only
2:04:40 are doing as the example shows the
2:04:43 Western floss front then then for all
2:04:45 the rest of these you would be checking
2:04:47 not applies just to be clear that this
2:04:50 is the section you're focused on right
2:04:52 okay I don't know if that okay that
2:04:55 sounds like you had the time I apologize
2:04:57 I don't understand your question I just
2:04:59 don't think that the first the first two
2:05:01 questions or yes or no does this apply
2:05:02 now and if you are Western false front
2:05:05 style if they decide you to fit in that
2:05:07 category and all for those things apply
2:05:10 thank you saying they apply to each then
2:05:13 you have one checkboxes to what your
2:05:14 front style applies yes or no that's it
2:05:16 and then the rest okay okay yeah and
2:05:20 then does it meet the standard silver
2:05:22 depends on how much you like to check
2:05:24 boxes well but but it could it could it
2:05:29 be that the applicant well you've got
2:05:32 that you've got the option for us to say
2:05:36 yes or no I mean but if your Western
2:05:41 falls friend if you've decided that's
2:05:43 what it is yeah and we heard that it's
2:05:45 you choose one style right and all for
2:05:48 those things and same for also one night
2:05:50 so it could kind of work there was an
2:05:52 apartment building we just
2:05:53 we approved a little while ago had like
2:05:55 multiple fronts like at little town
2:05:58 houses they came off if I'm I can't
2:05:59 remember their neighbor off top my head
2:06:00 but if they want to do one craftsman in
2:06:03 the next shut out one they make that one
2:06:06 in arts and crafts in the next one
2:06:07 another arts and crafts the next one a
2:06:08 craftsman then it could still fit within
2:06:12 the structure because it happened in in
2:06:15 multi two or three of these one I
2:06:17 actually think Randy hit it on the head
2:06:19 and and I may be wrong but I think I
2:06:22 think the actual way this is supposed to
2:06:25 work is the applicant fills out the
2:06:28 checklist and has to identify whether
2:06:31 they believe it applies or doesn't apply
2:06:32 right so they go ahead so they check
2:06:35 applies on all those and then staff
2:06:38 comes in and says does it comply or not
2:06:40 right and I think like what but but I
2:06:44 think that the fallacy with that is the
2:06:47 point that commissioner Morgan made
2:06:49 which is if you're picking western false
2:06:52 front than all of those applies and and
2:06:55 right now it's giving the implication to
2:06:57 the applicant that you could say well I
2:06:59 pick massing scale and materials but I
2:07:02 don't pick color okay and that that
2:07:04 would not be the right message to send
2:07:06 at least as we're understanding so so I
2:07:09 think I think the light just went on are
2:07:11 you done so commissioner Morgan so
2:07:14 you're saying there shouldn't be an
2:07:16 applies for a style but there should be
2:07:20 a complies for each of those well let me
2:07:26 - I think someone said this which is for
2:07:28 Western false front you would check that
2:07:31 that's the one yes but you're picking
2:07:33 that style so you would have one that
2:07:36 would say yes I picked that one and you
2:07:38 might need that for each one of them
2:07:40 because for instance if you had three
2:07:41 buildings one could be Western one could
2:07:44 be Arts and Crafts one could be Grange
2:07:45 and then then you would have all of this
2:07:50 because then you would be talking about
2:07:52 whether the staff and then the
2:07:54 Commission would be saying yes you've
2:07:56 complied or not complied and what if you
2:07:58 know that there are conditions that can
2:08:00 fix that yeah
2:08:03 okay okay smells like you're already
2:08:07 asking the question for us oh good well
2:08:09 that's alright I you guys have to be
2:08:12 able to use this as much as I do
2:08:13 so I want to make sure together yeah
2:08:16 okay so other questions things I think
2:08:23 the I guess one of the questions I did
2:08:29 have in got back to sort of style and
2:08:31 stuff is retail retail uses don't seem
2:08:35 to be covered in many of these unless
2:08:37 you're going to say if you have a retail
2:08:38 use it has to be Arts and Crafts style
2:08:41 or you know most of the examples they
2:08:43 show or of office buildings or
2:08:45 residential well a nice recruit and you
2:08:49 know the interesting point about that
2:08:52 was one of the notes I made it and I
2:08:55 think Commissioner Bach said it which is
2:08:59 we probably need more pictures so for
2:09:02 instance if you're going to have Western
2:09:04 storefront you probably need it as a
2:09:06 single use building we're the ones that
2:09:08 are suitable for mixed juice or maybe a
2:09:11 variety of uses what does that look like
2:09:14 as an industrial building what does that
2:09:16 look like as a mixed-use building what
2:09:18 does that look like as a retail building
2:09:20 because and I think first of all I think
2:09:23 it helps all of us implement it it helps
2:09:27 us make sure that we understand what
2:09:29 that means as we're agreeing to these
2:09:32 things for all those uses yes exactly
2:09:34 yeah so if given that in most of the
2:09:37 zones most juices are allowed then we
2:09:40 should probably have depictions of that
2:09:43 so that we understand if there are
2:09:47 breakouts for retail you know for
2:09:50 instance you know windows they've said
2:09:53 some things about windows that might be
2:09:55 challenging for some retail uses though
2:09:57 and the in a relation to that I guess is
2:10:01 the old highway 10 district and it seems
2:10:08 to me what they've it doesn't seem to
2:10:11 cover that well because if somebody came
2:10:12 along and said I want to do something
2:10:14 that would match
2:10:15 xxx facility whatever I want to put in a
2:10:19 very unique facility we're saying you
2:10:21 have to fit one of these styles maybe
2:10:23 something that doesn't come from fifties
2:10:26 are couture you know 50s or 60s highway
2:10:29 architecture and how would we address
2:10:31 that within these standards
2:10:33 that's a good question correct well I
2:10:35 was just going to say but you might not
2:10:37 you might that could be intentional you
2:10:39 could say xxx should always be unique
2:10:42 and iconic and and I'm just throwing
2:10:45 this out for discussion that it should
2:10:47 be unique and iconic and we don't want
2:10:49 anymore googy 1950's kind of
2:10:51 architecture along that but I think when
2:10:54 we you know when you look at the
2:10:55 description of old highway 10 that
2:10:57 district specifically is intended I
2:10:59 think for a restaurant retail
2:11:02 entertainment cultural type of area that
2:11:06 you could get some very think unique
2:11:08 buildings in and I have a heart you know
2:11:12 you could fit them in unsure but know
2:11:14 that if you put Arts and Crafts in that
2:11:17 area it fits with the idea of the vision
2:11:20 of the district well it goes back to one
2:11:21 thing I forgot to ask in terms of the
2:11:23 structure and I didn't see it outlined
2:11:24 here's is their mechanism for departures
2:11:26 and you know we would have to be clear
2:11:31 on what those departures are framework
2:11:34 you know if then but is that mechanism
2:11:38 built into this at all and could it be
2:11:41 so right I don't know is the short
2:11:44 answer it is not part of the outline it
2:11:48 is part of the central is quest
2:11:50 standards now I mean one of the things
2:11:53 that we've identified is there are a
2:11:57 bundle of stuff that's being pulled out
2:12:00 of central Issaquah and into this manual
2:12:02 and and the way we think about those are
2:12:06 some of the most important things that
2:12:08 we see through community discussion in
2:12:11 terms of ensuring that we're getting the
2:12:12 community and achieving the vision that
2:12:15 was intended by central is Squa and then
2:12:18 there's all the other stuff that staff
2:12:20 use to review and
2:12:26 ensure that we get projects that fit in
2:12:28 and address certain things so we're
2:12:32 going to have to go back and do some
2:12:34 stuff to the rest of centralist claw and
2:12:36 I don't know whether the aass are going
2:12:40 to only apply to the stuff in that book
2:12:42 and not to the manual or the aass
2:12:45 applied to the whole thing I mean I I
2:12:47 think that's a spot-on question you know
2:12:51 commissioner Harrison has I think
2:12:53 identified his perspective and so the
2:12:57 question you know we have that question
2:12:59 outstanding as we move forward and it's
2:13:02 a good one for the consultant to help us
2:13:04 understand what how they were thinking
2:13:06 that would work let's just be clear so
2:13:12 in that district if some if I can't some
2:13:18 corporate I mean it sounds contradicts
2:13:20 what I said earlier but if a drive-in
2:13:27 wanted to go in literally across the
2:13:31 street or next to xxx I Drive what I
2:13:36 think is sonic or one of those kinds of
2:13:39 things that would with their red you
2:13:45 know whatever it is they're their brand
2:13:48 image you're saying that but what we're
2:13:52 seeing here is that under the new
2:13:54 guidelines they think they have to pick
2:13:57 arts and crafts whatever and if they if
2:14:01 they don't want to do that then stop
2:14:03 right I mean is that is that basically
2:14:06 what we're sequester but I think that's
2:14:10 what we're saying well it
2:14:12 okay so isn't that what we are trying to
2:14:15 get here is more control as I said
2:14:21 earlier the ability to say just doesn't
2:14:26 fit oh but that I mean that gets back to
2:14:29 a question getting the vision for that
2:14:30 district per se was a chewing yeah
2:14:34 what's that originally I mean what it is
2:14:36 now right
2:14:37 yeah yeah yeah that industrial bringing
2:14:41 and service jobs and so on well it's
2:14:45 it's it can go back to the discussion
