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Development Commission – Special Meeting Auto captions

Wednesday, July 26, 2017

7:00 PM · 2h 40m · Council Chambers, 135 E. Sunset Way, Issaquah WA
1. CALL TO ORDER
1a
Commission Membership
packet pp.3
Staff report:
Development Commission About Staff Liaison Created in 1983, this commission reviews all land Christopher Wright, use actions requiring a Level 3 review. The Project Oversight Manager Commission further serves as an advisory board to Email the City Council on land use actions requiring council approval (Level 5 review). Regular Members 2018 – Jasmina Mihova The appearance of fairness doctrine prohibits 2018 – Raymond Leong Development Commission members and City 2018 – Richard Sowa Council members from discussing the merit of 2019 – Michael Brennan specific land use development applications outside 2019 – Randolph Harrison of the formal public meeting process. Citizens, 2020 – Melvin Morgan however, may discuss any issue with the City's 2020 – Kevin Price Development Services Department. Written comments are also welcome. Alternate Members 2018 – Robert Bakh Membership 2018 – Carl…
2. AGENDA ITEMS
2a
Review of Draft Design Manual Chapter
Keith Niven, Economic Development and Development Services Director Lucy Sloman, Land Development Manager · packet pp.5–93
Staff report:
i e w Rev 6 FT v. D R A 1 7 0 . 7.2
0:09 Pop's me
0:11 and all right I think we're ready to get
0:15 started I'd like to bring to order the
0:17 special meeting to discuss the review of
0:19 design the draft design manual chapter 3
0:22 and there's I think process-wise what
0:28 I'd really like to do is have people ask
0:31 specific questions about about chapter 3
0:34 and once we get through the questions
0:37 and we'll provide some opportunity for
0:38 the public to make comment if there are
0:40 members of the public it looks like
0:41 there are and then we'll go back and we
0:43 may maybe have some time to talk about
0:46 our thoughts overall and where we're
0:48 going and how to squad that makes sense
0:51 so let's let's get started so I was just
0:58 going to UM be annoying and just remind
1:06 you of the meeting schedule let's see
1:11 where am i oh here we go
1:15 so we have tonight and we have next week
1:19 if we need it just so you know the
1:24 overall structure last night.they so we
1:27 can't get enough of this so we were at
1:30 council talking about this for several
1:31 hours last night you love lucy' and then
1:38 early in August will consolidate all the
1:41 comments and start working with krandall
1:45 or Angela to develop the final draft
1:48 which will then go through a fairly
1:50 standard format of PPC and then on to
1:53 councils with the PPC hearing in August
1:57 August 31st we hope that some of the
2:01 commissioners will come to that PPC
2:04 hearing we know that in the past it's
2:08 been really helpful for them to hear
2:09 from you and especially because this is
2:12 your tool I think it'll be a good
2:14 opportunity to help them understand how
2:16 this tool how you see this tool working
2:19 and you know staff is certainly happy to
2:22 explain that but I think it may mean
2:24 or coming from the Commission anyway the
2:29 goal is to have this adopted in October
2:34 okay I've got the draft here in case we
2:38 have edits that we want to write up but
2:40 we are open to the general comments
2:47 right that open up the board and see who
2:49 has comments questions we're just doing
2:53 questions if doing questions now I have
3:01 a general question on page 71 of 93 the
3:07 harmony the inappropriate paragraph I
3:11 know we talked a lot about prescriptive
3:13 verses kind of there's some gray area so
3:17 who has like the final call on you know
3:20 a developer comes in with a design that
3:23 is somewhere in that realm who has a
3:27 final call to say no that's not
3:29 appropriate for our community well in
3:32 central Issaquah interpretations live
3:35 with the director and then they could be
3:38 appealed I think that you're the
3:41 inappropriate list here is our good
3:44 performance standards in terms of it
3:47 tells you which is what you don't want
3:49 it to do but without an image and
3:52 without more maybe some more specifics I
3:56 think I understand your question
4:00 you know just how do we get better
4:01 clarity about that so I think we would
4:04 agree that that language needs to be
4:07 fine-tuned so it's clear what look-at-me
4:09 architects for me so can I offer another
4:12 answer to so for permits that come to
4:17 the Development Commission as the
4:19 decision body you guys are the final
4:21 decision so if you guys altima decide it
4:24 doesn't meet the intent of the
4:26 guidelines then that's the decision now
4:29 as lucy mentioned the applicant if they
4:31 disagree with that they can appeal that
4:32 to the city's Hearing Examiner then we
4:34 have another conversation about who's
4:35 right
4:36 right but not all permits come to the
4:40 Development Commission some are
4:41 administrative and in that case the
4:44 staff will be using this tool and we
4:46 will then be the final decision-maker
4:48 again unless it's appealed and then
4:50 ultimately that goes to the Hearing
4:51 Examiner for resolution Thank You
4:57 general question yeah with the exception
5:01 of the natural context and the usable
5:04 open space sections is the rest of this
5:06 chapter pretty specific to the urban
5:09 core style zone or does this apply to
5:12 all of central Issaquah page 60 says it
5:16 does apply to all of central Issaquah
5:18 and I'm thinking especially about the
5:20 things like block size and so on is our
5:24 assumption that that would apply to East
5:26 End of Gilman as well as right in the
5:28 middle of the urban core yes
5:36 can can you maybe explain this block
5:40 sighs I'm not sure I understand how that
5:44 was arrived at is it just based on
5:46 what's there already or I mean we're not
5:51 going to tear buildings down and now
5:53 start building blocks those dimensions
5:56 are we well I think as pop so we have
6:00 certain streets that are in place and
6:05 then we have the properties in between
6:11 we so I'm thinking about this from both
6:16 directions that you've asked this
6:17 question just from a planning
6:20 perspective there's a lot of research
6:22 about block size Portland has a like a
6:25 200 square foot block I mean 200 feet on
6:29 the side Seattle has a slightly larger
6:32 block it's probably more like 220 by 250
6:38 and there's some square blocks and some
6:40 rectangular blocks it switches around
6:43 Westlake so I think that they're there
6:47 block sizes are based on that sort of
6:49 standard length there's a lot there's a
6:55 lot of research around why you want
6:57 frequent streets from a pedestrian
6:59 perspective from an economic perspective
7:02 so in terms of how you implement that as
7:07 even if you look at Central it's gone
7:10 now and I can pull up that map there is
7:12 a grid that kind of conceptual grid that
7:18 is overlaid and so there are absolutely
7:21 blocks that when they redevelop we would
7:24 expect a street to be built to further
7:26 subdivide and the sort of super blocks
7:29 that exist into smaller blocks okay if
7:36 that applies sounds like a wonderful
7:38 thing to do if you're opening an old
7:40 field and starting your own
7:41 because you got an existing system
7:44 already and I'm not sure how you get to
7:48 that standard block size with existing
7:51 you know if you're going to say we're
7:52 going to redevelop who blocks or you
7:56 know between two streets and then make a
7:58 developer put in an extra seat I guess
8:00 that's that's an extra Street I guess
8:02 it's okay it just seemed to me that I
8:04 didn't I didn't understand the basis
8:06 since blocks are already established
8:09 well right so if you look I'm not sure
8:15 that Crandall Aram Beulah would agree
8:17 with exactly this map so but I'm just
8:19 using it for discussion purposes but if
8:23 you look at this you can see for
8:25 instance in Pickering down near the Town
8:29 & Country even continuing into the
8:31 Commons they're showing a street grid
8:34 that is subdividing those blocks
8:36 sometimes where you have streets like
8:41 Gilman and maple and a mall and maple
8:45 that are already at a good spacing what
8:48 you're adding is further north-south
8:49 streets to shorten it because between SR
8:54 912 there are no streets and that's like
8:56 twelve or fourteen hundred feet long and
8:58 so we're anticipating that there would
9:02 probably be two more streets that would
9:04 be built in there and but you are
9:07 highlighting Carl that the challenge
9:11 which is that what if it's only half of
9:16 the block that is being you know it's
9:19 the south side of the block where that
9:21 streets supposed to go through and
9:22 that's part of our negotiation and part
9:25 of what we come and talk about you know
9:27 with a larger project with the
9:28 Commission this is how we're thinking
9:30 about doing this incrementally it would
9:35 it apply to the rally development
9:37 agreement property so that block size
9:40 does not because they have their own
9:42 development agreement but they have they
9:45 have agreed to put those same streets in
9:47 okay so I mean this grid has some
9:51 reflection of their Street system but if
9:54 you look at there
9:55 in agreement they have shown those same
9:57 two extra streets being built right so
10:01 but you know to give you guys an example
10:03 of how this is playing out in real world
10:05 so the street that's the north-south one
10:09 just north of tivitz Park right where
10:11 the hand is so right now we've been
10:13 talking with the developer about doing a
10:15 transit oriented development right next
10:16 to the park-and-ride garage where the
10:18 Century Link maintenance yard is so if
10:21 you go out there and look there's no
10:23 street more South in between where
10:26 CenturyLink is and where cascade
10:28 Business Park is well plan shows a
10:31 street going in there so as we've been
10:33 talking to the developer about that site
10:35 they are planning to build enough of a
10:40 street to accommodate two-way traffic it
10:42 won't be a full Street section but what
10:44 we call half street improvements which
10:46 is two travel lanes and then the
10:47 sidewalk on their side that will go in
10:50 with that project assuming it moves all
10:52 the way forward so part of it is you set
10:55 the framework so that when these
10:57 development applications come in you
11:00 know what you're trying to get to now
11:01 there may be cases where it just doesn't
11:02 work right and we realize that but
11:05 without having a road map you don't know
11:07 what to ask for so part of it is you
11:10 know and I think part of the
11:12 conversation is is this map right or is
11:15 what Crandall arambula doing you know
11:17 which is actually a little bit of a
11:18 finer grain block size you know is that
11:21 the right the right size you know
11:23 because that sets the expectations for
11:26 the conversations we'll have with
11:27 developers as they come through and what
11:30 are what's shown that we would be
11:33 putting in or have put in with that fit
11:35 with the 240-foot pretty much because I
11:39 think so I haven't gone back to measure
11:41 this but the in central is quad you know
11:47 we require the through block passage
11:49 every 250 to 300 feet depending on
11:52 what's kind of what's generating it so
11:56 Crandall Randall is recommending some
11:59 different tools you know we would have
12:01 looked for a street that follows this
12:04 grid that's shown and if your block is
12:07 longer than 300 feet
12:09 every 250 at maximum 250 feet you have
12:12 to have a through block passage which is
12:15 a you know 10 foot wide walkway with I
12:18 don't know 10 feet on either side or 5
12:20 feet on either side they're looking at
12:23 something that's more substantial as
12:25 they're through block passage you know
12:27 it's I again we sent them a lot of edits
12:31 and I haven't had time to compare their
12:33 document to the edit but you know that
12:36 was one of our questions is is it 40
12:39 feet or 60 feet and how do we know which
12:41 one and is you know what's the genesis
12:44 of that but I think what you know
12:46 they're talking about is almost like a
12:48 street going through either the mixed
12:51 mode or the pedestrian bike only secured
12:59 you see on page 76 block access through
13:05 block passages pedestrian and bike only
13:10 on under the appropriate order points
13:15 there I think that's a great idea the
13:18 question that I have I said who is going
13:20 to maintain that there's maintenance of
13:25 the walks the landscape all that I could
13:30 is a thought there is that the
13:36 enhance or the owner individual owner
13:39 that's going to maintain it or is the
13:40 city going to maintain that my
13:43 expectation is that they're privately
13:45 maintains I don't think we've discussed
13:47 that yet so I mean I think that's a good
13:49 question to make sure it's clear in the
13:51 document now or is it a Association that
13:54 all the folks living in that walkway
13:56 that area have an association they pay
14:02 into them between two dimensions right
14:05 also under inappropriate items there he
14:10 talks about inappropriate storage area
14:14 and storage rooms and trash
14:16 enclosure shall not be fronting the
14:18 passage there so the thought is that
14:22 were with the tenants or the arguments
14:25 of those units where would they put
14:28 their trash I'm assuming it's maybe
14:33 merchants or probably um probably in an
14:37 alley or underground parking right well
14:42 that those are so those are great
14:44 choices alleys are the best because
14:48 they're meant to be serviced they're not
14:49 meant to be pedestrian oriented and so
14:52 they serve that really well and they're
14:55 in a garbage truck can easily access
14:57 that underground is very common because
15:00 a lot of these kinds of buildings have
15:02 chutes and so you put those in a central
15:05 location and comes down the thing is
15:07 then then what typically the garbage
15:10 truck typically can't go in there or
15:12 won't go in there and so what that means
15:15 is that they have some kind of cart and
15:17 they're use a sort of trolley system and
15:20 they pull them out that means we have to
15:22 have a staging location but I think that
15:26 I think I would agree with what they're
15:29 saying is the staging wouldn't be in the
15:32 through block passage since that's so
15:35 pedestrian in such a sort of gathering
15:36 spot
15:40 I had one thank you I didn't see
15:46 anything specifically about streets and
15:48 sidewalks like Lane wigs curb radius
15:53 sidewalks tree periodicity and so on is
15:56 that out of scope because that's public
15:58 or should that be part of this document
16:01 so Center so essentially the central
16:04 istic law standards will still exist so
16:07 if we look at so this chapter chapter 6
16:18 has street standards with Lane widths
16:23 and sidewalk wits and planting widths
16:25 and frequency of trees now they're so
16:30 you know there's six moratorium items
16:33 and one of the other moratorium items is
16:35 vertical mixed juice which is the idea
16:37 of having retail uses on the ground
16:40 floor and either office or residential
16:43 above Crandall Aram villa has a separate
16:47 contract working on specific design
16:51 standards and potentially locations for
16:54 for that and they may make some
16:56 recommendations that regarding wider you
17:00 know specific widths of sidewalks I
17:02 don't think it's significantly different
17:04 than what we have but I think they want
17:06 to ensure that there are certain widths
17:08 there to support the kinds of retail
17:10 restaurant uses that you're likely to
17:12 get in that ground floor area so that
17:17 may we haven't decided you know if they
17:20 want to make recommendations or set
17:22 specific standards you know will that be
17:25 another chapter in the design manual
17:27 will that be another section of the
17:30 central is Squa standards we're still
17:32 we're waiting to get the content settled
17:34 to figure out where some of these pieces
17:36 will live and so if this document is
17:40 still used could we have a reference
17:41 somewhere in block access that would
17:43 point to this and say that the standard
17:45 for lane width and so on is in this
17:47 document well if this if this design
17:50 manual is a chapter of central central
17:53 is squad then they've got
17:54 all those pieces there together so I but
17:57 the point that you're making is an
17:58 important one is just making sure that
18:01 as we move these forward making it clear
18:06 how those pieces work together and that
18:09 they are still linked we have a question
18:15 on page 80 of 93 under building edges
18:19 under inappropriate they say that more
18:24 than one upper floor setbacks that
18:26 create the wedding cake appearances you
18:31 know why they think that's a bad thing
18:34 inappropriate yeah okay I mean I could
18:40 speculate but I I well so I don't know
18:48 from an aesthetic perspective here's the
18:51 one thing I can say is from sort of uh
18:53 and and Kevin maybe or Ray maybe the
18:57 best people to answer this but you know
19:00 structurally it's complicated when you
19:02 set a part of a building back because
19:06 you've still got to carry that structure