2:14:48 but I mean it was meant to the idea of
2:14:50 cultural it's entertaining restaurants
2:14:54 entertainment those kind of things as
2:14:55 you say if somebody came in and said
2:14:57 we've got this design as something that
2:15:00 would fit with a style of triple action
2:15:03 and we might say sorry it doesn't fit is
2:15:08 that the outcome we want to have I agree
2:15:12 that's that's the question and is there
2:15:14 a mechanism for could there be a
2:15:16 mechanism for addressing that right
2:15:18 right now well and if you were going to
2:15:20 have adjustments would be that be the
2:15:23 kind of adjustment that you would want
2:15:24 yeah I know most retailers especially
2:15:29 like the in announcement as Krispy
2:15:30 Kremes and even the Lowe's they do take
2:15:33 the architectural standards of the local
2:15:35 community into a exteriors into account
2:15:39 so their interiors might be very fixed
2:15:41 in the rigid and the way to do it their
2:15:43 exterior is they just wanna make sure
2:15:44 that accent colors and their signage so
2:15:47 I think they can fit I think every one
2:15:49 of those could fit into an
2:15:49 arts-and-crafts with the stucco outsides
2:15:52 or whatever else but as long as I get
2:15:54 able get their accent colors and their
2:15:55 signage they're going to be happy so oh
2:16:00 I guess my perspective it's probably
2:16:02 reiterating what I've already said but
2:16:04 the idea of having a more prescriptive
2:16:08 starting place I think helps us I think
2:16:11 it's been a little bit to kind of
2:16:16 obscure yeah too much too much
2:16:19 discretion which makes it really hard
2:16:21 from a staff perspective to figure out
2:16:23 what when can I say no here so we need
2:16:26 to we need to build standards both the
2:16:29 code and again these design standards
2:16:31 that provide more specificity I think
2:16:35 that's important but the idea of
2:16:36 departures is something you can't you've
2:16:38 got to have that otherwise you miss
2:16:40 opportunities the challenge with that
2:16:42 though is figuring out when is a
2:16:45 departure appropriate even considering a
2:16:47 departure appropriate so I think that's
2:16:49 something that they need
2:16:50 explore a little bit about well where
2:16:52 are those kind of levels are thresholds
2:16:54 that we might want to set in the code
2:16:55 that say we have a departure that's
2:16:58 administrative and it's in this range
2:17:00 and if it's something that's a more
2:17:02 significant departure maybe it's got to
2:17:03 come here and it allows a public there's
2:17:07 a much more intense public process that
2:17:09 goes with that so I I think that's
2:17:11 something we actually need to explore a
2:17:13 little bit more in the construct of the
2:17:15 design enters and for guidelines and the
2:17:18 the code itself yeah okay Commissioner
2:17:25 can I just ask a quick question you two
2:17:28 gentlemen have been on the Commission
2:17:29 longer than any any of us do you
2:17:32 remember an instance where the
2:17:34 development Commission voted not to
2:17:39 recommend to the City Council not
2:17:42 approve it has that ever happened not
2:17:46 approve a project location oh yeah
2:17:50 really I think they might have been a
2:17:53 change like this errors that happened on
2:17:55 Mike no it was I know when Costco wanted
2:17:58 to oh is the standards to allow them to
2:18:01 do a hotel next to the freeway that
2:18:03 didn't fit the wedding-cake zoning and I
2:18:06 don't think we where the approval
2:18:08 Authority I think we're recommending
2:18:09 maybe well on the master site plan right
2:18:12 master site plan you are site
2:18:14 development permits and we're not really
2:18:16 using master site plans I think in
2:18:18 central is club but you know I think
2:18:21 part of this would just be an
2:18:27 observation from the inside we would be
2:18:31 pretty clear you know I mean part of the
2:18:33 benefit for us working as closely as we
2:18:36 do with you is that we try and channel
2:18:38 the Commission's that we go in front of
2:18:41 and communicate not only what the code
2:18:44 says but what we think are your values
2:18:47 your likely perspectives to try and
2:18:52 position them for success and then you
2:18:58 know that gives the Commission then an
2:19:01 opportunity to figure out if there are
2:19:04 tweaks and massaging that's necessary on
2:19:07 those more discretionary pieces and so
2:19:14 I'm not sure any project I've brought to
2:19:18 a Commission's ever been denied for that
2:19:21 reason now they've occasionally been
2:19:22 appealed but I think that we would hope
2:19:29 that we weren't bringing things to you
2:19:32 that we didn't think were approvable I
2:19:35 don't mean to imply that that you know
2:19:38 we would override staff recommendation
2:19:42 well your work you got but but what I'm
2:19:44 saying is the staff at staff has done
2:19:46 everything that they've everything that
2:19:48 they could to make the best result of a
2:19:52 given application but then when it comes
2:19:56 here and you have done your job but we
2:20:00 look at it and say golly you know is
2:20:05 that mechanism has it ever been put into
2:20:08 effect and in you look I mean part of
2:20:12 the process is they come here we provide
2:20:16 there are elements of a project denying
2:20:17 a project in its entirety is a hard
2:20:19 thing to do if they're reading that's
2:20:21 that's inside the frame and that's why
2:20:23 we're trying to get more better but our
2:20:26 scope of responsibility is does it meet
2:20:30 the design criteria that's in the code
2:20:32 is it compatible with the design
2:20:33 standard and there are many instances
2:20:37 where we've made significant required
2:20:40 them to make some significant changes to
2:20:42 the project that was originally proposed
2:20:44 that we just didn't think was yeah or
2:20:47 really along I mean at this point post
2:20:49 it may be part of that approval standard
2:20:51 if we did have something where there
2:20:53 could be some adjustments made may be
2:20:55 able to require community conference
2:20:57 bring that back up to say if you want to
2:21:00 go through that it's going to require
2:21:01 more community input and more input at
2:21:03 the beginning in you normally would if
2:21:05 you want to have something different
2:21:07 than what's working that's and I was
2:21:10 yeah yeah I I just think that's good to
2:21:14 be more attendance meetings the you know
2:21:19 more public participation if they have
2:21:21 if they have it gives them the format to
2:21:25 do it and maybe something that the
2:21:26 public loves and will really like to see
2:21:28 but it doesn't fit within them and it
2:21:30 could be a community building could be a
2:21:31 public building it and and you know the
2:21:36 to build on something one of the
2:21:38 commissioners said I apologize I don't
2:21:41 remember which one you know right now
2:21:44 there that adjustment of standards
2:21:47 process is set up where there are
2:21:49 certain things that are specifically
2:21:50 precluded from being adjusted and then
2:21:55 and right now it is at the applicants
2:22:00 discretion whether they're AAS is done
2:22:04 ahead of time or bundled with their
2:22:07 application and so there might you know
2:22:11 what you're saying is that there are
2:22:14 certain things that if if they rise to a
2:22:19 certain level would need to be part of
2:22:21 an applicator come to the the AAS on its
2:22:24 own comes to you because it's an
2:22:26 administrative permit but that kind of
2:22:28 adjustment would need a community
2:22:31 conversation or B be a part of the SDP
2:22:36 or whatever application I think the
2:22:40 challenge is always the criteria right
2:22:43 so that there are it's a predictable
2:22:47 clear path for an applicant staff and
2:22:50 Commission in public to understand what
2:22:55 can and should be approved than what can
2:22:58 and will be denied and I would suggest
2:23:00 that we would want as you mentioned if
2:23:02 maybe they maybe that hearing is early
2:23:05 because you don't want something to go
2:23:07 to all the work and staff do all the
2:23:09 work oh all the way down that trail and
2:23:10 get the inside by the way everything
2:23:13 else been approved are you okay with
2:23:15 this I could look in this want to find
2:23:18 out that right away
2:23:20 so that might indicate that peeling that
2:23:24 apart and having it as a separate
2:23:26 activity that could come earlier yeah
2:23:30 okay that makes sense so just a
2:23:33 different topic real quick just feedback
2:23:35 on the question I was asked about the
2:23:38 structure of and trying to respect that
2:23:42 staff is here again tonight has probably
2:23:44 been a long week and I guess they want
2:23:46 to get home pretty quick so that the
2:23:47 feedback on I think that the way it's
2:23:49 outlined is good I think it works really
2:23:52 well the way it's blocked out by you
2:23:55 know looking at urban design
2:23:56 requirements architectural requirements
2:23:58 etc the design standards I also like the
2:24:00 recommended not recommended most of the
2:24:03 time you say well you know this is
2:24:05 what's required but the idea in the
2:24:07 standards of saying here's some examples
2:24:09 of what we like to see and here's some
2:24:11 stuff like bevel wood siding you know is
2:24:14 not something we want in the urban core
2:24:16 and I know so are not recommended that
2:24:20 kind of stuff I think that that's kind
2:24:21 of helpful then you kind of said yes we
2:24:25 like it and we don't like it boundaries
2:24:26 and then people try to work in the
2:24:28 middle I think that's really good and
2:24:31 then that I think the checklist is is
2:24:34 really a good tool for us I think that's
2:24:36 something we'll probably want to maybe
2:24:38 even play with a little bit more as the
2:24:41 details start to build in here on what
2:24:44 level of detail you want it would help
2:24:46 us in our deliberation and final
2:24:48 decision-making because we've had
2:24:50 different reviews a couple of different
2:24:51 tools over the years and some of them
2:24:53 over the green sheets and some of them
2:24:55 worked and better than others and and
2:24:58 this I like better than the green sheets
2:25:00 that we've used in the past but I think
2:25:02 some there may be some more we want to
2:25:04 put in there I'm not quite sure what
2:25:05 that is yet that's my yeah yeah I mean I
2:25:08 think that you know one of the questions
2:25:10 is going to be how this is a living
2:25:14 document you know some pieces like the
2:25:19 the checklist we may tweak every quarter
2:25:23 and until we get it figured out how it
2:25:26 works well for all the different users
2:25:29 some things we may you know be fine with
2:25:33 for five
2:25:34 for ten years and then we want you know
2:25:36 that that we're done with that style or
2:25:38 where we've taking a different approach
2:25:41 on views or access or one of those other
2:25:45 elements and so the question is how how
2:25:47 do we how are we able to keep that a
2:25:52 living doc you know totally agreeing as
2:25:54 I thought son I think you're doing a
2:25:56 great job of it that's what I've been
2:25:57 saying earlier this this whole process
2:25:59 is keeping this a living document I'm in
2:26:03 a central Issaquah plan that's what
2:26:04 we're doing here where we've started
2:26:07 executed we're going huh so we're
2:26:10 pulling the horses reins and saying
2:26:13 let's slow down a little bit here and
2:26:14 take a look at this and I that's one of
2:26:16 things that's most encouraging to me
2:26:17 about this whole process is that it it
2:26:19 is a living democratic process that has
2:26:24 to be put out there and discussed openly
2:26:25 and records kept and everything outside
2:26:27 I would agree very much just even on
2:26:29 especially this design standards as
2:26:31 we're coming up with this new that we
2:26:35 don't wait five years that as you say
2:26:37 maybe if every quarter we come back
2:26:38 after a couple of these projects and we
2:26:40 have another meeting to talk about what
2:26:41 worked what didn't and yeah I think just
2:26:44 by the fact that it's a prescriptive
2:26:47 allows it to long you can put things in
2:26:50 and take well you know after we see our
2:26:52 first hearty panel building we make it's
2:26:56 a rule that this one a practical
2:27:00 question about maintenance is the
2:27:02 deliverable defined as the source file
2:27:04 do we have the source files when this is
2:27:06 done not just PDF or copies on hard copy
2:27:11 so that we can maintain it or is the
2:27:12 assumption that the consultant would
2:27:15 maintain the document going forward I
2:27:19 assume we own the product when it's done
2:27:22 well and and so that the miracle of
2:27:25 technology is that you know even PDFs
2:27:28 are editable these days thankfully so
2:27:32 yes I would agree for though
2:27:35 okay yeah Randi will not be doing that
2:27:37 for what the one thing I really like
2:27:42 about the Stockman secondo almost a
2:27:44 gating factor for people want to develop
2:27:46 in Issaquah so they can make that
2:27:47 decision early on and decide whether or
2:27:49 not it makes sense for them I that will
2:27:51 help us a lot in to save your your time
2:27:54 as well because someone can look at this
2:27:55 know what they can do rather than happen
2:27:57 to throw everything at the wall and you
2:27:59 guys say yes or no and work with them
2:28:00 for six months and I said walk away
2:28:02 anyway well historically I I would say
2:28:08 you know one of the things that I'm
2:28:09 learning is we're used to working with a
2:28:11 master developer who got to choose who
2:28:15 they sold their land to got to choose
2:28:17 who their architect was had their own
2:28:20 architectural review committee and that
2:28:23 is not something that you have in the
2:28:25 rest of the city and so the tools that
2:28:27 we're developing now makes sense for a
2:28:31 sort of different configuration that
2:28:34 doesn't have that added layer you know
2:28:37 they could be capricious we cannot be
2:28:40 capricious and so I think some of these
2:28:42 tools recognize the different
2:28:45 circumstances in which this has happened
2:28:47 yeah I'd like to I know it's late but
2:28:53 I'd like to have a discussion about the
2:28:55 urban core style it's certainly been
2:28:59 brought up in a lot of public input
2:29:01 about that specifically people's
2:29:04 thoughts on that one word
2:29:10 dark that's what we want to avoid look
2:29:13 at someone one word okay just no I mean
2:29:15 if it's Rob's dark is the issue another
2:29:17 your more words there you just what you
2:29:19 said you want to go long I go back to
2:29:22 the goals and what is the goal is it to
2:29:25 establish an identity for his o'clock
2:29:27 and and so it's a very subjective
2:29:30 question in this and so is that our idea
2:29:33 I don't know
2:29:34 I am I when I think of its Clyde don't
2:29:37 necessarily think of that but but I
2:29:41 think you need that type of building you
2:29:43 know and I think there's things you can
2:29:45 do that that in soften it you know you
2:29:47 talked about some of it it's terracing
2:29:50 modulation the cornices those things
2:29:53 start to bring the identity and then
2:29:54 it's all about materials I think to
2:29:58 establish identity I don't know if I'm
2:30:02 helping don't it and trigger a question
2:30:04 but because that's over the core as well
2:30:06 right and that you know it's within it
2:30:08 and it's much more long lines of what we
2:30:10 like in a city is it I mean I am I'm not
2:30:15 questioning what you're saying I'm just
2:30:18 interested in a all because it's also
2:30:22 I'm guessing that if you put this out
2:30:24 for more public comment that people
2:30:25 would react to this more positively than
2:30:27 to the other massive building yeah and I
2:30:30 think it allows room for creative
2:30:32 expression I don't think that as a type
2:30:35 it's necessarily a problem but the main
2:30:39 elements I think that Crandall arambula
2:30:41 we're talking about can be expressed in
2:30:42 a number of different ways maybe they
2:30:44 have some other images that might be
2:30:46 closer to what we could get excited
2:30:48 about I think I think that mr. Pryce's
2:30:53 comment about what is the image in
2:30:56 broader kind of statements that we want
2:31:00 is a quad to comment it is what it is
2:31:03 right now and a lot of people will argue
2:31:05 that we like what it is we don't want it
2:31:07 to change well it's going to change so
2:31:10 our job is to guide that change and try
2:31:13 to create a future that is kind of a
2:31:14 preferred future into it and trying to
2:31:16 be and articulate what that looks like
2:31:18 sometimes hard to do but it it kind of
2:31:22 preamble about you know it could even be
2:31:25 to this part of the design standards
2:31:27 about what it is a look and feel
2:31:30 character that we're trying to create
2:31:32 and the bigger picture is maybe
2:31:35 something that we could think about and
2:31:36 I don't the sultan's can assist with
2:31:38 doing that that's important I also you
2:31:41 know we also want to prevent you know a
2:31:43 lot of reflective glass and hard edges
2:31:46 and that because that's not the image
2:31:48 it's not really compatible with the
2:31:50 natural features that are going on
2:31:52 around is a quad natural materials are
2:31:55 probably something we really want to
2:31:56 promote so you're looking at wood or
2:31:58 with tone materials you know use of
2:32:00 stone brick those sorts of materials
2:32:05 that are more compatible with it with
2:32:07 kind of a natural environment and less
2:32:09 about downtown Seattle you know rootin
2:32:12 for Bellevue reflective glass and hard
2:32:14 steel and things like that
2:32:15 but at the same time you want to have
2:32:17 some edginess to now because that's what
2:32:20 makes it more interesting to be but
2:32:22 that's the hard part to describe and
2:32:24 then actually friends link that into
2:32:26 codes and design standards that actually
2:32:28 make it happen and that's where you know
2:32:30 this about the living document yes we're
2:32:32 going to keep moving ahead and we'll see
2:32:34 what but this new change drives in a way
2:32:37 of future development I think that
2:32:40 broader description of the image of is a
2:32:44 flower trying to create might help um -
2:32:49 organ that image that you emailed where
2:32:53 was that in central squad do you
2:32:55 remember so the there's a few of them so
2:32:58 if you have the plan if you can pull it
2:32:59 up for the design standards different to
2:33:05 vary that there was one on the very
2:33:07 first page so this is the whole
2:33:11 centralist law standards is that the the
2:33:14 SIDS yeah yeah if you go to the very
2:33:17 first page I think oh I'm sorry
2:33:20 you meant to literally the very first
2:33:21 page I thought you meant
2:33:31 maybe I was looking at a different
2:33:33 document well you know there may be a
2:33:36 covered document that isn't it here I
2:33:38 don't let me see if I go down I think I
2:33:43 know which one you're talking about and
2:33:45 I didn't realize that wasn't on the
2:33:46 cover one of them I think is in the
2:33:48 district visions Tibbets Valley section
2:33:51 ray I'm not sure we I don't have the
2:33:57 central his club plan here right now um
2:33:59 you get it off our web page movie which
2:34:06 wedge web page Odyssey web page under
2:34:08 bellman sir
2:34:09 no can go to plan that's good
2:34:14 [Applause]
2:34:17 [Music]
2:34:36 each I have a I have a hard copy that is
2:34:40 the one
2:34:42 Commissioner Morgan yes so that was what
2:34:45 I think that was on the first page so
2:34:46 and then that we've got a couple more
2:34:49 later me part of it when you look at the
2:34:53 images that came in the plan that was