19:07 down so it may be that there's just not
19:11 they don't see the value of having
19:15 multiple setbacks if you're setting back
19:18 20-feet that may be sufficient to really
19:20 from the street perspective create the
19:23 perception of a four-story building even
19:26 though they're one to some number of
19:30 other stories above that and maybe
19:33 another speculation because I don't know
19:34 either but as but I haven't I've been
19:36 told I have an opinion on everything so
19:39 what I've heard them say is they want
19:42 all of this to be very purposeful so for
19:45 example if you're going to change
19:46 materials on the building facade it
19:48 should be purposeful and not seem random
19:50 right and so as you step back and you
19:53 typically do a step back for a number of
19:56 reasons one is you're trying to open up
19:58 a view corridor potentially but you're
20:01 also potentially trying to diminish the
20:03 height of the building by creating that
20:05 step back
20:06 and so maybe why they're suggesting not
20:10 the wedding cake is because I don't
20:13 think they see that that serves the same
20:16 purpose and it creates kind of multiple
20:19 planes which now you're trying to deal
20:20 with from an architecture and a facade
20:23 treatment so I don't know that that's
20:25 the answer but I think that might have
20:27 something to do with you know seeing two
20:30 bigger planes stepping back as opposed
20:32 to like a Legos is a better architecture
20:36 approach I don't know that it's
20:37 necessarily an urban design thing but it
20:39 seems to be in this chapter so we can
20:42 ask that question yeah okay I also have
20:45 the sense from that that they're really
20:47 talking about creating a space of
20:48 enclosure right an outdoor room because
20:51 people feel comfortable in that kind of
20:53 space and my sense was that multiple
20:56 setbacks just open up that room and you
20:58 don't have that space and I would agree
21:02 that you know that's what we're trying
21:03 to do this does open it up so you got
21:06 four storey and then you set back 20 why
21:09 not continue on and to limit that under
21:13 unappropriate I think that's a probably
21:16 good point that we should maybe bring it
21:18 up with video so these are great moments
21:21 where if we're all scratching our head
21:22 we need we need some more clarity right
21:25 yeah thank you um mr. chair Lucy on page
21:35 79 under description right um it could I
21:41 just ask the commissioners because we
21:42 have two sets of page numbers on here
21:44 okay so either state 72 or you know 80
21:48 of eighty ninety three so that I I can
21:52 make sure I'm looking at the same place
21:53 you're actually referencing okay great
21:56 thank 79 of 93
21:58 okay thank you mm-hmm under description
22:02 this is the parking structure and lot
22:05 and I'm trying to understand under
22:08 description it says in no instance two
22:12 buildings we designed to promote and
22:14 ohto orientation i guess you know it's a
22:22 building structure and why do we have
22:23 that statement they just mean that
22:26 building should not be designed to
22:28 promote an auto orientation their family
22:31 why I mean it's a it's a parking
22:34 structure what's the so this is what
22:39 they're let me just pull it up so we're
22:41 all looking at the images I mean I can I
22:44 understand that we're not trying to
22:45 promote promote everybody from getting
22:48 out of their cars and stuff like that
22:50 but this is a parking structure and why
22:56 I don't think this is a parking
22:58 structure this the topic is parking
23:02 structures and lots but the gray the
23:05 gray some of that when they say parking
23:08 structure that maybe the parking that's
23:10 just at the ground floor for instance
23:12 with another kind of use above or even
23:16 if it is a parking structure that's
23:18 solely devoted while it's for the use of
23:23 cars we still want the parking
23:25 structures to support and enhance the
23:31 public realm for pedestrians so if we
23:35 were designing it for automobiles we
23:38 would put no screening on it we would we
23:42 wouldn't care if it was a surface
23:43 parking lot anywhere on the block and I
23:45 think what we're saying is that the way
23:48 you design those things you try we we
23:51 need to have it functional for
23:54 automobiles but we're not trying to be
23:56 oriented to automobiles
23:59 does that make more sense I don't like
24:03 speaking from both sides there
24:04 Mountaineer it's it's a building a
24:06 parking structure but we don't want it
24:09 to look like a parking structure and by
24:11 no means that we designed to promote
24:14 automotive orientation
24:19 it's a parking structure so it takes
24:22 time talking about parking structures
24:23 within buildings that have other uses in
24:28 them well but even not I mean so let's
24:29 take a couple examples so one would be
24:32 let's take the example of a drive-thru
24:34 right drive to is very Auto oriented
24:36 right because it's for a car you don't
24:38 most people don't walk up to a
24:40 drive-thru and so the question is is
24:42 where do you allow that drive-thru to be
24:44 if it's an auto oriented design you put
24:48 that drive-thru out on the street you
24:50 want everybody to be able to get in and
24:51 out as quickly as possible in their car
24:53 if it's pedestrian oriented you put that
24:56 drive-thru on the back side of the
24:57 building so that the street can still
25:00 have an orientation to the sidewalk so
25:02 that people feel comfortable walking
25:04 into it and you don't have to walk
25:06 across a drive aisle right to get to the
25:09 door so that's that's not a parking
25:11 garage but similarly with a parking
25:13 garage
25:13 if I wanted to design the most easy
25:16 access parking garage I'd put a driveway
25:19 on every every Street right I'd put I'd
25:22 make put big signs and say here's my
25:24 parking garage and I'd make it as Lucy
25:26 said open so you can see it from
25:28 anywhere what we want to do with parking
25:31 garages is we want to be purposeful for
25:33 where those access points are so that
25:36 they don't put a driveway on every
25:38 street because every time there's a
25:39 driveway there's an opportunity for a
25:41 pedestrian and a vehicle to have a
25:42 conflict point right so part of it is
25:45 being thoughtful for where those
25:46 driveways are part of it is putting the
25:49 appropriate screening down at the street
25:51 level so that when you walk past it
25:53 you're not just feeling like I'm walking
25:55 past a huge surface parking lot in a
25:57 building right it's nice when the
25:59 architecture actually has some plantings
26:02 and some screenings and some other
26:03 things so as you walk past you don't
26:05 feel like this is a dead zone and I just
26:07 need to walk as fast as I can to get
26:09 past this building so I think I think
26:12 even though the function is is car
26:14 oriented I think the design of the
26:17 building is trying to be more pedestrian
26:20 friendly and you know thinking about how
26:24 it intersects with our desire to have a
26:27 fit
26:27 and walkable downtown you don't have to
26:34 buy that a lot of just made it all I'm
26:36 just thinking it was really this and
26:39 it's a parking structure yet we're
26:42 telling the description is that we are
26:45 not promoting Auto orientation so why
26:50 did we build the parking garage listen I
26:52 build it and then that takes care of it
26:54 but if we're going to do it that's fine
26:57 then let's just say that you know try to
27:00 limit the access to the structure or or
27:04 screen it or I mean there are a lot of
27:07 screening and stuff like that on
27:10 building edges in silicon which I agree
27:13 it's just that I don't quite agree with
27:15 that statement it says you know we're
27:18 building a parking structure but by no
27:21 means should it be by no means are we
27:26 promoting Auto orientation right I think
27:29 Keith Keith did a good job of
27:31 summarizing and though when he said that
27:32 what what if what they were really
27:33 trying to do is minimize minimize the
27:37 appearance you know make it look
27:38 pedestrian friendly and so if you go
27:40 down into the inappropriate it says
27:42 inappropriate or multiple driveways curb
27:44 cuts or access points along a single
27:46 punished consider consolidation and that
27:48 that's kind of what that sends yeah and
27:50 so maybe which is changing to say
27:52 something that affected you know
27:54 disguise it so that it looks like a
27:56 theater or looks like the neighborhood
27:59 it does not look like a auto parking
28:02 garage I said I've got a question on on
28:08 page 89 of 93 and the fabrics so it's
28:18 only canvas no synthetic materials and I
28:23 don't know enough about awnings at all
28:24 to know if most awnings are canvas or
28:29 they're either that's glass metal so
28:34 there's other choices I mean right um
28:37 canvas
28:39 is it is a material that you find I mean
28:42 it's not the most durable but it has a
28:46 nice quality with light coming through
28:48 it and then there they also do mention
28:55 you know the metal canopy so you do see
28:58 I think glass is another good material I
29:01 mean there's some downsides to glass
29:03 because it needs to be clean so it
29:05 doesn't look junky from above but the
29:10 vinyl tends to be the sort of
29:12 inexpensive big sign kind of feels like
29:16 it's been shrink wrapped and so I think
29:20 that's probably what they're trying to
29:23 move away from is there are there other
29:26 synthetic materials besides vinyl though
29:29 that are use on ships okay working on is
29:34 stuff that they use on ships it's not
29:37 canvas but it's not vinyl but it's a
29:41 synthetic material lasts a long time
29:43 holds up to sunlight all the things that
29:47 are bad protects against and I don't I
29:52 had the same question if you seem canvas
29:54 isn't very long-lasting not to mention
29:59 the fact that in this environment canvas
30:01 is organic and has mold and all that
30:03 other stuff grows on it
30:05 well synthetics don't do that right and
30:08 also there's a couple of different
30:11 purposes for canopies and I think what
30:14 you're highlighting Carl is an important
30:16 distinction like canvas would probably
30:19 be more for shade in the summer glass
30:23 and metal is probably more of a wet wet
30:27 weather protection and so it would be
30:31 helpful to understand some of that if
30:34 they're thinking about that it's not
30:36 that that you don't use canvas in wet
30:38 weather situations but you're right
30:40 those are some of the downsides so
30:42 that's a good question will for you and
30:44 one of the comments from the council
30:46 last night which I thought was really
30:47 good as it relates to weather protection
30:50 is somehow addressing how where you do
30:54 have weather protection if the purpose
30:55 is for all weather outdoor pedestrian
30:59 comfort a lot of times as you see from
31:02 the top photo what's underneath the
31:04 canopy is tables and chairs and so if
31:07 you're walking you're out from
31:08 underneath the canopy so it was a great
31:10 comment I'm not sure how you deal with
31:12 it because we want the tables and chairs
31:14 on the sidewalk but if they're under the
31:16 canopy then you're walking out in the
31:18 unprotected area so I thought it was a
31:20 great point and I think it's something
31:22 we have to think about as we put a finer
31:25 tune on this we've generally required
31:27 deeper canopies the other thing about
31:30 four feet is if it's I think they let it
31:33 go up to you
31:34 well twelve feet in height I'm doing
31:38 this from memory four feet up at 12 feet
31:41 up in the air doesn't provide much
31:43 weather protection so I think the other
31:46 piece is to look at depths that what
31:52 we've done is looked at depths related
31:54 to the height at which they're located
31:55 and having a maximum height because
31:57 there's a point at which the canopy is
32:00 really just an architectural feature
32:02 it's no longer weather protection and so
32:05 trying to figure out you know what is an
32:07 appropriate range so the four feet is
32:11 another good question to follow up onto
32:14 another question on page 91 of 93 under
32:18 urban parks were appropriate accessible
32:21 parts within three blocks of all
32:23 residents so they see I did a set a
32:26 standard that people develop property
32:30 they have to make sure they create works
32:32 in net and then and then the question
32:36 the other question is would the city
32:38 parks department have us want to have
32:41 some kind of say in this in terms of how
32:42 many parks they want to maintain the day
32:45 I got this I handed those pages right
32:47 and I know they have some thoughts I
32:50 think they were happy to see these pages
32:52 in there I think they were interested in
32:54 having some some you know the the parks
32:58 that they've picked a show in here are
33:00 the crown jewels of the Pearl District
33:02 in Portland it
33:03 jameson square and tanner spring and we
33:05 would be very lucky to have that quality
33:07 of park in our city but those are full
33:11 block parks that serve a large district
33:15 so i think part of the question is
33:18 minimum size maximum size frequency you
33:22 know if we're trying to do something
33:23 within three blocks which would be great
33:25 you know I mean having something within
33:27 a ten minute walk if you're going to be
33:30 denser and more urban is appropriate but
33:34 are those part of a project that are
33:38 then shared by the community are those
33:40 things that the city's providing good
33:43 questions I just don't I think we just
33:45 need to spend a little more time
33:47 understanding both with the parks
33:49 department and crandle Randal how to
33:51 sort of help set a framework that and
33:56 understand what they're suggesting and
33:58 what we think we can do right Thank You
34:03 mr. chair Lucy getting back to the
34:06 canopy again I guess I didn't I don't
34:10 think we want to limit the designer when
34:12 they come in
34:12 you know what can be provided what not
34:14 to be provided and and I read the
34:18 unappropriate this year oddly sized form
34:23 what does that mean no and the other
34:27 thing is oversize advertising for tennis
34:30 and I can see the example there but is
34:33 that what we really want we don't want
34:36 the commercial folks that have their
34:38 signs up there what happens if the guy
34:42 comes in with a canopy that slopes
34:44 towards the building is that an oddly
34:47 sized form you know glass going back
34:54 into the building so sloped towards the
34:56 building so the water gets into building
34:58 and then there's a downspout on the side
35:00 that goes down instead of sloping away
35:03 from the building word you know then
35:05 that's where all the rain the water drop
35:08 flying would be so an African coming in
35:11 with a canopy going the opposite
35:14 direction and said it
35:15 oddly sized form that we don't allow so
35:22 I guess you know I think we need to be
35:24 careful on what you put on that
35:27 inappropriate list and just let the
35:30 architect have some creativity to design
35:33 something and yet still within our
35:35 jurisdiction or reminisces know this is
35:39 not good now this is not what we mean
35:41 that kind of thing so in my mind right
35:45 now I don't know what odd besides form
35:47 means so judging by the page I would say
35:54 that the blue awning at the bottom is
35:56 considered an oddly sized form it's not
35:58 excited shaped oddly shaped and what the
36:01 attentive shape urban design thing is
36:04 you have a consistency and not have one
36:07 thing stand out to draw attention away
36:09 from everything else yeah that would be
36:11 an oddly shaped form yeah odd maybe your
36:15 interpretation that's an odd-looking
36:17 therapy to me I said no it's not not
36:20 it's okay I mean it's up for
36:23 interpretation absolutely and so by but
36:26 that's putting this category into the
36:28 inappropriate I think we need to be
36:30 careful to identify make sure that this
36:34 is what we want I mean I've seen I'm
36:38 sure everybody seemed canopy buildings
36:41 with slopes towards the building we said
36:43 an odd shape and one do you think they
36:46 make a provision for that here with
36:48 horizontal metal canopies and what that
36:50 implies is that will that will be that
36:53 type of canopy it would slow back little
36:56 a new piece injures a boat I get your
37:01 point
37:01 I guess I would ask isn't that isn't
37:03 that our job to then interpret what's
37:06 oddly shaped at the time it's presented
37:08 to us as long as we've outlined some
37:12 performance standard but I again you
37:15 know thinking that as a designer coming
37:17 in when he looks at this he says wow
37:20 oddly shaped forms is inappropriate I'm
37:24 not going to design my my putting on a
37:28 designer cap
37:29 I would say well I've been limited my my
37:31 creativity and just go with the regular
37:34 slope away from the building
37:35 that should get disapproved so let's use
37:38 the blue canopy as an example right so I
37:41 look at it and I see no relationship of
37:44 that canopy to the architecture of the
37:45 building so I'm going to call it odd
37:47 right and so let's assume I convince you
37:50 all that it is odd and we put a red
37:53 check on the worksheet and we say you
37:55 know what you've gotten you don't you're
37:57 not meeting this you know this
37:59 requirement because you have an oddly
38:00 shaped canopy the applicant has an
38:03 opportunity to tell us and convince us
38:05 no that's not oddly shaped it looks like
38:08 a big sombrero because I sell sombreros
38:10 I mean you know what I mean
38:12 so there's an opportunity I think for
38:14 them to explain and convince you as the
38:18 decision-makers that maybe we got it
38:20 wrong but you know because we're filling
38:22 out the checklist based on what we can
38:24 get from their application and they may
38:26 or may not have given us enough
38:28 information to have maybe taken a
38:31 different take on that canopy but
38:32 without any other information I think we
38:36 all probably have an opinion on whether
38:37 we think that blue canopy is oddly
38:39 shaped or not and that starts our
38:42 conversation here about does that meet
38:45 the intent of the design manual or not
38:46 you guys will then land in a certain
38:49 place based on some staff input because
38:51 we will have done a staff report for you
38:53 to consider and then the applicant gets
38:55 an opportunity to say okay I see you
38:57 gave me a red checker let me let me tell
38:59 you about that canopy and maybe that we
39:02 all go you go yeah I get it now it's a
39:04 great design we're totally into it yeah
39:07 selling hair oh and I understand where
39:09 you're coming from people but at the
39:11 same time I think we should give them a
39:12 lot of encouragement to come in with
39:14 different design and not just limit them
39:16 to this is how the design looks like go
39:19 look at the appropriate list don't look
39:21 at the if you look at if you come in
39:23 with underly an inappropriate list we're
39:27 going to have a long discussion and by
39:29 in his design he's got a lot of things
39:31 that he needs to get approval and this
39:33 is just another thing that he has to
39:36 argue or defend you know he's just going
39:41 to go with
39:42 the regular canopy you know it's cheaper
39:45 you know more regular and it's
39:49 appropriate and I know as a designer
39:51 putting on a hat designer I know the
39:53 city will prove it I don't need to come
39:55 up with something more creative that
39:57 looks different looks good I don't need
40:00 to do that I don't need to fight this
40:01 battle
40:02 I have other battles by the city so I
40:07 guess I just don't want to either
40:10 hands-on creativity I by locking them
40:15 down to you know things that it seems
40:20 like you know we need to release them
40:22 and have their great creativity to come
40:24 in and give us some good designs but
40:27 it's in fact the issue that we're facing
40:29 yes yes personally I kind of like this
40:33 paragraph I think of you district
40:36 driving down the abbé when I think it
40:38 went to see the vinyls in the oddly
40:40 shape
40:41 I'll definitely what kids you know we're
40:43 not talking to building we're just
40:44 talking about pretty much signage and
40:46 just an awning so I actually like that
40:51 we're not allowing vinyl or oddly shaped
40:53 awnings honor our streets and actually I
40:58 might go I'm iTAC Chua Lee put on
41:00 another requirement that maybe we
41:02 proposed color restrictions
41:04 maybe you can't have very you know like
41:06 we did with the buildings you can't have
41:08 a very bright blue or something like
41:09 that maybe they have to be toned down
41:12 and so I I think we're moving into
41:15 comments as opposed to a question so
41:18 let's those are good it's good
41:19 discussion but let's hold off and get
41:21 our questions answered first and then
41:22 we'll move into more substantive time
41:25 for comments question general is it
41:31 should we include any guidance on
41:33 building height here not necessarily
41:36 what maximum height of a building might
41:38 be what guidance regarding building
41:41 heights related to the enclosure section
41:43 for example where should a high-rise go
41:46 versus a low-rise building that kind of
41:49 thing should it be consistent building
41:51 height within blocks or is that a pro
41:55 grid for some other standard so I think
42:03 that an interesting question I think
42:10 that because they've established I'm not
42:14 quite sure which page the enclosure is
42:15 on so I'm doing this from this eighty of
42:18 ninety-three it looks like you right
42:25 they basically established you know if
42:30 you're setting back after four floors
42:32 then you're basically establishing a
42:35 street experience of no more than four
42:39 stories and so and then we also have the
42:47 styles that have certain height maximums
42:51 and so I think between the two what
42:54 you're going to end up with is a
42:57 character that's going to be
42:59 predominantly four stories long streets
43:01 okay so where would a high-rise be
43:04 permitted in this in the urban core so
43:07 Hagen went nine to ten stories there
43:09 something like that hundred twenty
43:11 five-foot building right so you know in
43:14 Vancouver for instance you have a sort
43:19 of two three-story podium with a taller
43:23 structure behind that some of them are
43:27 probably 15 or 20 stories and so I'm not
43:31 saying that this is intended to emulate
43:33 Vancouver I think they have a different
43:36 they're putting out a different vision
43:39 for is quoi but I think in that sense
43:41 that if you're setting back 20 feet
43:45 above four storeys then you are going to
43:49 generally from the street perceive a
43:51 four-story building even if it's much
43:55 taller yeah I guess behind my question
43:58 is some concern I've heard from the
43:59 community about high-rises and how they
44:01 might be integrated into central
44:03 Issaquah and so on
44:08 so are you suggesting are you trying to
44:11 talk about changes to the actual heights
44:13 or are you trying to talk about how to
44:16 handle the heights that are allowed
44:18 right the ladder that could we have some
44:21 guidance in this document that would
44:23 discuss that especially because say on
44:25 this page 80 of 93 right there talking
44:28 about the whole idea of enclosure within
44:30 blocks and to have that consistent and
44:32 so on and it just occurred to me well
44:34 would you allow a high-rise building
44:36 within that would you allow two storey
44:38 building within that if so where is your
44:40 idea of enclosure right because there
44:45 would be a block of uneven Heights it
44:48 would be the opposite of enclosure
44:49 I don't know that uneven Heights are I
44:53 think that probably the gaps in the
44:55 street wall are more impactful than
44:58 uneven Heights would sit within a
45:01 certain range right and but similar kind
45:04 of effect yeah right so I think that the
45:06 you know the one two three four stories
45:10 is not I mean I think we're going to
45:13 keep getting a lot of one storey
45:15 buildings just because to justify
45:17 redevelopment you're going to have to
45:19 get more development on the site to pay
45:21 for it so we're probably looking at a
45:23 street that feels like it's two to four
45:26 storeys and so I'm not sure that a
45:32 consistent height will be the key as
45:35 much as a consistent street wall I don't
45:39 know if that answers your question I
45:41 guess the concern still remains about
45:43 where are we going to permit 12 storey
45:45 buildings do we have any guidance for
45:47 example to do that at all in this
45:49 document or elsewhere yes okay I mean
45:53 the central is squad standards have
45:55 height limits in them right right
45:57 so that would mean that buildings would
45:59 occur anywhere within central Issyk wall
46:01 because it has high limit of 125 feet
46:03 what did you say so so there's not in so
46:06 to clarify when Lucas had not in the
46:08 design manual there's not you know so so
46:11 the architectural piece has some
46:13 limitations on architectural styles
46:16 based on height and we uncovered that
46:18 week ago that's just a week ago and so
46:21 but for urban design and I think the
46:24 point that Richards making is you know
46:26 right now the code so now we're going
46:29 from design manual to code the code or
46:32 the zoning standards for Central
46:33 Issaquah have a maximum building height
46:35 based on the zone whether it's the core
46:38 or the mixed use area it's got a certain
46:40 limit of height and whether you
46:42 incorporate the density bonus or not
46:44 gives you the ability even go higher I
46:47 would say that although this is this is
46:50 developing design issues like enclosure
46:53 and street wall if I had a piece of
46:56 property and I wanted to put a 10-story
46:58 building and I mean the core could do
47:00 that I have to pick the right
47:02 architecture which if I'm in the core
47:04 it's north west contemporary but I could
47:08 do that on any block with any
47:10 surrounding land use based on the
47:13 current what's in front of us now okay
47:17 so if there's if there is a conversation
47:19 that the Commission wants to have about
47:21 building heights and maximum building
47:23 height that that may be relevant but may
47:26 not be relevant to this particular tool
47:28 but that could be again a comment that
47:31 gets conveyed back to the council as
47:33 just a parking lot thing for the city to
47:37 deal with maybe in a different venue I
47:39 don't know I don't know that that
47:41 conversation is not going to happen
47:42 somewhere soon it just may not be
47:45 associated with the architecture and
47:47 urban design manual for central is a
47:48 clock so I don't that's not a very
47:52 satisfactory answer but it's it's the
47:55 one I've got
47:55 Thanks add sounds like it's a little out
47:57 of scope of the organ design manual
47:58 right now and that probably more like
48:00 the central looser coil and development
48:02 design I think it's so if I was if I was
48:05 going to choose to give a developer a
48:08 clear understanding of what he can and
48:10 can't do I'd tackle it there and not in
48:13 here because this is more this is more
48:17 cakes and frosting that's more main
48:20 course more prescriptive indeed but I
48:23 mean you're also bringing up an
48:25 important point is that these pieces are
48:27 not unrelated
48:30 on that same page Lucy on page 80 of 93
48:33 on the description it says upper floors
48:36 before shall be set back 20 feet so do
48:41 they mean it has to be exactly 20 feet
48:44 or did they intend to say at least 20
48:47 feet and provide some leeway or do you
48:52 should ask you what you think they
48:54 thought that way it's written it sounds
48:58 like it has to be 20 feet yeah all cases
49:02 I'm not doing a very good driving this
49:06 document as I try and move through it
49:08 I'm sorry I see it flash fine yeah I
49:15 think that's a great question no I don't
49:17 know the answer I've asked that the
49:21 intent is that 19 feet 11 and 20 feet 1
49:27 are both unacceptable but it's a good
49:30 question I mean the door the 25 right
49:33 you see a minimum but having that is the
49:36 maximum - that sounds strange yeah they
49:40 make the same reference on page 83 of 93
49:46 also that provides under descriptions is
49:53 provided 20 foot setback
49:57 and on
50:01 and then the question mr. chair on that
50:06 I have on page 83 of 93 in addition to
50:10 that 20 foot setback on the first
50:12 paragraph it says that the building
50:14 adjacent the natural area shall be
50:16 setback is there a definition of how far
50:21 setback is this is a budding natural
50:27 areas so the first floor first four
50:31 floors should be set back the question
50:35 that I have found we know how far they
50:38 should sit back well or is there ever
50:46 there's a baggy so that back above so
50:48 this debt back building it up at the 20
50:51 feet yeah he's 21 so what they're saying
50:53 is so so for the face of the building
50:56 that's next to the creek you have the
50:58 building face and then above four floors
51:00 you have to step it back 20 feet and we
51:04 got to unpack that and figure out if
51:06 that's magic in any way because the idea
51:09 there is again you want to open up that
51:13 natural corridor to get more light more
51:15 Sun all that kind of stuff and not just
51:17 have a bunch of flat building walls
51:19 against it you know plus part of this
51:22 concept is treating those as amenities
51:25 for public interface and so you know you
51:30 know trails we we sat down with them and
51:35 one of our bigger employers in town
51:37 yesterday and talked about one of the
51:40 proposed buildings that's going to come
51:42 to you guys soon and how they're
51:44 treating their adjacency to Issaquah
51:48 Creek and I think it was trail and
51:51 creating public spaces on that side of
51:55 the project is as important that's how
51:57 they relate to the street so I think I
52:00 think what they're saying here is that
52:02 step back on that natural edge not only
52:06 doesn't give you such a rigid urban form
52:09 next to the natural amenity because that
52:13 then become
52:13 very abrupt but it also then allows for
52:16 more Sun and wind and everything else to
52:18 get into that space and you're using the
52:19 same sort of scale techniques in both
52:22 areas where you're anticipating
52:23 pedestrians I understand that but if you
52:26 read the two paragraphs you know if you
52:30 read the two paragraphs to me it says
52:33 the first four floors has to be set back
52:38 and it doesn't say how far so where are
52:41 you reading that right because I have a
52:42 big eighty-three now I'm reading on 83
52:45 so it says a guideline is in description
52:47 if you read the two paragraph buildings
52:50 adjacent to natural areas it doesn't say
52:52 shall be set back it says shall be
52:55 stepped back so what that means is that
52:59 treatment of stepping back upper floors
53:01 is that's what they're talking about
53:03 they're not saying set back they're
53:05 saying it'll be stepped back well
53:07 actually what they're if you look under
53:11 description the second sentence where
53:13 I'm sort of pointing provided 20 foot
53:16 setback for all floors above the fourth
53:20 floor so I think wherever you're placing
53:23 those first four floors then you would
53:26 have 20 feet exactly and then go up
53:31 additional floors if they're present
53:34 okay so the question that I have is that
53:36 to clarify what you just said Kevin is
53:39 that the first four floors can be up
53:43 against where the property line is for
53:45 natural areas I know but but that would
53:50 also you would have setbacks from the
53:53 code anyway we already govern that so um
53:57 would be regular say that it may be that
54:00 something may need to clarify there's a
54:02 sit back right so there's an so back to
54:04 the table we saw earlier on building
54:07 heights also has step backs yeah
54:11 setbacks if it's a critical area that's
54:14 a different thing but if it's just a
54:16 natural amenity
54:18 [Music]
54:20 sorry I think Oh actually if you look at
54:24 page 70 let me see if I can get that up
54:28 here on 69 they have them and no 60 I'm
54:40 sorry
54:40 70 of 93 which is page 62 that's they
54:51 are describing
54:53 I think the page that you're looking at
54:56 ray is relevant but it needs to be
55:00 combined with this natural context page
55:03 and the map on the page before and that
55:06 there are a number of a number of
55:10 actions that are necessary and as both
55:14 Connie and Keith pointed out critical
55:17 areas themselves have a required buffer
55:20 and then another building setback area
55:22 so you couldn't be right on the either
55:26 the buffer or the critical area yeah
55:28 but further they're asking for you know
55:31 so if you look at and I completely agree
55:35 with you everything needs to be numbered
55:37 so that we are not pointing at bullets
55:40 visually like bullets better but I've
55:43 learned the hard way that that doesn't
55:44 that makes it hard to write staff
55:47 reports and have conversations but on
55:49 the fourth bullet under appropriate
55:51 public access walkways between regulated
55:55 Creek or wetland open space and the
55:57 building frontage so the intent is to
55:59 get people into these areas and so you
56:04 know that may be part of a it may be
56:10 part of the building setback area which
56:13 can have something like a you know a
56:16 paved trail but it's beginning to give
56:23 some breathing room I guess between the
56:25 critical area and the building well all
56:27 that I'm saying
56:29 is that you know on page 83 that set
56:33 backwards you step back I think we maybe
56:35 we need some clarification on that
56:37 because first paragraph says sit back
56:41 and then the second paragraph has said
56:43 anything above four floors shall be set
56:47 back
56:48 I think the second paragraph should say
56:51 step back with that 20 feet step back
56:55 but on the first paragraph you should
56:57 say sit back okay so I think they have
57:02 it right right I think I have a right I
57:05 think they need a step is go up and it
57:09 steps back right and they're going to
57:11 say that step that step back has to be
57:13 set back 20 feet so 20 feet should hear
57:16 you sit back we'll fix the language I
57:20 mean we could just say should be
57:21 terrorists or stuff okay question mr.