2:34:55 adopted in 2012 like a tall building on
2:34:58 the right and some of the others it's
2:35:01 got on the taller buildings it's got
2:35:04 some variated modulated bases and then
2:35:09 step back taller buildings with
2:35:11 balconies on almost all month all of
2:35:14 them I think there's a good example on
2:35:16 page 20 there I think that was one of
2:35:18 the photos that you sent no thank you
2:35:30 at one hour I grab those photos like the
2:35:33 the two photos on the right there so I
2:35:39 think this is this is Vancouver and I
2:35:43 have a lot of pictures of this project
2:35:45 so so this all the pictures we saw the
2:35:49 public is seen in the plan have not been
2:35:52 as I would agree with mr. Harrison's
2:35:54 comment of a stark solid form and I
2:35:58 understand what the architect was
2:35:59 talking about well the building should
2:36:01 be fairly plain and it should be taking
2:36:03 place at the pedestrian level but
2:36:06 personally I don't think the feedback
2:36:08 we've gotten from the public would
2:36:10 support that there I think I think we
2:36:15 would want buildings that have or
2:36:17 balconies more modulation to them more
2:36:22 interesting than at the upper levels as
2:36:24 well as the street level even in urban
2:36:27 area it's just my opinion okay so I
2:36:33 think it needs to be balanced out with
2:36:34 some humdrum buildings and then you have
2:36:37 some spec you know special abilities
2:36:39 otherwise you have too much special
2:36:40 it's--there's looking like a sprinkles
2:36:42 falling off of a cupcake on your desk
2:36:44 right it's just a hole but it looks all
2:36:46 round like a good deal individually they
2:36:49 look great but as a whole it's like a
2:36:50 mess right until I see the building the
2:36:55 the second picture down on the right the
2:36:57 the taller building there I think would
2:36:59 be too special if you have buildings
2:37:01 that all look like that it would be yeah
2:37:03 I think it does look a little yeah a
2:37:05 little too mystical exhausting I I know
2:37:09 that you said that we're not here to
2:37:12 talk about height and I get it but I
2:37:16 just don't see how that building in the
2:37:19 second picture at that height I'm just
2:37:24 not I'm just not talking about the the
2:37:27 architecture of the method the mass of
2:37:30 the building just the height I just
2:37:32 don't see how a hundred and twenty five
2:37:34 foot ten story building I mean I know
2:37:36 it's in the code I know it but seeing
2:37:40 the numbers
2:37:42 125 feet 10 stories is one thing but
2:37:45 seeing that is another I I just don't
2:37:50 think that's compatible I think I don't
2:37:53 know where you could play a 10 story
2:37:55 building in the Central District power
2:37:57 plant where it wouldn't block the view
2:37:59 right so again I guess back to what was
2:38:02 our charge we back to note our charges
2:38:04 tonight
2:38:05 given that height would you want the
2:38:07 building that was shown in the picture
2:38:09 of a plant you know from the architect
2:38:12 tonight none of that one that is less
2:38:14 stark yes and I would just add that this
2:38:17 building is probably much taller than
2:38:20 times yeah yeah a little less fun unless
2:38:22 it's something more along the lines of
2:38:24 yeah yeah bottom left yeah I want that
2:38:28 one we want that one just put that this
2:38:32 might help us I think it's not tonight
2:38:34 but maybe when you bring this back there
2:38:37 are layers of things in the in the codes
2:38:40 and regulations that impact the actual
2:38:43 building that we get in what the uses
2:38:45 are so you have abs or acquire montañas
2:38:50 owning requirement should have certain
2:38:51 envelope requirements and you have
2:38:53 setback requirements and there are
2:38:54 different things that affect how the
2:38:56 site's laid out and how the building is
2:38:58 configured we're just talking about kind
2:39:00 of stuff that gets put on the outside
2:39:02 for the most part here not so much about
2:39:04 what's really going to drive the
2:39:07 different forms of building because a
2:39:09 residential building is a very different
2:39:10 than an office building there are things
2:39:13 that we that regulate how big the floor
2:39:15 plates can be and how far apart
2:39:16 buildings I hope you have been to doing
2:39:18 that Issaquah energy about how far part
2:39:20 buildings need to be but it's it might
2:39:23 be useful just to now these are the
2:39:25 things that influence in addition to the
2:39:27 design standards that influence what
2:39:30 building types and the nature of the
2:39:32 uses we're going to get in different
2:39:34 parts of the city because we also have
2:39:35 the district plan provides some
2:39:37 description about what kinds of things
2:39:39 want to happen in these various
2:39:40 districts within the city so that and
2:39:43 that would probably be informative to us
2:39:44 as we're thinking about the design
2:39:46 standards and also informative maybe to
2:39:49 the public who's trying to track all of
2:39:50 works yes one quick point but when it
2:39:53 gets away I'm thinking back to the
2:39:55 presentation how central to their vision
2:39:57 the idea the urban grid was and so I'd
2:40:00 be interested in any constraints in the
2:40:02 code that would impinge or affect the
2:40:06 implementation of the urban grid because
2:40:09 I believe to them that was absolutely
2:40:11 essential to getting a lot of the other
2:40:13 components in at one so if you look at
2:40:15 the outline I'm doing this from memory
2:40:17 because I don't have it in front of me
2:40:18 they do talk about block size under
2:40:21 urban design right sir and so and that
2:40:24 actually was one of the few things where
2:40:26 there was text I think they were saying
2:40:28 a 240 by 400 square foot block maximum
2:40:33 and preferably 240 foot square but I'm
2:40:36 doing that from memory I'm not sure
2:40:38 that's exactly right so I think I only
2:40:44 want to make the point that I think they
2:40:46 recognize how important that is as a
2:40:48 part of implementing the vision and the
2:40:52 plan and so they are including it as
2:40:54 part of the manual absolutely I think it
2:40:57 was fundamental in more than one way to
2:40:58 what they were proposing and so if we
2:41:01 have you know any issues with that in
2:41:03 terms of code and we should probably
2:41:05 understand those and grid is addressed
2:41:08 in the central Issaquah plan but it's a
2:41:10 different approach to that grid I think
2:41:14 in the exhibit that's in the set then
2:41:17 the more detailed implementation that
2:41:19 they had when they did their overlay it
2:41:20 looked like it was much more defined
2:41:22 which to answer one of the other things
2:41:25 that could impact would be exterior
2:41:27 living space say above ground level I
2:41:30 think one of the things that I think
2:41:32 looking back and say the Atlas
2:41:33 apartments the lack of balconies the
2:41:36 lack of connection between the inside of
2:41:39 the buildings and anybody at the street
2:41:41 level and the extent that if we may
2:41:45 might be in design per se if there's
2:41:48 more requirement for outside living area
2:41:51 above ground level that could be met
2:41:53 through either through balconies or
2:41:55 through rooftop gardens that could also
2:41:59 affect the design that we see in
2:42:01 buildings themselves I'm my suggestion
2:42:07 it's not an exhaustive lesson on Watson
2:42:09 it's just what are the things for Leia
2:42:11 in a quick explanation of how that how
2:42:13 they get apart then that would be like
2:42:15 in the design standards to me part of it
2:42:18 would be more outside and I'm not sure
2:42:20 how you put that in there but not just
2:42:23 box building well you know or at least
2:42:25 for residential right now there is a
2:42:27 requirement for 4844 unit we allow that
2:42:35 to be consolidated and so one question
2:42:42 would be whether that is on a certain
2:42:47 percentage or in certain style types and
2:42:52 it could be above the first floor so it
2:42:54 doesn't all just get consolidated in the
2:42:56 plaza right but you but or what you
2:43:00 might say is that individual certain
2:43:02 percentage of units have to have either
2:43:05 a terrace
2:43:06 or a falcon right yeah and that then
2:43:12 outdoor space you know is that a
2:43:16 separate category from the ones that are
2:43:19 you know individually related to the
2:43:21 unit gotcha
2:43:22 okay I'll just go pick up my stuff okay
2:43:26 sorry
2:43:27 thank you
2:43:27 thank you other thoughts on the
2:43:33 framework the checklist miss Roberta
2:43:35 thought made some very good points about
2:43:37 it I did to them they're going to be a
2:43:42 good tool kit for us I think it is yeah
2:43:47 okay what else have we not covered you'd
2:43:51 like us to cover tonight at least I so
2:44:00 is there are there any of the images
2:44:04 that they have provided that anyone so
2:44:07 we talked about the wooden one that one
2:44:13 if I went through them could you just
2:44:16 people just call out if they like
2:44:18 certain images I mean I I think what
2:44:20 we're trying to do is help give them
2:44:22 guidance or if there's certain
2:44:24 particular notes on the slides that
2:44:26 resonate or don't resonate I think it
2:44:28 would be helpful to hear that to try and
2:44:31 help this evolved to a big leap forward
2:44:33 like an equine test right yeah we all
2:44:37 have to do we're going to learn a lot
2:44:39 about you in this process
2:44:40 oh no no no yes no no so remember you
2:44:55 can also talk about some of the
2:44:56 terminology like the tripartite if if
2:44:59 those things resonate in to me with this
2:45:02 one you mentioned tripartite but the
2:45:04 upper part is so small to it it's well
2:45:06 and so I find that a really helpful
2:45:09 comment so that we understand then
2:45:11 what's generating the know yeah well