57:29 chair hung on page 82 of 93 under us
57:41 sorry sorry sorry page 86 12 93 86 of 93
57:54 under inappropriate we're not allowing
58:01 or it's inappropriate have blue-tinted
58:04 reflective in other opaque materials or
58:06 treatment why is that and it's the same
58:14 thing on page 87 also they say glazing a
58:18 distant that isn't appropriate
58:20 reflective in other opaque material and
58:23 the rationale is behind that well we
58:25 want generally we want i think they
58:28 added the word blue because we had
58:29 questions there are certain kinds of
58:32 tinting that goes into windows that's
58:34 that's kind of imperceptible but
58:37 improves the light quality inside but
58:41 mostly what we're trying to get at is
58:44 that it needs to be clear glass so that
58:46 you're seeing that you know if we're
58:47 going to put these active uses and these
58:50 windows you want to see what's going on
58:52 there that's part of that relationship
58:54 between the public realm and and what's
58:58 going on in the buildings so I think
59:00 what they're trying to get at is the
59:03 those are a list of some of the ways
59:06 that you prevent that sort of visual
59:09 connection yeah and I agree with you
59:12 that's probably what it is have that
59:13 transparency that openness between
59:16 inside and outside but at the same time
59:18 you know I've seen and you know you can
59:22 put a strip of reflective glass that
59:25 smoked glass that provides a little bit
59:27 of a privacy inside you can see the
59:29 folks in there but you can't see what
59:31 they're eating and have that that that
59:34 strip of opaque not opaque but tinted
59:39 shade that provides a little bit of
59:43 privacy so so loosely like that under
59:46 inappropriate I guess I don't quite
59:48 agree with that or maybe if anything
59:52 would be limited number of tinted area
59:55 in a glass or windowpane something which
59:58 is recovering this and comments then and
1:00:00 discussion
1:00:09 specific questions more had a question
1:00:12 on page 75 of 93c so one of the
1:00:20 guideline it says through blocked
1:00:21 passages shall be provided to break up
1:00:23 blocks over 240 feet and lengths so does
1:00:28 that mean 240 feet in width or 400 in
1:00:31 length
1:00:40 it's document page 67 loosing grab 67
1:00:44 thank you these little gray boxes are
1:00:49 like almost imperceptible when I'm
1:00:51 looking on this screen so I apologize it
1:00:53 just takes me a while to find it so um
1:00:55 can you just a touch above that it's in
1:00:58 a you got right there the guideline it
1:01:01 says 240 feet and length right so does
1:01:05 that mean it's a 240 feet in width or
1:01:07 400 in length or neither so a block is
1:01:12 so they've given us a maximum block
1:01:16 lengths and as sort of a minimum block
1:01:19 lengths of the 240 so as you begin to in
1:01:24 on either dimension of the block if
1:01:27 either one of those exceeds 240 feet
1:01:30 you're looking at a super block passage
1:01:32 okay so with that always be then 240 it
1:01:37 couldn't be 240 feet in length because
1:01:39 there there spec 400 by 240 right links
1:01:42 by width they may not always be that way
1:01:44 I mean we have a lot of I mean part of
1:01:47 the challenge that we're facing is those
1:01:49 existing buildings and so as as Carl
1:01:53 pointed out in a not Greenfield
1:01:55 situation we're going to be working
1:01:57 around that so you may have blocks that
1:01:59 are 240 by 240 or 240 by 340 or 240 by
1:02:05 420 I see so they are saying anytime a
1:02:08 block maybe 400 feet in length that it
1:02:10 needs to be broken with a through block
1:02:12 passage okay thank you thank you
1:02:23 other questions
1:02:30 it's free to pass go for it if I could
1:02:36 just make a I don't know whether this is
1:02:38 too constraining but would it be
1:02:40 possible to go through page by page what
1:02:42 said that we're not jumping back and
1:02:44 forth now that we're going to do come it
1:02:46 sounded like we're moving on from
1:02:47 questions to comments it did I
1:02:49 misunderstand yeah I think what I'd like
1:02:51 to do first is ask if there's any
1:02:53 comments from Bella I would thank you
1:02:54 sorry I heard the word comment right
1:02:57 well no that's what I said but so if you
1:03:00 want to make comment we'd like you to
1:03:02 sign in and make a comment
1:03:10 I will I'm gonna say there's a phrase
1:03:14 remaining I didn't assign you to be my
1:03:15 new yeah her believe I am her the key
1:03:19 okay my name is Connie Marsh and I live
1:03:22 up on squawk and so I've been running
1:03:26 around taking pictures of town and
1:03:29 buildings ok which has been sort of
1:03:36 fascinating and eventually you'll
1:03:39 probably see some of the pictures anyway
1:03:41 but that is brought a bit of a new
1:03:44 perspective into how this might function
1:03:52 so where do I begin
1:03:55 you all were with me in the past when
1:03:57 people would bring things in and you had
1:03:59 a hard time being able to say no we
1:04:02 don't want that we want this and it was
1:04:07 like well it doesn't say shell it's not
1:04:09 required
1:04:10 it says should and this is an
1:04:13 interpretation that we chose to make and
1:04:17 so here you are so as I'm walking those
1:04:21 blocks and seeing all these things that
1:04:24 didn't go well I become way more firm in
1:04:30 the conversation of when can you all say
1:04:35 no and how can you support it with what
1:04:39 language when staff has presented it as
1:04:43 okay and so far in this I don't see that
1:04:48 the language is there for you to use I
1:04:51 see lots of shoulds I see if you were to
1:04:55 choose is this good enough and that
1:04:59 doesn't seem like something to rest your
1:05:02 feet on and say no it has to be like
1:05:06 this because this language says so
1:05:09 so my bigger concern is our whole goal
1:05:11 is to make it so you all can say no and
1:05:16 I'm not convinced and perhaps what I
1:05:19 would need is I would need a the youth
1:05:23 the new tool laid over the top of the CI
1:05:27 DDS tool and try it and see if you could
1:05:32 you could make it happen using even an
1:05:34 existing building because there's plenty
1:05:36 of buildings to say yes and no two out
1:05:38 there in our town I'm here to tell you
1:05:40 because I don't want the same argument
1:05:44 to happen after all of this time okay so
1:05:45 that is my overarching concern in some
1:05:48 sort of potential solution to see how it
1:05:51 would work for you all staff is trying
1:05:53 to see how it works for them then I have
1:06:01 a little bit of heartburn over the
1:06:04 Front's of buildings because you're
1:06:06 supposed to pay attention to the
1:06:07 critical area the park the potential
1:06:11 pass through and the street so say you
1:06:15 have a retail building with that back to
1:06:18 a critical area are you mandating a
1:06:22 double entrance I just don't know how
1:06:25 many fronts of building needs to have
1:06:28 and then when you put that over the top
1:06:30 of where you can park it turns into a
1:06:38 puzzle that I haven't been able to
1:06:40 unravel I got some great examples of
1:06:42 don't do this in my pictures but I so
1:06:46 far haven't found the perfect thing not
1:06:49 having the parks sort of lined out on a
1:06:53 map when it says they need to be within
1:06:56 X distance of everything seems to be
1:07:00 such a gap if we're trying to create the
1:07:03 green necklace and they've disturbed a
1:07:05 distance and there's no dots I know that
1:07:07 the map is in progress but it does seem
1:07:09 like we have some of the critical areas
1:07:11 they're not all the parks are
1:07:13 conspicuously missing and I think that
1:07:16 would help
1:07:17 and then context and I think they did
1:07:21 okay on some of the context but they
1:07:24 didn't talk about the view protection
1:07:26 and I thought it was disturbingly
1:07:29 difficult to understand how to protect
1:07:32 the views of our Great Hills because
1:07:33 that was the best thing about the walk
1:07:35 around town
1:07:36 and they don't want to lose that but I
1:07:38 don't see any guidance or language here
1:07:40 that will help you protect one of our
1:07:42 core values of the city I so I would I
1:07:46 would say we need to get that language
1:07:48 put into place because I don't think the
1:07:50 CI DDS standards do it for us okay I'm
1:07:55 almost done I swear the setback from
1:07:59 critical areas we have filled the
1:08:02 setback from critical areas buffers with
1:08:05 parking consistently through town for
1:08:08 the last god I don't I don't even know
1:08:10 30 years so every place I go critical
1:08:13 area parking lot building and so well
1:08:17 you all seem to be saying we're going to
1:08:18 continue a setback from the critical
1:08:21 area buffer these guys are saying well
1:08:24 you can't have it be parking and so it
1:08:27 has to be something and so I propose
1:08:30 that you get rid of the setback and you
1:08:34 say well if you do not reduce your
1:08:36 buffer at all you can put your trail in
1:08:39 the outer tooth three-quarters of the
1:08:41 buffer and you can put your building
1:08:43 right up to a complete buffer and try to
1:08:46 activate our critical area buffers with
1:08:49 people because when they see them they
1:08:51 own them and they will protect them and
1:08:53 right now they're hidden behind bushes
1:08:55 at the backside of parking lots with
1:08:56 faded signs behind fences and it does
1:08:59 the critical areas and us no good
1:09:02 whatsoever so I would actually propose
1:09:04 that as a change in that would allow the
1:09:07 developer actually to have a little more
1:09:09 room in this labyrinth of things that
1:09:12 they can't do okay you're all looking at
1:09:15 me look at these eyeballs like what did
1:09:17 she say well maybe somebody knows Thanks
1:09:25 you know if let's say this as you try to
1:09:28 walk by the sign in shape I will just
1:09:35 photocopy the one from last week
1:09:39 no but Mary's already on here
1:09:41 what's got you dog I didn't say that I
1:09:51 added
1:09:52 I added tonight's date to last week okay
1:09:57 so thank you
1:09:59 three comments so how about this general
1:10:02 discussion what what do people want to
1:10:04 say or do we want to go through as
1:10:05 Lucy's those are games I'm sorry that's
1:10:08 right okay I mean I just proposing it
1:10:11 like that because then we don't end up
1:10:13 bouncing around all over I do have to
1:10:16 confess that I liked the page after page
1:10:18 after page as opposed to flipping back
1:10:20 and forth I'm unfortunately a bit of a
1:10:22 linear thinker in that regard well a lot
1:10:26 of linear thinkers now were there to
1:10:29 talk about unless there's something on
1:10:33 the cover of the urban design section
1:10:35 I'm on page 16 which is page 68 of
1:10:41 trying to get a PA of 93
1:10:50 so any comments about the next page 69
1:10:57 the map button so is that the draft map
1:10:59 to be refined is that where we're going
1:11:01 to this one have to do with the changes
1:11:06 with urban core taking out that section
1:11:08 or no I think there are a couple of
1:11:12 things that we have been talking to
1:11:15 Crandall arandora about and it would be
1:11:17 great if the Commission has some
1:11:19 thoughts about that so one easy example
1:11:22 to identify is Hill sites is it things
1:11:26 10% 15% we use 15% of islands but
1:11:31 maybe 10 percents more appropriate here
1:11:33 or 20% some more appropriate here you
1:11:35 know we haven't I think that that what
1:11:37 they're identifying is an important
1:11:39 thing because you know there is this you
1:11:44 know they kind of indicated there's this
1:11:45 ring of hillsides and as I pointed out
1:11:48 it continued here and then continue up
1:11:51 you know there's Cougar Mountain there's
1:11:54 sort of the toe of squawk and there's
1:11:56 the edge of the plateau I guess so there
1:12:01 it's all along there but you know we
1:12:05 didn't know off the top of our heads
1:12:07 what percentage that was and and wanted
1:12:11 to figure out what was the right
1:12:17 percentage but and unless you guys are
1:12:21 topographic experts percentages may not
1:12:23 be very useful because it if you think
1:12:29 about it there are many streets that are
1:12:31 15 percent and it's the loss images on a
1:12:33 bicycle of which pay needs well I mean
1:12:38 for instance I do know that a lot of the
1:12:42 roads that are along this edge of Cougar
1:12:45 Mountain have to be you know 18 percent
1:12:48 to get up
1:12:49 James bush roads an example which I in
1:12:52 goes to 22 I guess at some point so
1:12:55 that's a pretty steep hill so if you're
1:12:57 thinking about that as an example is is
1:13:00 it that kind of steepness at which
1:13:03 we want to have this kind of this kind
1:13:09 of relationship this kind of
1:13:10 architectural and site planning gesture
1:13:13 or is it a more gentle slope would be
1:13:16 appropriate to so Lucy
1:13:20 so I'll just admit I'm confused on this
1:13:23 one so I'm going to just go ahead and
1:13:24 maybe say something that's not very
1:13:26 informed so are there any hillsides
1:13:30 within central Issaquah or they all
1:13:32 backdrops so there are there are central
1:13:36 there are and the Commission is
1:13:40 painfully aware Innes wood gateway
1:13:44 gateway senior Riva
1:13:48 and we also know the very preliminary
1:13:52 early proposed black nugget a hotel
1:13:54 those are or Fred Meyer site those all
1:14:01 have so okay so let's just stop there
1:14:04 for a second so I guess what I would say
1:14:06 is there's a difference for me from
1:14:09 taking a look at cougar tiger or squawk
1:14:12 and the horrible-looking wall behind
1:14:15 Fred Meyer right
1:14:16 still a hillside but I don't know that I
1:14:19 want to see it right I mean so I mean I
1:14:21 think the question is are there
1:14:23 different hillsides or if there's a
1:14:25 certain slope we keep them all the same
1:14:27 because I mean that one's got Scotch
1:14:30 broom and other invasives going on and
1:14:31 behind a falling apart Soldier pile wall
1:14:34 and I mean I think I appreciate the fact
1:14:38 that we have buildings that cover some
1:14:39 of it up right as opposed to maybe what
1:14:42 we've been talking about in terms of
1:14:44 framing views for like cougar squak and
1:14:47 tigers so I guess you know for me and
1:14:50 again this is my ignorance for
1:14:51 understanding the rest of this chapter
1:14:53 of the manual is what are we using the
1:14:56 designation of hillsides for is it for
1:14:59 mostly kind of views and then are they
1:15:06 all the same or not so um I think it'd
1:15:11 be great to have a conversation about
1:15:12 views I think that this
1:15:15 is this particular one the way I've read
1:15:19 it not an expert I'm guessing as much as
1:15:22 anyone is more about building form and
1:15:27 how it relates to or highlights or
1:15:32 respects these certain kinds of natural
1:15:35 areas now I would say because this was
1:15:39 one of the thoughts I had in in thinking
1:15:42 about this is and I think you the
1:15:46 Commission saw this with for instance
1:15:47 Gateway senior that when you have
1:15:50 buildings that are on that are coming
1:15:52 down the slope at you know starting at
1:15:55 the top like gateway senior then you've
1:15:57 got certain kinds of things that you're
1:15:59 trying to do to not just have a big
1:16:01 blank wall of concrete that's holding up
1:16:03 all the active areas and so what you
1:16:08 require on a hillside may be different
1:16:12 than what you require next to something
1:16:14 that's going to maybe be flatter like a
1:16:16 creek or a wetland or other kind of open
1:16:20 space because if you look at this map
1:16:22 this isn't just about critical areas I
1:16:25 mean for instance the ponds in Pickering
1:16:28 are there so these are you know so a
1:16:33 question for the Commission is what kind
1:16:36 of green spaces do we want to have that
1:16:39 sort of treatment for is it only creeks
1:16:42 and wetlands or does it include other
1:16:45 green areas that are not just
1:16:47 undeveloped land but land that's going
1:16:49 to remain that way so that's one
1:16:52 question another one is what kind of
1:16:55 relationship are we looking at for
1:16:57 hillsides and then the third would be
1:17:00 the view question go well that you know
1:17:10 look in the description for hillsides on
1:17:13 on page 70 of 93 because wooded hillside
1:17:16 is greater than 10% slope I think that
1:17:19 would eliminate the black nugget Road
1:17:22 hillside there's no force no force left
1:17:26 up there yes justice
1:17:27 it's and that's a really good question
1:17:29 that was one of our questions was if
1:17:34 it's not touristed now but you might
1:17:38 want to reforest it or you know there
1:17:44 may be architectural treatments you want
1:17:46 even if it's not forested I mean these
1:17:48 are these are the questions yeah but to
1:17:50 me it would seem appropriate because in
1:17:52 talking about building design adjacent
1:17:55 to and trying to make an army well it's
1:17:58 a big wall and dirt above I don't I
1:18:03 don't want to necessarily complement
1:18:04 that how can I replace it right right
1:18:07 exactly so so it seems like the only
1:18:10 other real hill side that comes into
1:18:12 play then would be the down by Innes
1:18:15 would show that that hatch part so um I
1:18:20 I do think it's important to note that
1:18:22 this whole you know sort of hillside
1:18:24 that comes along here also even though
1:18:27 it's not in the central area well this
1:18:29 is all in central Issaquah up where BMC
1:18:32 lumber is yeah so the hillside is right
1:18:35 outside of it but since you're adjacent
1:18:37 to it it comes with that one yeah and
1:18:38 that's it no thank you for the
1:18:40 clarification yeah that's great okay and
1:18:42 you know to some extent that's true here
1:18:46 you do have the site sloping but most of
1:18:49 the hillside is outside of central is
1:18:51 quad but is that backdrop to a central
1:18:53 is cloth
1:19:07 well do you want us to go to page 72
1:19:10 look beyond them if we go past the map
1:19:14 on page 69 do we want to talk about page
1:19:16 70 then is the question you're having on
1:19:18 on this map what would constitute what
1:19:22 would constitute hillsides it if they
1:19:29 specified a percent slope for hillsides
1:19:31 and that's what's shown in the green
1:19:34 hash is ten percent so they said ten
1:19:37 percent like I'm pretty confident that
1:19:39 they did not have GIS technology to map
1:19:43 the 10 percent slips I think that you
1:19:46 know when you look at our topography on
1:19:48 some of the maps that they did have it's
1:19:50 it's apparent where you know you've got
1:19:53 a hillside just from the tightness of
1:19:56 the contour lines so I think what this
1:19:58 map represents is obvious hillsides that
1:20:01 are surrounding Central is qua not a ten
1:20:05 percent slope per se so when you're
1:20:11 asking if we think that's okay or we
1:20:15 want to define it more or less I and I
1:20:19 think to be fair I'm not asking you to
1:20:21 give me a percentage but to maybe talk
1:20:26 about if you have thoughts about how you
1:20:30 would like to have these relate which
1:20:34 kind of hillsides do you think are
1:20:35 important to either in terms of viewing
1:20:38 or building into or up against and the
1:20:43 same with the natural areas parks and
1:20:45 open spaces do when you look at some of
1:20:51 the areas on the map as I mentioned like
1:20:54 Pickering ponds or some of these areas
1:20:56 for instance near the Commons not all of
1:20:59 those are wetlands some of those are
1:21:01 kind of green corners and I haven't had
1:21:04 time to dig in to figure out what they
1:21:07 are and I'm not asking you to do this
1:21:10 instantaneously but just simply if you
1:21:13 have thoughts about what kind of natural
1:21:16 areas open spaces and parks
1:21:20 you would like to see this plan use
1:21:23 special techniques relative to well I
1:21:31 really like to thought of protecting our
1:21:32 health sides from development you know
1:21:35 we've seen lots of instances of where
1:21:37 it's gone wrong definitely um the
1:21:42 development to our further west on i-90
1:21:45 where there's some of you what's that
1:21:48 Bellevue yeah or there's some landslides
1:21:51 already and you know who's dealing with
1:21:53 that I think it's good to stay away and
1:21:56 preserve them because that's part of
1:21:58 what makes there's a clause so so great
1:22:06 so I guess Lucy as I read the sentence
1:22:10 under guideline on page 70 I think I
1:22:14 mean I think it's not exactly right so I
1:22:18 mean I think so you could take out and
1:22:20 the reason why I say it is you take out
1:22:21 the first premise and just start with
1:22:23 new development and I think that's a
1:22:25 true statement no matter where it is I
1:22:27 mean we want new developments to support
1:22:29 the unique setting of central Issaquah I
1:22:31 think that's a period I think I think
1:22:33 what they're trying to say is if you're
1:22:34 near one of these natural areas you
1:22:37 should your development should support
1:22:40 and strengthen the Natural Area the
1:22:42 natural context that it's in and I think
1:22:45 it didn't quite it doesn't come quite
1:22:47 come across that way might
1:23:02 no on that page that the death of on the
1:23:05 inappropriate just in this whole idea
1:23:07 and trying to read through this and
1:23:08 understand what their meaning about
1:23:10 complementing and reinforcing the
1:23:12 natural environment I got kind of
1:23:15 concerned I'm not sure if this is in
1:23:17 line maybe with Connie is talking about
1:23:19 but the inappropriate things the large
1:23:22 expanse of impermeable and permeable
1:23:25 paved outdoor areas or large expanses of
1:23:29 manicured landscaping areas it sounds
1:23:31 like they're saying the only thing you
1:23:32 can do is like have a trail our natural
1:23:36 area next to it and then to me it seems
1:23:40 to conflict with the idea that we want
1:23:42 people to be able to enjoy those open
1:23:45 areas those natural areas and if we're
1:23:48 saying you can't build a plaza there for
1:23:50 people to sit and have lunch or so the
1:23:54 key word there so and and maybe I'm
1:23:56 reading too much into it but for me the
1:23:58 key word is impermeable and I guess the
1:24:00 question is is so what if your Plaza was
1:24:02 pervious you know what if it had more of
1:24:05 a of a natural kind of context to it I
1:24:09 don't think I don't think they're saying
1:24:11 you can't have a public space on that
1:24:13 face I think what they're trying to say
1:24:16 is it should be designed in a way that
1:24:17 one you know
1:24:19 maybe doesn't maybe it's not just
1:24:20 concrete right maybe that's there's what
1:24:22 they're saying is you need to take a
1:24:23 different design approach to it if
1:24:26 you're on the natural side of the
1:24:29 project well but I understand but I was
1:24:33 thinking about that with the atlas some
1:24:36 of the discussion has been about well it
1:24:38 was not oriented to take advantage for
1:24:41 the residents of what's going along the
1:24:44 creek there and I think well if you want
1:24:47 to bring residents down and if you want
1:24:48 to have outdoor seating it's harder to
1:24:51 do that I think in you know contact
1:24:53 gravel or grass or whatever and to have
1:24:56 a courtyard that's impermeable I think
1:25:00 could be a nicer way to get people and
1:25:03 that would be I'm assuming restricted by
1:25:05 what you can do in any buffer zone right
1:25:07 you couldn't do impermeable well I think
1:25:12 I think that the the point that keeps
1:25:14 trying to make is
1:25:16 an interesting one because they don't
1:25:18 think under appropriate there's anything
1:25:20 that would indicate you know that would
1:25:22 complement that and say these larger
1:25:24 outdoor I mean I agree with what you're
1:25:26 saying now that we think about Pickering
1:25:29 I don't know whether you ever walk
1:25:31 around tinkering pond or whatever it's
1:25:34 called you know Costco has all those
1:25:36 large terraces that face out there and
1:25:39 that's one of the nice things about
1:25:40 walking there on a sunny day at
1:25:42 lunchtime is they're full of people
1:25:44 eating and you know quite frankly you
1:25:46 can go up there and sit with them and
1:25:48 they're not going to know what you know
1:25:50 there's enough people there that they
1:25:51 don't know who it is and they're
1:25:52 certainly welcoming of that and and so I
1:25:56 would agree that we if that's what we
1:25:59 want and it's simply about material then
1:26:02 we need to add something if it's about
1:26:05 not wanting that I'm not sure that we
1:26:07 would agree because we do want that kind
1:26:09 of interaction and and based on some of
1:26:13 the conversations that we've had with
1:26:16 Crandall Randall I think they would say
1:26:18 the same thing they they want people to
1:26:20 enjoy it I think I think that they're
1:26:23 trying to find ways that it might feel
1:26:28 less urban than what you would do at a
1:26:31 you know a corner of a building right up
1:26:34 against an intersection that kind of
1:26:36 urban Plaza would be different than the
1:26:38 kind that you would build facing a
1:26:40 wetland so I think they're suggesting
1:26:44 that that sort of distinction that is it
1:26:46 coming through at this point if that's
1:26:49 our intent yeah or in my mind I think
1:26:52 maybe in my mind they've gone too far
1:26:54 partly because you can't do manicured
1:26:57 landscape dairies either which I presume
1:26:59 means grass so if you can't have a
1:27:02 grassy area and you can't have Imperial
1:27:04 services so it's I don't get to make its
1:27:08 bark or sand or compact gravel or some
1:27:11 but it can't be compact gravel that's
1:27:13 actually am considered for avails right
1:27:15 yeah I mean I think it's a good point
1:27:17 yeah okay
1:27:22 of a general census we do want to
1:27:25 provide public access to those natural
1:27:28 areas and not not restricted if there's
1:27:30 a convenient way to do it it doesn't
1:27:31 impact adversely impact the natural area
1:27:34 right and I think it's just to take what
1:27:37 you're saying Richard a little further
1:27:39 it's not just access because that could
1:27:41 be a trail so but it's also a space
1:27:43 where you might be able to sort of
1:27:45 linger or gather or and meditate or you
1:27:50 know just enjoy the beauty of that
1:27:53 critical area and have that sort of
1:27:55 awareness that Connie was talking about
1:28:00 some more thoughts on page 70 we're
1:28:02 going to move ahead I know it's cool in
1:28:06 here and it's hot out there so we can
1:28:07 stay all night
1:28:08 [Laughter]
1:28:10 speak for yourself yeah
1:28:13 so let's move here page 71 any
1:28:16 discussion comments concerns boring I'm
1:28:23 sorry I did you say that out loud I did
1:28:26 was you know private development
1:28:29 especially residential commercial
1:28:30 architecture shall serve as background
1:28:32 buildings and I I don't know I don't
1:28:37 know that I don't want really body
1:28:41 buildings but I don't know that I want
1:28:42 people to design background buildings
1:28:45 for saying okay so maybe we should take
1:28:51 a step back and just discuss what that
1:28:52 when you think of a background building
1:28:55 what does that mean to you know that
1:28:58 there's no modulation it's just going to
1:29:01 be a boxy structure that's tan or gray
1:29:05 and all the same windows and so I that I
1:29:14 would say a background building was
1:29:16 something else I wouldn't say that it
1:29:18 didn't have interest and it didn't have
1:29:20 modulation but that it's
1:29:27 it's okay this may be a terrible analogy
1:29:31 it's like a well tailored suit you know
1:29:33 it is it's very elegant it's beautifully
1:29:36 detailed it's attractive to look at but
1:29:39 it does it's not a floral print with
1:29:42 wide lapels and bell bottoms so that you
1:29:44 cannot miss in velour you can't miss it
1:29:47 so so to me that doesn't mean that it's
1:29:52 it's unattractive or bland or boring it
1:29:56 just isn't doesn't stand out more than
1:30:01 the next building than the next building
1:30:03 they're all well designed they all
1:30:05 contribute to the public realm but they
1:30:09 aren't doing so at the expense or in
1:30:11 competition with the next building yeah
1:30:14 I understand what you're saying and I
1:30:16 think that no I think that's a very good
1:30:18 analogy I just don't know that I agree
1:30:19 with their premise because I I think I'd
1:30:23 like to see interesting buildings that
1:30:25 fit within the Issaquah palette that
1:30:29 we're talking about that are interesting
1:30:32 not background I don't want other people
1:30:35 it might be as simple as changing the
1:30:37 word I agree with what Lucy's saying
1:30:39 it's like it wants to given all the
1:30:45 styles that we've approved in that area
1:30:47 or in general I think we're going to get
1:30:50 interesting buildings just by virtue of
1:30:53 that and then it's our discretion to
1:30:55 make sure they're refined and
1:30:56 appropriate so I think we'll get them I
1:31:00 think the word background buildings
1:31:03 maybe needs to be changed to buildings
1:31:08 that that you know art it looked rusev
1:31:14 unobtrusive or or or comply with the the
1:31:20 guidelines in some fashion some way to
1:31:23 reference the guidelines because I think
1:31:24 there is a lot of richness in the
1:31:26 guidelines that that's going to occur no
1:31:28 matter what so so but I agree that the
1:31:31 word is is troubling but the notion of
1:31:35 it I agree with
1:31:39 especially with you know say the context
1:31:42 of the parking garage going back to the
1:31:43 parking garage discussion we don't want
1:31:45 it to be out of mobile centric yes we
1:31:48 know it's a parking garage but we want
1:31:50 it to fit within the context of the
1:31:52 other buildings and the block so we just
1:31:57 don't want we want appropriate screening
1:32:00 we don't want it to be served by a
1:32:01 series of ramps and signs and and things
1:32:04 that call it out as a parking garage
1:32:06 when somebody goes into the garage and
1:32:08 turns on their headlights I don't think
1:32:10 you want to be blasted you know so
1:32:11 there's things you can do to mitigate it
1:32:13 from being automobile centric although
1:32:15 we know it's a parking garage and I
1:32:17 think how you mitigate that is it has to
1:32:20 fit with the context of these design
1:32:23 guidelines does that make sense yeah let
1:32:29 me let me just ask you one question Mel
1:32:31 so if we if we maple street office
1:32:37 building which you know well which i
1:32:39 think is a very handsome and elegant
1:32:41 building it is a well tailored suit I
1:32:43 think of it by me so I don't think of
1:32:46 that as a pejorative to say it's a
1:32:48 background building you may feel that so
1:32:51 and so that may be the wrong term but I
1:32:54 think of that in terms of what I'm
1:32:56 trying to say about a background
1:32:57 building I think of the Maple Street
1:32:59 building as a background building if
1:33:01 there was a series of those kinds of
1:33:03 buildings going down the street
1:33:05 different colors different materials so
1:33:08 you know maybe you know I think that's a
1:33:10 three storey building if there was a
1:33:12 four-story building than a 2-story
1:33:13 building I think that they would make a
1:33:15 very handsome coordinated and
1:33:19 interesting and street face and none of
1:33:23 those buildings would if they were all
1:33:25 sort of of a similar ilk to the Maple
1:33:27 Street building none of them would be
1:33:29 more important than than the next one
1:33:32 and so that to me is what a background
1:33:35 building is not that it has been
1:33:38 stripped of all of the you know the roof
1:33:41 the detailing the articulation the
1:33:43 setbacks an entry that draws attention
1:33:46 to itself where you know where to enter
1:33:48 the building you know so I
1:33:51 I don't know if that helps and I'm not
1:33:53 trying to send negative about the
1:33:54 rebuilding no I think that's good
1:33:56 because I would agree with you and I
1:33:57 look at like what they're showing in
1:33:59 terms of the historic building you know
1:34:01 the very boxy structure same windows and
1:34:04 everything and maplestreet you've got
1:34:06 slopes in the roof you've got setbacks
1:34:09 and balconies and and so I'd agree and
1:34:11 maybe it's good to have it this way in
1:34:13 terms of it gives us more of a way to
1:34:17 hold developers back in if we think we
1:34:19 need to exactly because a great tool and
1:34:22 still have if the maple street worked
1:34:25 with in this context for staff I'd be
1:34:27 happy with it and I think it might be
1:34:29 easier to get rid of the term background
1:34:31 and just do an edit because the the real
1:34:33 bottom line of what you're trying to do
1:34:35 is to have the residential and
1:34:38 commercial architecture not compete but
1:34:40 rather support and Hanson define the
1:34:43 urban fabric I mean you're introducing a
1:34:46 term that at least one person or maybe
1:34:48 more as confused over why do I do that
1:34:51 right and and and I think that if we're
1:34:53 all comfortable with the way we've
1:34:55 described it then we can fund we can use
1:34:58 that as a sort of launching point for
1:34:59 the description without necessarily have
1:35:03 using a term that we feel may be
1:35:05 misleading security I would agree with
1:35:09 what you said about maple Building Lucy
1:35:12 and you know if it's continue looking
1:35:14 for but if we continuously have those
1:35:17 buildings all over Issaquah gee why do I
1:35:20 need to get a new architect we'll just
1:35:22 go to I think that's mithoon that design
1:35:25 just go to mithoon and they have the
1:35:27 price of it's just you know we're trying
1:35:30 to limiting you know we have to be
1:35:32 careful not to limit the architect
1:35:37 creativity you know through that's a
1:35:40 good building and I would agree with you
1:35:42 and that's what we kind of like to have
1:35:44 somewhere close to that sort of design
1:35:47 but I don't think we want to limit them
1:35:49 into yeah continuously that yeah just
1:35:52 copy that over and over throughout the
1:35:55 whole street and you'll get it approved
1:35:57 and from the applicants point of view he
1:36:01 wants to get it approve as soon as
1:36:02 possible so he comes in with
1:36:04 same elevations as maple building but
1:36:09 the inside is changed a little bit and
1:36:10 then get it approved so again you know I
1:36:13 guess I'm really very about just saying
1:36:17 use this example and then go with it and
1:36:21 I don't know what the right language is
1:36:24 you say you know this is what we want
1:36:29 but don't don't limit yourself to what
1:36:32 we think we want I think we're doing a
1:36:36 reasonable job of saying we like this we
1:36:40 don't like that if there's things that
1:36:42 we approve if it looks like this that's
1:36:43 good if it doesn't look like this if if
1:36:45 it falls outside those characters and
1:36:48 parameters don't waste your time so we
1:36:50 don't want to have to look at yeah Andy
1:36:51 you know if the designer applicants
1:36:54 knows what we want they'll just go ahead
1:36:55 and design the way it is the way that
1:36:58 they know we'll approve and and not have
1:37:03 that creativity that they have that's
1:37:07 what I'm under remind everybody that you
1:37:10 know we should kind of let them open up
1:37:13 the creativity and for them come in with
1:37:17 some design that they can that we can
1:37:19 accept I don't you know you can we say
1:37:24 something give us something that we
1:37:25 think we want we can't say that so yeah
1:37:30 that's why we're going through all this
1:37:32 exercise to write down with what we
1:37:34 think we want right well I think one of
1:37:36 the conversations for the Commission to
1:37:39 potentially weigh in on is you know it's
1:37:45 a clause grown tremendously it is still
1:37:47 a town of thirty five thousand people
1:37:49 and there are going to be a limited
1:37:58 number of civic buildings you know if
1:38:01 we're saying that civic buildings for
1:38:02 instance are sort of that punctuation
1:38:04 that where we would look for more Flair
1:38:08 more interests more out-of-the-box
1:38:10 architecture potentially it you know
1:38:17 we have none of those in central is
1:38:20 maybe right now I mean I guess well yeah
1:38:22 fire station 72 I I think that's a very
1:38:26 all over that's downtown okay so I think
1:38:31 we have some good Civic architecture do
1:38:33 not misunderstand me none of that is in
1:38:35 central is claw I don't know how many
1:38:37 more Civic buildings will be built in
1:38:40 central as well we might go to school we
1:38:44 might get one if they can assemble the