2:45:13 then to me in the starkness of the
2:45:15 exterior form okay just when the window
2:45:18 window in it that that to be might work
2:45:21 if the colors if the colors were
2:45:23 different on that Billy okay so that's
2:45:25 an important point because they were
2:45:27 shooting for light and dark and what I'm
2:45:30 hearing is that may be another version
2:45:33 of too stark I think we want natural
2:45:38 well this this could be matched down I
2:45:41 ruff well were they thinking not bright
2:45:43 that with them when they said lie there
2:45:45 to seem like everything's either light
2:45:46 or dark and wasn't part of the argument
2:45:48 they one of the buildings to be
2:45:49 background so the landscape and other
2:45:51 elements would stand out it's also a way
2:45:54 to avoid blues in so I think I do have
2:45:57 to declare it if light or dark is a
2:45:59 grave mechanism
2:46:00 say light night light dark and natural
2:46:03 capture Oh see there's no blue siding in
2:46:06 there and I think we have to be that
2:46:08 with it you I believe that is it was a
2:46:11 key point of what they presented to us
2:46:14 consistently is the buildings in the
2:46:17 central Issaquah plan should blend in
2:46:21 most of them and there could be accent
2:46:23 buildings but most of the buildings
2:46:26 should not be monuments to architectural
2:46:28 hubris so just to be fair to architects
2:46:32 sometimes it's a client well yeah it's
2:46:35 the answer which is too strong but but
2:46:40 the idea was that most of the buildings
2:46:41 in the central Issaquah plan should
2:46:46 create the public realm as opposed to
2:46:49 sort of being the foreground is that
2:46:51 which er yeah okay
2:46:52 in my own planner s I just I start it
2:46:58 keeps jumping out at me I the modulation
2:47:01 with with balconies and things like that
2:47:03 would and in a difference is between a
2:47:06 professional building in a residential
2:47:08 right I was gonna say I read this is an
2:47:10 office building so balconies wouldn't
2:47:12 really don't know I just say but I read
2:47:14 as a government office building I think
2:47:17 it's a very utilitarian it can be bold I
2:47:19 think it's a very expensive stark bill I
2:47:22 don't think this isn't a good corner
2:47:24 site yeah I don't like this yeah so here
2:47:26 just another observation on this one too
2:47:29 is down at the ground floor level I mean
2:47:31 you've got kind of stark above but in a
2:47:33 lot of ways you pretty stark down at the
2:47:35 bottom yes
2:47:36 so you don't have any real pedestrian
2:47:37 interest down here and it's not softened
2:47:39 very well at all
2:47:40 I landscape overhangs yep yeah overhangs
2:47:45 right so because we're doing such a
2:47:47 great job of unpacking this image and
2:47:50 your reactions to it I want to go back
2:47:52 to this one which was a very visceral
2:47:54 reaction because it has a lot of natural
2:47:57 materials in it and yet it it doesn't
2:47:59 resonate for most of you if or some of
2:48:02 you can you talk about that a little bit
2:48:05 number one you don't end the tripartite
2:48:07 that you talked about okay so I'll just
2:48:10 tell you from from a modernist
2:48:12 perspective they might say they did and
2:48:15 I'll tell you why and you can tell me
2:48:16 why it doesn't work
2:48:17 vertical tripartite I've got the base
2:48:19 and you've got this heavier top here now
2:48:23 it's not a cornice but they might say
2:48:27 that that's the tripartite peace now
2:48:29 that okay i i'm not saying that it means
2:48:31 you're wrong I'm just saying that's the
2:48:33 way an architect might say in a mod in a
2:48:36 modern vocabulary how they're doing
2:48:38 trestle work what I do like about the
2:48:41 building is that it's a large building
2:48:43 with large floor plates but they broke
2:48:44 it up with that vertical different dark
2:48:46 color element and I think that's a good
2:48:48 thing to do when you have these big
2:48:49 massive buildings I like the use of the
2:48:53 natural materials but the way they
2:48:54 integrated into the windows it's just a
2:48:57 personal reaction to me use God isn't
2:49:01 appealing to me in this combination of
2:49:04 colors or materials and then I at the
2:49:07 top of the building again a lot of the
2:49:09 images they're showing us or disjoints
2:49:11 flat top buildings and even though
2:49:12 they're tripartite attempting that at
2:49:15 least that some too much of that gets
2:49:18 pretty old in a hurry honest if you're
2:49:20 looking at a skyline also a model if it
2:49:23 doesn't have any real setback as it goes
2:49:24 up so that's an interesting point and
2:49:27 because I see that over here but when I
2:49:31 look at this I wonder if that is it it's
2:49:36 not the facade you you focus on but it
2:49:39 seems to have more modulation on that
2:49:42 side I don't know whether that level of
2:49:44 modulation helps or it isn't sufficient
2:49:47 to address the concern you're raising
2:49:50 and I think from the tops when you look
2:49:53 at from here
2:49:54 you see side and side it does look like
2:49:56 very boxy and you're right I don't think
2:49:58 that modulation seems to make much of a
2:50:00 difference visually I agree with
2:50:03 everything that's been said but I would
2:50:04 also add again to me this is that the
2:50:08 even if that's stone it still it still
2:50:12 would stand out that's the color it's
2:50:16 the the natural elements and the great
2:50:20 the dark section of the tripartite if
2:50:23 the colors on either side of that were
2:50:27 variations of that like lighter gray I
2:50:31 it would not be much more close to
2:50:35 acceptable to me than then with the
2:50:39 looks like white right so the only point
2:50:42 I would make about that and I'm just I'm
2:50:44 just trying to facilitate I'm not trying
2:50:46 to argue is on a sunny day this is quite
2:50:49 brilliant on a gray day a gray building
2:50:52 is pretty grey yeah so the question in I
2:50:57 only put that out there because I think
2:50:59 that we are trying to Emme we always
2:51:02 photograph things in the sunshine and
2:51:04 then we have to live with them mostly
2:51:06 not so I think that it in this
2:51:10 conversation is going to be important to
2:51:11 understand if we're going for those not
2:51:14 so brilliant whites how are we doing
2:51:16 something that doesn't feel drab on gray
2:51:18 days would this actually meet our like
2:51:22 if I look to the right the right the
2:51:24 Posada on the right side and you look at
2:51:27 the windows and that big portion yeah
2:51:30 would that actually fit within our
2:51:32 guidelines in terms of repetitive and
2:51:36 would that be now we can only go so far
2:51:39 before we break things up bill didn't
2:51:42 even fit so one thing I would say is
2:51:45 that the tools that we have right now I
2:51:48 think they're all in the building
2:51:50 chapter are contradictory and that's one
2:51:54 of the frustration staff had is that one
2:51:58 direction was to break it into smaller
2:52:00 buildings so you might say that that
2:52:02 right facade does that you know it's got
2:52:05 dark light dark and one of them
2:52:06 said that then the second thing is
2:52:08 you're supposed to do tripartite base
2:52:10 middle top then you're also supposed to
2:52:13 set back after a certain number is like
2:52:16 too many tools that you're and they're
2:52:18 all given your weight and how do you do
2:52:21 that without just a totally chopped up
2:52:23 building so I think that one or two of
2:52:29 those may be fine
2:52:31 trying to use all three of them in every
2:52:33 building was was challenging and so I
2:52:36 think that's that's one of their
2:52:38 challenges the study does all may be
2:52:40 valid tools how do you know when you use
2:52:42 which one or is it at the applicants
2:52:44 discretion know you're all smiling I
2:52:54 don't know if it's a happy smile I would
2:52:58 personally I'd say know that I'm a
2:53:02 modernistic and boxy in the roof lines
2:53:06 wrapping around our second okay Mike
2:53:12 Allen yeah I would say yes yes everybody
2:53:15 know that if wider you like this one
2:53:16 better than the previous one picture the
2:53:18 Cheerios pollen on my roof well weather
2:53:25 is different yeah yeah but down the
2:53:28 science we could do later about the
2:53:31 width with there's there's less in dark
2:53:39 weather that would look more acceptable
2:53:43 to me I mean that's kind of a compromise
2:53:45 in dark light rainy sunny and the roof
2:53:50 is that looks all warm and comfortable
2:53:52 inside the other thing now yeah you know
2:54:01 I mean there's little bits and pieces I
2:54:02 could pick apart but as a building I
2:54:04 think it's it's a nice gesture I like
2:54:08 the dark natural material
2:54:10 I think that mr. mr. know Stark here I
2:54:13 think that's too dark well for Issaquah
2:54:16 in winter Maine wowzers and also that's
2:54:19 kind of is that it New England saltbox
2:54:21 kind of architectures okay well it's a
2:54:23 salt box on steroids and yeah yeah I
2:54:27 don't yeah but that's not hearken to our
2:54:29 crime-fighting heritage well it's just a
2:54:33 tough time I hear you know you have we
2:54:36 want to have things that are like
2:54:38 surprises too that are interesting that
2:54:40 create conversation of that and some
2:54:43 people will like that
2:54:44 and some people will go what were they
2:54:45 thinking and and then sometimes and then
2:54:48 who knows what goes on inside the
2:54:50 Daniell which could be kind of fun I'd
2:54:51 be old fun you don't want we don't want
2:54:53 to you know have a monolithic young town
2:54:58 right so no one really focused on this
2:55:00 but in the Issaquah Highlands guidelines
2:55:01 it talks about consistency of the
2:55:04 neighborhood type but it allows 25%
2:55:07 quirks it consistent is seventy five
2:55:11 percent and so an article one time
2:55:13 described is qua Highlands 25 percent
2:55:16 quirks use that word quirk in the