1:38:46 land parks might be another opportunity
1:38:50 for less understated you know so the
1:38:56 question is what are those punctuation
1:38:58 marks where we can give guidance and say
1:39:01 these are the things that with these
1:39:04 sort of handsome public oriented
1:39:08 complimentary buildings what are going
1:39:10 to be the punctuation marks that help us
1:39:12 orient and give interest within this
1:39:16 district and I don't know if you have
1:39:20 thoughts about what those are council
1:39:26 well I don't know if you can say this is
1:39:28 what we want you know and then say these
1:39:30 are not you know some of them they can
1:39:33 come in really nice you know even view
1:39:35 this inappropriate you know include that
1:39:38 into some appropriate elements and
1:39:42 they'll come out very nice now so don't
1:39:46 say you know these are inappropriate
1:39:49 they'll never come in with a vinyl
1:39:50 material canopy because that's not what
1:39:54 we want if you come in the whole project
1:39:56 is out the window
1:39:58 yeah so we shouldn't say that that's I
1:40:02 thinking is it let them come in and try
1:40:05 to incorporate something nice that we
1:40:07 can and we can say yes or no and make
1:40:10 some changes in there so so I think Rea
1:40:13 that the challenge is it is not it has
1:40:17 to be predictable yeah through and and
1:40:20 so well and and and I think what we're
1:40:25 what we've heard you know the way Connie
1:40:28 is describing it I think some of the FIR
1:40:30 raishin that the Commission has had and
1:40:32 the council in the community is we've
1:40:35 had to say yes to these things because
1:40:37 you know honestly we focused on urban
1:40:41 design and we're seeing that that has
1:40:44 not gotten what we wanted so we're going
1:40:45 to add architectural styles materials
1:40:50 colors which we very we intentionally
1:40:52 avoided that did not get us the results
1:40:55 we want I think what we've heard as
1:40:58 staff and I think what Crandall Randall
1:41:01 has both heard and proposed is something
1:41:06 that is more directive that is I don't
1:41:12 know whether I mean I know they say it's
1:41:14 prescriptive I don't I'm not quite sure
1:41:16 we're at prescriptive language yet and
1:41:19 and that's something we're going to be
1:41:20 talking about in that final document but
1:41:24 I well you know I'm trained as an
1:41:27 architect I appreciate the creativity
1:41:29 you're asking for but I think if that's
1:41:32 what we want we're not going to have an
1:41:34 architectural style guide because we and
1:41:38 we are going to have an architectural
1:41:40 style guide so let me just put that
1:41:41 footnote out there because we want to
1:41:46 put edges to this I believe that good
1:41:50 architects will find ways to be creative
1:41:53 because their clients are going to look
1:41:56 for ways to make their build you know
1:41:58 it's the Kaveri concern that Mel's
1:42:00 raising you know people want their
1:42:02 buildings to feel special but they're
1:42:05 going to find that specialness not in
1:42:07 the huge gesture or the bright color
1:42:10 it's going to be in maybe their entryway
1:42:13 or roof or a material or unusual window
1:42:17 combination or something like that so
1:42:20 and and you know the example you've
1:42:22 given the vinyl weather covering we're
1:42:27 not going to say we deny your project
1:42:30 you have vinyl weather coverings
1:42:32 we're going to condition the project and
1:42:34 we're going to say we like to it you
1:42:35 have weather covering it needs to be a
1:42:38 different material so and that that may
1:42:42 be a bad example
1:42:44 if the Commission thinks that vinyl
1:42:47 weather covering is the right thing but
1:42:50 I think that we are narrowing down the
1:42:54 choices to try and create a range that
1:42:57 we think will result in something that
1:43:00 feels more fitting in the city I agree
1:43:07 and I'll say you know this requires a
1:43:10 certain amount of trust trust that you
1:43:12 are going to get good designs and I
1:43:15 think one thing you can trust architects
1:43:17 to do is push this envelope continually
1:43:19 and I think it's up to us to then
1:43:21 interpret whether they're pushing it in
1:43:24 the right direction
1:43:26 I say - a project gets way better when
1:43:31 it has constraints so if we put a
1:43:34 framework around this I think it's going
1:43:36 to force this level of refinement that
1:43:38 is occurring now sort of anything's an
1:43:41 option now anything you know when they
1:43:46 were age clothing a red building all
1:43:47 three I think once you put a framework
1:43:51 around it it forces people in word to a
1:43:54 degree and boxes them in but what it
1:43:57 really forces is that the quality goes
1:43:59 up the refinement gets better and there
1:44:01 they're going to find the way especially
1:44:03 with you know depending on who your
1:44:05 client is I mean to your point Lucy is
1:44:08 the clients going to want their building
1:44:11 to be distinctive they wanted to yield
1:44:13 high rents they want it to be an
1:44:14 attractive building that fills up quick
1:44:16 and stays full so I think there's
1:44:20 certain amount of trust we have to place
1:44:21 in that but then we also have to operate
1:44:25 as that that we they're going to push on
1:44:30 us and we have to push back and I think
1:44:31 that friction is where we're going to
1:44:33 get a lot of distinction and quality
1:44:36 that's my opinion
1:44:40 so unless there's more compelling
1:44:43 dialogue let's move on to page 72 of 93
1:44:55 are we all voting for the bottom one see
1:45:01 that's an instance where we just say no
1:45:05 comments on this one why I thought we
1:45:09 should replace that middle picture with
1:45:11 the library their library looks way
1:45:13 better than that building I I did have
1:45:20 one question I'm not I just have a
1:45:21 question worried about the corporate
1:45:22 identities expressed through building
1:45:24 material and I know that I'm the bottom
1:45:28 one I think is obviously not something
1:45:30 we would be looking for but is there the
1:45:33 possibility of other corporate
1:45:36 identities at would fit an REI sign or
1:45:39 something like that would that fit in
1:45:43 the as well thing and so there there's
1:45:44 want to keep it a blanket just keep them
1:45:46 out so I think you're raising a good
1:45:49 point so I don't think that constrains
1:45:53 signs
1:45:54 I mean signs are not a part of this at
1:45:57 this point I think that it does I think
1:46:07 that it's going to be a challenge for
1:46:09 some corporate models you know red is a
1:46:12 classic Pickering barn red yes other
1:46:17 Reds no Krispy Kreme may not be able to
1:46:21 do well I so I don't know that Krispy
1:46:25 Kreme I mean I'm doing this from memory
1:46:27 okay it is a corporate architecture I
1:46:31 think that and and maybe that's the I
1:46:36 think that that corporate architecture
1:46:41 that fits with the architectural style
1:46:44 manual is going to be okay but if your
1:46:48 corporate architecture
1:46:51 I mean this is obviously an extreme one
1:46:53 but you know not all
1:46:59 well most corporations have an urban
1:47:01 model I mean you know that's the example
1:47:03 I think of first and this is again not
1:47:05 architectural one of the challenges we
1:47:08 had years in year after year at
1:47:10 highlands was they kept bringing in
1:47:12 their suburban model and we kept saying
1:47:14 we need your urban model we know you
1:47:16 have one you need to do your urban model
1:47:18 here and so I think that that while they
1:47:21 do have certain corporate you know they
1:47:26 want a distinctive image there's often a
1:47:29 variety of ways that they can achieve it
1:47:31 without necessarily losing all of their
1:47:34 identity yeah so like say a target
1:47:37 building that's in downtown Seattle
1:47:40 wouldn't be able to do a big red target
1:47:44 on a building like that right that
1:47:47 others that's another sign yeah yeah so
1:47:50 when our economic development director
1:47:51 boy yeah so one of the things that may
1:47:54 want to be in the guidelines section
1:47:56 because I think it's worth maybe
1:47:58 unpacking a little bit is you know what
1:48:01 it doesn't talk about because this is
1:48:02 about contrast right and you could maybe
1:48:05 say the same thing about harmony and
1:48:07 it's right now so I'm going to go and
1:48:09 I'm going to go build a new project in
1:48:11 central Issaquah somewhere well the
1:48:13 stuff on both sides of me are 1980 strip
1:48:15 mall right so so nobody's telling me I
1:48:18 should be have contextual harmony with
1:48:22 those things right and so I guess the
1:48:24 question here and this actually came up
1:48:26 in a conversation we had yesterday is
1:48:28 you know where is the opportunity for
1:48:33 someone who's really kind of the first
1:48:35 redevelopment project in a particular
1:48:37 area to set that style you know going
1:48:41 back to Maple Street building you know
1:48:43 you bet you can now make there needs to
1:48:46 be some sort of at least conversation
1:48:48 about there's now a context there that
1:48:51 somebody on an adjacent property needs
1:48:53 to work with in some way right it
1:48:56 doesn't have to match it but it needs to
1:48:58 at least acknowledge it and and reflect
1:49:00 it in its design in a lot of places in
1:49:03 central Issaquah there is no
1:49:05 context that we want to take forward for
1:49:07 the next 20 years because we expect the
1:49:09 whole thing to redevelop maybe in some
1:49:11 parts of central Issaquah so maybe what
1:49:14 we need in the guidelines section is
1:49:16 also some text about kind of the
1:49:19 pioneers within a certain sub area to be
1:49:22 able to basically choose and not have us
1:49:25 say well there's no there's no it
1:49:27 doesn't it doesn't have context with
1:49:29 anything else I don't I mean I don't
1:49:31 know where that goes in here but it
1:49:33 seems like somewhere we need to address
1:49:34 that piece because otherwise I could see
1:49:36 us having maybe not clear discussions
1:49:40 with applicants of saying hey everything
1:49:42 around me throw away I'm going to now be
1:49:44 the pillar of you know I'm going to set
1:49:47 the style for this this next block maybe
1:49:50 that's okay maybe it's not and I just
1:49:51 don't know right now I don't know how to
1:49:53 deal with that so we just might need to
1:49:55 have them put some thought into that
1:49:57 piece because we know there's going to
1:49:59 be places where it's going to be even
1:50:01 though it's not greenfield it's semi
1:50:04 virgin redevelopment property when you
1:50:07 write in the harmony section in the page
1:50:08 before good neighbors a new building or
1:50:11 development that supports rather than
1:50:12 competes with the established character
1:50:14 of the area and maybe you don't want it
1:50:17 to exactly yeah you know maybe I don't
1:50:21 want to be compatible with the Big O
1:50:22 tires maybe I do that's against big goes
1:50:26 higher that's exactly the point
1:50:31 greenie other comments on page 72 I'm
1:50:38 going to tension potentially skip page
1:50:40 73 let somebody have some real concerns
1:50:43 with a blank page that we have 74 1973
1:50:55 seventy-five
1:51:02 [Applause]
1:51:06 I think Karl when he brought up the fact
1:51:08 that basically his communities built and
1:51:12 so I think there may be value in in
1:51:16 setting this setting up this design
1:51:19 guide as a aspirational in some part
1:51:24 that says when the opportunity creates
1:51:26 itself to incorporate these these design
1:51:30 guides we're going to do it but we're
1:51:31 not going to impose them on already
1:51:34 existing stuff there may be some value
1:51:35 in trying to make a statement somewhere
1:51:37 that maybe it already does I just didn't
1:51:39 know this so is our is what you're
1:51:48 saying that if well I lumps Owens saying
1:51:55 is that when we have the chance to move
1:51:58 closer to this model we want to do it
1:52:00 that's all I'm saying right and and that
1:52:03 you know that's something we that this
1:52:06 is the hardest thing to do is how you
1:52:09 incrementally redevelop toward a vision
1:52:12 and I think one of the things we're
1:52:15 looking forward to is some more
1:52:16 conversations about how you do that in a
1:52:19 way that makes sense
1:52:21 as as you only have partial
1:52:24 redevelopment of a block for instance
1:52:26 yeah so in Lucy to that point I mean so
1:52:30 inappropriate on page 75 of 93 you know
1:52:34 one of the things that they talk about
1:52:35 being inappropriate as a parcel passage
1:52:38 and I guess the question is you know
1:52:41 there's going to be times let's say that
1:52:43 white building in the the bottom photo
1:52:47 is a redevelopment that's a new building
1:52:49 let's just pretend right and so we could
1:52:52 get that passage potentially along that
1:52:56 building but then maybe that next piece
1:52:59 which is in the yellow we can't get
1:53:00 until that next piece of property
1:53:03 redeveloped so the question is is what
1:53:05 do you do are they saying don't get that
1:53:08 parcel partial I don't even can't say
1:53:10 partial assets oh my gosh I need to go
1:53:13 sleepers you know you know I don't know
1:53:16 I what are they saying don't do it or
1:53:19 in maybe entitlement but not build it I
1:53:22 mean I think it I don't understand
1:53:25 because it's all going to be incremental
1:53:27 right we're not we're not going to get
1:53:29 potentially a whole block built at a
1:53:31 time and so if if the direction here is
1:53:34 don't do things in small pieces if it's
1:53:38 part of a bigger plan to get maybe a
1:53:41 through block connection or a mid block
1:53:43 you know access way maybe we got to do
1:53:46 it in pieces and so I don't know I'm not
1:53:48 sure what to do with that what about if
1:53:50 we just add the word permanent partial
1:53:53 passages well except it could be five
1:53:57 years that or ten years
1:53:59 I know but again if it's designed to
1:54:01 eventually go through when the next
1:54:03 place gets developed okay as opposed to
1:54:06 others of passage that we know we'll
1:54:08 never know readers so you could
1:54:11 potentially move the or in front of dead
1:54:14 end and have it the dead end parcel
1:54:16 passages just because you want to be
1:54:18 able to that one more time
1:54:20 yeah sake so because I think that's the
1:54:23 point is you don't want to get you want
1:54:25 to have a road to nowhere you don't want
1:54:27 a mid-block crossing that goes to the
1:54:30 back of a building right and so you know
1:54:33 so if there if we know it's likely to be
1:54:36 dead end we might send through permit
1:54:39 review say okay in this particular case
1:54:41 don't do that because that sends a bad
1:54:43 message to our community because we're
1:54:45 sending them somewhere that doesn't go
1:54:47 anywhere
1:54:47 yeah my interpretation of that was that
1:54:51 it's mid block that it just you don't
1:54:53 allow someone to end a passage mid block
1:54:56 because going back to it incrementally
1:54:59 you know you develop one block and you
1:55:02 have that partial passage and say the
1:55:03 next block hasn't been redeveloped yet
1:55:06 well once it is you want that that
1:55:08 passage already there to connect to now
1:55:11 the next one and I asked a question
1:55:15 about the nature of them are they are
1:55:17 they easements or are they right-of-way
1:55:19 I think that I don't know well probably
1:55:26 easements but that that's a good
1:55:28 question I mean I think that was the
1:55:30 question that Ray brought up are these
1:55:32 roommate
1:55:33 city's responsibility or I mean there
1:55:36 are different sides of the same coin
1:55:37 is are they dedicating them as
1:55:40 right-of-way my guess is not but then
1:55:42 you would want some kind of easement
1:55:44 that allowed at least the through block
1:55:48 part of it to be used by the community
1:55:53 and I guess my question is goes down to
1:55:55 who pays for creating it not maintaining
1:55:58 it necessarily I guess that's part to
1:56:01 the question then who creates it then
1:56:02 it's a question of if you get a critical
1:56:05 mass of development then is the onus on
1:56:07 the city to come in and create it so to
1:56:11 speak if it's right away or is it always
1:56:14 on the developer to improve that so far
1:56:17 they deliver that in development no it's
1:56:21 generally been on the developer I mean
1:56:23 you know at some point I don't I don't
1:56:27 think we're there but at some point the
1:56:29 city could decide we're going to build
1:56:31 the street this plaza this through block
1:56:34 passage because we believe that will
1:56:36 spur a certain kind of redevelopment in
1:56:38 this area and that I don't think that
1:56:41 there's a particular you know pioneer
1:56:45 project or you know priming of the pump
1:56:47 that the city has identified that they
1:56:49 want to undertake okay and wonderful a
1:56:52 good example is the townhomes that are
1:56:54 built on the south side of where Dick's
1:56:57 Sporting Goods is and they've got just
1:57:00 right across that parking lot that
1:57:02 pedestrian walk through which seems like
1:57:05 it's private there's no street that goes
1:57:07 through but it's open to the public
1:57:10 to walk through it's a required plaza
1:57:13 linear Plaza that was it was the peanut
1:57:21 gallery is commenting that's a private
1:57:22 plaza then I take it with an ailment
1:57:24 ability to allow the public purpose I
1:57:28 mean actually when they were asking for
1:57:31 local examples I sent that one to them
1:57:34 and asked if that you know represented
1:57:37 the kind of through block passage
1:57:39 because it is wider than we've typically
1:57:42 done those through block passages yeah I
1:57:44 think that the
1:57:46 it's at least 30 feet wide and then
1:57:49 there's another 10 feet or something two
1:57:51 buildings so you know you're looking at
1:57:53 something in this probably 50 foot range
1:57:58 let's move head 76
1:58:04 [Applause]
1:58:13 about 77
1:58:23 about 78
1:58:35 about 79 will be teaching Lucy just one
1:58:41 minor typo on there under appropriate
1:58:43 that on which book page of 79 okay under
1:58:48 appropriate the first paragraph says
1:58:50 maybe lease obtrusive to the sort of
1:58:54 stop thank you on the subject of typos
1:59:02 like to raise my tech rating I just