2:55:19 article in the article I'm not just
2:55:22 remember it's a guideline to use that
2:55:24 word I could clarify one point on my my
2:55:26 commentary about meshing for overlaying
2:55:29 the zones or the districts this is what
2:55:32 I meant is bring the gable roof into the
2:55:36 urban core that to me gives it that
2:55:39 consistency iconic consistency it's not
2:55:42 literal but there's there's an assassin
2:55:43 sand so that that's what I was harkening
2:55:45 towards a little bit but and I I think
2:55:50 the architectural style is fine I just
2:55:52 this is another color issue for me that
2:55:54 that that building in a different color
2:55:58 I would I wouldn't go automatically no I
2:56:00 would go Olney looking building
2:56:02 different and gives a variety but no
2:56:05 Darby always ends up because there's so
2:56:07 few windows to it could be as well as
2:56:09 siding and it's all very monolithic well
2:56:14 not to put too fine a point on it I
2:56:17 think it's actually not so much that
2:56:19 they don't have a lot of windows I think
2:56:21 it's that the trim is the same color as
2:56:22 the body
2:56:23 colors so and the windows are going to
2:56:25 be dark because that's what windows are
2:56:27 and so therefore it just reads as all
2:56:30 dark and you don't the things that
2:56:32 they've done to modulate are less are
2:56:34 more subtle and maybe too subtle mm-hmm
2:56:37 so that's that a master's degree in
2:56:40 architecture game that is break on the
2:56:42 on the right the scream right uh-huh
2:56:45 okay do you want to talk about these
2:56:51 other than to say I think it's great
2:56:53 that then the parking is concealed you
2:56:55 have that combination parking pedestrian
2:56:59 areas and in them yeah the the building
2:57:04 frontage is given over to solely
2:57:06 pedestrian listing on this one
2:57:08 specifically I like the fact that the
2:57:11 building at the corner where there's a
2:57:13 curve to the street was not brought all
2:57:14 the way out to the street that's my oh
2:57:17 yeah that's my Costco comment also I
2:57:24 don't know where yeah I think it's in
2:57:26 the core already but screening all the
2:57:27 mechanical equipment that there plunk it
2:57:29 down on the roof is something we want to
2:57:30 make sure yeah that is already in the
2:57:33 code so it is a challenge that we have
2:57:36 when you're looking straight down on it
2:57:38 but we have tried to address that
2:57:49 there's just no character so is that
2:57:51 that in a residential building that's
2:57:53 what it reads to mean well no well I
2:57:58 mean I took Commissioner Morgan's point
2:58:01 which I agree with is that's not it's
2:58:04 not friendly it doesn't it doesn't say
2:58:06 balcony and and get out and you know so
2:58:09 if this building had balconies would
2:58:11 that be different not sure because they
2:58:13 might just stuck on for the sake of that
2:58:15 but but that's it's not an inviting
2:58:19 residential building and if they're if
2:58:20 they're showing it just for this tree
2:58:22 oil at ground floor units I do like that
2:58:24 aspect of it
2:58:25 which I that's that yeah yeah yeah
2:58:28 landscaping yeah have some separation
2:58:32 between the public and a private space
2:58:34 for Brian Morris I did get concerned
2:58:38 about this one in terms of out about
2:58:41 that about the yeah create the we allow
2:58:46 them to say yeah lift that up and eat
2:58:49 the street away from the unit that seems
2:58:51 to go conflict with what we're talking
2:58:53 about so the one challenge that I would
2:58:57 point out while I completely agree with
2:59:01 your comment the reality is almost
2:59:03 nothing in central is quads flat and so
2:59:07 one question is if you're doing a you
2:59:09 know if you're doing individual units
2:59:11 then you can begin to stagger them and
2:59:13 step along the street one of the
2:59:16 challenges is when you're doing a full
2:59:18 block or half block building how do you
2:59:21 take up that grade ground across the
2:59:23 building and so yeah so I look at this
2:59:28 and I said that's reasonable that may
2:59:30 not be a solution that we want and so
2:59:32 that that's yes because I remember the
2:59:33 one of the slides they have that showed
2:59:35 those buildings the very beginning like
2:59:37 I think down in Portland that were solid
2:59:40 wall along the street I didn't want to
2:59:42 have that yeah this image for me the
2:59:45 thing that catches my eye is the
2:59:48 pedestrian experience along here is not
2:59:49 great because you're right against a
2:59:51 concrete stone wall it's love your head
2:59:54 there's really no landscaping that
2:59:57 softens it if it's a hot day and you're
2:59:58 standing you're walking through there in
3:00:00 the side
3:00:00 going to not be very comfortable so that
3:00:02 if we're going to have conditions like
3:00:04 that we need to make sure that that
3:00:05 transition between the pedestrian space
3:00:08 and the building is done something done
3:00:11 the sauce off yeah it's a blanket if you
3:00:16 cover that if you treat that in a
3:00:18 different material or with some kind of
3:00:21 landscape element and had it the area
3:00:26 above that some is not what you're
3:00:28 commenting on it's really the part down
3:00:30 where the pedestrian and I and I'll tell
3:00:33 you I like I like the architectural
3:00:36 variety of that building because to me
3:00:38 that's not it's not flashy but its
3:00:41 distinctive and it's I really like I
3:00:45 mean I that to me would be has a lot of
3:00:47 texture that I just really would
3:00:49 appreciate and and you know along with
3:00:51 having recommended and not recommended
3:00:52 the reality of using pictures is that
3:00:55 you usually you often have to carve out
3:00:57 the things that are that are not okay as
3:01:00 well as the things that are okay in a
3:01:02 photo yeah and I also want to
3:01:04 acknowledge that if that was the whole
3:01:05 building I probably might say wow a
3:01:09 really white stark building but to
3:01:12 seeing that part of it and in these
3:01:14 lighting conditions it like looks okay
3:01:17 just say that pop out that they put a
3:01:19 glistening if we put it in the two
3:01:21 buildings back that everyone commented
3:01:23 will be great the one that we're saying
3:01:25 there's no balconies even if you don't
3:01:27 have the balconies but you have pop-ups
3:01:29 in and out even small ones it will make
3:01:31 the building more P like dynamic and
3:01:35 every we've talked that one to death do
3:01:39 we need to talk about this one it's a
3:01:41 great corner site but I think it stops
3:01:43 there no it really opens up that corner
3:01:47 and that's where you get in trouble with
3:01:48 these tall buildings these really dense
3:01:50 areas if you can open up that corner it
3:01:52 does a lot of things just visually
3:01:53 safety light calls out completely step
3:01:59 down we go in the back street art this
3:02:03 corner plaza in the taller retail and
3:02:06 that is something that we have right now
3:02:08 in central is qua um encouraging
3:02:13 treatment of corn
3:02:14 of building and what I'm hearing from
3:02:18 this slide and some other ones is that
3:02:20 that is still something that's important
3:02:22 to preserve either by cutting eroding it
3:02:25 back like this or potentially having a
3:02:29 treatment and just the base is cut back
3:02:31 or somehow there's something notable at
3:02:34 that corner and they made this look like
3:02:36 three different buildings when you look
3:02:38 up at the upper roofline the Yuma and I
3:02:41 know if the plan does it that there are
3:02:43 maybe some corners at intersections
3:02:46 where you want to require that to happen
3:02:48 that are very you know intense on the
3:02:50 pin it could be very intense in the
3:02:52 future on the pedestrian side and you
3:02:53 want to have some extra space at the
3:02:55 corner it for example would you be
3:02:57 thinking like at the this central plaza
3:03:01 concept that they discussed the corners
3:03:03 that face out on that where there be
3:03:05 there had to be a lot of pedestrian
3:03:07 traffic by design you'd have because if
3:03:10 you do that it forces the building to
3:03:13 change a or two so it changes the look
3:03:16 at the in the corner of the architecture
3:03:18 I think this one goes what's the one we
3:03:23 talked about before we talked about that
3:03:28 one what are you so building on
3:03:33 extremely excellent so I think we know
3:03:38 what you're going to say architectural
3:03:40 II but in terms of the step back
3:03:44 thoughts about essentially creating
3:03:49 something that appears to be five
3:03:50 storeys even if it's taller appreciate
3:03:54 that in the corn has helped you know and
3:03:57 if that were if I are the doors at the
3:04:00 top or just windows I think those are
3:04:02 windows of in the upper one or two
3:04:04 stories at the very very top lid those
3:04:08 are windows I'll cook because if they
3:04:09 were if they were very doors I was going
3:04:11 to say if there were you know really
3:04:14 nice potted plants up there along with
3:04:18 the entire front of it would
3:04:20 significantly soften the appearance
3:04:22 abilities well and that isn't I mean I
3:04:25 think that also touches on Commissioner
3:04:28 Morgan's point about balconies and roof
3:04:30 uses the one of the values of the roof
3:04:34 is you know is a public gathering space
3:04:36 where you have a building that may take
3:04:38 up you know to get the site to work you
3:04:41 may not have enough room at the ground
3:04:42 but you have the roof the benefit to the
3:04:46 passerby can be the trees or other
3:04:49 landscape elements that are up there
3:04:51 that are visible from off site and I'd
3:04:55 agree and I think this building you
3:04:56 would notice these even more from say a
3:04:58 block or two away that that difference
3:05:01 with that modulation become more
3:05:03 apparent certainly I did live these two