1:59:06 can't leave it behind this is a draft
1:59:09 document in work right but I have
1:59:12 probably several hundred markups on this
1:59:14 so far so I hope that at the end we have
1:59:17 a definite responsibility assigned for
1:59:19 the final draft for an editor to go
1:59:22 through all this because you know it's
1:59:23 not extremely clean at this point about
1:59:33 page eight
1:59:38 I guess the one question about the
1:59:42 setback with it at least or exactly yeah
1:59:45 and I I guess opinion wise here I don't
1:59:49 know that I agree with you can only have
1:59:51 one upper floor step back and that you
1:59:54 know it's four storeys one setback and
1:59:56 that's it we'll ask them to explain that
1:59:59 so their rationale and then I think we
2:00:01 can deliberate on whether that's a good
2:00:02 reason or not as opposed to multiple
2:00:05 step backs on upper floors yeah as I I
2:00:08 don't know that it would detract
2:00:10 necessarily from buildings and if a
2:00:12 developer wants to set it back a couple
2:00:14 times I'll see where the harm would be I
2:00:23 think they're always trying to avoid
2:00:25 setbacks from the progress of the
2:00:28 project Oh a page 81 or step backs versa
2:00:34 I have one comment here under
2:00:36 appropriate the second bullet point it
2:00:39 might be might spell it out in the
2:00:44 design codes but should we be
2:00:45 prescriptive on the pedestrian sight
2:00:47 lines for how I off the ground the
2:00:51 windows have to be
2:00:58 off the ground or relative to the grade
2:01:00 or both relative to their would be great
2:01:09 if it's pedestrian sight line is this a
2:01:11 AAA to in essence were locate window
2:01:14 openings above pedestrian sidelines yeah
2:01:16 okay window openings above veteran sight
2:01:18 lines Dubonnet want to be more specific
2:01:20 prescriptive their minimum elsewhere
2:01:23 they indicate it as five feet if it is a
2:01:26 pedestrian I can't find the key so maybe
2:01:28 that is our gold standard but they
2:01:31 should say it oh it's elsewhere well
2:01:33 they do have they do reference
2:01:34 pedestrian sight lines where they do
2:01:36 want transparency okay these five feet
2:01:41 in the benchmark and so maybe and that
2:01:44 is it so anything it means they do on
2:01:46 page 87 where they're talking about
2:01:49 ground floor transparency for retail
2:01:52 from floor retail I think your point is
2:01:56 good one I should just say here as well
2:01:57 as say so Lucy also on a one I mean I
2:02:03 think we have the same question about
2:02:05 one foot six inches and four feet are
2:02:08 those supermagic or is there a range
2:02:12 there that's that's allowable right I
2:02:14 mean that's pretty darn specific do that
2:02:18 right clarity
2:02:19 well that's clear I mean there's no
2:02:21 ambiguity about right one foot six
2:02:23 inches now I would wonder it along the
2:02:25 sight line I wonder maybe about not
2:02:28 being prescriptive and if they're saying
2:02:30 it's appropriate to locate them above
2:02:32 sight lines but not that you have to now
2:02:36 if a developer came in and said we want
2:02:38 to have our these windows to be a three
2:02:42 feet I think part of so that so I could
2:02:45 get so part of the I'll maybe pose the
2:02:49 opposite side of that so so they build
2:02:51 it that way and then all the tenants
2:02:53 move in and they don't like that level
2:02:56 of visibility into their space so then
2:02:59 you get things like furniture and you
2:03:03 know butcher paper and I stopped in the
2:03:06 windows so nobody can look in so
2:03:08 you know I agree I love the fact that
2:03:11 you would because we want is we want
2:03:13 that the ability to kind of have that
2:03:15 active side walk by being able to see
2:03:18 into some of those but you get so you
2:03:22 get some bad behavior too right so the
2:03:24 other way that you see it is when you
2:03:27 have specific you know when you have
2:03:30 these height limits and we're seeing
2:03:34 this in the you district a lot where the
2:03:36 ground floor they're they're pushing the
2:03:39 ground floor down so you get these sort
2:03:42 of troglodyte units and that's also
2:03:48 uncomfortable because then people are
2:03:50 really looking into everything that's
2:03:52 going so then they've always got shades
2:03:54 on their windows so I think it's it's
2:03:56 trying to as key said establish a level
2:04:01 at which it will be comfortable on both
2:04:03 sides you know for kind of the right
2:04:06 level of engagement on the same page
2:04:15 there are a number of pages in this
2:04:17 section with no inappropriate section is
2:04:19 that because it's just not appropriate
2:04:21 to include and there are no examples of
2:04:25 in appropriate images there either same
2:04:28 next page
2:04:38 speaking of the next page 82 comments
2:04:48 comments mr. chair under appropriation
2:04:53 appropriate under appropriate the last
2:04:56 paragraph it talks about accommodation
2:04:59 outside seating dining retail limited
2:05:04 landscape or raised planet I wonder
2:05:08 should we include railings in there I
2:05:13 said as a merchant you know every square
2:05:18 you know it's its money so if you put
2:05:21 planters in there planters takes up more
2:05:23 room versus just railing you only have a
2:05:27 couple of inches that each into your
2:05:29 there are space so I wonder should we
2:05:34 could the word railing and have them
2:05:37 have that option to go into there says
2:05:41 me and clothes how could the other thing
2:05:43 so railing should be acceptable yeah I I
2:05:47 think that there so I don't know that
2:05:53 I'm going to make sure I'm tracking what
2:05:55 you're what you're getting at
2:05:57 so there's the first sentence is the
2:05:59 sort of activities that we want and the
2:06:02 second sentence is how landscape could
2:06:05 be appropriately incorporated so while
2:06:10 the landscape may be part of defining
2:06:12 those areas and railings would also
2:06:14 define those areas I don't think that
2:06:16 they're trying to actually address the
2:06:19 tools that you're using to define cafes
2:06:24 eating I think that they're trying to
2:06:26 identify appropriate ways for landscape
2:06:28 to be incorporated but do we want
2:06:31 landscape do we not railing I I think
2:06:35 you could have railings or you could not
2:06:37 have railings I don't think they're
2:06:39 trying to say talk about railings with
2:06:43 the seating although you're you're
2:06:45 absolutely right most restaurants if
2:06:47 they serve
2:06:48 alcohol are going to have to have
2:06:49 railings yeah I think they're really the
2:06:51 second sentence is really just trying to
2:06:53 get at how what appropriate landscape
2:06:57 would look like it curls right it would
2:07:02 be a possibility this is just a main
2:07:04 glue does and say you can't have them
2:07:06 related to then on description be though
2:07:09 doesn't it say that landscaping is
2:07:12 required here do we want that or is that
2:07:16 just copy and paste from the previous
2:07:18 section section yeah yeah after look at
2:07:22 the description be it looks like it's
2:07:25 calling for required landscaping for
2:07:27 these setbacks yep down below when it
2:07:30 describes it as appropriate it qualifies
2:07:33 it as optional looks like yeah could we
2:07:36 say something like I you know items
2:07:40 that's used for for screening could I be
2:07:46 landscaping raised planters right
2:07:51 railings even a more more more options
2:07:57 see right now the way I read it has said
2:07:59 yeah you could use landscaping or raised
2:08:03 planters or landscape pots I think I
2:08:08 don't get the impression that railing is
2:08:10 okay there although you know you read
2:08:13 into you say well railing could be so I
2:08:18 guess my proposed language maybe you can
2:08:22 change the language to say that that
2:08:27 includes ie landscaping great great
2:08:33 planters or railings of some kind please
2:08:46 if we're going optional there did we
2:08:48 want to delete it up above in
2:08:50 description where it says maximum
2:08:51 10-foot landscape setback well I think
2:08:54 the like at you have a level of
2:08:57 precision that is amazing and so I think
2:09:01 what you're highlighting is that the way
2:09:04 that so part of the confusion for me was
2:09:08 I was looking at the lower B when you
2:09:10 were talking and then realized there was
2:09:12 an upper B so the upper be the way it's
2:09:17 written is it implies that the entire
2:09:19 setback is landscape and the lower one
2:09:22 implies that landscape is a part of that
2:09:24 setback but not don't entirely of it not
2:09:28 only that optional rate because the
2:09:30 image at the bottom of that page shows
2:09:31 that kind of setback there's no
2:09:33 landscaping really included in it so and
2:09:35 I hope you take out the word landscapes
2:09:38 in the upper Eddy
2:09:39 correct thank you good yes what proposed
2:09:42 green
2:09:51 moo-ved 883 yeah on page 83 i guess my
2:10:00 comment is maybe we should clarify the
2:10:04 word setback and step back
2:10:06 I guess we're there you're switching
2:10:09 back and forth from each step back as
2:10:12 like a marriage cake and step back sit
2:10:16 back it's on the ground level where you
2:10:17 sit back and and they're interchanging
2:10:22 that on page 83 of 93 but if you go to
2:10:26 page 82 of 93 under B it's a ten-foot
2:10:31 ground-floor setback I think that's
2:10:35 correct
2:10:36 setback is on setback from on the ground
2:10:38 level you said back when you're up on
2:10:40 the fifth floor you want to go back you
2:10:43 step back so so that's why on page 83 I
2:10:49 I I think they need to clarify it a
2:10:52 little bit got it for somebody right
2:10:55 graph should be set back and in the
2:10:58 second paragraph under description 20
2:11:01 foot step back I think for some of these
2:11:04 that are as prescriptive as that I mean
2:11:07 there's really no variability I mean in
2:11:09 theory assuming that 20 feet is magic I
2:11:11 mean so so we've used photos throughout
2:11:14 this document to give us visual images
2:11:18 of what what's what could work and what
2:11:20 might not work but for some of these
2:11:22 that are like exact and or if they are
2:11:25 you know they like for this example on
2:11:28 the previous page in the middle
2:11:29 they used actually a software diagram
2:11:34 and and dimensioned it right and so for
2:11:37 this one ray maybe the best thing is to
2:11:40 push these photos down and have a
2:11:42 similar diagram sketch that shows the
2:11:46 bottom level and then this step back for
2:11:49 the upper level so it's clear to match
2:11:53 up with whatever wording we end up with
2:11:55 I agree we should have some
2:11:57 or clarity on the wording but maybe we
2:11:59 could have a diagram to show that as
2:12:02 well because that I think would be a
2:12:03 clear representation yeah yeah yeah
2:12:06 that's I agree I agree
2:12:08 Justin on page 83 I think there's a
2:12:12 mixed up my mind right right the word I
2:12:15 think we can I'm gonna pick that I think
2:12:17 we keep the set back on the 20 feet
2:12:18 because that matches what we're using
2:12:20 for a setback you talk about Rene's okay
2:12:24 I'm going to call wordsmithing and we're
2:12:26 going to fix exactly but and that the
2:12:29 minimum is the big question yeah yeah
2:12:30 it's missing okay for
2:12:43 85 hanging there we're going to go
2:12:48 dancing like I had a question on
2:12:51 appropriate first bullet it's as
2:12:54 secondary entries are permitted along
2:12:56 through passage frontages is a through
2:12:59 passage frontage the same as through
2:13:02 block passage
2:13:04 excellent question I'm not I honestly
2:13:06 I'm not sure exactly it's when it is
2:13:09 through through passage I don't know
2:13:12 what frontage is sort of throwing me off
2:13:16 in there so I think that's a good point
2:13:18 of needing clarification thank you that
2:13:23 is how I read it but well it's just it's
2:13:29 just one of the things that was coming
2:13:31 up is consistent terminology age 86 so
2:13:41 lucy wet you so we talked about this one
2:13:44 earlier you read the second bullet point
2:13:47 under inappropriate and threw in a word
2:13:50 there that's not there and that's glass
2:13:53 so when I read that it says blue tinted
2:13:56 reflective or other opaque materials or
2:13:59 treatments and I look at the picture on
2:14:02 top which I assume is what they're
2:14:05 saying is an appropriate treatment and I
2:14:07 see brass doors right and so you know
2:14:11 for me that that's a that's kind of a
2:14:14 reflective material but if we're really
2:14:16 talking about the glass I think that
2:14:19 could use maybe another word or two to
2:14:22 be clear on that perspective because I
2:14:24 think you know there are some
2:14:26 architectural treatments at the ground
2:14:28 level that are shiny and reflective and
2:14:31 actually can be quite nice and that's
2:14:34 different than saying the windows are
2:14:37 transparent right so I think that one is
2:14:40 and and I think the glass had come up
2:14:44 that topic had come up in staff comments
2:14:46 so that's why I was just reading into it
2:14:48 but I think it's a good clarification
2:14:50 that's really just a windows
2:14:54 the glass when well window includes the
2:15:00 frame and that's what keeps pointed us
2:15:04 who said oh right gotcha
2:15:06 last night this glass just got and I
2:15:09 brief 87 the guideline paragraph I don't
2:15:18 understand that long run-on sentence I
2:15:20 don't actually understand what they're
2:15:22 trying to say there seems like maybe two
2:15:25 sentences to me but I can't tell it
2:15:36 makes sense to my planner brain but
2:15:38 we'll work on that given the way I would
2:15:41 read this is retail uses fronting is
2:15:45 that correct retails the subject uses of
2:15:48 the verb on public streets a through
2:15:50 block passage natural areas uses is a
2:15:53 noun uses is a noun retail is an
2:15:57 adjective
2:15:58 you're testing Isis or entire English so
2:16:02 I would can we recast that sentence so
2:16:05 that's clear so I'm retail applications
2:16:11 are retail in real estate uses as a rate
2:16:15 right first I've know the processes
2:16:17 except this would be typical I'd
2:16:18 understand yeah okay that is the word
2:16:21 that's the word in okay so we retail
2:16:26 activities but activity is more like
2:16:31 stuff to go on on the plaza
2:16:33 I mean you retail a uses a basis if you
2:16:36 wanted to use a different word than uses
2:16:38 I mean I'm gonna you're talking about
2:16:41 the actual space and that's the use
2:16:44 picture I don't know fish yeah I may be
2:16:48 I'm finding to use it's not in
2:16:51 industrial commercial okay residential
2:16:58 battle will use
2:17:03 that's obviously confusing to enough
2:17:05 people that would that we are address it
2:17:08 not here right if you have it right yeah
2:17:12 well with any other comments on 87 and
2:17:17 88 my one comment here is the they I
2:17:27 think they show the blue line on the
2:17:29 picture and the upper right to show that
2:17:31 this is what they're talking about forty
2:17:32 percent transparent at the ground floor
2:17:35 me is just not a great picture given you
2:17:40 don't really get to see the ground floor
2:17:41 that well and mostly what you see is
2:17:43 this the sort of barcode pattern of
2:17:48 these windows in the building which i
2:17:51 think is very attractive I was waiting
2:17:53 for you to say this background building
2:17:56 so I'll be honest you I told them you
2:18:00 guys do not like this picture I love
2:18:02 this building so I understand why they
2:18:04 have not dropped it because they
2:18:06 probably liked it too as designers but I
2:18:08 know this is not a good picture because
2:18:11 it doesn't convey what you guys are
2:18:13 wanting you know that it's not
2:18:16 representative of the things that you
2:18:18 like so that and then in this case I
2:18:22 don't think it's a very good
2:18:23 representation right of the ground floor
2:18:25 transported adult dark right yeah as all
2:18:28 dark and it's at an angle and it's
2:18:29 behind bright and and does the diagram
2:18:33 at the bottom do it sufficiently I mean
2:18:37 not in terms of being architectural II
2:18:40 what we want in terms of style but in
2:18:43 terms of sort of or composition but in
2:18:46 terms of meeting the requirement so
2:18:51 illustrating what forty percent
2:18:52 transparent all looks like that all
2:18:54 right right there you go yeah yeah so
2:18:56 even the photo on the next page which is
2:18:58 our weather protection page the top one
2:19:00 I mean so you've got big windows you can
2:19:02 actually see through those windows
2:19:04 that's like a better photo but I will do
2:19:08 we can find one yeah yeah we'll keep
2:19:09 pushing
2:19:14 same page note inappropriate section
2:19:15 there right wonder if they could move
2:19:17 the second bullet under appropriate down
2:19:18 there make it an appropriate reflective
2:19:23 coatings yeah aged 89 i I would like to
2:19:32 just build on our previous discussion on
2:19:34 this page can I go back to some of the
2:19:37 other guidelines that we've discussed up
2:19:38 till this point harmony compatibility
2:19:41 and then a third one I like to use a lot
2:19:43 is integration so I think there should
2:19:46 be some levity in the awning but it
2:19:49 needs to have harmony compatibility and
2:19:52 integration within the building and the
2:19:54 urban fabric and I would I would cite
2:19:57 the inappropriate picture again as that
2:19:59 has none of the above really just wants
2:20:02 to get your attention and so there I
2:20:05 think it's inappropriate so there's
2:20:07 still this subjective element to it but
2:20:10 if somebody is doing you know designing
2:20:12 a refined building you would think they
2:20:15 would a very special attention to that
2:20:18 on as well and that's where I think
2:20:20 integration comes into play and if we
2:20:22 use that word I think if it forces the
2:20:25 hand a little bit to get the desired
2:20:28 effect with without hemming them in as
2:20:33 much I guess I'm talking mostly to you
2:20:36 well but I think you're also that one of
2:20:38 the important points that you're
2:20:39 bringing up kevin is the point that even
2:20:44 if you did have a sombrero business I
2:20:47 would say that your awning should be are
2:20:51 appropriate to the architecture of the
2:20:53 building yes and instead I think you're
2:20:56 using the word integration I think