3:05:06 I don't see the that one of the things
3:05:08 you know that the balconies have
3:05:12 overhangs that stick out from a building
3:05:15 with a diagonal tie back to the building
3:05:17 I think with a lot of these buildings
3:05:19 that could break up the start face of
3:05:22 leaves which is I think in some ways
3:05:24 what Commissioner price was talking
3:05:27 about is that those are can be kind of
3:05:29 an arts-and-crafts vocabulary but done
3:05:32 in a sort of modern material that
3:05:37 doesn't look historic but adds that
3:05:40 level of detail to the building
3:05:53 my first reaction to that is didn't we
3:05:57 who's that no ha ha that's right here's
3:06:06 the red I wonder what people would think
3:06:08 if it didn't have the red so I think
3:06:11 that the red is actually like a mahogany
3:06:13 or a walnut colored wood product you
3:06:19 know that's one of the things I've
3:06:21 noticed about rally's hotel is that it
3:06:24 looks like solid colored panels but
3:06:26 actually when you're up close those are
3:06:28 a very expensive kind of wood paneling
3:06:32 system but one of the challenges is you
3:06:35 have to appreciate that up close yeah
3:06:37 and you know I was thinking about this
3:06:40 earlier Lucy that I personally believe
3:06:43 that the hi-low crossing is very nice
3:06:47 very nicely done and when I look at it
3:06:50 from 90 when I'm coming into town it
3:06:53 doesn't its distinctive but it doesn't
3:06:56 say wow look at me and I and then when
3:06:59 you get closer to it actually see the
3:07:01 materials on it which I go past it every
3:07:03 day I you know I think it's just one of
3:07:06 the most under appreciated new
3:07:09 developments in in the whole city and it
3:07:12 really to me shows and it shows how it
3:07:14 can be done I think this one for me
3:07:18 I mean if the architectural variety is
3:07:20 interesting to debate would just be over
3:07:23 the colors of material selection it's
3:07:25 got the balcony somehow feels really
3:07:28 top-heavy
3:07:29 well you know one thing I was just
3:07:31 thinking about is they had talked about
3:07:33 using vertical lines to emphasize
3:07:36 verticality and this one feels much more
3:07:38 horizontal and a little more squat which
3:07:42 I think relates to your comment
3:07:53 Dunlap thumbs-down found it's okay like
3:07:58 what's it lead to it does when it's hard
3:08:01 to be turn to act it's sort of yeah so
3:08:03 let's say on the front door to an
3:08:05 individual unit
3:08:06 I like the materials if that's what
3:08:10 they're trying to show there's a
3:08:10 different kind of materials I I like the
3:08:12 wooden brick if it had a different door
3:08:14 this is a great example of just bringing
3:08:16 in an awning with some braces or
3:08:18 something just an awning just to give it
3:08:20 a pedestrian or a human-scale
3:08:22 that just has this yes no there's no
3:08:24 human scale I do appreciate the
3:08:26 landscape buffer
3:08:27 I appreciate the material holds off the
3:08:29 street those are durable material and
3:08:33 they're natural
3:08:34 those are all good but but then it gets
3:08:36 lost on like there's a person supposed
3:08:38 to make it it looks like we take a smoke
3:08:42 breaks as opposed to just going to say
3:08:44 try to get a keg up so since it's
3:08:47 improving yeah
3:08:52 but that one something again it's not a
3:08:56 really nice pedestrian environment it's
3:08:59 kind of hard to since we can't see the
3:09:01 rest out to the street but there's
3:09:02 nothing that's coming out from the
3:09:03 building there's no sort of weather
3:09:05 protection there's no real articulation
3:09:08 as you're walking along where it sets
3:09:09 back so one of the things that's in the
3:09:12 standards right now which is kind of a
3:09:14 pet peeve of mine which shows you that I
3:09:17 pay attention to some details that like
3:09:20 are crazy
3:09:21 I don't like smooth windows and I think
3:09:25 part of that I agree with the weather
3:09:27 protection but also you want some sense
3:09:30 that there's depth to the windows and
3:09:32 the mullions and things because it gives
3:09:35 it that texture if it gets too flat I
3:09:38 think it just all becomes a skin and you
3:09:40 don't get a sense of the pieces the
3:09:44 question here with this would we allow
3:09:47 this with the cover on the windows kind
3:09:49 of like the BevMo up in the highlands I
3:09:51 don't think we this would be approved
3:09:54 with it we allow 50% so this looks like
3:09:57 it might Oh
3:09:59 but if you had the you know or it might
3:10:03 be it depends on whether the sort of
3:10:06 clerestory piece of this was a part of
3:10:09 that 50% calculation obviously these
3:10:12 windows
3:10:13 that's like two-thirds one-third I think
3:10:16 that's one of the big issues with
3:10:17 ground-floor retail you know is somebody
3:10:20 that comes in and says well we need to
3:10:22 like a banks as well we need to block
3:10:24 all these windows off and the whole idea
3:10:25 was there a connection between the
3:10:28 inside the out and yeah and they work
3:10:29 with Jesse jail right yeah like a wallet
3:10:32 what I'm sorry what is the rationale for
3:10:35 doing that you're locking it off the
3:10:39 retail why do I wouldn't you like if you
3:10:41 have a bank if you have a bank branch
3:10:42 and somebody's got offices or you know I
3:10:45 mean you can end up with service retail
3:10:47 where people just put of them with
3:10:49 blinds or or like with demo up in the
3:10:52 highlands it's all product shelves so
3:10:56 they've got kind of a decorative film on
3:10:58 the outside of the windows you can't see
3:11:02 like like this but covering almost all
3:11:05 of it the nice dorm see that's a more
3:11:18 that but that's a more contemporary
3:11:20 style of architecture you've got a
3:11:23 variety of integers you get three
3:11:24 different facades so in a plaza space
3:11:29 where people can mingle in hangout but
3:11:34 you know I don't know that it's a
3:11:37 different kind of interest for me but
3:11:38 it's it's not something that I say yacht
3:11:40 it's just for me I don't think I would
3:11:46 have a hard time with this textured well
3:11:50 and and to Commissioner Harrison's point
3:11:52 you know I wonder about this metallic
3:11:55 gray if it has a little sparkle I mean
3:11:57 just a little bit of shine that makes it
3:11:59 a little more interesting in grey
3:12:01 weather than then a flat material that
3:12:06 didn't have any you know any shine to it
3:12:09 but I agree with Fischer bred into him
3:12:14 in the three different phases and the
3:12:16 set back and the courtyard it's a good
3:12:20 example of light and dark you mind if
3:12:22 that was blue pink beige yeah
3:12:33 brick I'm like brick I like it that's a
3:12:36 personal yeah I do too
3:12:38 and it's got the window it's got the
3:12:41 shade awnings on the autumn it's got
3:12:45 accent pieces that are not just and
3:12:47 gaudy to me it's it's a different
3:12:49 different accent pieces so that's that
3:12:53 is in contrast to the previous one
3:12:55 that's just to me it's just a more
3:12:58 interesting structure actually for the
3:13:01 image of is a Claddagh and we're talking
3:13:03 about brick would be a material that for
3:13:05 me would work well this kind of demo
3:13:08 Frick I mean it's almost a it's a new
3:13:10 building that looks like it's been
3:13:11 around you know what looks like a
3:13:13 converted warehouse that looks like a
3:13:15 factory that's the kind of character I
3:13:17 think that people would probably be
3:13:19 attracted it's interesting to me though
3:13:21 is this whole what they're trying to
3:13:23 show here is the stucco we're all
3:13:24 talking about the brick yeah there point
3:13:27 to the second point anyway and but but
3:13:32 what I'm hearing is that this is a that
3:13:35 this is the kind the kind of
3:13:37 intersection between modernity and
3:13:41 historicism that doesn't feel like
3:13:44 you're trying to pretend it's old and
3:13:46 yet accommodates six floors and and and
3:13:52 taller generally more modern character
3:13:56 yeah I say and again exactly that but
3:14:00 but compare that was it there it is
3:14:02 almost the same size that one in the
3:14:03 previous building yep did I honestly
3:14:06 believe that public would have far less
3:14:12 if any of whoa what are they doing with
3:14:15 the brick than that one same same floor
3:14:18 space same height I think it's two
3:14:22 different buildings I think this is a
3:14:23 parkland building versus yet I was
3:14:25 wondering you got another one an office
3:14:26 building or an apartment building office
3:14:28 building no I read this as an office
3:14:30 building okay but in my I don't know
3:14:34 what it'd be with the windows on the
3:14:35 right with office you need to have much
3:14:37 more window well I thought it I wouldn't
3:14:39 have that was a really far between the
3:14:41 well and you may be right I read it as
3:14:44 office because of the way the ground
3:14:45 floor looked but now that I look at it
3:14:47 with these individually opening casement
3:14:50 windows because of the eventual dorm I
3:14:54 think you got a with you see Lucy I'm
3:14:58 sorry back to the other one though I
3:14:59 think one of the things is materialized
3:15:02 I think if with stucco I think it needs
3:15:05 to be an accent cut material like
3:15:07 they've done here not a whole facade of
3:15:09 stucco okay I like it yeah alka nice now
3:15:18 the interesting thing is these are
3:15:20 balconies that push into the building as
3:15:23 we hope to balconies that are on the
3:15:25 side and then and then between it that
3:15:28 other section that gets pushed back as
3:15:29 well yeah right I think this is almost
3:15:31 like a it's not an atrium because it's
3:15:33 not enclosed but it has that open
3:15:36 multiple floors yeah I appreciate what
3:15:39 about the balconies are truly integrated
3:15:41 and I think it's one of the best design
3:15:45 guidelines I've ever worked with is
3:15:47 integration is it an integrated feature
3:15:49 where some balconies were like last our
3:15:52 balconies and they just long devil yep
3:15:54 this was truly integrated into the
3:15:56 building and achieved indoor/outdoor
3:15:57 achieves a lot of articulation that
3:16:00 facade it does a lot of things materials
3:16:03 dark and light that much so I but why
3:16:06 why would I mean I will very much like a
3:16:10 building but I don't understand the
3:16:11 economics why would a developer have all
3:16:15 that open space there I like it I like
3:16:19 it but I don't it seems like good it'll
3:16:20 do you know that yeah I think that's the
3:16:23 entry Plaza well you have the Y's it's
3:16:27 just an interesting economic thing to me
3:16:28 because I think it adds tremendously to
3:16:31 the building and if that were solid
3:16:35 there if to me it wouldn't be as
3:16:37 interesting so that's a I don't know if
3:16:39 it's a sacrifice on the part of the
3:16:40 developer to have done that but I don't
3:16:44 remember ever seeing that before so okay
3:16:47 I'm going to make something up which is
3:16:49 that it potentially these grills
3:16:52 represent the elevator tower lobbies and
3:16:55 so the
3:16:57 out of space potentially between that
3:17:00 Lobby and the front facade is too
3:17:03 shallow or too close to the elevator to
3:17:06 justify it and so it's an opportunity to
3:17:08 have a striking building where there
3:17:11 would be minimal benefit from filling it
3:17:13 in so it made it happen
3:17:15 I don't like that okay okay yeah I wish
3:17:19 you happen more I put that up late at
3:17:21 night yeah I think it brings in the
3:17:23 store system too because that's a good
3:17:25 word I was talking those big words
3:17:28 you're confusing okay I like separate
3:17:32 yeah and it dampers yeah yeah oh that's
3:17:37 interesting so Steve was saying that
3:17:40 this the door that you didn't like that
3:17:42 had the wood inside mm-hmm
3:17:44 [Music]
3:17:46 it just needs an awning it needs a
3:17:49 different door but we'll argue about
3:17:52 that light anymore so here our balcony
3:18:00 we're gonna agree to dinner yeah I like
3:18:03 because I like that really I like the
3:18:06 way the ground floor pilot pulls up so
3:18:08 it's one building at a time I think
3:18:11 sometimes the tripartite earns it in
3:18:13 three buildings I like it
3:18:19 first Linden's but I don't know what
3:18:21 yeah I'm Peter McCall exclusive 43 you
3:18:29 know and the thing that'll be
3:18:30 interesting when we get down to the book
3:18:32 is because we don't want it all
3:18:35 consistent I think you all are going to
3:18:38 have to talk about how much consistency
3:18:40 do you need or how much agreement do you
3:18:42 need between yourself and you know if
3:18:47 one person disagrees if half the people
3:18:50 disagree if most of the people you know
3:18:53 in that's a that's something to think
3:18:55 about is what will ensure variety but
3:18:58 not things that we are trying to avoid
3:19:01 whatever it takes for votes wins I was
3:19:05 at that point I mean if it gets to that
3:19:08 point we can can we just signify the
3:19:11 intent of the Commission by having a
3:19:14 vote on an individual issue yeah with an
3:19:17 override by the vice-chair sure we're
3:19:24 not talking about that one anymore hey I
3:19:29 think that's the one that that we were
3:19:32 looking at that had the three different
3:19:33 to God only this is
3:19:40 that's the end all right that was really
3:19:43 helpful I appreciate you sly I think it
3:19:46 was a good idea
3:19:47 and the one thing it seemed I don't
3:19:49 think we saw any retail or I guess maybe
3:19:55 just ground-floor retail right everybody
3:19:57 opposed you mentioned like in all these
3:19:59 different styles to show the different
3:20:02 types of buildings would be very helpful
3:20:04 the different different uses in that
3:20:06 applying that styles yeah especially
3:20:09 this claw style so last question for you
3:20:11 Keith speaking of retail what is you
3:20:16 that's your job title now to look look
3:20:19 at that right I mean so but there been
3:20:23 there's been so much news in the last
3:20:25 couple of weeks about brick-and-mortar
3:20:28 retail now it's been you know department
3:20:32 stores and malls and things like that
3:20:33 but what would from your perspective
3:20:36 looking out at a building that's going
3:20:39 to be there for the years how do is that
3:20:45 has the objective of having as much
3:20:47 retail as possible or I know if that's
3:20:50 correct
3:20:50 in going in the central district what
3:20:53 plan is that changing from your
3:20:56 perspective what's real and what's
3:20:58 possible so so complicated question and
3:21:03 especially at almost 10:30 so let's go
3:21:07 with so right now the tax structure in
3:21:10 this day definitely benefits the city to
3:21:13 have a high proportion of retail it
3:21:16 brings more money into our coffers which
3:21:19 then we can use for services and staff
3:21:23 so retail there's a benefit to retail as
3:21:27 Amazon and Walmart and Costco and other
3:21:32 retailers are starting to bite into
3:21:35 brick and mortar you know you're seeing
3:21:37 things like JCPenney and Sears and
3:21:41 others struggling and trying to figure
3:21:43 out how to keep afloat right and so part
3:21:46 of part of what's happening in
3:21:50 and to come verse a ssin that's
3:21:52 happening earlier just based on some of
3:21:55 the standards and I'm going back to
3:21:57 Commission member Brennan's comment
3:21:59 about there's a lot of other things that
3:22:00 effect ultimately what we're going to
3:22:02 get and SAR is going to be a big one
3:22:05 and you know knowing that right now
3:22:08 we've set minimum FA RS you know
3:22:11 especially in the core you know it
3:22:14 likely that we'll get single story
3:22:16 retail as new development as
3:22:19 redevelopment not likely so the retail
3:22:22 that we're probably going to be getting
3:22:24 in addition to what we have now will be
3:22:27 things like you know it'll be the
3:22:29 neighborhood serving ground-floor retail
3:22:31 in mixed use vertical mixed-use building
3:22:34 you know that's clearly something I
3:22:37 think that we are hoping that we'll get
3:22:38 out of the redevelopment of Central
3:22:40 Issaquah you know trying to figure out
3:22:43 you know my job and what I'm trying to
3:22:46 figure out is really how do I populate
3:22:49 and even land use mix as it redevelop
3:22:53 sand and you know right now what I would
3:22:55 tell you probably the hardest struggle
3:22:56 is office space you know in getting
3:22:59 office because right now Issaquah as an
3:23:01 office market is is not a hot commodity
3:23:05 and so getting off it so like the
3:23:07 project that's happening where the
3:23:10 council approved the development
3:23:11 agreement for Gilman lofts which is
3:23:13 happening next to the gotcha
3:23:14 you know that's supposed to be three
3:23:17 storeys of office over ground-floor
3:23:19 retail with some tuck under parking in
3:23:22 the back side so getting office in in
3:23:25 central Issaquah is a huge piece and
3:23:28 that will drive things like convenience
3:23:30 retail and more places where people will
3:23:33 want to go for lunch time once you have
3:23:35 that you know daytime population that's
3:23:37 hanging out looking for places to go
3:23:39 have lunch so so I think standalone
3:23:43 retail will not be a big slice of our
3:23:46 pie let alone just because of what's
3:23:49 going on globally with retailers but
3:23:54 also just because of the price of land
3:23:55 and things like putting mandates on
3:23:58 structured parking and other things that
3:24:00 are coming out of
3:24:01 those other code requirements so I think
3:24:05 I think part of what we want to do is to
3:24:08 not lose some of the square footage that
3:24:10 we have so there's been conversation
3:24:13 about as things go away and and we saw
3:24:15 that with Atlas we displaced some uses
3:24:19 now some move to other parts in town but
3:24:23 some just disappeared we don't want too
3:24:25 much of that because again getting back
3:24:28 to our tax base and what we need to be a
3:24:32 vibrant community requires it relies on
3:24:35 retail okay so just to that point come
3:24:38 close to what you're saying I thought
3:24:40 you said earlier is that read the
3:24:43 alternatives are chunk of City revenue
3:24:47 comes from retail and if that goes away
3:24:51 or significantly decreases then
3:24:53 alternate sources for that revenue have
3:24:56 to be found in the form of a property
3:24:59 tax or or it could be head tax so some
3:25:02 cities charge a head tax on employees
3:25:07 you know we charge a business and
3:25:09 occupation tax yeah but some cities also
3:25:13 charge a head tax so like you know like
3:25:16 an office user won't pay a B&O tax or
3:25:20 might pay a minimal B&O tax but they
3:25:23 would pay if they're they've got
3:25:26 thousands of employees then you charge a
3:25:29 certain head tax and they pay based on
3:25:30 the number of employees they have so
3:25:33 there's there's you know at the end of
3:25:34 the day you know the city will figure
3:25:36 out how to get enough revenue to operate
3:25:38 and if we lose out on sales tax we will
3:25:42 have to make it up in a different way
3:25:45 you know questions comments anything
3:25:48 else you need from us it's time for
3:25:51 napping
3:25:53 well I very much appreciate the public's
3:25:56 patience and the comments that were made
3:25:58 very much appreciated all the
3:26:02 commissioners comments I think this has
3:26:03 been an excellent session and a great
3:26:06 chance and everything that you've done
3:26:07 to present it to us and work with us on
3:26:10 this and there's our new commissioners
3:26:12 and really appreciate that so without
3:26:16 any further ado meetings adjourned thank