2:20:58 another concept is that is consistent
2:21:03 with the architectural character of the
2:21:04 building so it but I think that you're
2:21:09 also to raise point we're not asking
2:21:14 that it not at you know it could be the
2:21:18 jewelry on the building I'm going for
2:21:20 girl in the jury this time and but it
2:21:24 needs to it needs to
2:21:27 yeah I would use as an example if we're
2:21:31 using the the Arts and Crafts style we
2:21:35 have this very severe roof line coming
2:21:36 down to the the street level and that
2:21:39 that severe roof line could keep going
2:21:40 you know and you just just situate your
2:21:44 building such that that where that roof
2:21:46 line terminates it does span out for
2:21:48 five feet and serve as that awning is
2:21:52 one example and then it becomes part and
2:21:57 parcel of the architecture as opposed to
2:21:59 this thing that's attached to the
2:22:01 building by a third party and I think
2:22:03 that's when the awning is successful and
2:22:05 I think the top image illustrates that
2:22:07 it's it's very much a part of that that
2:22:11 storefront window facade that the
2:22:13 materiality is similar it registers off
2:22:17 the window lines and so that's what I
2:22:19 mean by and that's where I think it
2:22:22 becomes appropriate I really like that
2:22:26 idea that integrating or complementary
2:22:29 to the building style because that would
2:22:31 give us the tool when we look at an
2:22:33 awning able to say no we do like this or
2:22:36 we don't like that we can use that
2:22:38 language I think actually without having
2:22:41 to say it can only be horizontal metal
2:22:44 or canvas mm-mean that if there's a
2:22:47 material that carl's talked about that
2:22:50 synthetic that may be a good I hate to
2:22:52 say no we're never going to happen yeah
2:22:59 just a question on this page would this
2:23:02 be appropriate for this or not because
2:23:04 maybe a developer would never be faced
2:23:06 with it should we have any words
2:23:07 regarding weather protection for transit
2:23:09 stops even for light transit like
2:23:12 jitneys or whatever might be appropriate
2:23:14 in here like a good question here from a
2:23:20 building owners perspective so a transit
2:23:24 stop is a separate I'm not sure that
2:23:25 would be covered under this but from a
2:23:29 building owners perspective you don't
2:23:31 want somebody to say okay you have to
2:23:33 design the transit waiting area in front
2:23:36 of your building you know and require
2:23:39 that of somebody to do here it's
2:23:45 essentially a taking of your property
2:23:47 then right because not if it's in the
2:23:50 right-of-way but Richard is your is your
2:23:57 point that that transit stops should
2:24:01 shall some four have be weather
2:24:07 protected or are you suggesting that
2:24:11 that that provision is incorporated into
2:24:15 the adjacent building I guess my thought
2:24:20 is that if there are transit stops they
2:24:22 should be comfortable obviously
2:24:25 functional but I'm not sure whether the
2:24:28 developer would be required to provide
2:24:29 those or whether they would be public
2:24:31 and therefore not appropriate to this
2:24:32 guide probably would what might come
2:24:36 handy in that I were where the transit
2:24:42 transit authority would be in Corp in
2:24:46 any partnership with an owner developing
2:24:50 developer coming in putting in a
2:24:52 building with a transit stop in front of
2:24:57 or maybe even inside the building or
2:24:59 happy it's remarkably difficult I'll say
2:25:02 we went through this with Atlas they
2:25:04 negotiated upfront with Metro they
2:25:09 redesigned a location and then Metro
2:25:14 wasn't sure they wanted to use it so I
2:25:17 think and you know it's kind of like
2:25:20 some of the challenges that we face with
2:25:21 school bus stops you know it's one place
2:25:23 one year it's a different place another
2:25:25 year because we're of where the children
2:25:27 are the timing how many buses they're
2:25:30 running I it is it is a huge value of
2:25:34 ours so I think that what you're saying
2:25:38 is correct I'm not sure that I'm not
2:25:44 sure that putting it in here I mean this
2:25:47 is more about the building design and I
2:25:49 think that we want them I'm just not
2:25:52 quite sure how we can predict where
2:25:55 they're going to be enough to set that
2:25:58 up front in front
2:25:59 I've never may have been behind my
2:26:01 question I don't know that it's really
2:26:03 appropriate for this guide but obviously
2:26:05 it's something we're training encourage
2:26:06 in the core right absolutely well and
2:26:09 just one overall statement about this
2:26:11 guide and I want you guys to I think
2:26:13 hopefully embrace this perspective is
2:26:16 you know we're going to get this done
2:26:18 it's going to get adopted we're going to
2:26:19 start using it and we're going to
2:26:21 immediately start to realize the things
2:26:22 that we forgot to add alright and so
2:26:25 part of this is recognizing that this
2:26:27 thing needs to be semifluid and we need
2:26:29 to have the diligence keep updating it
2:26:32 as we go through permits have
2:26:35 realizations and go wait that didn't
2:26:37 turn out exactly the way we wanted or we
2:26:39 got into a debate about something we
2:26:41 shouldn't have because we were all clear
2:26:43 on how it should have been but the
2:26:44 developer had no idea right so part of
2:26:47 this is just just take that with a grain
2:26:49 of salt
2:26:49 Richard because we may be revisiting
2:26:52 that particular issue maybe sometime in
2:26:54 the near future won't our answer be
2:26:57 that's something the planning policy
2:26:59 missed that's a battle absolutely means
2:27:04 your answer we will be new we only
2:27:06 deliver light what's your comments from
2:27:10 the PC on TV to make it now have a page
2:27:15 90 the companies
2:27:16 I know inappropriate they're about page
2:27:25 91 is still in the same the 191 I
2:27:32 definitely question two questions about
2:27:35 the first appropriate accessible parts
2:27:37 within three blocks of all residents so
2:27:40 in terms of building design do you say
2:27:45 well you're building a building and
2:27:47 there's no park within three blocks so
2:27:50 you have to put the park in yours or it
2:27:52 seems hard thing to figure out how you
2:27:56 do that and then again back to my
2:27:58 question of you want to have parks every
2:28:00 three blocks it because then you have to
2:28:02 maintain them and stuff so I'm not so
2:28:04 sure that I like the idea of the green
2:28:06 necklace and connected parts and planned
2:28:09 out but I'm not sure that it can you be
2:28:11 this prescriptive even how it would work
2:28:14 well enough I don't know that means
2:28:18 they're public parks but I I think it is
2:28:24 I think understanding the intense of
2:28:28 spacing the size you know if you have a
2:28:32 small piece of property and you're the
2:28:35 first one to build and there's no Park
2:28:38 in that area does that mean it's on you
2:28:41 you know I and and it obviously ties
2:28:47 back to the parks plan and so we are
2:28:51 going to meet next week and begin to
2:28:53 talk to the parks department because
2:28:55 there's they're trying to start
2:28:57 anticipating some of the needs for
2:28:58 central we're trying to understand
2:29:01 how these pages fit in and begin to try
2:29:06 and set that framework so and just to
2:29:09 Mel's point I guess what I would say is
2:29:12 you know there's if you're if you if you
2:29:16 go with like a demand based approach
2:29:19 there's a big difference between you
2:29:22 know three blocks of three-story
2:29:23 buildings or three blocks of eight
2:29:25 storey buildings in terms of the number
2:29:27 of people that you're generating in a
2:29:30 particular
2:29:30 block that would need an open space to
2:29:33 go recreation right and so part of it
2:29:35 for me is that that piece is missing
2:29:37 there's there was an assumption may be
2:29:39 made on density that I don't know how to
2:29:43 deal with that right yet just because
2:29:44 again we don't have there's not a
2:29:47 pattern that's been established yet
2:29:49 right so I don't I find myself also and
2:29:53 I think Lucy and I were both looking to
2:29:55 the Parks Department to give us some
2:29:56 clarity on this particular topic since
2:29:59 it's their wheelhouse
2:30:07 I'm a page 92 oh of 93 that's some
2:30:14 comments on 93 it looks like a lot like
2:30:19 the other case it was like all right I'm
2:30:26 getting the sense that we're we've
2:30:28 completed that any other comments for
2:30:30 people that people would like to make
2:30:31 feel compelled to make well I think one
2:30:34 of the things to talk about not tonight
2:30:38 but strategically we have this meeting
2:30:41 next week and how do we want to use that
2:30:44 we've gone through sort of you know both
2:30:47 documents we've looked in depth I'm not
2:30:50 sure whether there are big topics that
2:30:54 are left for you the one topic that a
2:30:59 few of us have communicated about is
2:31:03 whether we want to look at some images
2:31:06 or you know talk about local projects
2:31:11 that we think are good examples or and I
2:31:15 don't know that we're saying that they
2:31:18 have to be in there but we'd like to put
2:31:19 these out to the architect crandall
2:31:21 rambilas
2:31:23 like them to consider these as for
2:31:26 inclusion or whether we're looking at a
2:31:30 little bigger pool I mean I I know
2:31:34 there's been a lot of and crandle
2:31:36 rambilas has frankly when we said that
2:31:38 to them they said we prefer to have
2:31:40 local projects I said you know because
2:31:44 it's nice for both the community for the
2:31:49 staff for the builders to be able to go
2:31:51 out and see a project and not just look
2:31:54 at it in a little you know 2 inch by 2
2:31:56 inch photo but see what it feels like in
2:31:59 three dimensions so there's I mean so so
2:32:03 clearly we could spend easily two hours
2:32:06 looking at pictures and and going
2:32:08 through you know that and I think
2:32:11 another suggestion that Connie made but
2:32:14 it was also I think she stole it from
2:32:15 one of our council members kidding
2:32:18 because it was made last night as well
2:32:21 was at some point and I don't know if it
2:32:24 makes if we're ready to do this is run
2:32:26 you guys through a dry run and take
2:32:28 either bail or in its wood or atlas or
2:32:31 one of the projects that you might have
2:32:33 done without this do a new one use this
2:32:37 and then talk through how we saw working
2:32:41 you know fill out the checklists go
2:32:45 through that and then see if if you and
2:32:49 we are generally on the same page if we
2:32:52 can't agree then that's going to be very
2:32:55 telling that maybe some of this needs
2:32:57 because I don't know how much of this is
2:32:59 going to get updated before the next
2:33:02 meeting right
2:33:03 none of it yeah and so the question is
2:33:05 is what's a good useful next step right
2:33:07 absolutely about some point that's a
2:33:10 great idea to do that yeah my bias is to
2:33:14 try the tool on see how it works that
2:33:17 week and I think we could spend more
2:33:18 than two hours looking at pictures and
2:33:20 we will all have a different idea what
2:33:22 it looks like but I think there's a
2:33:23 general consensus of we'd like to see
2:33:26 more it's across stuff or local stuff
2:33:28 that then not and preferably would like
2:33:32 to see more appropriate Issaquah
2:33:34 pictures and inappropriate but mostly
2:33:37 have to see the fact like that works out
2:33:39 but I think using the tool right now and
2:33:43 seeing if see it if we could come to
2:33:45 some kind of resolution or agreement on
2:33:47 how we can atlas would be a great one to
2:33:50 look at anyway pick a project that had
2:33:53 generated a little controversy and then
2:33:55 see how how this could have helped or
2:33:57 not that would be great use of our time
2:34:00 I think I agree I think that would be
2:34:03 great and we could work to do that next
2:34:06 week the one so that I would like to not
2:34:11 do Atlas because it's Henry buildings
2:34:14 and I would rather do either Vale or in
2:34:17 ass would because it's a smaller site in
2:34:19 one building the one thing to keep in
2:34:22 mind is none of them are going to fit
2:34:24 the Issaquah style unless we say it's
2:34:28 western false front or Grange and so
2:34:34 that part of the outcome right sure yes
2:34:40 but it's a little bit more challenging
2:34:42 because we've got that that that's like
2:34:44 a whole batch of it but for example is
2:34:49 good we went through a project and
2:34:52 review on one of the projects the other
2:34:56 day and the applicant had chose urban
2:34:59 Grange and so our consultant said you
2:35:03 know that's a challenge in this location
2:35:06 because we chose arts and crafts and and
2:35:10 he went through why they chose arts and
2:35:12 crafts to review it again and the
2:35:14 applicant chose why they chose urban
2:35:16 Grange and it was it was a fascinating
2:35:18 conversation to watch that unfold so
2:35:20 part of like if we choose in its wood or
2:35:24 Vale we're going to have to assume which
2:35:27 one of these architectural styles it
2:35:30 should fit in because the the consultant
2:35:33 has created some general parameters if
2:35:36 it's a particular height you know it can
2:35:38 only be a certain thing or you know for
2:35:41 urban Grange you know his comment was
2:35:43 the the applicants building was pretty
2:35:46 square it was like a cube and urban
2:35:49 Grange is much more kind of barn like an
2:35:52 agriculture and how do you deal with
2:35:54 that scale issue so if you really want
2:35:57 to do urban Grange how do you deal with
2:35:59 the fact that the building doesn't mimic
2:36:01 the urban Grange form you know just
2:36:03 because you want to use metal siding
2:36:05 doesn't make it urban grains right and
2:36:07 so it's a great conversation and I think
2:36:09 we learned a lot for how it would work
2:36:11 so similarly I think if we choose Vale
2:36:14 or in its wood and I would agree with
2:36:16 Lucy alice is too complicated to do in a
2:36:18 week but you know so we'll pick which
2:36:23 one of those architects architecture
2:36:25 themes seems to make sense for that and
2:36:29 then we'll judge it against that you
2:36:31 guys might say hey look you guys picked
2:36:33 arts and crafts we don't see that
2:36:36 building as arts and crafts at all we
2:36:37 would have chosen this style and then
2:36:40 that's a great conversation point right
2:36:42 I think that sounds fabulous we will not
2:36:44 be providing the checklist
2:36:48 well night I guess my preference might
2:36:50 be veiled just in terms of Venice would
2:36:52 had all the fill side stuff that sort of
2:36:56 impacted and we don't have that many
2:36:57 hillside sites yeah like it we might go
2:37:01 down the hillside rabbit hole and and
2:37:03 spend a lot of time there when that
2:37:04 might not be very informative for most
2:37:07 of the property but I will tell you that
2:37:08 both of those properties have a natural
2:37:12 so both it would be that that sort of
2:37:14 natural Eric because it has a stream on
2:37:17 in in proximity and they're saying
2:37:20 anything within 150 feet of that natural
2:37:23 area would have this application so it
2:37:28 would apply to available as well but you
2:37:30 wouldn't have the full hillside thing to
2:37:32 deal with
2:37:33 sure okay so let's we'll do bail don't
2:37:36 have it filled out and we'll talk our
2:37:38 way through it with good pistone so
2:37:43 other comments just the only other one
2:37:47 Honea brought up the idea of you
2:37:49 protection think view protections mostly
2:37:51 covered in SIDS if i recollect she would
2:37:56 say no yeah so the other thing i would
2:38:04 like to do is i started making a list
2:38:07 and I think Connie sort of did too and
2:38:09 that was something you had seen I think
2:38:12 some of you had seen I just like to have
2:38:15 a list of buildings so that if you if
2:38:18 were there certain buildings that we
2:38:20 like I don't I don't want it to be my
2:38:23 list of good buildings so what I'd like
2:38:27 to do is just start a list and email it
2:38:30 around and then we can look at it next
2:38:34 next meeting that way if the public
2:38:36 wants to add something to it it we're
2:38:38 not excluding the public conversation
2:38:40 but we're building a list does the list
2:38:43 have imagery because I think sometimes I
2:38:45 know it helps me you want to send you
2:38:49 photos I guess or is that too much or
2:38:51 just a list and then we we look at a map
2:38:54 maybe
2:38:56 I don't know I am I will see what we can
2:39:01 do yeah yeah so um but you know your
2:39:06 point is so I think at the very least
2:39:09 what we have to do is send an address or
2:39:11 something so that you can get to Google
2:39:13 Street View and look at it maybe that's
2:39:15 the best one because I think if I start
2:39:18 dropping foot first of all I don't have
2:39:20 photos of all of them if I'm doing
2:39:21 screen Clips then I get to a PDF then no
2:39:24 one else can modify the document when I
2:39:26 send it out to you but I don't expect
2:39:29 you but the name I may call something
2:39:31 may not be the name you call that
2:39:33 building and that's not going to be very
2:39:34 helpful if we can't all look at it
2:39:36 address address and google map and be
2:39:38 great I think that's a great idea
2:39:40 okay the onus is on you know that those
2:39:42 those townhomes just south of Dix I
2:39:44 think exporting goods would be a good
2:39:47 example got the plat so yeah drew block
2:39:49 casa just kept three level residential
2:39:53 and everything so romantic tenant right
2:39:57 the rate I'd like to thank all the
2:39:59 participation there are great comments
2:40:01 richer night apparently you have a lot
2:40:03 of editorial kind of things I don't know
2:40:05 if you've written those down you might
2:40:07 want to pass I have them I guess the
2:40:08 appropriate times when we're up to the
2:40:10 final draft or so on and then I can pass
2:40:13 money I need them before the final data
2:40:15 can give me a new it right you and I
2:40:17 were talking about how to do that okay
2:40:19 great yeah thanks Connie for your
2:40:24 participation as well so let's during
2:40:26 the meeting
2:40:28 thank you thank you
2:40:30 thank you